On March 30th, Attack Attack! brought the East Coast Scuttle to Montage Music Hall in Rochester and what a performance it was. It had everything from mosh pits, to crowd surfers and crab fingers. Although the venue wasn’t sold-out, it was hard to tell on this Wednesday evening as a sea of fans could be seen while entering the venue’s main entrance.
The night began with local act, Armor Alive. While the lightest out of all the bands with their rock sound, they were still was able to pump-up the crowd.
Next up was Across The White Water Tower, who are another local but are part of the tour. They brought a mix of rap and metalcore on top of their high energy stage performance.
Until I Wake followed, who also hail from the state. The Buffalo natives performed with a heavy metalcore influence
Conquer Divide were the penultimate performers. The group, which is made up of 5 very talented women” were the reason for many of the fans in attendance.
With the first 4 performers, the crowd was delivered wild night of raging and uproar and that was before the headliners made their way to the stage. Attack Attack!, who are known for their crab stance as they perform and their unique song titles, rocked the stage. Bringing full-circle a night for the ages at Montage Music Hall.
If you didn’t catch them on this tour, don’t worry, a little birdie said that they may be back in the fall with a new lineup.
Phil Lesh and Friends will find themselves among the apple orchards of Beak and Skiff in Lafayette on July 8, their lone stop in New York this summer on a just announced 2022 Summer Tour.
Lesh, a founding member of the Grateful Dead, will be rotating his lineup of friends during his East Coast shows, which includes an appearance at Levitate Music Festival in Marshville, Massachusetts on July 9.
On July 8, Lesh will be joined by guitarists Stu Allen and Grahame Lesh, along with multi-instrumentalists Jason Crosby and Amy Helm, and drummer Cody Dickinson. The same lineup will play Thompson’s Point in Portland, Maine on July 10.
Doors are at 5pm with the show starting at 6:30pm. Tickets are $75 in advance and $80 day of show.
Dave Matthews and Tim Reynolds have announced a show on July 17, 2022 in Canandaigua at Constellation Brands-Marvin Sands Performing Arts Center (CMAC).
The longtime friends and collaborators will be on the road this summer with Dave Matthews Band, but have set aside the evening of Sunday, July 17 for an intimate, acoustic evening.
Members of The Warehouse may request tickets through Monday, April 18th at noon ET. Visit warehouse.davematthewsband.com/ to join the Warehouse. The general public sale for tickets through Ticketmaster begins at 10AM ET on Friday, April 22nd. For complete presale details visit citientertainment.com.
On Friday, April 9th, all the old school rockers of Albany came back together at The Hollow in Albany for a once-in-a-lifetime reunion of two of the local’s favorite bands from back in the day – The Sharks and Johnny Rabb with his Jailhouse Rockers. This was the third installment of shows celebrating the 30th anniversary of local promoter and rock legend Greg Bell of Guthrie Bell Productions. This epic show at the Hollow proved that even after several decades in the business, Greg Bell still knows what the people want, and consistently gives it to them.
Johnny Rabb & The Jailhouse Rockers
First up was Johnny Rabb & The Jailhouse Rockers. Unlike most of the other bands we have seen recently, these guys didn’t take a little pandemic break — for some of them, it had been decades since they rocked out together. Their set was packed full of well-known and loved oldies ranging from the 50s to the 70s, and it was impossible to tell they hadn’t been on tour.
The Sharks
The Sharks reunited for the first time in 19 years as part of the celebration, bringing with them a following that sold out The Hollow and a captive audience. With an early R&B sound ranging across the 50s to early 80s, the band member (short one) had a party in Albany, thrilling with “Everybody Wants to Know” and two well tuned covers – “Baba O’Riley” by The Who and “Downtown” by Petula Clark.
Setlist: Too Late to go back, I’ll Follow you, Change Your Tune, Take What You Get, Please Say Yes, Pay Day Blues, Bien Vendido, She Never Feels the Same, Too Good for Words, Baby Don’t Know It, How Can I Give You, With Your Love, Moving to America, Baba O’Riley, Little Yeeti, Rehabilitation Blues, Everybody Wants to Know, Good Old Days, Arm in Arm, Down Town, I Won’t Be Happy
When does a band stop being up and coming? When they get signed, when they headline a tour, when they become famous. That’s certainly part of “making it” in the music industry. I would suggest though, that a band stops being up and coming when they understand themselves as artists. That to go from promise to realization happens when you know who you are creatively. CHRMR might still be up and coming in industry terms, but they’re fully established artistically.
CHRMR’s second full length album, Low in the Glow, is hardcore rock that understands where it comes from and where it would like to go. Up and coming artists often only understand one of the two. They’re either so eager to shatter conventions they misunderstand the fundamentals of their genre or they’re ideas are so indebted to their inspirations they fail to deliver originality. CHRMR uses both the dark, occult conventions of doom rock and their own original songwriting to create an LP that elevates the band from aspiring musicians to creative thinkers.
On the classic rock guitar led, Rites, CHRMR offers the tropes of devilry and mysticism associated with doom rock. “The priestess calls the demon/ and the shaman does the dance,” they sing about some dark ritual. It’s not real, though. It’s a fantasy, just some wish fulfilment for fans of the genre. Like rappers with money, or singer songwriters with breakups we rarely interrogate ourselves about why they’re present in our music or even care that they are, but we expect them, which means they have value. To run away from these ideas doesn’t “bust” the genre, it mischaracterizes it.
By incorporating staples of the genre into their album CHRMR allows itself to push up against them as their own voice shines through their songwriting. On the album’s closing track “Grain Ark”, a young boy comes to terms with the solitude of growing up, he’s referred to as a “golden foal”. A deeply poetic line that evokes something fragile but precious, a precocious foal who may become a towering stallion. Its tenderness would be out of place were it not so confidently woven into the rapid guitar riffs and cacophonous energy of the drums on Grain Ark.
Throughout Low in the Glow CHRMR’s artistic intention keep the album cohesive, propelling the listener from one track to the next. It establishes the band as artistically mature because they don’t ask themselves if a certain lyric, or down tempo rhythm might work, they know it will. And when people use the cliché “find your sound” that’s what they mean.
The “Dead and Gone” podcast by Payne Lindsey and Jake Brennan returns for season two on April 6. The new season of the true crime podcast will investigate new unsolved murders relatedly to the Grateful Dead.
Season two will focus on four unsolved cases spanning from the 1980s-2000s, all of whom bear some connection to the Grateful Dead: Adam Katz, Jennifer Wilmer, Bridget Pendell-Williams, Jeremy Alex. Each of these cases was supposed to be featured in season one before until Payne and Brennan decided to dedicate a full season to these cases.
Season one discussed the investigation into the 1986 double murder of Mary Regina Gioia and Gregory Allen Kniffin. Through an “a mysterious tip from a fellow Deadhead” Payne had reason to the case’s ruling had led to a wrongful conviction.
Episode one of the new season, which will be avaialble on all podcast platforms will recap season one and introduce the case of Adam Katz. The 19-year-old who was killed outside of what is now Meadowlands Arena in East Rutherford New Jersey after a Grateful Dead concert on Oct. 14, 1989. Subsequent episodes will detail the investigations of the remaining three cases.
Payne Lindsey is the co-founder of Tenderfoot TV. The company’s first podcast was the popular “Up and Vanished” true crime podcast series which has been downloaded 350 million times. He is also the creator and host of popular “Atlanta Monster, “ “Dead and Gone” and “Radio Rental”.
Jake Brennan is a music journalist who created the podcast series Disgraceland, a true crime podcast about notable cases in the music industry. In 2020 Disgraceland won the iHeartRadio Best Music Podcast award. It is the most downloaded music podcast in the world. Brennan is also the co-founder of podcasting company Double Elvis.
New episodes will be released every Wednesday starting April 6.
Infamous rock culture icons Korn and Evanescence have just announced a summer tour and accompanied by special guests varying across select dates. Korn and Evanescence will perform live at the Northwell Health at Jones Beach Theater in Wantagh, as part of the Cadillac Tri-State concert series, on Sunday, August 28, 2022.
“We’re looking forward to going on tour this summer and bringing our friends, Evanescence, out,” said Jonathan Davis of Korn. “Whenever Amy comes to one of our shows, I always love seeing her on the side of the stage watching the whole set and rocking out. We’re gonna have a great time on this tour, and we can’t wait to see you there.”
“I fell hard into Korn’s music in high school. It was an inspiration during the formation of my own band. The chances we’ve had to play together over the years are special, a part of our history. They remain one of the best live bands I’ve ever seen,” said Amy Lee of Evanescence. “It’s an honor and a thrill to go out with our friends again, our first full tour together since ‘07. We’re all really looking forward to this.”
Korn has changed the world with the release of their self-titled debut album that would eventually end up pioneering the rock genre. Korn has continued to push the limits of the rock, alternative and metal genres, while remaining a pillar of influence for fans and generations of artists around the globe.
Two-time GRAMMY® Award-winning Evanescence has made an impact on people around the world with their 2003 debut album Fallen. The album spent a total of 43 weeks on the Billboard Top 10 and sold more than 17 million copies worldwide. Global hit “Bring Me to Life” reached #5 on the Billboard Hot 100 and marked their first U.K. #1 hit single. The equally popular “My Immortal” peaked at #7 in the U.S. and U.K.
TOUR DATES:
Tue Aug 16 – Denver, CO – Ball Arena
Thu Aug 18 – Maryland Heights, MO – Hollywood Casino Amphitheatre
Sat Aug 20 – Tinley Park, IL – Hollywood Casino Amphitheatre
Sun Aug 21 – Clarkston, MI – Pine Knob Music Theatre
Tue Aug 23 – Cuyahoga Falls, OH – Blossom Music Center
Wed Aug 24 – Noblesville, IN – Ruoff Music Center
Fri Aug 26 – Mansfield, MA – Xfinity Center
Sat Aug 27 – Camden, NJ – Waterfront Music Pavilion
Sun Aug 28 – Wantagh, NY – Northwell Health at Jones Beach Theater
Wed Aug 31 – Charlotte, NC – PNC Music Pavilion
Thu Sep 01 – Pelham, AL – Oak Mountain Amphitheatre
Sun Sep 04 – Houston, TX – The Cynthia Woods Mitchell Pavilion
Tue Sep 06 – Dallas, TX – Dos Equis Pavilion
Fri Sep 09 – Salt Lake City, UT – USANA Amphitheatre
Sat Sep 10 – Nampa, ID – Ford Idaho Center
Tue Sep 13 – Spokane, WA – Spokane Arena
Thu Sep 15 – Auburn, WA – White River Amphitheatre
Fri Sep 16 – Ridgefield, WA – RV Inn Style Resorts Amphitheater
Tickets and VIP Packages go on sale starting Friday, April 8th at 10am local time here.
The North American leg of Måneskin’s “Loud Kids World Tour” will stop and perform at the Manhattan Center Hammerstein Ballroom on December 2nd and December 3rd, 2022.
The first world tour for Måneskin, “The Loud Kids” tour is produced by Live Nation and will consist of 48 days throughout North America and Europe. The tour will kick off in Seattle at the end of October and will continue through to 17 North American cities before heading to the European leg of their tour.
We’re so thrilled to be able to finally tell you that our LOUD KIDS tour just got sooooo much louder, worldwide – and will now see our very first headline tour in North America
Måneskin
Måneskin consists of a four-piece Italian band that began as teenagers in the streets of Rome. In 2021 the band grew with over 3 billion streams, hit #1 in numerous countries and across the Global charts, and becoming the #2 song on TikTok.
Måneskin continues to build their connection with their fans around the world by performing at major festivals such as Coachella, Reading & Leeds, Rock in Rio, Pinkpop, Rock Im Park / Rock Am Ring and more. The band has also received massive support on social platforms, nationwide radio, TV appearance on The Tonight Show, Ellen, The Voice, and receiving “Top New Rock Band of the Year” from Billboard #1 chart placements.
Touring in support of their debut studio album It Won’t Always Be Like This, released on July 9, 2021 (Polydor), the Irish sensation known as Inhaler performed the second of back-to-back shows in New York City on Monday, April 4.
True to their word as they neared the end of a 20-date North American tour that kicked off one month ago in Atlanta, the quartet of young lads were making up a date that was originally scheduled for March 10, but postponed due to a positive test for COVID-19 among the touring party.
Eli Hewson (Photo: Michael Dinger)
Inhaler’s rapidly growing legion of fans, many of which are comprised of a young female demographic, lined the sidewalks of two city blocks in the Union Square neighborhood of Manhattan, all waiting for tonight’s venue to open its doors to them. Irving Plaza, more than a century and half old, was inhabited as a Polish-American community center in the late-1940s, prior to a conversion into a ballroom-style music hall in 1978. Having hosted legendary performers during its storied history, such as The Clash, Paul McCartney, The Ramones and Bob Dylan, the venue underwent an eight-month long, multi-million dollar renovation in 2019.
Irving Plaza marquee (Photo: Michael Dinger)
Upon entering the iconic venue, general admission fans blew right through the contemporary, revamped lobby and flew up the stairs to the second level stage, hoping to find themselves as close to the night’s performers as possible. Talking with dedicated fan Arianna Russell moments before Inhaler appeared on stage later in the night, I learned that she arrived to queue outside Irving Plaza more than 12 hours earlier! For her to be in the front row, leaning on the stage rail barricade, it was more than worth the effort.
Fans queue (Photo: Michael Dinger)
Having also opened for Inhaler the night before at Warsaw in Brooklyn, the up-and-coming indie-pop rockers known as Rebounder took to the stage at approximately 8:25 pm. These New Your City natives are led by the alluring Dylan Chenfield (singer-songwriter-guitarist), a self-proclaimed huge fan of Bruce Springsteen, who is already known for the nostalgic lyrics about the city that inspires him. The trio is rounded out with Dylan’s younger brother Noah (bass) and Cobey Arner (drums). The fourth offering from their seven song set included their newest single “Premium Fantasy,” a dreamy tune complete with a catchy hook combination of melody and lyrics.
Rebounder (Photo: Michael Dinger)
Noah Chenfield (Photo: Michael Dinger)
As their name suggests, Dylan is also a basketball fan, particularly that of Patrick Ewing and the New York Knicks. A deeper meaning to their moniker, however, can be attributed to their DIY mentality and strive for success, bouncing higher with each new challenge.
Cobey Arner (Photo: Michael Dinger)
Nearing the end of their time onstage, Rebounder executed a shining example of 1970s electronic energy with their synth-dominant track “Swim Zone.” After graciously thanking the audience for their support and Inhaler for inviting them to perform, Rebounder exited house right.
Dylan Chenfield (Photo: Michael Dinger)
For those unfamiliar, Inhaler formed in 2012 at St. Andrews College in Dublin and are Elijah (Eli) Hewson (lead vocals, guitar), Robert Keating (bass), Josh Jenkinson (guitar) and Ryan McMahon (drums). Also joining them for live performances is Louis Lambert (keyboards/synthesizer).
Inhaler (Photo: Michael Dinger)
As a 50-year old Gen Xer, I admittedly discovered Inhaler through my passion of Eli’s father, Paul Hewson (a.k.a. Bono of U2), the legendary frontman himself. Notwithstanding, their infectious songs have completely won me over, dating back to their first single, “I Want You,” which the group self-released in 2017. With their debut album having topped the UK chart in its first week of release, this fast-rising band is “must see” entertainment.
Fans in the front row (Photo: Michael Dinger)
Immediately following two back-to-back shows in Los Angeles, and showing no signs of jet lag, Inhaler appeared on the Irving Plaza stage accompanied by flashing strobe lights that beamed throughout the intimate setting. While surveying the 1,200 souls in attendance, including VIP guests in the mezzanine that included Bono, Christy Turlington, Ed Burns and Helena Christiansen, I heard a fan say to her friend, “If I stop breathing, [just] slap me on the back.” Opening their 12-song set with the title track “It Won’t Always Be Like This,” Eli was dressed in a white t-shirt and head-to-toe in denim. The first words out of his mouth, which he addressed to the fervent audience who jam-packed the entire floor area like sardines in a tin, were, “A Monday night never felt so good, thank you for coming to see us.”
Crowd waiting for Inhaler to take the stage (Photo: Michael Dinger)
Ryan McMahon (Photo: Michael Dinger)
Equipped with a Fender Stratocaster that was complete with an Elvis Presley guitar strap, for the next hour, Eli and his bandmates would tear through fan favorites such as “We Have To Move On,” “Ice Cream Sundae,” “When It Breaks” and “Cheer Up Baby.”
Robert Keating (Photo: Michael Dinger)
Well on their way to becoming refined songsmiths, Inhaler songs are defined with a dizzying array of sonic textures, complete with a melodic chorus that grabs your immediate attention upon first listen. Their dynamic, intricate instrumentation is anchored by Jenkinson’s soaring guitar riffs, Keating’s rhythmic, thumping bass lines and McMahon’s dynamic drumming style reminiscent of Stewart Copeland, The Police drummer he has noted as one of his inspirations. The closing number, “My Honest Face,” is a coming-of-age song that Eli wrote about losing himself, and then finding himself again, figuring out the type of performer that he wanted to be onstage, in front of a live audience.
Josh Jenkinson (Photo: Michael Dinger)
Inhaler’s It Won’t Always Be Like This North American tour wrapped in Toronto, Canada on April 6th. The band’s next plans for world domination in 2022 include 60 plus shows spanning the globe that will take them to Germany, Italy, France, Spain, Scandinavia, The Balkans, United Kingdom, and of course, The Emerald Isle. Several stops along the way will also include major festival dates, such as PinkPop (June 19), Glastonbury (June 22), Rock Werchter (July 1) and Lollapalooza (July 28). Additional details can be found on their website here: https://www.inhaler.band/
Eli Hewson (Photo: Michael Dinger)
Rebounder Setlist: Change Shapes > Slow Angel > The Library > Premium Fantasy > Lovers > Swim Zone > Night Sports
Inhaler Setlist: It Won’t Always Be Like This > We Have to Move On > Slide Out the Window > Ice Cream Sundae > When It Breaks > A Night on the Floor > Who’s Your Money On? (Plastic House) > My King Will Be Kind > Totally > In My Sleep > Cheer Up Baby > My Honest Face
With Phish ready to will return to Madison Square Garden this month for four nights over April 20-23, post show plans are back as well, with CEG Presents their annual Phish After-Party series at a number of venues near MSG. The shows feature up and coming bands in the nationwide jam scene, including the debut of Funky as Hell, The DAB Sessions, Pink Talking Fish, Neighbor, Dogs in a Pile and Spafford.
Among these shows, CEG has just announced the debut of all-star supergroup Funky As Hell, celebrating the music of Prince, James Brown, Michael Jackson and more, at Sony Hall on April 21.
The artist lineup features bassist extraordinaire MonoNeon (Prince, Ghost-Note), vocalist Chris Rob (Talib Kweli), New York City’s DJ Logic, keyboardist Alric Carter (TAUK), trumpet players Chris Bullock & Mike “Maz” Maher both of Snarky Puppy, and The Chase Brothers (guitarist Matt Chase and drummer Adam Chase) of the James Brown Dance Party and Jazz is PHSH.
Previously announced for 4/20 is The DAB Sessions, an interactive improvisational experience, hosted by Phish lyricist Tom Marshall featuring John Medeski, Mono Neon, Scott Metzger, and The Chase Brothers, at The Cutting Room, just 3 blocks from Madison Square Garden.
Also on 4/20, CEG Phish After-Party series regular Pink Talking Fish, who fuse together the music of Pink Floyd, Talking Heads, and Phish, will perform at Gramercy Theatre.
Two up and coming bands generating buzz in the jamband scene can be seen after Phish on 4/21 witu Neighbor at The Cutting Room and Dogs In a Pile on 4/23 at Hill Country. Arizona touring stalwarts Spafford will also perform at Sony Hall on April 23, the final night of Phish’s MSG run.
The DAB Sessions – John Medeski, MonoNeon, Eddie Roberts, and The Chase Brothers Hosted By Tom Marshall Cutting Room Ticket Link
The DAB Sessions is an improvisation series hosted by Tom Marshall and Osiris Podcasts featuring musicians from a variety of musical backgrounds. The series is supported by Nugs.net and celebrates the power of improvisation and how it connects musicians and fans through “in the moment” creation.
Pink Talking Fish Gramercy Theatre Ticket Link A Fusion of Pink Floyd, The Talking Heads, and Phish.
Thursday April 21, 2022
Neighbor Cutting Room Ticket Link The Manhattan debut of one of the most talked about new bands on the scene! Funky As Hell Celebrating the music of Prince, James Brown, Michael Jackson & more MonoNeon (Prince, Ghost-Note), Chris Rob (Talib Kweli), DJ Logic, AC Carter (Tauk), Chris Bullock & Mike “Maz” Maher (Snarky Puppy), The Chase Brothers (James Brown Dance Party) Sony Hall Ticket Link
