With Beak and Skiff Orchards back to their bread and butter of serving up apples and apple-related products and activities, and Brewery Ommegang back to concentrating on brewing great beers, Dan Smalls Presents moves their shows back inside. The 2022-23 season at the State Theater of Ithaca opened on Friday September 9th with a show from rock veterans Dinosaur Jr.
Nearing 40 years of existence, one wonders when they graduate to Dinosaur Sr. Though minutes into their tour-opening show, it was clear the youthful energy, vigor and drive to push their musical boundaries was still alive and well.
Some observations of their show from a late-arriving newcomer.
J. Mascis’ guitar, with the help of six gigantic Marshall stacks, shook the walls of the historical theater. Lou Barlow strummed his bass wildly, filling the space with a vortex that swirled around you, spit you out and sucked you right back in. Murph’s limbs flew every which way, pounding out rock-ready rhythms you felt as much as heard. Yep, Dinosaur Jr. delivers an ear-splitting full-body aural massage. That was no surprise. But behind the bombast, casualness and nuance ruled the day.
Dinosaur Jr. just sauntered onto the stage, beating the house lights, which only went down after they started playing.
The roadies spent the show just hanging out behind the amps, readying the load out about halfway through the show. During “The Wagon” one joined in on guitar while another took over a second drum set. The band’s on-stage demeanor was also more attuned to a hang with pals than a blistering rock show. In between songs, Mascis would often saunter off to the side of the stage to take a shot. Murph at one point walked off stage, returning just in time for the next song.
Amidst the hang, some real inter-song magic came via short tuning jams that frequently popped up. What started as casual noodling could evolve into a three-way improv. After “The Wagon”, Mascis started riffing out some power chords and Murph tossed in some nice rumbling drums. A particularly tasty nugget, with some jazz undertones, nestled between an anthemic and bombastic “Been There All The Time” and monster rocking “Raisans.” Before the encore, Mascis dropped a blink-and-you-miss-it “London Bridges” teaser, a subtle tip of the hat to the Queen perhaps?
The show started and ended similarly. After strolling on stage they came out swinging on a big rocking “Thumb.” 80 minutes later, after a blistering “Gargoyle,” they again just casually walked away, without fanfare, the final notes still crackling though the walls. Sandwiched in there they mixed a variety from the full breadth of their catalog. Melodies pushed through on “Garden” and “Feel the Pain,” funk-tinged wah work highlighted “Little Fury Things” and “Start Chopping” and spine-melting shredding sparked in “Mountain Man.” Is it possible to finally fall for a band already four decades into their career?
By shows end, Barlow’s shirt was fully sweat through, a different shade of grey. Murph’s sweatiness, however, was masked by the black tour tee Ryley Walker provided, just as Walker had advised him it would. Walker’s support wasn’t reserved to wardrobe advice though, he was also the show’s opener.
With his drummer unable to make the show, and his bass player’s instrument lost in transit, Walker called an audible and presented a set of “guitar fuckery” and “type 2 jams” with bassist Andrew Scott Young joining in on second guitar. For 45 minutes without stopping, their guitars danced around each other in beautiful cosmic weirdness. It was spacious and free, but mostly remained accessible. Walker worked his pedals and loops while Young played it straight and unfiltered, at times settling into a bass-like groove. Experimental rhythmic squeaks, eerie textures, droid-like bleeps and bloops… a thrilling opening set.
Buffalo-based Fernway has announced the return of their fourth annual Halloween Show on Oct. 29 at Buffalo Iron Works.
Poster by Francesca Bubb
Fernway’s Halloween Show features stacked performances, including Vertigo Child, The Safest Ledge, Amateur Hockey Club, and Roy G Biv. In addition to the musical performances, attendees can also participate in a costume contest to win prizes.
Fresh off of the release of their debut album, Autocrave, Fernway has been on the road with shows across the U.S. The group recently supported Ohio-based band The Safest Ledge earlier this September and will reunite with them for the Halloween Show on Oct. 29.
Photo by: Matt Sledziewski
Formed in 2017, Fernway consists of five Buffalo natives: RJ DeMarco, Brett Robertson, Jonah Wrest, Alec Dube, and Tanner DeMarco. The five musicians blend together pop rock, alternative emo, jazz, and more for a sound uniquely their own.
Tickets for the Halloween Fernway show at Buffalo Iron Works go on sale on Sept. 9 at 10 a.m. EST. The price for an advanced ticket is $15 and $20 for a ticket at the door. The show will open at 6 p.m. with music starting at 7 p.m. Fans of Fernway’s music can find them and keep up with them on Instagram, Twitter, and Facebook.
On Friday, September 9th, Mike Campbell & The Dirty Knobs rocked The Paramount In Huntington, Long Island. They played for two and a half hours mixing some Tom Petty & The Heartbreakers classics with songs from both of their albums. Their most recent album, External Combustion, which is also the name of this tour, came out in March.
Mike Campbell at The Paramount 9.9.22
Mike Campbell was the guitarist for Tom Petty and the Heartbreakers for over 50 years. He is responsible for some of the most famous guitar riffs in music history. Campbell co-wrote many of the band’s hits including “Refugee,” “Runnin’ Down a Dream,” “Here Comes My Girl” and “You Got Lucky.” He was inducted into the Rock Hall of Fame with the Heartbreakers in 2022.
Campbell started The Dirty Knobs in 2001. The original lineup included guitarist Jason Sinay, bassist Ron Blair, and drummer Steve Ferrone. Lance Morrison, Matt Laug and Chris Holt joined when Blair, Ferrone and Sinay dropped out of the group. The band became Campbell’s main priority after the death of Tom Petty in 2017. Their first album, Wreckless Abandon, was released in 2020. Until then they were just a live band that played when The Heartbreakers weren’t on tour.
They were on fire Friday night at The Paramount. Their set started with “Wicked Mind,” the first single off the most recent album. Other songs featured from Wreckless Abandon included “Dirty Job,” “In This Lifetime,” and “Electric Gypsy.” Many times during the set, Campbell went off into intricate psychedelic guitar solos. The rest of the band also sounded great as they backed Campbell on Tom Petty covers like “Even the Losers,” and “Runnin’ Down a Dream.”
Country Blues guitarist Alvin Youngblood Hart opened the show on Friday night. Bluesman Taj Mahal once said about Hart: “The boy has got thunder in his hands.” His debut album, Big Mama’s Door, came out in 1996. Hart received a Grammy Award in 2005 for his contribution to the album Beautiful Dreamer – The Songs of Stephen Foster.
They will be playing The Capitol Theatre in Port Chester on Friday, September 16th. Visit their website here for additional tour dates.
Setlist: Wicked Mind, Lightning Boogie, External Combustion, Even the Losers, State of Mind, Dirty Job, Fuck That Guy, Wreckless, Somewhere in London, I Still Love You, In This Lifetime, Electric Gypsy, Sugar, Southern Accents, Southern Boy, Runnin’ Down a Dream
On Sept. 9, alt-rocker Andrew Thomases released his newest single, “Two Sides.” With varying instrumentation, the song explores the line between leading an energetic existence and needing time to yourself.
Hailing from just north of NYC before making the move out to San Francisco, much of Andrew Thomases’ music draws on personal experiences, and this “Two Sides” release is no different. The artist picked up the bass guitar at the age of 12 and continued to pursue music with cover bands in high school and as a DJ at a radio station in college. During the pandemic, Thomases recently picked up his passion again, sharing music and recording new work.
Andrew Thomases’ newest single shines with his enthralling vocals and relatable lyricism. He sings, “I wonder why I can’t be that guy who always arrives with fun in his eyes, always happy, now that isn’t me, why can’t I see, happiness ain’t free.” The switch between a slow acoustic guitar and the upbeat rock portions of “Two Sides” really drives Thomases’ message to his audience and listeners straight home.
Do you ever feel torn between wanting to have an always-effervescent personality and just wanting to hang out alone? Do you long to be the life of the party sometimes, while other times, you just want to stay at home with a good book or show? Does this split depend on your mood at the time? I certainly have these competing desires, so I decided to write a song about it. “Two Sides” explores this split, both in its lyrics and in its music. The song varies between a slow acoustic guitar portion and a more upbeat rocking portion, with driving bass and guitar lines. In the end, the song explains that it is ok to have different personalities at different times.
– Andrew Thomases
“Two Sides” is the perfect single and reminder for the ambiverts of the world. The accompanying lyric video also illustrates the sentiment exactly with fun and engaging graphics. With this newest track, Andrew Thomases shares a relatable and genuine experience many people can resonate with.
Utilizing retro-rock rhythms and melodies that pay homage to the music of the ‘80s and ‘90s alongside conscious lyricism, Thomases’ music captivates. Much of Thomases’ work reflects on our world and society, where he breaks up serious topics with the occasional satire and a keen sense of humor.
Fans of Thomases’ sound can find him on his website, as well as on Instagram and Facebook. Take a listen to some more of Andrew Thomases’ music with the video below.
Each Sunday evening from 7-9 P.M. you’ll find EQXposure on WEQX, featuring two hours of local music from up-and-coming artists. Tune into WEQX.com this Sunday night to hear new music from Sinkcharmer and Power and Light Co.
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Power and Light Co.- “Bottle Rocket Glow”
Power and Light Co. are a new wave-inspired indie rock duo from Albany, and the members include Curtis Flach on vocals, keys, guitars, and drums and Chris Brant on bass and vocals. The band was formed in 2019 when they began work on their debut album Have Gun, Will Travel. The debut single off the album “Bottle Rocket Glow” is out now.
Sinkcharmer- “The Ark”
Sinkcharmer is a retro band from Ballston Spa, making electronic beat-driven rock music that draws influence from post-punk and industrial. The project was started by Paul Coleman and is framed as a band that was lost in time, happening back in the 90s.
Troy rock band Gracies Paris announced their new single “Save Yourself.” The song was recorded by Tim Lynch in NY and mastered by Brian Lucey in LA, who has worked with artists like The Black Keys, Royal Blood, Arctic Monkeys, Ringo Starr, and more.
Gracies Paris is a Troy-based power pop rock band formed in 2007 featuring Carl Ferritto (vocal and guitar), Eric Buechner (drums), and Randy Rose (bass). They recently released their single “Baby Now” which is a high-energy rock song with pop sensibilities, no different than their newest song. Something that the band does that makes listeners keep tuning is by changing their sound after each song. One single may have a similar sound to the other, but no song is quite the same.
The new single “Save Yourself” is a high-energy song with a driving disco-era bass line, and whammy bar dives. The song features sarcastic lyrics about self-preservation. The cool part about the song is that it was recorded with a vintage Supro amplifier coupled with a vintage Leslie speaker. It contains heavy guitars with well-sung vocals and album art, which features murky and dark water, and a grim hand coming out the top of it.
Make sure to listen to Gracies Paris new single “Save Yourself,” out now on all streaming platforms.
On this day in 2007, the first ever Farm Aid was held in New York State, with the annual benefit concert for farmers held on Randalls Island.
The official announcement came on June 11 with Willie Nelson and John Mellencamp making the official announcement in New York City alongside then-NYC Mayor Michael Bloomberg and farmers and food buyers at Union Square’s Greenmarket.
Mayor Bloomberg welcomed the Farm Aid co-founders, saying “The City strongly supports sustainable family farming through our Greenmarket program — which has nearly doubled its locations over the past five years — and it’s an honor to be hosting Willie Nelson, John Mellencamp and Farm Aid for their 2007 concert.”
Willie Nelson shared “Farm Aid is coming to New York because your enthusiasm for family farm food is keeping family farmers on the land. We are thankful to Mayor Bloomberg, the City Council and the many activists here who are leading efforts so that every New Yorker has access to more food from family farms” while John Mellencamp said of the importance of the event, “Things change when we all take personal responsibility for our food and where it comes from. Farm Aid is a force for change that works hard to keep farmers on the land so that we’ll have good food on our tables.
Photo By Greg Allen/Shutterstock
Why did Farm Aid take so long to get to New York? Nearly the first two decades of Farm Aid (1985-2003) brought the festival to states whose economies are strongly based in agriculture – Texas, Indiana, Nebraska, Iowa, Illinois, Virginia, and South Carolina. In 2004 the festival moved to Washington State and headed east for New Jersey in 2006. Given the quintessential urban setting of New York City, bringing a festival promoting support for local farms and farmers doesn’t seem like the right fit at first, but five boroughs of 8 million people need to eat.
It took being invited to The Big Apple, per executive director Carolyn Mugar, by environmentalists, politicians, Mayor Bloomberg’s office as well as chefs, that finally brought Farm Aid to the Empire State. “Farmers are never going to survive if they don’t have as allies the people who want this good food,” Ms. Mugar told the New York Times. “New York has a huge density of eaters and a density of people who are doing excellent things. There are restaurants, farmers’ markets, community-supported agriculture programs, even people who are growing food in the city and teaching people how to grow it.”
photo via @ceefar74
The lineup for the day included Farm Aid staples in New York, Willie Nelson, John Mellencamp, Neil Young and Dave Matthews, the latter of whom was joined by Merle Haggard. Also on the day long festival-style lineup were the Allman Brothers Band (along with Derek Trucks Band and Gregg Allman performing solo), Counting Crows, Matisyahu, Ray Price, Guster, Billy Joe Shaver, Tim Reynolds, Montgomery Gentry, Supersuckers, Pauline Reese, Danielle Evin, The Ditty Bops, Jimmy Sturr, Paula Nelson, 40 Points, and Jesse Lenat.
The day was hot and quite dusty, part of the unkept nature of Randalls Island (which was prone to flooding at the time) prior to more events being held on the grounds. Thus, there was straw/hay laid down to keep the dust to a minimum. Much has changed over the past 15 years, as Randalls Island has become a destination for concerts and music festivals, among them Governors Ball, Panorama and Electric Zoo.
photo via @ceefar74
Farm Aid 2007 was “A Homegrown Festival,” was the first major music event that served local, organic and family farm food at concessions stands around the venue. The Homegrown Village featured interactive exhibits to educate concert-goers on soil, water, energy, food and farmers. On the heels of the 2007 Farm Aid, the next year Homegrown.org was launched, creating an online community for those interested in growing, cooking, crafting, brewing, preserving, or making anything Homegrown.
The announcement for Farm Aid was momentus, being the first time the traveling single-day multi-band event would make its way to the Empire State.
Can you believe it?!?! Farm Aid in NYC! I have been working on a pun that references the movie “Babe: Pig in the City” but I haven’t quite figured it out yet. We are so pumped about Farm Aid 2007: A HOMEGROWN Festival at Randal’s Island. 100% delicious family farm food, good tunes and a summer of events in a huge urban food and farm hub. On the DL, this show has been in the works for a few years and we are just thrilled that the time has come to bring Farm Aid into the lives of New Yorkers, to work with upstate farmers and urban growers and to show all of our concert growers that even after 22 years we have a few surprises up our sleeves!
The idea for Farm Aid originally grew out of a remark that Bob Dylan made at Live Aid in 1985. The Bard said, “Wouldn’t it be great if we did something for our own farmers right here in America?” This inspired Willie Nelson to contact Neil Young and John Mellencamp, who was about to release Scarecrow, which includes a song about a farmer losing his land to a foreclosure.
Six weeks after those calls, the trio put together what became the first Farm Aid, on September 22, 1985 in Champaign, Ill. While they expected the event to be a one-off, the inspiration that came from raising money for family farmers to preserve their land and push for laws that support family farms over Big Ag.
Dave Matthews joined the Farm Aid Board of Directors in 2001, and Margo Price joined in 2021. To date, Farm Aid has raised more than $64 million to promote a strong and resilient family farm system of agriculture. A nonprofit organization, Farm Aid holds dear their mission to keep family farmers on their lands.
While the Randalls Island Farm Aid was the first held in New York State, it was only six years later that the event headed Upstate to Saratoga Springs with a performance at Saratoga Performing Arts Center (SPAC). The day was highlighted with the unexpected arrival of Pete Seeger, who sang “This Land is Your Land” with the audience, in addition to some new lyrics referencing fracking. The 2022 edition of Farm Aid will take place on September 24 in Raleigh, NC at Coastal Credit Union Music Park at Walnut Creek.
While there was no live broadcast of Farm Aid, video from the concert was available on-demand on September 19, 2007, via Farmaid.org. A good deal of video from the day exists, as seen below. Setlists via ConcertArchives.org
Montgomery Gentry setlist: Hillbilly Shoes, Daddy Won’t Sell the Farm, What Do Ya Think About That
photo via @ceefar74
Supersuckers setlist: Paid, Breaking Honey’s Heart, Roadworn and Weary
Warren Haynes setlist: Indian Sunset, Fallen Down, One, Soulshine
The Derek Trucks Band setlist: Soul Serenade, Sailing On, Key to the Highway
Guster setlist: The Captain, Manifest Destiny, Satellite, Amsterdam, Airport Song
Counting Crows setlist: Rain King, Thunder Road, Recovering the Satellites, Washington Square, A Murder of One, A Long December
Gregg Allman setlist: Midnight Rider, Melissa
Allman Brothers Band setlist: Trouble No More, Revival, Who’s Been Talking, Black Hearted Woman, Statesboro Blues, One Way Out
Billy Joe Shaver setlist: I Been to Georgia on a Fast Train, Live Forever, Try and Try Again
Dave Matthews & Tim Reynolds setlist: Lie in Our Graves, Gravedigger, Crush, The Maker, The Dreaming Tree, Ants Marching
Neil Young setlist: Human Highway, Silver and Gold, Beautiful Bluebird, Too Far Gone, Everybody Knows This Is Nowhere, Heart of Gold, Homegrown, Four Strong Winds
John Mellencamp setlist: Troubled Land, Rain on the Scarecrow, If I Die Sudden, Paper in Fire, Our Country, To Washington, Small Town, Pink Houses
Willie Nelson setlist: One Day at a Time, Jackson, A Peaceful Solution, Whiskey River, Stormy Weather, I Saw the Light, Superman, You Don’t Think I’m Funny Anymore, I’ll Fly Away, On the Road Again
On Sept. 9, Albany-based rock band Doctor Baker will release their album, Trespassers, produced by Don Fury at Don Fury Studios in Troy.
Consisting of Ed Schwarzschild (guitar, vocals), Iggy Calabria (guitar, vocals), Chris Gockley (bass), and Danny Goodwin (drums, percussion), Doctor Baker originally started as an acoustic duo before expanding. The complete band brings a strong sound to audiences within the Capitol Region and beyond.
An award-winning short story writer and novelist, Schwarzchild’s lyricism on Trespassers is evocative and compelling. The band’s sound on the album spans various emotions with the first single and lyric video, “Exhausted,” released on Aug. 30.
The album is like a story collection, but they’re stories that fit in with what’s going on in the world at the moment … the songs on the album acknowledge that there are some real problems, but we’re trying to stay lit up, we’re still trying to love, still trying to figure out what love is, still trying to maintain relationships with the people we’re close to.
– Ed Schwarzschild
The title of the album, Trespassers, came to Gockley and Schwarzchild after a performance by Wilco frontman Jeff Tweedy. The duo got lost on the way back to Albany and found themselves in a remote spot with “NO TRESPASSING” signs and the name of the album came to them. Of the title, Schwarzchild shares, “‘Hey we’re all trespassers now, let’s try to do things together, see each other clearly, see ourselves clearly.’”
Legendary producer Don Fury propelled the band’s sound forward, with the 11 songs ranging in instrumentation and tone. Backing vocals from Zan Strumfeld (Zan and the Winter Folk) and Melissa Thorne (Fol Chen) also strengthen the songs on the record.
Doctor Baker’s Trespassers includes heavily distorted tracks such as the title track and slows to pieces such as “Holiday Lights” as a change of pace. The instrumentation of the album at times sounds light and cheerful but after closer inspection of the lyrics, the band adds depth to each of the tracks including vivid descriptions and reflections of politics, climate change, and the human condition. There is a relatable song for every listener on this album.
In celebration of Trespasser’s release, Doctor Baker will be performing at The Linda on Sept. 10, and Albany Distilling Company on Sept. 23. Fans of the band can keep up with them on Instagram, here.
The Dave Matthews Band has announced a Fall 2022 North American tour, with stops all over the country, wrapping up with two dates at Madison Square Garden on Nov. 18 and 19.
Photo Credit: Danny Clinch.
The Dave Matthews Band has sold more than 25 million tickets since its creation and a collective 38 million CDs and DVDs combined. With the release of 2018’s Come Tomorrow, the band became the first group in history to have seven consecutive studio albums debut at No. 1 on the Billboard 200.
The band just wrapped up their annual Labor Day weekend celebration at the Gorge Amphitheatre in George, WA, and are finishing off summer tour dates before heading into the Fall tour, starting Nov. 2 at Rogers Arena in Vancouver, BC. DMB will partner with The Nature Conservancy’s Plant a Billion Trees program and have funded the planting of three million trees through touring.
If you are a member of the DMB Warehouse Fan Association you can get tickets now, with public on-sale happening on Sept. 23 at 10 A.M. local time.
Dave Matthews Band Tour Dates
Summer 2022
9/9 Greenwood Village, CO Fiddler’s Green Amphitheatre
9/10 Greenwood Village, CO Fiddler’s Green Amphitheatre
9/14 Phoenix, AZ Ak-Chin Pavilion
9/16 Chula Vista, CA North Island Credit Union Amphitheatre
Each Sunday evening from 7-9 P.M. you’ll find EQXposure on WEQX, featuring two hours of local music from up-and-coming artists. Tune into WEQX.com this Sunday night to hear new music from El Modernist and Stellar Young.
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience and showcases new music on EQXposure. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
El Modernist – “Red State” “Lines”
El Modernist is an indie band from Albany, delivering new takes on what is considered indie rock. They mix genres and have a psychedelic sound with pulsating hooks and melodies. Their brand new album, Eras is out now, and their songs “Red State” and “Lines” will be played on EQXposure.
Stellar Young – “Hitting Reset”
Stellar Young is an indie-rock band from Albany, comprised of John Glenn (vox/keys), Erik Flora (guitar/vox), Kyle Hatch (guitar), Dave Parker (producer), and Tim Brosnan (drums). Their song “Hitting Reset” off of their 2015 record Vessels will be played on EQXposure Sunday Night.
Make sure to tune into EQXposure on Sunday from 7-9 P.M. on WEQX to hear these songs, and more.
