Category: Punk

In Focus: Young Culture and State Champs at Alive at 5

On Thursday, June 9th, 2022, Albany’s first Alive at 5 show of the year opened with Alternative/Indie rock band Young Culture and closed out with Pop-punk band State Champs. The show was moved to the rain location at Corning Perserve Boat Launch after rain was in the forecast. The sun was shining bright, however, for a high energy performance with crowd surfers just as high.

Both bands are originally from the Capital Region whose music might bring out feelings that a typical high schooler would have from their crush. Both bands share an alternative rock style that a teenager going through a break up could bop their head to. After many years of success, they decided to come back home to open the Alive at 5 series.

Young Culture started in Albany in 2016, and quickly blew up after the release of their EP “(This is) Heaven.” Young Culture performed at Empire Live back in November of 2021 for Grayscale’s Umbra Tour. Young Culture is gearing up for a summer tour titled, Into the Raging Sea with Broadside. State Champs also performed at Empire Live as the head liners for Frozen Fest. This was the release show for State Champs’ new album, Kings of a New Age.

Alive at 5 could not chose two better bands to open the series. Young Culture’s lead vocalist, Alex Magan connected with the young crowd with “Kinda Over You,” a song he said was about his ex-girlfriend in high school. That song, along with “Laylo,” helped the young crowd to mellow out for a short bit and connect with the band on a more personal level. Both songs where about a love that did not last, a theme that resonated well with the audience.

They left on a high note with “Party Girl” and “Holiday in Vegas.” Alex stood on equipment boxes in the pit to grab the hands of those crowd surfing. There was a long of head banging from other members of the band along with the crowd. They thanked Albany for inviting them back home.

Representatives from In Our Own Voices and the Capital Pride Center came out with Kathy Sheehan, the Mayor of Albany and Sam Mills, Albany’s 2022 Tulip Queen. They all gave a brief speeches about upcoming pride events in the Capital Region.

State Champs brought energy back up when they opened with “Here to Stay.” The band tried to remind everyone that Alive at 5 was supposed to be a family fun event, but then performed “Everybody But You,” one of their hit songs with the F-word emphasized in the chorus. Members of the band stood on the equipment boxes to greet crowd surfers during the set. The crowd surfing was constant by mostly young people. It was evident that the crowd may have been getting tired of the surfing as many surfers were being thrown to the barricade towards the end. The most pit opened twice, first for a circle mosh ad the second time for a traditional mosh.

It was a great performance from State Champs, that lasted over an hour. They answered cheers for an encore with two songs. They have a tour lined up for Sad Summer Fest starting in July. The festival comes to New York on July 22nd at Pier 17.

Young Culture Setlist: Bloodthin, Better Off as Friends, Hum, Godspeed, Kinda Over it, HB16, Fantasy, Laylo, Shiver, 21 Days, Drift, Party Girl, Holiday in Vegas

State Champs Setlist: Here to Stay, Eventually, Frozen, Outta My Head, Hard to Please, Mine is Gold, Act Like That, Simple Existence, Remedy, Easy Enough, Criminal, Just Sound, Losing Myself, Slow Burn, History, Everybody But You, Dead and Gone, Elevated, Secrets

June 12, 2022
State Champs Leap Back Into Focus with “Kings of the New Age”

Albany pop-punk veterans State Champs have returned with their fourth studio album Kings of the New Age, a 35-minute montage of guitar-driven angst and lust that rarely slows down.

Kings of the New Age is the first release by the band to feature only one guitarist, after Tony Diaz stepped away in 2020. Nevertheless, the group’s sound isn’t any smaller, with the other four members nicely filling in the gaps. This is aided by some tight production from California based Drew Fulk a.k.a. WZRD BLD, whose collaborations include Lil Wayne, A Day To Remember, and Ice Nine Kills. Cleanly mixed, the band’s full arrangement shines through on Kings of the New Age, with no instrument or vocal sounding unclear, choppy or overshadowed.

While production does play a significant role in the band’s presence standing tall with a smaller lineup, credit has to be given to Tyler Szalkowski for his increased duties as both lead and rhythm guitarist. Songs like “Here to Stay” and “Just Sound” showcase guitar work that both maintains a loud presence while enhancing the song melodically.

Cover art for Kings of the New Age.

Lyrically the album generally focuses on topics of romantic lust and strife. “Being with you is like working on the weekend,” sings lead vocalist Derek DiScanio on the chorus of “Everybody But You,” the album’s lead single. Even though romance is a major focus of the record, songs like “Here to Stay,” which begins the album, reinforce the idea behind the album’s title. “The kings of the new age, the wrong time, the right place,” sings Discanio in the track’s opening lines.

With State Champs entering the scene of pop-punk after the genre’s boom in the late ’90s and early 2000s and before its recent renewal with Machine Gun Kelly’s pivot towards the genre hatching new commercial attention, the optics of this timing might not be great, but they don’t mind. “On our own it’s safe to say, we’re here to stay,” DiScanio sings at the end of the opener’s chorus.

State Champs attempt to reinforce this footprint on Kings of the New Age with four features scattered across the album, with appearances from Neck Deep’s Ben Barlow, Against The Current’s Chrissy Costanza, Nashville country pop singer Mitchell Tenpenny, and Four Year Strong’s Alan Day & Dan O’Connor.

Each artist is given a bridge to sing or maybe a little more on the tracks which they have feature duties, which is something that holds back the effort and impact of these guest contributions. Chrissy Costanza’s contribution on “Half Empty” slightly stands apart in this regard however, with her bridge and chorus near the song’s ending adding another perspective to this track about a struggling relationship.

And even though part of this album’s mission is clearly dedicated to not changing up the band’s formula, this leads to Kings of the New Age sounding repetitive at points. This is why slight deviations on songs such as “Act Like That,” which functions more as a straightforward pop rock track, and closer “Some Minds Don’t Change” with its loud, waltzy chorus are easily appreciable moments.

Nevertheless, State Champs’ classic pop-punk formula works out well overall, with loud anthemic choruses and relatable melancholy lyrics shaping a strong album for the seasoned band. Kings of the New Age doesn’t reshape the punk genre or push too hard on any boundaries, but it’s good enough on its own to prove that State Champs deserve to hang around.

Key Tracks: Here To Stay, Just Sound, Act Like That” (featuring Mitchell Tenpenny)

May 22, 2022
Ricky Persaud Jr.’s Journey: From Music Prodigy To Award-Winning Artist

Ricky Persaud Jr.’s discography is stellar, to say the least, and is ever-growing as his versatility continues to elevate his status. Although, the multi-instrumentalist is a recent graduate from the prestigious Berklee College Of Music in Boston, his professional music career has been years in the making. The talented musician is known to cover a multitude of genres ranging from pop, rock, reggae, funk and more, while providing fans with a unique experience.

Michael D. Spencer

At two-years-old Persaud Jr., began his musical journey with the banjo. Since music was his main priority, he became a child prodigy within a short period. By four-years-old, Persaud Jr. had begun playing percussion and while attending the Newark School of the Arts, studied the drums.

At the tender age of 9, he played the guitar for the first time and realized there were no limits to how he could express himself. After receiving professional training, he was not only a proficient guitar player, but was able to add the bass, as well as the piano to his repertoire.

Thanks to his mother, Valerie Persaud, there were no limits to Persaud Jr.’s ambitions as she encouraged him to excel at each instrument. She dreamt of playing the piano herself, but was denied the opportunity, so she ensured her children would not have the same experience. Besides, music ran in the family.

Persaud Jr.’s father, Ricky Sr., engineered Caribbean albums and often played Bob Marley, The Wailers, and Third World, which quickly influenced his infant son. Contrarily, his mother favored classic-rock music, particularly the Beatles, who are Persaud Jr.’s favorite musicians along with Michael Jackson, Nirvana, and Bob Marley.

I never paid attention to music until I heard the Beatles. With them it’s not just about the sound of the instruments, but the message being relayed. Their music is all about love and inspiration.
Ricky Persaud Jr.

While his love of instrumentation was fostered at home, his songwriting exploits were a way to escape the outside world. As a victim of bullying, Persaud Jr. was encouraged by his mother to express himself through songwriting. Soon enough he realized this was a powerful way to overcome the social adversity he dealt with. In the end, songwriting became his main coping mechanism, which only made him a better musician.

When you bottle up everything inside you are hurting yourself. Therefore, I truly believe people should use platforms like music and sports to release their emotions and express themselves. Songwriting was like a diary for me.

Valerie Persaud

Having built a great amount of mental fortitude over the years, his self-belief even applies to his music. While on quarantine during the pandemic, he was faced with the obstacle of connecting with other musicians without physical touch. It was during this time that an already tight familial bond continued to grow. He connected with his mother and brother to continue their musical work as a band, by the name of Ricky Persaud Jr and Crossroads.

Outside of his immediate family, the Indie Collaborative (IC), an organization for independent musicians and professionals to come together as one, has been essential in Persaud Jr.’s development. On April 25, he performed alongside other IC artists at Carnegie Hall.

The Indie Collaborative helped me as far as my artistry, confidence, networking, and exposure to other talented artists. I will always be grateful for them and the opportunities they presented me with.

At such a young age, Persaud Jr. has been awarded a 2016 Governor’s Award for Excellence in Music, the Artist of The Year in Pop award at the 2019 Josie Music Independent Awards, a 2020 Global Music Award, he was named 2020 Best Male Artist in Pop at the Indie Music Channel Awards and is a Grammy voter. However, according to him, his most heartfelt achievement was not only being accepted into the reputable Berklee College of Music, but being awarded a full four-year scholarship.

The people who selected me for the full four-year scholarship, said they chose me because of how active I was with my work on social media. If I was to give others advice, it would be to take pride in their work, show off their craft, and post professionally.

Persaud

Persaud Jr.’s most recent album, Enlightenment, relays the message of “shining some positivity into the world.” Meanwhile the featured song “Cease Fire”, sheds light on racism, Black Lives Matter and police brutality.

If there is any advice I would give other musicians of color, it’s that there will be a lot of discrimination along the way, but no matter what believe in yourself and use what God instilled in you.

Although Persaud Jr. has proven himself within the music industry, he feels that he has only scratched the surface of his potential. With plans on becoming a Grammy-award winner and having a “musical connection worldwide,” Persaud Jr.’s future is nothing short of promising.

May 20, 2022
Riot Fest 2022 To Feature My Chemical Romance, The Misfits, NIN and more

Riot Fest, one of the longest running independent music festivals, has announced its 2022 lineup with tickets going on sale next week. The three-day festival will return to Douglass Park in Chicago, IL this fall with headliners that include My Chemical Romance, Nine Inch Nails and The Original Misfits performing their debut album Walk Among Us which turned 40 years old this year. Riot Fest will be spread across five stages and features a vast array of music that is rich in punk, indie rock, hip hop, goth, industrial and more.

On July 19, it was announced that Taking Back Sunday, Coolio, Marky Ramone’s Blitzkrieg, Zola Jesus, Reece Young, Poliça and cumgirl8 will join the diverse lineup of bands playing September 16-18 in Douglass Park.

Attendees will also enjoy reunion sets from Yellowcard (performing their sole 2022 show), The Academy Is… and Midtown—as well as returning punk heroes like Alkaline Trio, Bad Religion, and Descendents, hip-hop acts like Ice Cube and Action Bronson, and fest favorites Sleater-Kinney, Jimmy Eat World, The Front Bottoms, and The Wonder Years. “I think this year’s lineup really speaks to who we are,” says festival founder Mike Petryshyn, “It’s been a minute since we’ve gotten to curate a lineup like this. I’m especially excited for what this is leading into: the stuff that’s happening in the next few weeks, and the years to come.”

Founded in 2005, Riot Fest is an independent music festival featuring the best of punk, rock ‘n’ roll, hip hop, metal, alternative, and just about everything in between. Founder Riot Mike is credited with helping to reunite iconic bands like Naked Raygun, the Replacements, The Original Misfits, and Jawbreaker, among many other reunions—a staple of Riot Fest, alongside full album performances, carnival rides, and the occasional butter sculpture. It was named #1 Music Festival by USA Today, and in 2021 it was voted Best Music Festival in a poll for Chicago Reader. In addition to the festival, Riot Fest promotes shows year-round at a myriad of music venues across Chicago.

Tickets are now on sale for Riot Fest 2022 and can be purchased through the festival’s website here. Options for 1-day, 2-day and 3-day tickets are all available.

May 16, 2022
With The Punches Return After Nine-Year Hiatus

With The Punches has dropped a new single “Stoneham Blues.” This single comes following their signing with Mutant League Records, an independent record label based in Chicago. Their new EP, Discontent, is set to drop on May 27th.

With The Punches was initially formed in 2008 out of Newburgh. The band released two consecutive EPs, one in 2009 and one in 2011. In 2012, the band released their first and only full-length studio album titled, Seams and Stitches. Now, after nine years of silence, the band is ready to make a big return.

Their newest release takes the listener back to the height of skater-influenced pop-punk. The opening of the track powerfully draws you in as a bright guitar gloss fully floats over bulldozing percussion. The lyrics, contrarily, take on a more mature theme.

Capturing the feeling of emptiness may be the hardest emotion to replicate in art. Death, addiction, and everything in between are experiences that everyone has dealt with in their life. With The Punches do not hold back in discussing these feelings and they manage to beautifully capture these emotions through excellently constructed metaphors with a slight Midwest emo twist.

Pre-order for the vinyl EP is available at withthepunches.presspressmerch.com

April 22, 2022
State Champs Continues Pop-Punk Excellence On New EP

State Champs has dropped a new five-song EP, titled Eventually. This release from the Albany band continues to showcase their incredible talents.

The titular track on this project highlights all the staple pieces that make a pop-punk classic. The hook is insanely catchy and the drums are powerfully ambitious with just the right amount of trash. The guitar on this is bright. Closing your eyes while listening to this thing, one can picture themselves in a teenage skater movie, as exemplified by the cover art of this project.

Notably, the second track on this project features Ben Barlow of Neck Deep. “Everybody but You” timelines the adolescent feelings of anger after love loss in the best ways possible. Teenagers are irrational, and seeking revenge in the form of the throwdown of the century may not seem like the most reasonable course of action, but State Champs convinces you otherwise on this track.

This EP comes in anticipation of the fourth studio album from State Champs, Kings Of The New Age, where they hope to continue cementing themselves as pop-punk icons. So long as the tracks continue to sound like this, King Of The New Age will be excellent.

Pre-order for the album is available at https://lnk.to/StateChamps.

April 18, 2022
Korn and Evanescence Announce 2022 Summer Tour

Infamous rock culture icons Korn and Evanescence have just announced a summer tour and accompanied by special guests varying across select dates. Korn and Evanescence will perform live at the Northwell Health at Jones Beach Theater in Wantagh, as part of the Cadillac Tri-State concert series, on Sunday, August 28, 2022.

“We’re looking forward to going on tour this summer and bringing our friends, Evanescence, out,” said Jonathan Davis of Korn. “Whenever Amy comes to one of our shows, I always love seeing her on the side of the stage watching the whole set and rocking out. We’re gonna have a great time on this tour, and we can’t wait to see you there.”

“I fell hard into Korn’s music in high school. It was an inspiration during the formation of my own band. The chances we’ve had to play together over the years are special, a part of our history. They remain one of the best live bands I’ve ever seen,” said Amy Lee of Evanescence. “It’s an honor and a thrill to go out with our friends again, our first full tour together since ‘07. We’re all really looking forward to this.”

Korn has changed the world with the release of their self-titled debut album that would eventually end up pioneering the rock genre. Korn has continued to push the limits of the rock, alternative and metal genres, while remaining a pillar of influence for fans and generations of artists around the globe.

Two-time GRAMMY® Award-winning Evanescence has made an impact on people around the world with their 2003 debut album Fallen. The album spent a total of 43 weeks on the Billboard Top 10 and sold more than 17 million copies worldwide. Global hit “Bring Me to Life” reached #5 on the Billboard Hot 100 and marked their first U.K. #1 hit single. The equally popular “My Immortal” peaked at #7 in the U.S. and U.K.

TOUR DATES:

Tue Aug 16 – Denver, CO – Ball Arena

Thu Aug 18 – Maryland Heights, MO – Hollywood Casino Amphitheatre

Sat Aug 20 – Tinley Park, IL – Hollywood Casino Amphitheatre

Sun Aug 21 – Clarkston, MI – Pine Knob Music Theatre

Tue Aug 23 – Cuyahoga Falls, OH – Blossom Music Center

Wed Aug 24 – Noblesville, IN – Ruoff Music Center

Fri Aug 26 – Mansfield, MA – Xfinity Center

Sat Aug 27 – Camden, NJ – Waterfront Music Pavilion

Sun Aug 28 – Wantagh, NY – Northwell Health at Jones Beach Theater

Wed Aug 31 – Charlotte, NC – PNC Music Pavilion

Thu Sep 01 – Pelham, AL  – Oak Mountain Amphitheatre

Sun Sep 04 – Houston, TX – The Cynthia Woods Mitchell Pavilion

Tue Sep 06 – Dallas, TX – Dos Equis Pavilion

Fri Sep 09 – Salt Lake City, UT – USANA Amphitheatre

Sat Sep 10 – Nampa, ID – Ford Idaho Center

Tue Sep 13 – Spokane, WA – Spokane Arena

Thu Sep 15 – Auburn, WA – White River Amphitheatre

Fri Sep 16 – Ridgefield, WA – RV Inn Style Resorts Amphitheater

Tickets and VIP Packages go on sale starting Friday, April 8th at 10am local time here.

April 11, 2022
The Maine Celebrate 15th Anniversary at Webster Hall

Pop-punk mainstays The Maine celebrated their 15th anniversary as a band this past Monday, April 4th at Webster Hall. The band last played in NYC back in August 2021 as part of the Sad Summer Festival, but the show at Webster Hall was The Maine’s first NYC headline in over four years. Overjoyed to be playing a club in the city again, singer John O’Callaghan thanked the fans for their longstanding support and treated them to a career spanning setlist.

The Maine at Webster Hall, 4/4/22. Photo by Buscar Photo

As the house lights went down, archetypal party song “Sweet Caroline” played over the PA as The Maine filed onto the Webster Hall stage. The song provides a perfect segway into the opening track from their 2021 LP XOXO: From Love & Anxiety In Real Time, “Sticky,” which references the Neil Diamond anthem. Staying true to their Southwest roots, light-up cowboy hats were on sale at the merch table, and have been a crucial part of the band’s merch package for many years. Looking around Webster Hall you found dozens of these hats as well as fan-made versions lighting up the room. Going along with the passion of The Maine’s fan community known as “8123,” the crowd exploded with energy as the band played the first notes of “We All Roll Along” from their debut Can’t Stop Won’t Stop.

The Maine at Webster Hall, 4/4/22. Photo by Buscar Photo

The Maine’s latest record was released last summer, and the band spent the second half of 2021 on tour supporting All Time Low; a tour that stopped at NYC’s Pier 17 for the Sad Summer Fest back in August. The current headlining tour (which began in January) is the first time the band is able to fully flesh out the new songs and mix them into their classics. Mixing nostalgia and with the reality of today, John told an anecdote of losing his wallet at The Knitting Factory while asking the audience to pay tribute to his baby who was in attendance clad in earmuffs at the sound table.

The Maine at Webster Hall, 4/4/22. Photo by Buscar Photo

The band cruised through a 16-song setlist that touched on all of their albums and various singles. In the last leg of the show, The Maine introduced Taking Back Sunday frontman Adam Lazzara as well as opening artist Charlotte Sands onto stage to perform their latest collaborative single “Loved You A Little.” Released back in January the song is a classic emo/pop-punk anthem featuring vocals from the three singers. Adam, Charlotte, and John from The Maine are all individually powerful vocalists that command a room, but on “Loved You A Little” the three are mixed so well and create a unified sound as if they were all in the same band.

The Maine with Adam Lazzara and Charlotte Sands at Webster Hall, 4/4/22. Photo by Buscar Photo

“Loved You A Little” by The Maine, Taking Back Sunday, and Charlotte Sands. Via YouTube

The Maine maintain a busy tour schedule through the month of April and ending on a somewhat hometown show in Prescott, AZ on April 30th. The band also has two festival appearances at SO WHAT!? as well as the meme-famous When We Were Young Festival in Las Vegas. Head over to The Maine’s website for the full itinerary and check out NYS Music’s photo gallery from the Webster Hall show below.

April 7, 2022
Parquet Courts Walk A Downtown Pace at Brooklyn Steel

Parquet Courts, the New York City based post-punk band, finished up a two-night stand at Bushwick’s Brooklyn Steel on Saturday, April 2nd. The band is on tour supporting their seventh LP Sympathy for Life; released last October via Rough Trade Records. The album features the infectiously groovy lead single “Walking at a Downtown Pace” and the psychedelic jam “Plant Life.”

Parquet Courts at Brooklyn Steel, 4/2/22. Photo by Buscar Photo

NYS Music was at night two, which featured a rather unique intro to the show. After the stage crew finished the change over between sets, a woman lit a sage bundle and immersed the stage in the smoke. She stepped to the mic and announced onto the stage, “Clown.” After expecting Parquet Courts to walk onto the Brooklyn Steel stage, the crowd was indeed perplexed, but intrigued as to what was happening. Two people walked on stage, one apparently the Clown in full face paint and a clown suit accompanied by a saxophone player. The two then played a gorgeous cover of Parquet Courts song and Sympathy for Life closer “Pulcinella.” The ambient balled swelled into a mix of sax and guitar loops, coming to a climax as Clown then introduced Parquet Courts to the stage.

Clown at Brooklyn Steel, 4/2/22. Photo by Buscar Photo

Once Parquet Courts took the stage, the crowd burst into joyous energy and never let up until the end of the show. The band played a career spanning set, and embellished much of the songs into lengthy live versions with extended jams and improvised movements. The band transforms their energetic post-punk style into a multifaceted live show that keeps even the most devout listener on their toes. Highlights of the show included the aforementioned Sympathy of Life singles as well as “Freebird II” and “Mardi Gras Beads” off the excellent 2018 LP Wide Awake!.

Parquet Courts at Brooklyn Steel, 4/2/22. Photo by Buscar Photo

Parquet Courts continue on tour through April, ending the month on the west coast before heading to Europe for a run of dates in May and June. The band sprinkles in a couple of shows in Australia later in the summer. Check out the full tour schedule HERE and see our photo gallery from the show at Brooklyn Steel on April 2nd below.

April 5, 2022
Sad Summer Fest 2022 Presented by Journeys

Sad Summer Fest presented by Journeys features a variety of artists and local bands including Neck Deep, MayDay Parade, and more. This unforgettable event will make stops in New York City at Pier 17 on July 22^nd, and at the Stone Pony Summer Stage July 29^th.

When asked what message he has for fans ahead of the summer tour, vocalist of Waterparks Awsten Knight writes, “I am ready to step around in the mud and get huge. If you see me doing push-ups in the parking lot do not approach me Lucas will tackle you OUT! Saddie summer will be my baddie summer better watch out because I get MOODY in the summer!! See you soon.”

“We’re stoked to be on Sad Summer this year!” says Neck Deep lead singer Ben Barlow. “We really can’t wait for another American summer, ripping a few heavy gigs, making the most of the sunshine and closing your night out with a show you’ll never forget.”

Mayday Parade will co-headline Sad Summer Fest for the second time, coming back this time with their latest music in the setlist. The band released their most recent album “What It Means to Fall Apart” in November and has spent the start of 2022 taking those new songs on the road, as well as performing songs from their self-titled album in celebration of its eleventh anniversary. Speaking on the band’s return to the Sad Summer Fest stage, lead singer Derek Sanders says, “We’re happy to have the opportunity to play such a great tour with so many wonderful bands. We look forward to seeing so many of you out there, it’s gonna be a wild summer.”

Journeys is excited to partner with Sad Summer Fest again this year. Connecting with our consumers and employees through live music events has always been a huge part of our identity as a brand. The ongoing partnership between Sad Summer Fest and Journeys has allowed us to come together to create a memorable and safe experience for fans that were missing live music and the face to face connection with their favorite artists.
Kari Irons, Journeys, Senior Vice President of Marketing

Tickets will officially go on sale March 24th at 10am local time, for purchase here.

SAD SUMMER FEST 2022 PRESENTED BY JOURNEYS

July 8 – Sacramento, CA – Heart Health Park @ Cal Expo

July 9 – Anaheim, CA – City National Grove Outdoors

July 12 – Dallas, TX – Gilley’s

July 13 – Houston, TX – Lawn @ White Oak Music Hall

July 15 – Orlando, FL – Orlando Amphitheater at the Central Florida Fair

July 16 – Atlanta, GA – Coca Cola Roxy

July 19 – Pittsburgh, PA – Stage AE Outdoors

July 20 – Pontiac, MI – Crofoot Outdoors

July 22 – New York, NY – The Rooftop @ Pier 17

July 23 – Worcester, MA – The Palladium Outdoors

July 24 – Baltimore, MD – MECU Pavilion

July 26 – Columbus, OH – KEMBA Live Outdoors

July 27 – Newport, KY – Ovation

July 29 – Asbury Park, NJ – Stone Pony Summer Stage

July 30 – Philadelphia, PA – Skyline Stage @ the Mann

August 2 – Cleveland, OH – Jacobs Pavilion at Nautica

August 3 – Lewiston, NY – ArtPark Amphitheater

August 5 – Milwaukee, WI – The Rave/Eagles Ballroom

March 28, 2022

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