On Saturday, September 24 at 7:30pm, the Broome County Forum Theatre will once again host the kick off of the Binghamton Philharmonic Orchestra’s 2022-2023 Season with “American Journey,” a concert exploring classical music of the Americas.
Under the direction of Maestro Daniel Hege, the program will include: Seven O’Clock Shout, a 2020 tribute to healthcare workers by contemporary composer Valerie Coleman; George Gershwin’s renowned Piano Concerto in F performed with soloist Andrew Russo; Aaron Copland’s Four Dance Episodes from Rodeo; and Arturo Márquez’s playful Danzón No. 2.
Maestro Daniel Hege
Enjoy a pre-concert dinner at DoubleTree by Hilton Hotel Binghamton for $35 per person, with 5:00pm, 5:30pm and 6:00pm seating times. Call 607-722-7575 ext. 1610 (ask for Patty) to make a reservation. Enjoy dinner and park for free while you enjoy the show.
There will be a pre-concert chat at 6:30pm in the Recital Hall from Professor Sarah Gerk, PhD (Binghamton University) titled “I, Too, Sing America”: The Glorious, Messy, Difficult History of Composing American Music, and Why It Matters
All children 17 and under get free admission, courtesy of M&T Bank, the Classical Series Sponsor for the Binghamton Philharmonic Orchestra.
Joe Jencks and Kray Van Kirk traded songs at Caffe Lena in Saratoga Springs on Sep. 16. The night was divided into three sets: a solo set by Van Kirk followed by a solo set by Jencks, then both singers came on stage to trade songs back and forth for a story-filled hour plus from these two singer songwriters. Joe Jencks was last featured on NYS Music at the folk music Old SongFestival of Traditional Music and Dance.
In the solo sets, Kray Van Kirk started the night off. A highlight from Van Kirk for this listener was when he introduced a song with this: “I am going to spend my time rejecting my heritage.” He then sang a song of solidarity with people of all kinds. Van Kirk said after the show that his “ancestors were slave owners in this country.” He finished his solo set with the title track from his most recent album Midnight Commander.
Joe Jencks took the stage for his solo set and began by saying that he was standing in solidarity with the workers of Amtrak. Jencks mentioned that his friend Van Kirk, who lives in California, was fortunate that he took a plane over to the Northeast, as a trip via train could have been tricky. The highlight for this listener was also a title track. This time it was Jencks singing the title track to his new album The Coming of the Years. Jencks mentioned how this song was an homage to “getting together” and how nice it was to get together with an audience considering the past couple years of the Covid pandemic.
During the combined set, Van Kirk told an incredible story/legend about Irish Selkies. These are the Irish people’s version of Mermaids. Jencks continued the theme of water-related storytelling. He sang a song of acceptance that centered on “The Lady of the Harbor” (Statue of Liberty). Both singers spun tales of politics and bravery. Concluding the night, the two singer songwriters invoked Pete Seeger telling the US Congress that he was not invoking his 5th Amendment rights; he was invoking his 1st Amendment rights. Then the crowd sang along to a swelling rendition of The Youngbloods’ Smile on Your Brother.
“Dio: Dreamers Never Die,” a documentary about the life and career of heavy metal vocalist Ronnie James Dio is getting one time showings at select theaters across the tri-state area on September 28 and October 2.
The movie about the late singer of Black Sabbath, Rainbow, his eponymous band Dio and more follows up the July release of his posthumous autobiography Rainbow in the Dark, co-written by British journalist Mick Wall and edited by the vocalist’s widow and longtime manager Wendy Dio.
Movie poster for “Dio: Dreamers Never Die”
This special showing series of “Dreamers Never Die” is far from Ronnie James Dio’s first connection to New York State. Having lived in Portsmouth, NH until age five, his family moved back to his parents’ hometown of Cortland, where Dio grew up, graduated from high school, and became a musician.
Information regarding tickets and more can be found on the “Dreamers Never Die” website. See below for all theaters in New York State as well as New Jersey and Connecticut where you can see “Dreamers Never Die.”
Alamo Drafthouse Manhattan 28 Liberty St NEW YORK
Alamo Drafthouse Downtown Brooklyn 445 Gold St. 4th Floor BROOKLYN
AMC Empire 25 234 W 42nd St NYC
AMC Clifton Commons 16 405 ROUTE 3 E CLIFTON, NJ
AMC Danbury 16 4 INTERNATIONAL DR DANBURY, CT
AMC Garden State 16 1 GARDEN STATE PLAZA (RT 4 & 17) PARAMUS, NJ
AMC Monmouth Mall 15 180 STATE ROUTE 35 EATONTOWN, NJ
If you grew up in the early 1960s, or watched Nick at Nite in the late 1980s, you probably remember this theme song:
An ear worm if there ever was one, the theme song to Car 54, Where Are You? is one of the greatest in television history and one that traverses four of New York City’s boroughs in just 16 seconds of the 29 second theme song. Meanwhile, Officer Gunther Toody (Joe E. Ross) and Officer Francis Muldoon (the legendary Fred Gwynne) are playing checkers on the dashboard of the titular Car 54.
For a run of 60 episodes, starting on September 17, 1961, Car 54, Where Are You? was the start of a career for a few of the actors on the show, and served as one of the early examples of portraying police, fire and even the military in more comedic situations than had been the custom on TV and in cinema.
The cast also included Al Lewis as Officer Leo Schnauser; Charlotte Rae as Sylvia Schnauser; Nipsey Russell as Officer Dave Anderson and Paul Reed as Captain Paul Block. Guest stars were a staple of the show, and featured notable names including Tom Bosley, Hugh Downs, Hal Linden, Charles Nelson Reilly, Sugar Ray Robinson, Jean Stapleton and many more.
Car 54, Where Are You? aired on Sunday nights from 8:30–9:00 p.m. on NBC, following Walt Disney’s Wonderful World of Color and preceding Bonanza. The show wrapped up on April 14, 1963 after two seasons.
Created by Nat Hiken and with theme song and lyrics composed by John Strauss, Car 54, Where Are You? had multiple directors, including Hiken, Al De Caprio, and Stanley Prager. The show was filmed on location and in the Bronx at Biograph Studios, which burned down in 1980 and now is the home of the New York Department of Sanitation. The show was nominated for four Emmys, winning one for Outstanding Directorial Achievement in Comedy for Nat Hiken in 1962.
In order to renew the show for a third season, NBC wanted to negotiate a part ownership deal for the show. Hiken would not agree to the deal and the show’s sponsor, Proctor and Gamble, could not convince CBS into taking the show over, where there was no room on the schedule. Hiken had become burnt out with writing, directing, and overseeing the show, and becoming exhausted with issues on the show, he ended the show after the second season and never worked on anothre series again. Not maintaining the success of the first two years – where the show placed in the top 20 of shows each week – led to cancellation in 1963. Hiken would pass away a few years later at age 54.
An early show that made light of the boys in blue, viewers did find enjoyment in the show, as seen in Nyack, NY where a patrol car was stolen from the police station parking lot was given the nickname “Car 54.” Not every police officer liked the show, leading one high-ranking New York police official, speaking anonymously, said he’d have liked to see the show cancelled as he believed it made all policemen look morons. “Being a policeman is a grim and humourless business, not at all funny,” he was quoted as saying.
Still, while being set in the fictional 53rd precinct in the Bronx, Car 54, Where Are You? was filmed at a studio in the Bronx’s real-life 48th Precinct, where the captain of the 48th made the show aware that he and his men found the show amusing and enjoyed it in their squad room.
Gwynne and Lewis would go on to greater fame in The Munsters, and Gwynne would write children’s books while extending his acting career into the early 1990s with his memorable role in My Cousin Vinny.
Joe E. Ross would provide vocals on a popular Milt Jackson jazz track, “The Oo-Oo Bossa Nova” on the album Jazz and Samba, a reference to Officer Toody’s trademark catch phrase “Oo-Oo.”
In the early 1980s, the show’s theme song is parodied as “Mario, Where Are You?” in an Atari commercial for Mario Bros. video game.
The lyrics to the theme song include five calls to respond to that lie in and outside the 53rd precinct: a hold up in the Bronx, fighting in Brooklyn, a traffic jam that spans from Harlem to Jackson Heights in Queens (a stretch of 7 miles), a missing child report and the head of state of the U.S.S.R. arriving at the future JFK Airport who presumably needs a police escort a mere 17 miles away. Can Muldoon and Toody really be expected to handle all these crises at the same time? Of course not, but the myriad of duties these two and their station are needed for expresses a positive view of the police in the early 1960s, keeping the role comical yet respectable. But was Car 54, Where Are You? an early form of copaganda, or just a light-hearted look at an integrated precinct in the melting pot of New York City?
The line “Khrushchev’s due at Idlewild” is the only part of the theme song that reference real events (although a cross-borough traffic jam is not out of the question), dating to September 1960, when Soviet leader Nikita Khrushchev flew into Idlewild Airport (now John F. Kennedy International Airport) to attend the United Nations General Assembly.
Debuting in the 1960 when merchandising became a key part of any major network show, there were multiple comic books based on Car 54, Where Are You?, as well as a board game, a car model, and puppets of Toody and Muldoon.
The Car 54, Where Are You? board game
A reboot of the show took place on the big screen in 1994 when Orion Pictures released what would be a bomb in Car 54, Where Are You? Starring David Johansen (of New York Dolls and Buster Poindexter Fame) as Officer Toody and John C. McGinley as Officer Muldoon, they were joined by original-series cast members Al Lewis and Nipsey Russell, and accompanied by Fran Drescher, Rosie O’Donnell, Daniel Baldwin, Jeremy Piven, Tone Loc, The Ramones and Penn and Teller. Among the reasons the movie bombed – the movie was filmed as a musical, but most numbers were later cut, leaving the movie to the dustbin of Hollywood.
A Car 54, Where Are You? comic book
A classic television show set in the Bronx, Car 54, Where Are You? serves as an early TV show set in the Bronx with a legacy that goes beyond its memorable theme song.
“Car 54, Where Are You?” theme-song lyrics
There’s a holdup in the Bronx, Brooklyn’s broken out in fights. There’s a traffic jam in Harlem That’s backed up to Jackson Heights. There’s a scout troop short a child, Khrushchev’s due at Idlewild Car 54, Where Are You?
British folk rock band Bear’s Den played at historic Webster Hall in the East Village on Thursday, September 15. They have been touring nonstop for the past 18 months gaining a loyal fanbase. The duo consists of Andrew Davie (lead vocals, guitar) and Kevin Jones (vocals, drums, bass, guitar). Christof van der Ven joined the band in 2016 as a session musician and plays in their live shows. Jools Owen is also their current drummer and horn player when they perform live.
Bear’s Den performs at Webster Hall 9.15.22
Bear’s Den opened their set with the title track of their recently released fifth studio album Blue Hours. The album was released in May of 2022 and debuted on the UK Albums Chart at # 6. They then played “Frightened Whispers” which is also featured on the new album. Fans were excited when the band went back in time a few years and performed “Red Earth & Pouring Rain” from their 2016 album of the same name.
Bear’s Den performs at Webster Hall 9.15.22
Continuing the mix of new and old material, the next portion of the set included “Fuel on the Fire,” “All That You Are” and “Isaac.” A big highlight of the night was when the band performed an unplugged version of the 2013 song “Sophie.” After that, they played a few more new tracks from the new album including “New Ways” and “Shadows.”
They then performed their newest single released only a few days ago, “Stitch In Time.” The song was developed during the creation of the new album, but wasn’t completed until they recently started touring again. When asked about the meaning of the song, the duo said, “‘Stitch in Time’ is a song exploring ideas around trauma. Specifically the idea of reaching back through time to be with someone in a difficult moment and just being with them and letting them know that it’s not ok.” You can listen to the new song below.
Perhaps my favorite part of the show was when the band went into the crowd during the encore at the packed Webster Hall and performed “Gabriel.” Without the help of mics, the band sounded amazing and really brought the crowd together for a communal experience. The show ended with “Agape,” the first track from their first album Islands released in 2014.
Setlist: Blue Hours, Red Earth and Pouring Rain, Frightened Whispers, Fuel on the Fire, All That You Are, Isaac, Sophie, New Ways, Shadows, Stitch in Time, Magdalene, Crow, Love We Stole, Spiders, Auld Wives, Pompell, Gabriel, Agape
Chestnut Grove, a Pennsylvania-based rock band, is on the road in support of a new single, with some New York dates in the near future. “All For You” is now available on streaming platforms and the band plans to release an EP titled Can’t Stand The Music sometime early next year.
Last month, Chestnut Grove performed a “revved-up” Free at Noon set at Philadelphia’s World Cafe Live for a lively audience who danced, sang along and got a preview of the new EP. Click here for pictures and an audio recording of the performance. This comes in advance of their scheduled gig this weekend in Camden, NJ for WXPN’s Xponential Music Festival on September 18.
In late October and early November, Chestnut Grove will make their way throughout New York State. Shows in Syracuse and Saranac Lake are scheduled for October 28 and 29, respectively. And the band’s show on November 3 at Putnam Place in Saratoga Springs will receive support from Consider the Source. Additional tour dates can be seen below.
Chestnut Grove 2022 Fall Tour
September 18th Xponential Music Festival, Wiggins Park – Camden, NJ
September 24th Pro Re Nata Brewery – Crozet, VA w/ Disco Risque
October 8th Pick Fest – Boyertown, PA w/ The Manatawny Creek Ramblers
October 28th Funk N’ Waffles – Syracuse, NY
October 29th Waterhole – Saranac Lake, NY
November 3rd Putnam Place – Saratoga Springs, NY w/ Consider the Source
November 17th Sellersville Theater – Sellersville, PA w/ Consider the Source
November 23rd The Soundback – Phoenixville, PA w/ Hunter Root
November 25th Jeremiah’s Banquet Hall – Williamsport, PA
November 26th King’s Rock Club – Erie, PA w/ Medusa’s Disco
Winding down their 14-date tour of North America, in support of their fourth album Crawler (Partisan Records) released in November 2021, avant-garde punk rockers IDLES from Bristol, England made a stop at the majestic Kings Theatre in Brooklyn, this past Thursday night, September 15. Unable to tour for their previous studio album (2020’s Ultra Mono) due to the COVID-19 pandemic, IDLES brought with them plenty of new material to offer its steadily growing legion of fans, present company included.
Joe Talbot of IDLES | Photo by Michael Dinger
Arriving more than an hour before the 7:00 pm doors on a chilly September late afternoon, a signal that autumn would soon be upon us, excited concertgoers were spotted congregating on nearby sidewalks, hastily exiting their Ubers beneath the grand marquee or frequenting the nearby bar that doubles as a tattoo parlor. As patrons filed past the security check point, many had a sheer expression of awe on their face as they witnessed the theater’s ornate, French Baroque style for the first time. The nearly 3,700 seat venue had been restored to its vintage condition and reopened to the public in January 2015, including the ornamental 50,000 square foot ceiling, along with the glazed and gilded walls paneled in American walnut.
Kings Theatre marquee | Photo by Michael DingerKings Theatre ceiling | Photo by Michael Dinger
Approximately 15 minutes before the night’s opening act would take the stage, IDLES fans continued to pack the lobby. Many of which checked out the merch table, grabbed a drink from the array of bars strategically placed on all levels or snapped a cell phone picture of the historic venue’s centerpiece, the console of a “Wonder Morton” pipe organ that was installed in the original Loew’s New York City movie theaters.
Kings Theatre pipe organ | Photo by Michael Dinger
An American hip hop group formed in Tempe, Arizona in 2013, Injury Reserve are rapper Ritchie With a T and producer Parker Corey. However, the current duo was once a trio, until the sudden death of friend and founding member Stepa J. Groggs on June 29, 2020, at only 32 years of age. Having already supported Black Midi on a tour of the West Coast earlier this year, Injury Reserve’s musical genre is best described as experimental, or abstract hip hop – think beat machines with endless cords.
Albeit for blinding flashes of strobe lights, Injury Reserve performed in near darkness, with their figures appearing in silhouette, or barely discernible at all. Notwithstanding, as the steadily increasing crowd took their seats or joined the general admission floor, they cheered and applauded loudly at every opportunity. Ritchie With a T and Corey would perform ten songs over the course of nearly 45-minutes, all taken from their second studio release By the Time I Get to Phoenix, self-released nearly one year ago. The only song not played from the album was the third track titled “SS San Francisco.”
Injury Reserve | Photo by Michael DingerInjury Reserve | Photo by Michael Dinger
After a 30-minute turnover of the stage by IDLES’ crew, the quintet comprised of Joe Talbot (vocals), Mark Bowen (guitar), Lee Kiernan (guitar), Adam Devonshire (bass) and Jon Beavis (drums) unassumingly appeared in the dark shadows a few ticks past 9:00 pm. With its cinematically suspenseful introduction and a perfect number for opening the show, the first of IDLES’s 18-song set was “Colossus,” from 2018’s Joy as an Act of Resistance, which would also find Kiernan tip toeing along the narrow barricade in front of the stage apron. With one foot perched up on his monitor, prior to launching into the evening’s second offering “Car Crash” (Crawler), about Talbot’s real-life experience in a near-fatal accident, he instructed the entire floor audience do split apart, forming a no man’s land down the middle. Then, on his command, each side came crashing back into one another (like a car crash) in a fevered, giant mosh pit like I have never seen before.
Lee Kiernan of IDLES | Photo by Michael DingerIDLES | Photo by Michael Dinger
For the remainder of their 90-minute set, sweaty, beer-covered bodies would often sway in unison as IDLES filled the entirety of Kings Theatre with a raw emotion that emanated from songs across their ever-growing discography, including the rallying cry of “Grounds” (Ultra Mono), the cathartic “Mother” (Brutalism, 2017), “The Beachland Ballroom” (Crawler) about the iconic Cleveland venue, the violent vigor of “Never Fight a Man With a Perm” (Joy as an Act of Resistance) and the grittiness of “Crawl!” (Crawler). Oftentimes, when Talbot was not prowling the stage in concentric circles or jogging in place, he could be seen engaging with his fans directly by looking straight into their eyes, as if he were singing to them only. I was also fortunate enough to catch his gaze on more than one occasion.
Lee Kiernan & Adam Devonshire of IDLES | Photo by Michael DingerMark Bowen of IDLES | Photo by Michael Dinger
There were too many highlights in the IDLES set to count, and all five members were in prime form. But the moment that seemed to electrify the fans the most was not when Kiernan stood atop the crowd’s shoulders hugging a pink cowboy hatted fan, but when Bowen climbed his own way into the crowd, microphone in hand, as he led the frenzied crowd through the bridge section of the anthemic “Danny Nedelko” (Joy as an Act of Resistance).
Despite being a self-described “angry band” from the U.K., IDLES have built a really loving community amongst their fans. People constantly look out for out for each other, and tonight’s show was no exception. The final concert of IDLES’ “Back To Normal Tour,” before trekking to New Zealand and Australia in late-October, will be at the Sea.Hear.Now festival in Asbury Park, New Jersey on September 18.
Injury Reserve Setlist: Outside > Superman That > Footwork in a Forest Fire > Ground Zero > Smoke Don’t Clear > Top Picks for You > Wild Wild West > Postpostpartum > Knees > Bye Storm
IDLES Setlist: Colossus > Car Crash > Mr. Motivator > Grounds > Mother > Divide and Conquer > The Beachland Ballroom > Never Fight a Man With a Perm > Crawl! > 1049 Gotho > The Wheel > Television > A Hymn > War > Wizz > I’m Scum > Danny Nedelko > Rottweiler
Freddie Gibbs hosted a pre-album listening party for his upcoming album “$oul $old $eparately” (SSS). The album is set to release on September 30th. The party occurred on Wednesday, September 14th, at 383 W Broadway in SoHo. His label, Warner Records, stated that this is “Freddie’s first major label album debut and is based on the refusal to compromise his morals or integrity under the pressures of the industry.”
Freddie Gibbs at his “$oul $old $eparately” Album Listening Party. Photo By: Lucas Kurzweil
Freddie Gibbs hails from Gary, Indiana, was initially signed to Interscope Records in 2006, but would not release his first album until signing with Young Jeezy’s CTE World where he released mixtapes through the label, including Baby Face Killa (2012).
Freddie released “Too Much” featuring Moneybagg Yo in advance of his casino-themed album. The track features cutting flows that have become Gibbs’ token sound. Freddie’s last album, “Alfredo,” (made in collaboration with California producer the Alchemist) was nominated for Best Rap Album at the 2020 Grammy Awards. “Alfredo” featured Rick Ross, who will make another appearance on SSS. Other features on the new album will include Anderson .Paak, Offset, and Pusha T. Merchandise for the release is out for pre-order on Kanecomics.shop.
Guapdad 4000 at the “$oul $old $eparately” Album Listening Party.Ben Lambert, Thefitmamii, and Freddie Gibbs at the “$oul $old $eparately” Album Listening Party.
Broadway’s beloved The Phantom Of The Opera will close after 35 years on stage due to the ongoing crisis the pandemic has had on the theatre business, with fewer people going to shows over the past two years.
Emilie Kouatchou and Ben Crawford lead the current cast of “The Phantom of the Opera” on Broadway.
The show is the longest-running show in Broadway history and will commemorate its 35 anniversary in January, and then will play its final performance on Broadway on Feb. 18, according to a spokesman. The show has become a staple in Broadway history, however, due to the pandemic it has grossed a lot less money since the reopening of the theatre.
The musical made almost $900,000 for the week ending Sept. 11, but it is making less than half the money that shows like Hamilton, The Lion King, and Wicked are making. Tickets are also significantly cheaper than other shows, with “Phantom” costing around $80 a ticket, and others costing well over $100 because the demand to see the show is less.
“Phantom” is a symbol of 1980s Broadway, created by three of the most legendary figures in musical theater history: the composer Andrew Lloyd Webber, the director Hal Prince and the producer Cameron Mackintosh. The show is about a mask-wearing opera singer who frequents the Paris Opera House and falls for a young soprano. It is famous for the mask as well as the chandelier that crashes on stage every night. On Broadway, the show has been seen by 19.8 million people and has grossed $1.3 billion, since opening.
The Phantom Of The Opera will still have production in London, as well as a brand new one in Australia. The first Mandarin language production is set to open in China next year, and a Spanish-language version is in the works. Tickets will go on sale shortly for the final productions, and for information on when those will be and how to purchase them, go here.
Brooklyn singer-songwriter Sam Rappaport has returned with his third single, “Easy to Love,” a candid, romantic soft rock song.
It’s the lead single off his upcoming debut EP “Get Me Away From Myself,” and follows “Till the Morning Comes” and “Journeyman’s Ballet,” released in February & November of 2021. With this track he also continues to supplement his work with Gooseberry, an indie-rock band for which he sings and plays keyboards.
Promotional art for “Easy to Love.”
It follows a simple pop song structure and includes jazzy instrumentation, with saxophone and watery keys leading the way. The song’s slow tempo and simple rhythm section make for a relaxed tone along with Rappaport’s soft vocals, as he muses about being enveloped in an enamoring feeling of love. “The way you laugh makes me tingle,” he sings on the chorus, nicely supplemented by female background vocals. “The way you touch me makes me cry.”
Produced by Lorenzo Wolff, subtle touches such as the gurgle of a baritone sax distantly in the background give the song an added element of depth, and make the rise in energy during the louder, more outgoing chorus even more satisfying.
“Easy to Love” by Sam Rappaport doesn’t take any serious risks musically, but given the song’s romantic themes, maybe that’s okay. Sometimes love is simple, and there’s nothing wrong with that.
