The legendary alt-rock act Ween has announced two upcoming shows at New York City’s Beacon Theatre, including one on Halloween. The band is set to play four shows in the Northeast at the end of October and early November with the first two at Boston’s Roadrunner and shows on Halloween and November 1 at the Beacon.
The New Hope rockers have certainly been keeping busy lately, with recent shows in the Pacific Northwest and others lined up in the Southeast for mid-September. And Ween was also featured in the recent South Park 25th Anniversary Special, sharing the stage with Les Claypool as well as Geddy Lee and Alex Lifeson, the remaining members of Rush.
Tickets for the two-show Ween run at The Beacon go on sale Friday, August 19 at 10am through Ticketmaster and there is also a pre-sale registration that goes into effect Thursday, August 18 at 10am as well.
WEEN – 2022 TOUR DATES September 15 – Rabbit Rabbit – Asheville, NC September 16 – The Eastern – Atlanta, GA September 17 – The Eastern – Atlanta, GA October 28 – Roadrunner – Boston, MA October 29 – Roadrunner – Boston, MA October 31 – Beacon Theatre – New York, NY November 1 – Beacon Theatre – New York, NY
The Trey Anastasio Band and Goose are teaming up for an eight-show tour in November, with stops in Syracuse and Glens Falls. Fans can expect a full set from each band, as well as unique collaborations.
Goose is currently traveling on their biggest North America tour thus far after the success of their acclaimed new album Dripfield. They have many sold-out shows coming up as well as a few festival stops including Charleston, SC’s Resonance Music & Arts Festival, and Austin, TX’s Austin City Limits Music Festival. Goose is a four-piece indie groove band from Norwalk, Connecticut made up of members Peter Anspach, Jeff Arevalo, Ben Atkind, Rick Mitarotonda, and Trevor Weekz.
The Trey Anastasio Band is composed of the lead guitarist and founding member of the famous rock band Phish, for whom he has acquired several Grammy nominations for his work. In the summer of 2017, Phish completed a residency at the world-renowned Madison Square Garden in New York – an unprecedented 13-night run known as The Baker’s Dozen. They return to the road in September with a headline run before teaming up with Goose on the eight-run tour.
The tour will be stopping in Glens Falls at The Cool Insuring Arena on Nov. 13 and in Syracuse at the War Memorial Center on Nov. 18. re-sale tickets for the tour begin Aug. 17 at Noon ET. General public tickets will go on sale on Aug. 19 beginning at 10 A.M. (local). To purchase tickets, go here.
On August 4, the iconic Papa Roach came to Syracuse with the Rockzilla tour at the St Joseph’s Health Amphitheater at Lakeview. The tour consisted of Falling In Reverse, Hollywood Undead, and Bad Wolves. The Amphitheater has been host to a long list of big shows, like Foo Fighters, Slipknot, and Shinedown, who is coming back. The venue was host to Incubus and Sublime the night before. The weather could not have been any more perfect but that wasn’t the case for the Rockzilla tour, as many fans were parking and lining up, a rain delay was called for a hour due to passing storms, many stayed out as to not lose their spot. The gates opened a hour and 15 minutes later than originally planned.
First band to get the show going was Bad Wolves, who formed in 2017. Up after them was Hollywood Undead who is a treat to watch, with members switching instruments during songs. To Follow after Hollywood Undead was Falling In Reverse. The singer Ronnie Radke was on a set of risers that spanned most the stage and was moving swiftly back and forth.
To close out the night, is Papa Roach, who has been around since 1993 and still rocking on with the release of their latest album, Ego Trip back in April. When the band hit the stage, the crowd went into a roar. Jacoby disappeared from the stage during one of the songs and many were looking around, then behind the pit, you could seen phones in the air and the spot lot on him as he went through the crowd. Then for one song song, he was up in the pit the barricade, with the barrier between him and the fans.
Though the show started off with bad weather, It wasn’t enough to stop it from going. They have many other concerts lineup of various genres, so head over to their site to see who’s coming next!
Holy Wave, a quintet out of Austin, made a stop at the Bug Jar in Rochester last Wednesday. The stage filled with various keyboards which laid the baseline for much of what the band presented during their set. Sounds layered upon sounds, waves in phase and out. Syncopation shifted and suddenly a united front became polyrhythmic. Their head-swaying psychedelia perfectly matched the venue’s aesthetic. Colorful squiggly waves filled the walls; colorful waves squiggled forth from the speakers. Retro furnishings hung upside down from the ceiling, while the band took nostalgia and flipped it on it’s head.
Their brand new single, “Chaparral” opened the set. A march-like beat built behind textural synths and soaring guitar lines. Art rock influence was apparent immediately, reminiscent of the eerie edges of early Genesis. Wild drum fills cut through the meandering synth and guitar layers in “Maybe Then I Can Cry,” which extended magnificently in a subtly shifting outro. “Western Playland” added a touch of psychedelic surf, this time fuzzy bass blasts broke through the haze.
“She Put a Seed In Your Ear” picked up the pace a bit, but still felt like it was fighting to pull out of their generally slogging cadence. The overlapping layers of keys, bass and guitars rode the rollicking drums until it all crashed into a dripping ooze. The set ended on a highlight from 2020’s Interloper, “I’m Not Living Here Anymore” but the crowd wouldn’t let them leave without an encore, which pulled them way back to 2013 and their early breakthrough, “Do You Feel It.” The room spun on it’s axis a few more times, the colored squiggles undulated a little while longer before silence slapped everyone back to reality.
Rochester’s own Drippers got the night started properly, warming the stage fully for Holy Wave as their tour mates Champaign Superchillin’ had to pull out of the show last minute. Mike Turzanski laid down screeching dissonance with effects-laden guitar work employing a unique finger picked technique while riding the whammy bar heavily. His airy and echoey vocals arrived almost as an after thought. Inspired playing throughout from the bass and drums allowed Turzanski to work some textural guitar magic. Speaking of non-traditional playing, Overhand Sam, of Maybird (among many others), joined in on bass for the night with his namesake overhand playing style. Like the BASF of Rochester’s music scene, he doesn’t make a lot of the tunes you hear, he makes a lot of the tunes you hear better.
It is that time of the year for each area to have its own local fair during the summer months. Masses of people come out to enjoy food, rides, entertainment, and live music. The Erie County Fair is hosting many musical acts this year. On Saturday, Aug. 13th, Halestorm played the Buffalo News Grandstand at the Erie County Fairgrounds racetrack. Halestorm is an American rock band from Red Lion, Pennsylvania.
The show started promptly at 7:30 P.M. Many fans were seen stalking the merch booth prior to the show starting. There were general admission tickets in the grandstand bleachers or seated and numbered tickets on the floor. Most of the floor section was filled in. They were the only band on the bill, there was no opener.
Halestorm is currently touring in support of their new album Back from the Dead. Lzzy Hale (singer, guitar), took to the stage with her brother Arejay Hale (drums), Josh Smith (bass), and Joe Hottinger (guitar) to play a 17-song setlist. They played all of their popular songs including “Love Bites,” “I Miss The Misery,” and “Here’s to Us.” Halestorm’s stage presence is well crafted since they tour so much, playing upwards of 205 shows a year. The band was very engaged with the crowd.
At one point in the show, Hale noticed a little girl holding a large envelope that said: “keep this” with a sharpie attached. She had it brought up on stage and she read the contents of it out loud to everyone, “please sign my first guitar.” Security then handed her the fan’s guitar and she signed and returned it.
Setlist: “Back From the Dead,” “Love Bites,” “Wicked Ways,” “Psycho Crazy,” “Mz. Hyde,” “Bombshell,” “I Get Off,” “Break In,” “Raise Your Horns,” “Terrible Things,” “Strange Girl,” “I Miss the Misery,” “Freak Like Me,” “I Am the Fire,” “Here’s to Us,” and “The Steeple.”
Buffalo-based Timothy Alice & the Dead Star Band is back with another excellent music release. The band released “Winning Number,” on Aug. 12 as the first single off of their upcoming album, Used Cars.
Formed in 2018, the band consists of longtime friends Timothy Patrick Henderson, Matt DiStasio (drums), and Bub Crumlish on bass. The trio released their debut album, SpaceStation AM500, in 2019, and is set to release their sophomore record, Used Cars, later this season.
As a single, “Winning Number,” showcases the passion, talent, and promise of what is to come from the upcoming Timothy Alice & the Dead Star Band release. With Alice’s raspy vocals, guitar riffs, and settled drums, the classic rock single shines.
Alice’s lyricism intricately molds the story of a relationship through the eyes of a partner who wants more for both of them. The melody gets one singing along as Alice heads into the chorus, “I swear you’re gonna see what I mean, ‘cause I bought a winning number and they’re gonna call it out tonight.” Alice’s vocals and lyrics make it easy to imagine the vivid scene he paints as the instrumentation contributes to the longing feeling.
Timothy Alice & the Dead Star Band recorded the single and upcoming album in the middle of a Buffalo snowstorm during the pandemic. The area has always impacted the group’s music, but Timothy Alice described this record as “distinctly Buffalo” with its tone, sound, and concept.
With catchy hooks, a unique combination of sound, and authentic lyricism, “Winning Number,” shines and Used Cars is sure to as well. Stay tuned for when the full album releases later this year for more and keep up to date with the Buffalo-based band on Instagram, Tik Tok, and Bandcamp.
The show kicked off right on time at 3:55 P.M. with Classless Act jumping onto the stage filled with lots of energy. The band members were all over the stage trying to warm the crowd up. Formed in 2019 and consisting of five former strangers who met via TikTok and Instagram, they are a straight up rock and roll band. Many fans in the crowd enjoyed their short but memorable set. Some fans thought they played better than some of the other bands on the bill. Usually after their set, they will play in a small venue in the same city they are in, really showing dedication to their craft.
Joan Jett and the Blackhearts
Joan Jett and the Blackhearts. Photo credit- Mike Miller
Joan Jett and the Blackhearts went on at about 4:30 P.M. Their set length was about 60 minutes. Joan has been described as the “Queen of Rock ’n Roll,” and was inducted into the Rock and Roll Hall of Fame in 2015. She has three albums that have been certified platinum or gold.
Poison
Drummer Rikki Rocket. Photo credit- Mike Miller
Next was Poison, who is a famous glam metal band formed in 1983 in Mechanicsburg, PA. The band consists of lead singer Bret Michaels, drummer Rikki Rocket, bassist Bobby Dall and lead guitarist C.C. Deville. The band achieved huge commercial success in the mid-1980s through the mid-1990s and has sold 16 million records in the United States and over 50 million albums worldwide. From the start of their set, the band was filled with energy, running up and down the catwalk ramp. The fans in attendance loved that the band was wearing Buffalo Bills items (shirts, hats, and jerseys) for their hour-long set.
Mötley Crüe
Photo credit- Mike Miller
Next was Mötley Crüe, who had many stage props and visual effects, with multiple metal pieces hung around the stage. The drum riser was encompassed in a metal circle, with inflatable women robots, unique mic stands, and multiple lyric teleprompters around the edge of the stage for the lead singer. These teleprompters made it very difficult for the photographers to get photos. They also blocked the view of some fans in the front rows at the end of the catwalk. A video screen was then lowered.
They started their set at 7:30 P.M. sharp, with the whole floor filling with thick white fog/smoke. An intro video played to get the crowd’s adrenaline pumping (dubbed as a breaking news report). During their first song “Wild Side” many women dancers joined them on stage to sing and dance. “Shout at the Devil” used lyrics on the large screen behind them to have the crowd join along in chanting the lines. Every song they played seemed to be a fan favorite as it appeared every fan knew all the words. Mötley Crüe’s set ended 90 minutes later at 9 P.M., with a set full of classic hits and a cover medley of songs.
Def Leppard
Singer Joe Elliot. Photo credit- Mike Miller
To close out the show was Def Leppard with an insane lighting display. The stage had huge vertical video screens, massive light bars, and a long walkway connected to the stage. The fans in the crowd sang along to each and every word of their classic hits. They used the stage walkway into the crowd to give the fans up close, the best view money can buy.
Setlists:
Classless Act
“This is for You,” “Give it to Me,” “Time to Bleed,” “All That We Are,” “Classless Act.”
Joan Jet and the Blackhearts
“Victim of Circumstance,” “Cherry Bomb,” “Light of Day,” “Do You Wanna Touch Me,” “You Dry Me Wild,” “Everyday People,” “Fake Friends,” “Crimson & Clover,” “I Love Rock ’n’ Roll,” “I’m Gonna Run Away,” “I hate Myself for Loving You,” “Bad Reputation.”
Posion
“Look What the Cat Dragged In”, “Ride the Wind”, “Talk Dirty to Me”, “Your Mama Don’t Dance”, Guitar solo, “Fallen Angel”, Drum solo, “Every Rose Has It’s Thorn”, “Nothin’ but a Good Time”.
Mötley Crüe
“Wild Side,” “Shout at the Devil,” “Too Fast for Love,” “Dont Go Away Mad,” “Saints of Los Angeles,” “Live Wire,” “Looks That Kill,” “The Dirt,” “Rock and Roll, part 2/ Smokin’ in the Boys Room/ White Punks on Dope/ Helter Skelter/ Anarchy in the U.K,” “Home Sweet Home,” “Dr. Feelgood,” “Same Ol’ Situation,” “Girls, Girls, Girls,” “Primal Scream,” “Kickstart my Heart.”
Def Leppard
“Take What You Want,” “Let It Go,” “Animal,” “Foolin,” “Armageddon It,” “Kick,” “Love Bites,” “Promises,” “This Guitar,” “Two Steps Behind,” “Rocket,” “Bringin’ on the Heatbreak,” “Switch 625,” “Hysteria,” “Pour Some Sugar on Me,” “Rock of Ages,” “Photograph.”
On August 20 at River Fest Park in Buffalo, Buffalo Music Coalition will bring the Summer of Love from 1967 all the way to 2022 with “Summer of Love ’22 – A Buffalo Salute to the Monterey Pop Festival.”
Comprised of a group of music lovers and musicians, The Buffalo Music Coalition was organized in 2018 to produce unique shows they thought the public would like to see. Starting with East Aurora Music Festival, the following year they organized a Woodstock Celebration in 2019 at River Fest Park with local musicians from across the Buffalo area, with more than 1500 fans in attendance. Then in February 2022, the Coalition held “Girls Just Wanna Have Fun” at Sportsmen’s Tavern, highlighting some of Buffalo’s best female performers.
For 2022, a celebration of the 1967 Monterey Pop Festival is on the table, once again held at River Fest Park with performances from local musicians, including some who took part in the Woodstock celebration, and plenty of new faces.
At River Fest park, there will be food trucks and vendors contributing to the fun, which kicks off at 4pm on Saturday, August 20 and runs until 11pm. This is a rain or shine event. Bring a lawn chair but no outside food or drink are allowed in the venue. Pick up your tickets here.
On Thursday, August 4, an electric and explosive night to remember, ROT$ Worldwide, Inc. hosted their very own INTERN$ 22 RAGER underground artist showcase in Manhattan. These individuals, all relatively young, received the opportunity to present their artistry to one of the most musically creative and diverse cities in the world.
Photo Credit: Courtney Griffin
According to Tiffany Swiney, Cofounder of ROT$ Worldwide, Inc., a communications agency with a focus on creative thinking free from socio-economic barriers, the company’s five summer interns brainstormed on a collective project, which in the end became the INTERN$ 22 RAGER event. Their challenge was to fulfill the behind-the-scenes tasks in preparation for the showcase. More specifically, the given instructions were to find a venue and several underground upcoming artists. After intense research, the location chosen was 404 Broadway New York, NY and those selected to perform were Arson, INDiGO, NuuDetta!, Fasquiat, Tenahoni, Hendo, Ka$hKenni, Vas, SANDWCH BOI, Daytona Levell, and Slick2x, along with a few others who were guests on different sets.
ROT$ is all about bringing young NYC creatives together in a safe space to sharpen their skills. It was so great to see everyone working together to hype the performers, get their content in, network, and to just be free.
Tiffany Swiney
Arson, one of the performers of the night and the show’s MC, shed light on how the theme came to be. What worked best for everyone was “nightclub rager,” a show with music to last a lifetime. According to Arson, the main genres of the night were rap, emo, trap, and alternative. The intention of this event was to show the diversity of and bring back the great energy from the NYC underground artist scene. After three weeks of preparation for the show, each performer developed an unwavering supportive family bond with one another.
Photo Credit: Courtney Griffin
Although this was Arson’s first opportunity as an MC, the sky was the limit, as she so effortlessly captivated the crowd with her magnetic energy. Her brand began in a middle school parent-teacher conference, in which she was told she has a fire in her. The name Arson began to encapsulate who she is, as she grew up more secure and self-confident. Regardless of Thursday being her second musical performance, her fiery stage presence left her audience in awe.
Photo Credit: Courtney Griffin
I’m in love with who I was because she bled and fought for me today. I try to inspire as many people as I can and lend a warm safe space for people wherever I go. I have high energy, a fire burning bright in my soul and I feel like it comes out in my music. I will always be Elizabeth, but I’m also Arson.
Arson
Similarly to Arson, melodic, trap, and plugg rapper Ka$hKenni discovered their name as a result of their past. Since they were younger, their luck of finding random amounts of cash has yet to cease. Considering Ka$hKenni is perceived to be high class as well, they thought money should be incorporated into their rap name, with the meaning of luck and good fortune.
Ka$hKenni has been creating music for almost two years now, with her first performance at the INTERN$ 22 RAGER event. Ka$hKenni’s favorite song to perform on Thursday was “Find Me,” because of how suspenseful and intriguing the buildup of the 808s are. Nonetheless, it holds a special place in their heart because it was produced with their brother. After discovering the beat for the song, Ka$hKenni was not too fond of it at first, but their brother encouraged them to record to it, in case of a change of heart.
Photo Credit: Courtney Griffin
I didn’t know what kind of flow I wanted to have over the track, and I was stuck. I started thinking more and writing and that’s when I got the hang of it. It reminds me of something old Chief Keef would hop on and that inspired me to keep writing. I wanted the chorus to be very simple and I wanted to sing a little and that’s exactly what I did. We made that song in less than 30 minutes. The next day we played it on the speaker, and we honestly were shocked. I couldn’t believe I could make something like that. I played it for my friends and my brother played it for his and they couldn’t believe we made such a hit.
Ka$hKenni
Sometimes people have to step outside of their comfort zone to reach a new level in their life, and Ka$hKenni is a prime example of this. Ultimately, they want to be remembered as the one who never gave up.
Although the last to showcase their music, Slick2x’s artistry was nothing less than emotional, powerful, and moving. He said music means everything to him, which was undoubtedly noticeable. His performance is yet another step in the right direction, towards success and fulfilling the promise he made to his brother to always follow his dreams three days before his passing.
Photo credit: Courtney Griffin
Every artist has a different journey and personal motivation for fulfilling their music dreams. For Daytona Levell, developing as an artist was a challenge. Nonetheless, nothing deterred him from moving forward and pushing himself against all odds, even 100 to 1.
Photo Credit: Courtney Griffin
I have had a tough journey and at one point did not know what my image and brand should be. However, I decided to do what I love, and it came natural to me.
Daytona Levell
Artist, actor, and creative visionary SANDWCH BOI, chose his name as a joke in high school, during a rap battle and held onto it ever since. His artistry and persona differ exponentially from the average person, which is why his rap name falls under the same concept.
Even though Thursday night was SANDWCH BOI’s first time performing his own music, he’s been grasping his audience since 10-years-old, as an actor within the theater community. Therefore, his self-confidence only grew as the INTERN$ 22 RAGER event neared, especially with the support of his brother and friends, of whom the majority are fellow creatives.
Photo Credit: Courtney Griffin
I had time to watch my friends grow in their craft and when it was my time to shine, they were nothing but supportive. We were just feeding off of each other’s energy it was amazing.
SANDWCH BOI
Out of SANDWCH BOI’s discography, “Saturn” was his favorite to perform at the showcase because of its amped up energy that gets the crowd jumping. Interestingly enough, “Saturn” is a freestyle that was made in just one take, a skill that usually takes years to master, because of how raw it is.
Photo Credit: Courtney Griffin
Considering how his performance created a shift in the night, with multiple mosh pits, everyone’s full attention and endless smiles to go around the room, SANDWCH BOI’s wish to have people “remember seeing this dude in an orange mask going crazy and turning the whole spot up” will undeniably be granted.
INTERN$ 22 RAGER will forever be a night of great nostalgia and euphoria for everyone in attendance, especially for the performers. This was an unforgettable learning experience for the artists involved and will help each one of them grow not only within their craft, but with their audience as well. August 4th, 2022 will forever be a raging night full of immeasurable vibes and timeless music.
After three successful shows here last year, Phish and its summer tour returned to Atlantic City over the weekend of August 5-7. Night one of the three-show run went off without a hitch, with a setlist full of classic tunes mixed with newer jam vehicles. With the stage set up right between the legendary Atlantic City Boardwalk and the ocean itself, each set, and even the encore, had some decidedly shore-like vibes.
The night began with the venerable “Chalkdust Torture” in the opening spot, with its customary high-energy thrust to get things started. A sudden shift to “Wilson” followed, eliciting cries of the same from beach folk throughout. Things then got decidedly funky with the next clean segue into the all-too-appropriate “Sand,” with Mike Gordon leading the rhythmic charge on bass. The opening set also featured a moody “Theme From The Bottom” with its aquatic undertones only adding to an already picturesque setting.
The first set’s closing sequence was one to behold, starting with a “Sigma Oasis” that yielded a mesmerizing jam that saw the song get stretched out further than it ever has before. Eventually, the familiar opening chords to “Cities” took form and Phish launched into this always welcome cover song. The set then came to a close with a brief but euphoric “More.”
The second set saw the jam button still very much in the “on” position, with stalwarts like “Soul Planet,” with its ocean-filled lyrics, and “Down With Disease” prominently involved. And nestled in between the start and finish of “Disease” was the aptly-titled “Ruby Waves.” This newer addition to the Phish catalog, pulled from guitarist’s Trey Anastasio’s ever-expanding solo material, continues to explore new roads and push boundaries of live improvisation.
The second set came to a close with a pairing of Phish heavy hitters. “Story Of The Ghost” featured its traditional roundhouse punch of rock, this time with some serious “No Quarter” teases thrown in for good measure. “Harry Hood” then tied a bow on the set, with a brilliant jam that patiently built to an especially joyous peak. A “Sleeping Monkey” that certainly “took it on down the shore” served as a more than fitting encore selection before a surprising, but explosive, “Free” served as one last final jam to whet the collective appetite for what’s sure to be another two nights of incredible music.
Phish Atlantic City Beach – Atlantic City, NJ 8/5/22
Set 1: Chalkdust Torture->Wilson > Sand > Plasma, Theme From The Bottom > Back On The Train, Sigma Oasis->Cities > More
Set 2: Axilla (Part II) > Soul Planet >Down With Disease > Ruby Waves > Down With Disease> Ghost> Harry Hood
Encore: Sleeping Monkey > Free
Soul Planet contained a tease of Dave’s Energy Guide from Trey and a tease of Dog Log from Mike. Trey teased Midnight Rider in the first Down with Disease and No Quarter in Ghost. Shipwreck was quoted in Sleeping Monkey. Mike teased Dave’s Energy Guide in Free.
Saturday night’s show in Atlantic City may not have had as many aquatic themes as its predecessor, but the jams continued to be rich and plentiful. The opening set began in fairly tame fashion with a straightforward “46 Days” that steered right into “The Moma Dance” in its familiar two-spot in the lineup. “Olivia’s Pool,” aka “Shafty” before “Shafty,” then made another rare appearance, only the third one since being revived at Alpine Valley in 2019 after a near 22-year shelving.
A first set “Bathtub Gin” finally offered some of the first real intensive jams of the evening, with Page McConnell throwing down vigorously on both the baby grand and electric pianos. Fittingly, Phish then dusted off another number, this time it was Page’s “Heavy Rotation” from his self-titled 2007 album. It was the first one performed in more than seven years and only the second one ever. And instead of ending the first set in typical fashion, Phish tacked on a rip roaring cover of David Bowie’s “Moonage Daydream,” with Trey Anastasio unleashing a bevvy of musical peaks with his soloing efforts.
Saturday’s second set started with some Atlantic City fireworks in the background and maintained that explosive demeanor throughout, starting with a set opening “No Men In No Man’s Land.” The ensuing jam then progressed into a “Tweezer” that almost felt expected at that point, with the second set staple offering another ample platform for improv. Another second set favorite in “Simple” was played to perfection and later transitioned into a “Backwards Down The Number Line” that had the entire beach kicking up sand in various directions.
The set then closed with another pairing of Phish classics. “Golgi Apparatus” featured a stretched out and somewhat different ending, showing the band continue to rework songs that have long been established. “Slave To The Traffic Light” then brought another complete second set to an end before an encore of “A Life Beyond The Dream” > “Tweezer Reprise,” ironically the same exact encore of last year’s middle night, sent everyone on their way along the Atlantic City Boardwalk.
Phish Atlantic City Beach – Atlantic City, NJ 8/6/22
Set 1: 46 Days > The Moma Dance, Olivia’s Pool > My Soul, 555 > NICU > Bathtub Gin, Heavy Rotation > Character Zero, Moonage Daydream
Set 2: No Men In No Man’s Land > Tweezer, Set Your Soul Free > Simple > Backwards Down The Number Line > Golgi Apparatus > Slave To The Traffic Light
Encore: A Life Beyond The Dream, Tweezer Reprise
Trey teased Norwegian Wood in 555. Heavy Rotation was performed for the first time since July 22, 2015 (253 shows). Trey teased Under Pressure in Simple. During the soundcheck, Beth was briefly sung by Trey and Knuckle Bone Broth Avenue contained Shipwreck quotes as well as If I Only Had A Brain teases from Trey and Mike.
With one night left to play, Phish treated Atlantic City to a customarily thorough and enjoyable Sunday show. “Wolfman’s Brother” kicked things off, the first time its done so for a show since 2016, and the band instantly got locked back in with another groove-centric jam. This carried right over in the “Tube” that followed and wasted no time finding a path all its own courtesy of a jam that changed both keys and moods. An opening set “Fluffhead” was well received as Phish navigated their way through this vintage tune with relative ease. “Gumbo” found a nice home towards the end of the set which came to a rousing finish thanks to “Carini” and another breakneck jam created in its wake.
The band found no reason to stray far from the classics in the second set, made evident with a traditional “Mike’s Groove” sequence that got everything started. A breath of “new” air was inserted with “A Wave Of New Hope” with this addition continuing to impress by producing one monstrous jam after another. A flawless “You Enjoy Myself” then followed, with yet another “second” jam following the vocal one, another sign of Phish continuing to tinker with the classics. An encore pairing of “Wading In the Velvet Sea” and “First Tube,” replete with Anastasio guitar theatrics, then closed out the second, and hopefully not the last, run for Phish on the beach of Atlantic City.
Phish Atlantic City Beach – Atlantic City, NJ 8/7/22
Set 1: Wolfman’s Brother, Tube, Mountains In The Mist, Ocelot > Fluffhead, Mecury > Gumbo > Carini
Set 2: Mike’s Song > I Am Hydrogen > Weekapaug Groove, A Wave Of New Hope > You Enjoy Myself > Suzy Greenbeg
