Category: Genres

  • Interview with Jordon “Jordo” Simpson of Faced

    Some music is misunderstood. In the fifties and sixties, older generations didn’t understand rock ‘n’ roll. And in the thirties, preachers had a problem with blues. But metal has seldom been understood throughout the generations. And the cool thing is that metal actually enjoys it. Defiance to the norm is on the underside of every nickel-wound string and dropped D.

    Faced is a metal band, and they’re one to watch. With an album out in 2020, they came through the other side of ‘crazyville’ to lay down brutality in the studio. I sat down with Faced’s Jordan (Jordo) Simpson to talk turkey.

    faced

    RRX: You released II Coming in September of 2020, which was a pretty crazy time. I won’t ask how hard it was to put it together during that time; old news. But it touches on a point. Metal is about insane shit, apocalypses, general doom and whatnot. Does it feel different singing about, well, dystopia, where we’re living in it? 

    JS: A lot of the material was written for a couple of years. On this record there is a range of topics from out of the mind and body experiences to straight up anger, loss of will and hope, smoking weed, the list goes on. So, the timing of it fit the period in all of our lives. 

    RRX: Faced has a really tight sound, not clean in the sense of like clean guitar, but clean as in maybe streamlined, well put together. And yet the sound is chaotic. And people who don’t listen to metal think it’s all chaos because their ears aren’t trained to it, but some metal is cleaner, tighter, than other metal. How do you control the chaos? 

    JS: That’s a good question. We have always been musicians that push the edge. Always trying to zero in on how to do things better. So, with drive and practice combined we just strive to be the best metal band we can be, and the result is that tight sound you hear. We just try to be ourselves and true to the art. We don’t follow trends or fads. We just pour ourselves out there.

    RRX: I love that guitar sound. So maybe we talk shop for a second. Let’s talk pedals. First off, do you guys use them, or is it all in great amps? If you do use them, what do those pedal boards look like? And how do you manage pedal boards in a live show – punch them during the show, or set and forget? If no pedals, what stops you?

    JS: Glad you like the tone!! I’ve worked many years to find my sound. Live and in the studio I use a Randall RM-100 head with a 4 x 12 loaded with Marshall Celestions speakers. In the studio I use a few pedals. For delay I use a DD-8 Delay pedal for leads. For wah, I use a Dunlop 525Q. I also use a stereo chorus from the 80’s made by Arion. Which is a diamond in the rough. But everyone loves the sound. For live I use a Headrush pedalboard thru my loop in my Randall. It sounds great and doesn’t kill my back. 

    faced

    RRX: I’ve listened to Faced from the studio and Faced live on one of the Booze Cruises. There’s a lot of similarities, and differences. I don’t think it’s even possible to recreate a live metal sound in the studio unless you record in a venue and let people mosh in the recording booth. Do you try things to bring the live sound into the studio? 

    JS: The studio is a different beast. We always try to capture the Faced sound. That’s what we aim for. We don’t want to sound like another band live or in the studio. So being true to ourselves is what comes through live and in the studio. Live we throw different things in there and take risks. We try to always outdo ourselves. If you came to a show to hear what’s exactly on the record what good is that. We always want it to be an experience. You never know what you will see or hear at a Faced show. Like to keep the fans on their toes. 

    RRX: Metal in the Capital Region is a tight group. Part of that is the music itself. Metal is a music that doesn’t mix well with other music. You wouldn’t see a metal band booked with a folk or a blues band. That said, metal does mix very well when it’s mashups with other genres, like rap, country, blues, folk…pretty much everything. Why is that? 

    JS: Well, I can only speak for our music. We have played with many genres under the sun. We love many types of music. We have shared the bill with many different acts playing many different genres. Hell, we even played a rave once! Our thing is as long as you have a dream and you’re doing everything possible to make that dream a reality we back you 100%. Musicians stick together. 

    RRX: Most music, or most musicians, have a theme. Just basic, there’s stuff we care about, so there’s stuff we sing about. If I think the CIA implants radios in peoples’ fillings, my albums might be me revealing that belief in 4/4 time. And that’s a stupid example but Faced probably has themes to its music. What is the Faced message? 

    JS: We have many messages through many songs. We tell stories about life through real experience. It’s real songs with twists and turns through the mind.  We scream about things we have lived through and have seen. Pretty much it’s all left up to interpretation. We make the listeners think about what it all means to them in a lot of songs. 

    RRX: This is where you answer the question I didn’t ask. Comments? Shout-outs? Educate, enlighten, emote – the floor is yours.

    JS: Come out to a show and party with us. We don’t bite…much! Check us out on every streaming platform there is. If you dig it, pass it to a friend.

    We would love to give a few huge shout outs to our manager Bear without him some of the things we have done wouldn’t have been possible. We would also like to give a shout out to the social outcasts, the misunderstood and the bullied. We love you all and embrace every last one of you. A Faced show is where you are accepted for who you are. Come out and be part of it. Thanks for all the support!!

    Originally published in The Xperience Monthly

  • Albany’s Doctor Baker to Release Album “Trespassers”

    On Sept. 9, Albany-based rock band Doctor Baker will release their album, Trespassers, produced by Don Fury at Don Fury Studios in Troy. 

    Consisting of Ed Schwarzschild (guitar, vocals), Iggy Calabria (guitar, vocals), Chris Gockley (bass), and Danny Goodwin (drums, percussion), Doctor Baker originally started as an acoustic duo before expanding. The complete band brings a strong sound to audiences within the Capitol Region and beyond. 

    An award-winning short story writer and novelist, Schwarzchild’s lyricism on Trespassers is evocative and compelling. The band’s sound on the album spans various emotions with the first single and lyric video, “Exhausted,” released on Aug. 30.

    The album is like a story collection, but they’re stories that fit in with what’s going on in the world at the moment … the songs on the album acknowledge that there are some real problems, but we’re trying to stay lit up, we’re still trying to love, still trying to figure out what love is, still trying to maintain relationships with the people we’re close to.

    – Ed Schwarzschild

    The title of the album, Trespassers, came to Gockley and Schwarzchild after a performance by Wilco frontman Jeff Tweedy. The duo got lost on the way back to Albany and found themselves in a remote spot with “NO TRESPASSING” signs and the name of the album came to them. Of the title, Schwarzchild shares, “‘Hey we’re all trespassers now, let’s try to do things together, see each other clearly, see ourselves clearly.’”

    Legendary producer Don Fury propelled the band’s sound forward, with the 11 songs ranging in instrumentation and tone. Backing vocals from Zan Strumfeld (Zan and the Winter Folk) and Melissa Thorne (Fol Chen) also strengthen the songs on the record. 

    Doctor Baker’s Trespassers includes heavily distorted tracks such as the title track and slows to pieces such as “Holiday Lights” as a change of pace. The instrumentation of the album at times sounds light and cheerful but after closer inspection of the lyrics, the band adds depth to each of the tracks including vivid descriptions and reflections of politics, climate change, and the human condition. There is a relatable song for every listener on this album.

    In celebration of Trespasser’s release, Doctor Baker will be performing at The Linda on Sept. 10, and Albany Distilling Company on Sept. 23. Fans of the band can keep up with them on Instagram, here.

  • Dave Matthews Band Announce Fall 2022 Tour, Stops at Madison Square Garden

    The Dave Matthews Band has announced a Fall 2022 North American tour, with stops all over the country, wrapping up with two dates at Madison Square Garden on Nov. 18 and 19.

    Dave Matthews Band
    Photo Credit: Danny Clinch.

    The Dave Matthews Band has sold more than 25 million tickets since its creation and a collective 38 million CDs and DVDs combined. With the release of 2018’s Come Tomorrow, the band became the first group in history to have seven consecutive studio albums debut at No. 1 on the Billboard 200.

    The band just wrapped up their annual Labor Day weekend celebration at the Gorge Amphitheatre in George, WA, and are finishing off summer tour dates before heading into the Fall tour, starting Nov. 2 at Rogers Arena in Vancouver, BC. DMB will partner with The Nature Conservancy’s Plant a Billion Trees program and have funded the planting of three million trees through touring.

    If you are a member of the DMB Warehouse Fan Association you can get tickets now, with public on-sale happening on Sept. 23 at 10 A.M. local time.

    Dave Matthews Band Tour Dates

    Summer 2022

    9/9                   Greenwood Village, CO         Fiddler’s Green Amphitheatre                        

    9/10                 Greenwood Village, CO         Fiddler’s Green Amphitheatre

    9/14                 Phoenix, AZ                            Ak-Chin Pavilion

    9/16                 Chula Vista, CA                     North Island Credit Union Amphitheatre

    9/17                 Mountain View, CA               Shoreline Amphitheatre

    9/19                 Hollywood, CA                      Hollywood Bowl        

    9/20                 Hollywood, CA                      Hollywood Bowl

    Fall 2022

    11/2                 Vancouver, BC                       Rogers Arena

    11/4                 Seattle, WA                            Climate Pledge Arena

    11/5                 Portland, OR                           Moda Center

    11/8                 Nampa, ID                              Ford Idaho Center Arena

    11/9                 Salt Lake City, UT                 Vivint Arena

    11/12               Omaha, NE                             CHI Health Center Arena

    11/13               Minneapolis, MN                   Target Center

    11/15               Chicago, IL                             United Center

    11/16               Fairborn, OH                          WSU Nutter Center

    11/18               New York, NY                       Madison Square Garden

    11/19               New York, NY                       Madison Square Garden

  • In Focus: City Girls at The New York State Fair

    City Girls headlined at The Great New York State Fair on Sept. 4. The bold rap duo and hip-hop stars debuted on the Chevy Park stage within the New York Experience Festival Grounds, sponsored by Chevrolet. Despite the light rain throughout the set, City Girls presented a remarkable show to a large-scale audience. 

    Miami-based rap duo, City Girls, consists of JT and Yung Miami. They made an abrupt entry into the music industry by making a guest appearance on Drake’s top charting single “In My Feelings,” in 2018. Currently, City Girls are touring with Jack Harlow for the Come Home The Kids Miss You Tour.

    The City Girls DJ, Fat Boy Rhymer warmed up the crowd to popular rap songs including, “Mo Bamba,” by Sheck Wes, “F.N.F. (Let’s Go),” by Hitkidd and GloRilla, and “Super Gremlin,” by Kodak Black. The crowd went absolutely wild when Rhymer asked, “are you ready for City Girls?!”

    DJ Fat Boy Rhymer kept the beats rolling as City Girls ran out on stage to “Take Your Man.” Those in the crowd sitting, stood up recording on their cell phones with the flash on, and cheered for the duo. While rapping and dancing, Yung Miami and JT alternated working each side of the stage. The audience remained excited and danced throughout the act.

    Near the end of the set, the duo brought a few fans on the stage to dance with them. Don’t miss City Girls when they stop at Barclays Center in Brooklyn on October 7. Check out their full tour dates below!

    City Girls Tour Dates

    Sep. 05 – Andrew J Brady Icon Music Center – Cincinnati, OH

    Sep. 06 – Nashville Municipal Auditorium – Nashville, TN

    Sep. 08 – The Pavilion at Toyota Music Factory – Irving, TX

    Sep. 10 – 713 Music Hall – Houston, TX

    Sep. 11 – Moody Center – Austin, TX

    Sep. 13 – Arizona Federal Theatre – Phoenix, AZ

    Sep.16 – Bill Graham Civic Auditorium – San Francisco, CA

    Sep. 17 – Viejas Arena – San Diego, CA

    Sep. 20 – Kia Forum – Los Angeles, CA

    Sep. 23 – Wamu Theater – Seattle, WA

    Sep. 24 – Rogers Arena – Vancouver, BC

    Sep. 25 – Veterans Memorial Coliseum – Portland, OR

    Sep. 27 – Maverik Center – Salt Lake City, UT

    Sep. 28 – 1stBank Center – Broomfield, CO

    Sep. 30 – The Armory – Minneapolis, MN

    Oct. 01 – Credit Union 1 Arena – Chicago, IL

    Oct. 02 – Fox Theatre – Detroit, MI

    Oct. 05 – Coca-Cola Coliseum – Toronto, ON

    Oct. 07 – Barclays Center – Brooklyn, NY 

    Oct. 08 – The Liacouras Center – Philadelphia, PA

    Oct. 10 – MGM Music Hall at Fenway – Boston, MA

    Oct. 11 – The Anthem – Washington, DC

    Oct. 14 – FPL Amphitheatre at at Bayfront Park – Miami, FL

    Oct. 15 – Yuengling Center – Tampa, FL

    Oct. 16 – State Farm Arena – Atlanta, GA

  • Austin Jay Brings the Passion to R&B With ‘Loving on You’

    Manhattan-born pop/r&b singer, Austin Jay, brings the heat with his latest single, “Loving on You.” Released in anticipation of his debut EP, “Loving You” follows the release of “All I Wanna Do,” his debut single. In a short period of time the passionate wailer has amassed over 50 thousand streams on each of his singles.

    After graduating from Morehouse College in Atlanta, Austin Jay embarked on his musical career. Classically trained in piano and voice, he earned his promising newcomer status in 2019 with covers of Khalid’s “Location” and Billie Eilish’s “Ocean Eyes” gaining a significant following on Instagram for his soulful and imaginative Gen- Z reinterpretations of popular songs.

    Stylistically, Austin Jay can fill a void within the r&b realm. While the too-cool-for-school crooners have their place, they don’t fully encapsulate the love and vulnerability that r&b is rooted in. A proper love ballad requires a certain kind of indifference to public perception. A generational trend that Austin Jay is aware of, yet embraces.

    Loving on You is about the infatuation of new love. It’s about finding someone that you really care about and telling them, and not being ashamed of love. A lot of people think dramatic declarations of love are corny/cheesy, but really it’s healthy and needed more in life.

    – Austin Jay

    On “Loving On You” Austin Jay reverts to the impassioned, romance-laden croons of r&b’s heyday. In fact, the music video itself is a nod to r&b hits of the past, as Jay shirtless-ly serenades his love interest on a secluded California beach.

    Despite his r&b talents, Austin sees himself growing into the likes of Dominic Fike, Khalid, and Bruno Mars, an aggressive, all-genre artist with strong vocals. He performed as the lead singer of the nationally touring band ‘Earth to Mars’, growing his fanbase and earning his performance chops. Now a more complete artist, Austin Jay looks to cement himself as a player in the r&b world.

  • Made in America 2022: Philly’s Largest Music Festival Returns

    It may have been Philly, but the vibe was all “New York State of Mind” thanks to Jay-Z’s all-star lineup of the most influential acts for this year’s “Made in America” (MIA) festival. The festival took place on Benjamin Franklin Parkway on the 3rd and 4th of September. This year marked the 10th year of the festivals running and it was extraordinary. The Brooklyn rapper enlisted a hip-hop-heavy lineup, including Tyler, the Creator, Lil Uzi Vert, Don Toliver, and Bronx-born Pusha T. Although named “Made in America,” the festival featured acts from around the globe, including Nigeria, Sweden, Canada, Spain, Mexico, Colombia and The Dominican Republic.

    Fans climbing light post at Made in America, Photo by: Lucas Kurzweil

    Named after Jay-Z, Kanye West, and Frank Ocean’s hit record “Made in America,” this festival “sums up the superstars’ feelings about black history, America, Jesus, and revisiting their respective rises to fame.” With their dedication to social action, MIA featured a “Cause Village” giving various charitable organizations a platform for their various causes. With free swag, fun games, and music, Cause Village was a lively part of the festival.

    Cause Village, Photo by: Lucas Kurzweil

    Day-one headliner Tyler The Creator, fresh off his 2021 Grammy-winning album, Call Me If You Get Lost, performed songs new and old. Including fan favorites “WUSYANAME,” “Boredom,” and “Yonkers.” The West coast rapper felt at home on the East, as he exchanged his usual witty, dry humor with the crowd. Before departing, he made sure to state that this was the “last show for this era.” Marking the conclusion of his extravagant Call Me If You Get Lost run.

    Tyler, The Creator at Made in America, Photo by: Lucas Kurzweil

    Day-two headliner Bad Bunny stopped at MIA amid his World’s Hottest Tour. Bad Bunny’s tour has already visited Yankee Stadium on August 27, where the demand for tickets was so high that they added a second show the next day. During the second Yankee Stadium performance Bad Bunny was presented with the MTV Video Music Award for Artist of the Year.

    Bad Bunny at Made in America, Photo by: Lucas Kurzweil

    Bronx-born rapper Pusha T made an appearance this weekend. He recently released an album titled It’s Almost Dry, which featured production almost exclusively from Pharrell and Kanye West. The album also included a feature from festival curator, Jay-Z. Pusha performed many songs from the album, including the scratchy “Diet Coke”, which includes production from West and New York’s own 88-keys. Pusha played hits records throughout his discography, crowd favorites included his verses on “Runaway” and “I Don’t Like.”

    Pusha T at Made in America, Photo by: Lucas Kurzweil

    Jay-Z called upon Lil Uzi Vert, Jazmine Sullivan, Zah Sosaa, and many others to represent Philadelphia at MIA. Uzi himself has been on a festival run as of late, having performed at Something in the Water, Rolling Loud Miami, and Outside Lands within the past few months. Uzi is also slated to appear in New York later this month at Rolling Loud NY. 

    Lil Uzi Vert at Made in America, Photo by: Lucas Kurzweil

    Full Festival Lineup: Bad Bunny, Tyler, the Creator, Lil Uzi Vert, Jazmine Sullivan, Burna Boy, Snoh Aalegra, Pusha T, Don Toliver, Tate McRae, Fuerza Regida, Toro Y Moi, Larry June, Babyface Ray, Rels B, Victoria Monét, Chimbala, Ryan Castro, Young Nudy, Kenny Mason, Coast Contra, GloRilla, Jeleel!, Jenevieve, Zah Sosaa, Ambré, Armani White, Kur, Kalan Fr.Fr.,Dixson, and Becca Hannah.

  • Andy Falco: From Long Island to Borderland Festival

    Andy Falco has deep New York roots. Stretching across the South Shore of Long Island and into the Hudson Valley, these roots gave him his introduction to bluegrass music, leading him to Nashville, The Infamous Stringdusters, and soon, Borderland Festival in East Aurora. 

    andy falco
    Andy Falco – photo by Trent Grogan

    Born in Greenwich Village, growing up in Garden City and now residing in Sayville, Falco first played music at bars on Long Island. His brother Tom brought him to Fadeley’s, a small deli and bar in Patchogue, and one of the few places on Long Island in the late 1990s to find craft beer, on multiple taps no less. While it may seem unassuming from outside, Falco recalls the room fondly, saying “There’s something about that room, the wood or something, it really sounded good in there. Like playing inside an old Martin guitar.”

    fadeley's patchogue long island
    Exterior of Fadeley’s – photo by Rob Tellerman
    fadeley's patchogue long island
    Interior of Fadeley’s – photo by Rob Tellerman

    As he and his brother got into bluegrass via Old and in the Way, they were then introduced to The Seldom Scene, a bluegrass band from Bethesda, MD. For Falco, this was the way. “Getting into Bill Monroe at first felt a little harsh to hear, like a single malt scotch. At first maybe you’re like ‘Whoa what is that?’ and then you start to get used to it.” While tuning into David Bromberg for his more bluegrassy tunes, he met Buddy Merriam, a Long Island guitar teacher and member of Back Roads, and who has played traditional bluegrass music for more than 40 years. Merriam, who was friends with and played music alongside Bill Monroe, made mix tapes of various Monroe and Jimmy Martin tunes, a taste of more traditional, first generation bluegrass. 

    andy falco
    Andy Falco – photo by Trent Grogan

    Falco would bridge the gap to Monroe in playing with Buddy for a number of years before Falco headed to Nashville. By 2021 The Infamous Stringdusters had released their GRAMMY nominated A Tribute to Bill Monroe, playing traditional bluegrass for a change, picking some of their favorites to record, mixing them at home during 2020’s shutdown, and finally mastered by Fred Guarino on Long Island. 

    Finding his way to Winterhawk Bluegrass Fest (now Grey Fox), Falco discovered his love for acoustic guitar during a workshop with Jack Lawrence, Doc Watson’s playing partner for more than three decades.

    andy falco
    Andy Falco – photo by Trent Grogan

    Reflecting on Winterhawk/Grey Fox, Falco recalls the time spent there fondly, noting that he and fellow Stringduster Chris Pandolfi “cut their teeth on that hill.” Hanging an Italian flag above their campsite, the pair would spend days in workshops, watching bluegrass, and jamming at night time pickin parties. This would be one of the first places Falco would run into Andy Hall, setting the stage for their eventual connection in Nashville where Falco joined the Stringdusters in 2007. 

    “I decided I wanted to play bluegrass guitar on that hill. I checked out a guitar workshop led by Jack Lawrence, went down there in the morning and it turned out he was Doc Watson’s playing partner, and he brought Doc with him. I sat so close to him I could string his guitar. I went and bought a Martin guitar not too long after that and just really got into bluegrass. 

    Andy Falco

    Given this was the 1990s, there weren’t as many festivals in New York State as there would be a decade later, so Winterhawk and a charity-focused Labor Day festival on Long Island – Bradstock – would be the extent of Falco’s festival experiences. At Bradstock 2 in 1995, Falco would play his first real gig with Water Street Blues Band, and was the only other festival he would perform at until moving to Nashville. 

    Looking ahead to Borderland Festival, where The Infamous Stringdusters have played three times previously, Falco looks eagerly towards the Western New York festival. “The people are always so awesome to play for and the community they’ve put together is lovely to be a part of.” Borderland Festival founder Jennfier Brazill leads this community, having known the band for over a decade, having first worked with the band as a partner at WinterWonderGrass Festival in Colorado. Said Brazill, “I am their biggest fan and always want them as a part of my events.”

    The Infamous Stringdusters have been on the lineup four times, but a hurricane prevented their arrival one year, in 2018. Held in 2022 over the weekend of September 17 and 18, The Infamous Stringdusters will perform on Sunday the 18th ahead of The Flaming Lips, who headline the night. The festival also features Portugal. The Man, Keller Williams, Michael Franti and Spearhead, Spafford, Dogs in a Pile, NYS Dead Coalition, Folkfaces and many more.

    Having been on the road with Greensky Bluegrass earlier this year, the shift from buses to flights – given a shortage of drivers and parts for buses – has led to more hotels, less sleep and heading right to venues to soundcheck and prepare for a gig. Add in the crew who are working harder, arriving earlier and staying late, the collective effort is not lost on Falco. “When you’re on stage and playing music in front of everyone, it’s worth it. More people are coming to festivals, despite all the travel woes. It feels like it’s over, the music is still coming back in this transitional time that is by no means normal. You have to appreciate every moment.”

  • The Uncle Louie Variety Show to Come to The Egg in October

    On Oct. 15, The Uncle Louie Variety Show will come to The Egg in Albany for a night of comedy, original music, and more.

    Comprised of two comedians, Lou Greco and Carlo Russo, the show takes a hilarious and unique look at what it is like growing up as an Italian-American. Originating from Syracuse, Greco and Russo grew up together and began writing comedy during their high school Italian class. 

    What first started as a few ideas on tape grew to hilarious shows on video. Fans can find the pair on YouTube and Facebook, where they make millions of viewers laugh with their writing. Characters such as “Uncle Louie,” “Pasqualino,” “Zia Maria,” and “Zia Rosa,” are always getting into trouble and causing great reactions from crowds.

    Attendees of The Uncle Louie Variety Show can expect two hours of original music, sketch comedy, and stand-up by Greco and Russo. After 30 years as friends, the duo’s stage presence brings a unique energy to their performance. 

    Over the year, the pair have traveled around the East Coast with “The Hard Comedy World Tour,” which Greco and Russo resumed in August. The tour will take the friends to the West Coast, southern United States, Canada, Australia, and England. 

    For tickets to The Uncle Louie Variety Show on Oct. 15, visit The Egg’s website, here.

  • Jazz at the Lake in Lake George Lineup Announced

    The Lake George Arts Project’s Jazz at the Lake is back for 2022, with a lineup including some of the most outstanding performers in jazz.

    jazz at the lake

    The festival will take place from Sept. 16-18 in Shepard Park in Lake George. The free event will have a lineup full of great jazz performers, with eight acts over a few days.

    Shepard Park is conveniently located in the Lake George village, with many nights of the week having free concerts and entertainment in the amphitheater overlooking the lake.

    The lineup includes the Chembo Corniel Quintet, composed of percussionist and Grammy nominee Wilson “Chembo” Corniel on Sept. 16 at 6 P.M. That night there will be many musicians playing around Lake George, including Hot Club of Saratoga, the Scott Hopkins Jazz Trio, and James Rissacher.

    On Sept. 17 at 1 P.M. is the Gilad Hekselman & Far Star Trio, who has played with legendary musicians in the NYC jazz scene, and played at major venues like the Blue Note, The Jazz Standard, Dizzy’s Club, and Smalls. At 3 P.M. comes Samara Joy, with a voice as smooth as velvet. At 5 P.M. Ike Sturm and HEART perform, and at 7 P.M. Camille Thurman & the Darrell Green Quartet will perform.

    On the last day, Sept. 18, the Grammy-award-winning Zack Brock Quartet featuring Aaron Goldberg, Yasushi Nakamura, and Clarence Penn will be playing at 1 P.M. At 3 P.M. comes Vanderlei Pereira & Blindfold Test, then closing off the festival at 5 P.M. is Elio Villafranca & The Jass Syncopators, who have received a GRAMMY Nomination in the Best Latin Jazz Album of the Year category.

    The Jazz at the Lake festival in Lake George will be happening from Sept. 16-18 at Shepard Park for free.

  • Locations Drop Bouncy Single “Moves”

    Brooklyn alt-rock duo Locations has dropped “Moves,” a jovial dance rock track which is the band’s first release in over two years.

    The track is centered around a bright, melodic guitar rhythm and the band’s falsetto vocal harmonies in this ode to optimism and getting up to dance. “Dance if you wanna dance, move if you wanna move, you have got to do it for you,” they sing on the chorus.

    (left to right) Niko Rummell (lead guitarist/vocalist) and Thomas Whidden (drummer/vocalist) of Locations. (photo by Hannah Turner Harts)

    While simple, the hook is catchy and succinctly expresses the song’s straightforward ideas. It provides a solid contrast from the track’s verses, which build towards something a little more hyper in the chorus. This is especially the case in the song’s final minute, as muted guitar creates a light tension which is released in satisfying fashion for the outro.

    The song is also part of an impassioned campaign from the band, with them using the single to promote universal healthcare. Looking to raise funds for Campaign for NY Health, Locations is selling limited edition t-shirts to support the organization which seeks to pass a single payer healthcare system in New York State.

    Also as part of this campaign, the group will be performing at the Mercury Lounge in Manhattan on Monday, September 5 along with ALIENS, Witch Slap, Nuclear Family Fantasy, and Lumberob. Tickets can be found here.

    Not only is “Moves” the band’s first single in over two years, but it was also the first written after a “major medical event” involving one of the members put activities on hold for several months.

    “Moves” by Locations is a vibrantly optimistic song that looks to build optimism for a cause of passion, and it does so in an easily listenable way.

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