The tour, in support of Michael Franti & Spearhead’s latest release Follow Your Heart, will continue through the summer. The night included a short video sharing Michael Franti’s experiences at his home in Bali during the Covid years. Sharing what he encountered, discarded, and is now looking forward to in the future, offering an optimistic tone for evening.
Hip-hop pioneers Arrested Development opened the show. The band offered up a nonstop dance set including songs from the 2021 album For the Fkn Love. Formed as an alternative to gangsta rap, Arrested Development put positivity in the spotlight. They capped their set by reaching back to their beginnings with the iconic “Tennessee.”
Arrested Development
With “Stay Human” emblazoned on his guitar strap and “Don’t Give Up” on his t-shirt, Michael Franti backed by Spearhead took to the stage. Over the course of two- and one-half hours the night resembled a preacher with his flock, engaging everyone in a heartfelt love fest.
On multiple occasions, Franti stepped down from the stage, singing his way through the crowd to one of the two mini stages located in the house. Once there, Michael stood tall and spread his arms wide open, inviting people up to harmonize along with him.
Michael Franti
Spearhead’s four members, including Franti’s longtime collaborator Carl Young on bass, generated a powerful musical backdrop. Throughout the night, the band moved from electric to acoustic and back without missing a beat.
As the night concluded and after taking their bows, Michael and members of the band headed into the crowd to taking selfies and sign autographs. If there was ever a way to say thank you to an audience, this was it.
On July 6, New York-based pop artist Karine Hannah released a new music video for her cover track, “Hysteria.” The music video is powerfully simple, relying on Hannah’s compelling vocals and the song’s captivating lyrics rather than overly complex visuals.
Hannah’s music video and cover of “Hysteria” gives new life to Def Leppard’s title track from their 1987 album. With bass, a higher-pitched piano riff, and reverberative piano chords, the end result of Hannah’s cover is ethereal. She revives the original song with wonderful vocals over top unique instrumentation and released the track earlier this summer.
Hannah has been in the pop-music genre for years, catching her big break when her performance on a Canadian television show caught the attention of the international star Celine Dion. Hannah would later go on to perform at Dion’s wedding. Most recently, Karine Hannah has made a name for herself reimagining classic songs, covering beloved tracks in her own style.
With vocal influences including Gladys Knight, Patti LaBelle, Jennifer Holiday, and European artists she heard as a child, Hannah molded her inspirations into a sound that is entirely her own. It shows with this latest musical release and video.
After signing a new management deal with Heart Songs Music Group in 2022, Hannah is currently working on the relaunch of her successful Barbara Streisand tribute tour. Take a listen to Karine Hannah’s reimagined version of “Hysteria” and the accompanying music video below.
On June 26, As I Lay Dying brought their Two Decades of Destruction Tour to a brand new venue in Horseheads, The L, which has been on a roll with shows since it opened.
This was a show to get to early as it nearly sold out and you had a bit of a walk from the parking lot. Brand Of Sacrifice opened up and came out swinging, the heavy metal band from Canada taking command of the stage.
Next up was Shadow Of Intent, hailing from Connecticut, who kept the energy going. Originally the band began as a two piece and started off with Halo-themed music, then transitioned to the deathcore sound they have now.
Shadow Of Intent
Rolling up after them was Whitechapel, a band that is a staple in the deathcore community and probably could be considered the heaviest on the tour. Finally, to close out the night was As I Lay Dying, who had been on hiatus since 2014, having formed in 2000 in San Diego, California.
There was a bit of a hiccup before the tour as a few band members stepped down but the show went on and the place was filled, with Ryan Neff from Miss May I stepping in; he’ll be back at The L in September with another stacked lineup.
There have been many great shows at this venue but this one was definitely one for the books and with no signs of slowing down with the lineups that have already been announced, The L is making itself well known in the Northeast music scene.
Seeing the Grateful Dead on a hot summer night is a quintessential live music experience. That not being an option these days, seeing a founding member construct a crack team of musicians to recreate their music on a hot summer night will have to suffice. And at 82 years young, Phil Lesh is still trucking along doing just that.
Seeing a big summer show plopped right in the middle of an apple orchard might not be a quintessential live music experience, but for Central New Yorkers it is quickly becoming one. Beak and Skiff Orchards, booked by Dan Smalls Presents, is a hot destination for some of the areas biggest shows this summer and on this night, Phil Lesh and his Friends, among them his son Grahame Lesh, Stu Allen, Jason Crosby, Cody Dickinson and Amy Helm, brought their lowercase-f friends to the orchard to join in the communion of live Grateful Dead music. The apple trees immediately bordering the concert field were well fumigated at this show. Keep an eye out for a special THC-infused apple variety this fall.
It wasn’t even seven o’clock and the crowd was deep and grooving to “Reuben and Cherise” while the band was showing the tightness of a group that had been together for decades, not days. All 5 members were improvising at a high level and then reined it back in for a tight and tidy finish.
Amy Helm came on from her watching perch just behind the stage a few songs in to lead the band on Bob Dylan’s “When I Paint My Masterpiece.” She was a splash of color breaking through the grays and dark blues, slinking about among the statuesque guitarists. Such a beautiful voice, the only regret from the evening was that she was not utilized more fully. There was a great mix of vocals throughout the night with Stu, Phil, Grahame, Phil, and Amy all taking leads. Still, a bit more from Amy would have been welcome.
After a solid warmup set, the band came out of the gates for part two with a magnificent “Playing in the Band.” All five musicians playing circles in and around each other, listening and reacting, as they carried it through multiple distinct sections, rocking, groovy, spacey. Through it all, a highlight machine emerged from the back, Cody Dickinson on drums. Not typically seen anchoring such free form improvisation, he was a constant flurry of activity, holding the pieces together while maintaining a long leash with which to flourish himself.
“Cassidy” followed and was also an unexpected highlight, going where “Cassidy” is not typically known to go. Crosby moved to the electric piano which got it grooving with some late-70’s Dead energy and behind more stellar drumming and playing from everyone, it just launched into the stratosphere for one hell of a jam.
“Mountains of the Moon” similarly went atypically off the beaten path. Phil and Grahame had a nice father and son catch, passing the ball back and forth, guitar and bass lines playing off each other. Crosby grabbed his fiddle to mix it up further and the whole thing eventually dove into a deep oozing rumble. Phil hit on a nice dub groove and just sat with it for a few minutes and things got pretty groovy and interesting before fizzling right into a fun and bright “China Cat Sunflower”>”I Know You Rider” that had all the Friends on vocals, and friends too, in a big old singalong.
Prior to the “Eyes of the World”, “Brokedown Palace” encore that would send everyone back home with huge smiles, Phil came out to encourage everyone to become organ donors, as he’s been doing for 24 years. 24 extra years we’ve all had to enjoy his incredible music. “You give us the hope and the heart, and we give you the music,” he said.
Phil and Friends – Beak and Skiff, Lafayette, NY – July 8, 2022
Set 1: Dupree’s Diamond Blues, Rubin and Cherise, Minglewood Blues, When I Paint My Masterpiece, Dire Wolf, Casey Jones, Ripple
Set 2: Playing in the Band, Cassidy, St. Stephen > Born Cross-Eyed, Mountains of the Moon, China Cat Sunflower > I Know You Rider
New York jam icons moe. continued their recent revival on Thursday, July 7 with a headlining gig in their old hometown of Buffalo. As part of the Seneca Casinos Outer Harbor Concert Series, moe. played at the Lakeside Event Lawn in the outer harbor. With founding member Chuck Garvey still on the sidelines, Suke Cerulo filled in on guitar while Nate Wilson was also added on keys for this tour.
moe. kept it fairly old school this evening, in the community in which it grew up as a band. A “Kyle’s Song” > “Seat Of My Pants” got the evening started off right. The first set also offered up the newer composition “Prestige Worldwide” before “Time Ed” later closed out the set.
An even older tune “Johnny Lineup” opened up the second set, followed close behind by other legendary moe. tunes like “Timmy Tucker” and “Sensory Depravation Bank.” A powerhouse combination of “Recreational Chemistry” > “Meat” to close out the set preceded the all too fitting “Skitchin’ Buffalo” encore.
moe. Outer Harbor Drive – Buffalo, NY 7/7/22
Set 1: Kyle’s Song > Seat Of My Pants, Haze, Prestige Worldwide > Rickey Marten > Time Ed
Set 2: Johnny Lineup > Timmy Tucker, Sensory Depravation Bank, Meat > Recreational Chemistry > Meat
Kiss Me, Kate is about actor/director Fred Graham trying to mount a musical version of The Taming of the Shrew with his ex-wife Lilli Vanessi in the leading role. Also included in the mix are musically inclined, gangsters. Featured will also be Cole Porter’s most classic tunes, “Another Openin’ Another Show,” “So in Love,” “Too Darn Hot,” and “Always True to You.”
Jahmar Ortiz as Fred Graham and Briana Gantsweg as Lilli Vanessi.Maclain Rhine and the company.
Leading the cast as Lily Vanessi is Briana Gantsweg, previously seen on the CRT stage in Born Yesterday and Rough Crossing. Playing Fred Graham is Jahmar Ortiz, who also continues their role as Director of Culture and Inclusion as they did for CRT’s production of Hair earlier this summer. Many different CRT interns perform in the production as well.
Kiss Me, Kate is directed by Mark Reynolds, who previously won the SALT award for Newsies (Best Musical), CRT’s record-breaking production of Footloose, Born Yesterday, The Rat Pack Lounge, The Kitchen Witches, and more. Choreographer Bryan Knowlton returns for a third summer after working on Mamma Mia! and Saturday Night Fever in the past.
Jahmar Ortiz as Fred Graham with Company.
The Cortland Repertory Theatre will also offer a “Friday Night Talk Back” after the evening performance on July 8th, with a Q&A session with the actors, director, designers, and crew. Tickets are also on sale for the rest of the summer season, which includes Agatha Christie’s Murder on the Orient Express and Disney and Cameron Mackintosh’s Mary Poppins.
The 30th annual Finger Lakes Grassroots Festival in Trumansburg is back with over 80 performers on five stages during July 21-24 at the Trumansburg Fairgrounds.
The festival is held at the Trumansburg Fairgrounds in Trumansburg which is located about 10 miles north of Ithaca on the west side of Cayuga Lake in the Finger Lakes region of Central New York. Since the birth of the festival, the guiding quote has always been “to create joy in the midst of crisis is a powerful thing and brings magic to the table.”
Grassroots was founded by Donna the Buffalo, and is a mission-based organization that focuses on nurturing local artists and talent while reaching around the globe to bring world music and culture to new audiences to inspire creativity and foster community building. Four days before the festival there is a Culture Camp, which helps community building by having attendees going to four days of music and dance workshops led by regional and national artists.
Grandstand of Finger Lakes Grassroots Festival of Music and Dance.
I’ve been listening to the Heat Haze EP from NY-based ambient country trio SUSS for about a week. If you’re a fan of ambient music, this EP does not disappoint. It’s five songs of soothing pads articulated with a variety of instruments, mostly string instruments, often played in repetitive loops bringing about a sense of calm and focus. For me, the title track conjures less of an image of haze than that of an old shack overlooking a swamp surrounded by lush green and hanging vines.
SUSS is a NYC-based trio of Pat Irwin, Bob Holmes, and Jonathan Gregg integrate their NYC roots into their music, playing off the similarities and differences between the Southwestern landscape (which influenced Night Suite) and that of New York, and in doing so, stretching the definitions of both “ambient” and “country.”
Reviewing ambient music is a challenge in that it is quite different from most other music. Most musicians want you to focus on the music itself, and hear all the interesting things the artists behind them are doing to draw you in. Ambient music is meant to put you in such a state that you are completely relaxed, not focused on the music at all. Heat Haze pulls that off. I really had to force myself to pay attention to what SUSS was doing. And even then, I would find myself lost in thought and not paying proper attention.
SUSS is credited with creating the ambient country sound, and the one critique, if it is even that, is that I have had a hard time finding the country elements of their music. Sure, there’s some acoustic guitar and even some lap steel, but neither are employed in a particularly “country” fashion. Two songs, “Grace” and “Train” hint a bit at some country roots, the latter perhaps teasing it a bit more than the former, but ultimately, I would bin this squarely in ambient without the country category.
My favorite track is the final one, “Pine,” which I can hear being the backing track behind a Nick Cave spoken word song or possibly in the middle of a Nick Cave & Warren Ellis film soundtrack. The plucked strings of what sounds like a baritone guitar add a nice dynamic element contrasted against the droning and whirling tones that make up the bulk of the song. It’s a haunting track; one that will be part of my nighttime routine, and perhaps present on my hot yoga mix, for years to come.
Real hip-hop was on display at the latest Alive at 5 in Albany on Thursday, July 7. Talib Kweli, one-half of hip-hop duo Black Star, was greeted to a warm reception on Thursday. Kweli’s large audience consisted of many who probably grew up listening to 90s styled hip-hop/rap. Backed by the band, The Whiskey Boys, many were brought to the feet with the versatile range of music on stage.
Not only was hip-hop on the menu this evening, there was also a fair amount of R&B and jazz performed. Kweli made time to demonstrate the complexity of each instrument on stage with solo performances. He also interacted with the crowd by not only playing some of his hits, but in paying tribute to Biz Markie, Ol’ Dirty Bastard and DMX. The show brought a lot of nostalgia and history to a multi-generational audience.
Talib Kweli was preceded by DJ Siroc and DJ TGIF. DJ Siroc played a nice set of songs, ranging with many hits from the 90s and early 2000’s. DJ TGIF was introduced by Mayor Kathy Sheehan, as he is one of Albany’s own. He kept to the unofficial theme with a set consisting of hits from Jay-Z, A Tribe Called Quest, and DMX. A dance battle broke out during the end of DJ TGIF’s set that lead well into the excitement for Talib Kweli.
If you were not able to catch Talib Kweli, his next performance will be at the Blue Note in Manhattan on July 12th.
Alive at Five returns on July 14 with Cassadee Pope featuring Sydney Worthley opening the show.
The Supreme Team documentary, chronicling the rise and fall of the infamous organized crime syndicate, premiered on Showtime on July, 10. The three-part docu-series — which was made available on the Showtime streaming service on July, 8 — explores the inner-workings of the criminal enterprise and its mob influenced structure.
In addition, director Peter J. Scaletarr (who holds producer credits on the Wu Tang Clan documentary, Of Mics and Men) probes into Queens history and their community ethos. Painting a vivid image into just how the men who made the Supreme Team famous came to be. Nas narrates (and Mass Appeal produces) and interviews Queens native LL Cool J throughout part 1 of the docu-series. While various members of the Supreme Team — including leader Kenneth “Supreme” McGriff and underboss Gerald “Prince” Miller, who are both serving life sentences — shared insider details.
The Supreme Team served as the influence for many of hip hop’s premier and most recognizable rhymers. LL Cool J, who is considered one of hip hop’s first superstars, mimicked the Supreme Team’s style and would frequent their parties and events in order to rub elbows with the popular hustlers. 50 Cent, who also hails from Southside neighborhood of Jamaica Queens, was fairly close to the Supreme Team’s leader, Kenneth “Supreme” McGriff. He was also a close mentee to one of the organization’s lieutenants, Black Just.
The Supreme Team’s mob like structure was a rarity among street gangs, as their aura gained them recognition throughout all of New York City. In reality, they were much more than a gang but rather a large syndicate with a meticulously planned out infrastructure.
Kenneth “Supreme” McGriff is currently serving a life sentence after being convicted for the murder-for-hire of Eric “E MoneyBags” Smith and drug trafficking. Gerald “Prince” Miller was indicted on federal drug charges in 1992 and is currently incarcerated.
Part 2 of the “Supreme Team” documentary-series will air on Sunday, July 17 at 10 p.m. eastern.
