Born and raised in Rochester, Alyssa has taken the country music scene by storm. Returning home from Nashville, she treated hometown fans to quite the mix of original tunes and covers at Iron Smoke Distillery in nearby Fairport.
Alyssa Trahan @Iron Smoke
Prior to making the move to the country music capital, Alyssa was writing and performing her own work locally, all while learning to play a dozen instruments along way. Quite the Jill of all trades, as she has been often called.
In 2020, during the COVID shutdown, Alyssa never slowed, as she wrote, produced, and played nearly all the instruments on a new album. Released in early 2021, it debuted in the top 10 on iTunes Country Music Album Charts with over 300k downloads. Pretty remarkable for an independently produced album! In addition to writing and producing, Alyssa has managed to be able to share a stage with young and old talents alike, including Lee Greenwood, Maddie & Tae, Sara Evans, and Molly Hatchet. Again, for a budding country artist, this is remarkable.
If you like Carrie Underwood, Taylor Swift, Miranda Lambert, and Lee Ann Womack, or any combination of these artists, you need to check out Alyssa Trahan as she is quite the blend of them and then some. Trahan’s new album Baby Blues & Stilettos is out now
Folk singer Judy Collins has received a Grammy nomination for Best Folk Album for her record Spellbound, which is a remarkable album for Collins as it is her first album with all original songs.
Photo credit: Shervin Lainez
Judy Collins began her musical career in the 60s playing folk music in Colorado and Connecticut. She made her break in Greenwich Village and released her first album A Maid of Constant Sorrow in 1961. Over her life, she has played with icons like Stephen Stills, Randy Newman, and Joni Mitchell.
Her record Spellbound explores her experiences with substance abuse, the Greenwich Village scene in the early ’60s, her love for nature, and the vast open spaces of Colorado, where she was born and raised. This record was the 29 album she released in her career.
The Grammy nomination for Judy Collins is the first one she has had in six years and her seventh nomination overall. She previously won Best Folk Performance in 1969 for her recording of Joni Mitchell’s “Both Sides Now.”
Judy Collins has been averaging nearly 100 shows every year and has announced a new tour. Six of these concerts are dedicated to Wildflowers, her 1967 album. She’ll be performing the album front to back, with a full orchestra. Some of the tour will be stopping in Port Washington, Tarrytown, North Tonawanda, and New York City. Tickets for her tour are on sale here.
TOUR DATES:
*Wildflowers performances
11/25 – Wilson Theater at Vogel Hall – Milwaukee, WI
11/29 – Bing Crosby Theater – Spokane, WA
12/02 – South Orange Performing Arts Center (SOPAC) – South Orange, NJ
12/03 – Landmark on Main Street – Port Washington, NY
12/04 – Greenwich Odeum – East Greenwich, RI
12/09 – Tarrytown Music Hall – Tarrytown, NY
12/10 – Sacred Heart University Community Theatre – Fairfield, CT
12/11 – The Jay and Linda Grunin Center for the Arts – Toms River, NJ
12/16 – Jonathan’s – Ogunquit, ME
12/17 – Jonathan’s – Ogunquit, ME
12/18 – Tupelo Music Hall – Derry, NH
12/23 – Riviera Theater – North Tonawanda, NY
01/05 – Byham Theatre – Pittsburgh, PA
01/06 – Avalon Theatre – Easton, MD
01/08 – Birchmere – Alexandria, VA
01/11 – Rio Theatre – Santa Cruz, CA
01/13 – Old Town School of Folk Music – Chicago, IL
01/15 – Old Town School of Folk Music – Chicago, IL
01/18 – Van Wezel Performing Arts Center – Sarasota, FL*
01/19 – The Emerson Center – Vero Beach, FL*
01/21 – The Peabody Daytona Beach – Daytona Beach, FL*
01/24 – Mackintosh Church, Queen’s Cross – Glasgow, UK
The Weight Band and special guests Larry Campbell and Teresa Williams started off the pre-Thanksgiving festivities at the Bardavon Theater in Poughkeepsie on Saturday, November 19th. With many performing having roots in Woodstock, The Band, and Levon Helm’s Midnight Ramble the night was more than just another show.
Larry Campbell and Teresa Williams proved to be the perfect opening act. The duo employed their roots rock style to originals and covers. A few songs in, Larry and Teresa invited Brian Mitchell of The Weight Band to grab his accordion and join them on stage. Jim Weider (also of The Weight Band) would follow a few songs later. This was an indication of how the night would progress. Close friends joining in at various points celebrating their love of music.
The Weight Band
The Weight Band’s (Jim Weider (guitar, mandolin & vocals), Michael Bram (drums & vocals), Brian Mitchell (keyboards & vocals), Matt Zeiner (keyboard & vocals), Albert Rogers (bass & vocals)) set included numerous Band classics. Crowd favorites “Up on Cripple Creek”, “Life is a Carnival,” bellowed through the house. The band threw in a few covers including The Allman Brothers “Come and Go Blues,” and The Grateful Dead’s “New Speedway Boogie” to round out the setlist.
Larry Campbell and Teresa Williams
Between songs memories of Allen Toussaint, Levon Helm and Bob (yeah, that one) were shared. The intimacy of the evening gave you the feeling that you were sitting around with old friends reminiscing. Song selection directed the activity on stage. Larry Campbell and Teresa Williams joining in at various times. Players switching from electric to acoustic guitar, keyboard to accordion, and fiddle to mandolin and back as the night progressed. It was loose, it was fun.
The Weight Band with Larry Campbell and Teresa Williams
With the clock inching toward midnight, the evening came to an end. Everyone joined in on iconic song “The Weight,” sending off it off into the ethos of the Hudson Valley. From the smiles and glow affixed to those on stage, this proved to be more than just a show. This was a musical homecoming.
And take a load off Fanny Take a load for free Take a load off Fanny And (and, and) you put the load right on me (You put the load right on me)
On Friday November 18, Day 1 of The Wonderfront Music and Arts Festival kicked off for an unbeatable weekend. Located in San Diego’s marina, the forefront of downtown welcomed the return of the multi-genre festival WonderFront, which hit the ground running with Joey Purp as his very first show in Southern California. Purp uplifted the crowd with gratitude for their support and pursuit in his music career. Joey gained attention in 2012 after his first mixtape release “The Purple Tape,” and jumpstarted the feel for the festival and anticipation for the rest of day one.
Darling Greatly a group composed of The Croome Brothers, drummer Brayden Tario and electric Guitarist David Mills. introducing classical rock into modern alternative. The band truly rocks on and their style says it all. David Mills performs with a cig in his mouth and all time classic aviators, as the Croome Brothers rock with a trippy button up and ruby red electric guitar. Paying their respect to the loyalty of the fans, Darling Greatly opened with top hit “Shine” as part of their first album released in 2016.
As the day progressed, Saint Motel, Lainey Wilson, Quinn XCII and Young The Giant enticed the crowd and fan appeal. Saint Motel lead with top hits “My Type” and “Cold Cold Man” as lead singer AJ Jackson ran onto stage wearing a bright red tail coat, knee high boots and a black homburg hat. AJ fascinates the fans with his style and Indie pop music genre.
Lainey Wilson, performing since a young age, brought her country groove to the festival. Singing her top hit “Things A Man Oughta Know”, Wilson engaged with fans and danced among band members. An enticing an interactive show, Lainey continues her funk and groove as a female country artist.
Rising Artist Quinn XCII gave a stunning show at the Coors Light Stage. Fans filming, singing, dancing and pulled up their flashes to light up the main stage. Beginning his career back in 2011, Quinn XCII is best known for top hits “Stacy,” “Flare Guns” and “Straightjacket.” Quinn stands for ‘Quit Unless Your Iinstincts are Never Neglected’ and XCII represents the Roman numeral of Mikael Temrowski birth year 1992.
Another top show from day one had to be Young The Giant and they gave a set to remember. The euphoric lighting, mic stands strung with flowers and erratic dancing were part of lead singer Sameer Gadhia and his unpredictability as he moved across the stage and screamed with fans who floored for intro song “Wake Up.” The strobe lights, euphoric blues and purples made for an outstanding set that concluded with a well remembered hit performance of “Mind Over Matter” released in 2014.
To represent the East Coast, New Jersey-based singer and songwriter Bea Miller led an impressive set at the Tustreams Community Stage located at Ruocco Park. Grasping her career at only the age of 13. Miller is best known for hit album Aurora released in 2018 and her fans were ecstatic to hear “Song Like You,” “Burning Bridges” and “Crash&Burn” live. Bea’s facial expressions and assurance to the loyalty of her fans says it all.
To conclude Day 1 of WonderFront Music and Arts Festival, headliners The Zac Brown Band and EARTHGANG closed the day out with a well-remembered performance at the main stage. The Zac Brown band is most known as an American Country Band based in Atlanta with a classic “Chicken Fried” that captivated the crowd as they sang along ‘Cold Beer on a Friday Night,’ on a Friday night.
Headliner EARTHGANG featured hip-hop duo Johnny Venus and Doctur Dot raised the bar as the duo synced up, fist pumping the air, jumping towards the crowd and engaging their fans. The fans showed their loyalty for EARTHGANG as the duo’s songs have a fascinating range of musical influence. Attempting the notion of the conscious and subconscious of their lyrics and musical output, their closing of Day 1 of The WonderFront Music and Arts Festival of 2022 set the tone for what’s to come on both Saturday and Sunday.
Classic holiday songs by the acclaimed Mariah Carey will be premiered, along with an orchestra performance, in Broadway Sings on December 5th at Sony Hall in New York City. Carey’s prominent festive albums, Merry Christmas and Merry Christmas II You, are planned to be part of the concert series for this season.
Broadway Sings Concert Series Advertisement
Broadway stars Jeannette Bayardelle from the Girl from the North Country musical, Amber Ardolini of Funny Girl, Alysha Deslorieux of Hamilton, Keri Rene Fuller of Six and more will be featured in the cast to sing memorable Christmas tunes, including “Silent Night,” “All I Want For Christmas Is You” and “O, Holy Night”. A 14-piece orchestra will be along with the song performances to be held at the venue that is owned by Blue Note Entertainment Group.
Sony Music Hall in New York City
Doors for “Broadway Sings Mariah Carey” on December 5 open at 6pm and the show begins at 8. Tickets can be purchased on the Sony Hall website.
Broadway Performer Sings Whitney Houston’s “I Will Always Love You”
In the early stages of a 24-date North America excursion that kicked-off last week, The Smile (a side project by Radiohead members Thom Yorke and Jonny Greenwood, along with Sons of Kemet drummer Tom Skinner) came to New York City this past weekend for a set of three consecutive shows.
Thom Yorke (Hammerstein Ballroom) | Photo by Michael Dinger
The run began with two nights at the majestic Kings Theatre in Brooklyn (November 18-19) and the third at Hammerstein Ballroom in Manhattan (November 20), a turn-of-the-century opera house. NYS Music was front and center for The Smile’s opening night at King’s Theatre on Friday evening and the NYC finale at Hammerstein Ballroom Sunday night.
The Smile, who take their name from a collated poem in Ted Hughes’ 1970 literary work Crow: From the Life and Songs of the Crow, are touring in support of their 13-track debut album that was released in May 2022, A Light for Attracting Attention (XL Recordings). Furthering the Radiohead connection, the record was produced by longtime Radiohead collaborator Nigel Godrich. Born during the 2019 COVID lockdown, as many creative endeavors have, The Smile released a string of singles and eventually, the announcement of a world tour.
The current trek marks the first shows on American soil for Yorke and Greenwood since August 2018, when Radiohead wrapped up their world tour in support of 2016’s A Moon Shaped Pool. Yorke was slated to tour North America in 2020 with stops at Kings Theatre behind his excellent solo album Anima, but this tour was ultimately postponed and canceled as a result of the pandemic.
Supporting The Smile for the tour’s duration is Robert Stillman, a multi-instrumentalist and composer born in Maine who has called the United Kingdom his home for the past decade. Like his tour mates (with whom he contributed to their album), Spillman is presenting new material from his eighth studio album What Does It Mean to Be American? (Orindal Records/KIT Records), released in January 22.
Robert Stillman (Hammerstein Ballroom) | Photo by Michael Dinger
Taking the stage at approximately 8:15 pm each night, dressed in white from head to toe, Stillman unassumingly acknowledged the audience for a moment before taking to his synthesizer. For approximately 30 minutes, Stillman mesmerized the audience each night with a deliberate looping process between his synthesizers and a tenor saxophone, curating an eclectic sonic palette drawing on elements of jazz, drone and psychedelia.
Kings Theatre (Friday, November 18)
On Friday night, fans lined up early ahead of doors at Kings Theatre in Flatbush, donning various Radiohead, Thom Yorke, Sons of Kemet and other associated apparel. The recently renovated classical movie theater is an exquisite example of how a modern music venue can be incorporated into a historic space. The cavernous venue, decorated with red velvet and ornate gold accents, boasts a deep sonic experience that continually attracts artists of all genres who want their music experienced in such a gorgeous space.
The show got underway with Yorke, Greenwood and Skinner taking to the front of the stage as they basked in a thunderous ovation, with a return of gratitude to the fans. With Yorke behind a familiar piano, Greenwood on bass guitar and Skinner behind the kit, “Pana-vision” started the festivities. The song begins with a swirling piano arpeggio before a dark, jazzy rhythm kicks in. Yorke drives the song with his signature falsetto as his voice swells and calms for several waves of the song. The band then dove into a tight rendition of “Thin Thing”, a psychedelic Kraut-rock song which highlights The Smile’s style perfectly. The music is “stripped back” in a sense that it is confined to a trio, but the blend of dissonant vocals, driving punk rock infused strings, and jazzy percussions creates a dense palette which overwhelms in a live setting.
In addition to the songs from A Light for Attracting Attention, the band has been playing many unreleased songs on this tour. On Friday at Kings Theatre, Stillman joined the band and contributed his saxophone for two such songs “Colours Fly” and “People on Balconies”. Other new songs performed Friday were “Bending Hectic” and “Read the Room”. The main set ended with the vintage punk sounding “You Will Never Work In Television Again”, which got fans bouncing all over the venue. The final song of the night was surprisingly long-time favorite Thom Yorke solo song “Feeling Pulled Apart By Horses”, self-released back in 2009.
Although doors were more than two hours away, a large (and rapidly growing) contingent of fans already lined the West 34th Street sidewalk in Midtown Manhattan on a near freezing late Sunday afternoon. Mercifully, at 6:30 pm, the shivering fans hoping to get a spot on or near the stage rail were ushered into the warm confines of the Hammerstein Ballroom lobby, housed within the Manhattan Center. Extensively renovated in 1997, elaborate architectural decorations adorn the historic venue which seats 2,500 (all of which would be sold out tonight) – complete with box seats, three balconies, a proscenium arch and a hand-painted ceiling mural 75-feet above depicting an “orchestra of angels on a heavenly stage”.
At approximately 9:20 pm, The Smile took to the stage, with Yorke pausing along the stage apron as the audience’s applause and wild cheers rained down. After assuming their stage positions (Yorke at stage right, Greenwood at center stage and Skinner on his kit at stage left), The Smile commenced their 90-minute set backed by a large video screen displaying broken, horizontal line patterns. Bathed in red stage lighting, the first of ten offerings from A Light for Attracting Attention was “The Same”. With Greenwood seated at the piano, Yorke took up his vintage Guild Starfire II bass and let his haunting, signature falsetto do the rest.
Thom Yorke (Hammerstein Ballroom) | Photo by Michael DingerJonny Greenwood (Hammerstein Ballroom) | Photo by Michael DingerTom Skinner (Hammerstein Ballroom) | Photo by Michael Dinger
Throughout the evening, Yorke and Greenwood seamlessly interchanged their instruments, each playing guitar, bass and piano. Ensuing magnificent presentations of “Thin Thing”, “The Opposite” and “Speech Bubbles”, guided by the loose-limbed Skinner and his punishing rhythmic dialogues, Yorke briefly addressed the audience as he took his seat at the piano for “Pana-vision”. “We’re a new band called The Smile, but I guess you knew that”. Up next was “A Hairdryer”, with Greenwood bowing his Fender Precision bass during the opening refrain of the 8-minute masterpiece.
The night’s only snafu followed approximately one-third into the show, a technical malfunction that led to “Waving a White Flag” being scratched from the set. While two other tracks (“Open the Floodgates” and “Free in the Knowledge”) from The Smile’s debut album were not performed Sunday night, fans were treated to three new, currently unreleased songs – “Bending Hectic”, “Read the Room” and “Bodies Laughing”.
Up next was “Skirting on the Surface”, developed from an unreleased Radiohead song and featuring Greenwood’s guitar arpeggios. As Yorke introduced “People on Balconies”, he acknowledged The Smile fans in attendance a second time. “I very much enjoy being back to New York City. We wish we had another week, or two, at least”. After welcoming Robert Stillman and his sax back to the stage, The Smile gave us “The Smoke” and “You Will Never Work in Television Again”, a banger in every sense of the word. Following an encore break, the last fifteen minutes of the epic show comprised “Just Eyes and Mouth”, “Colours Fly” (with Stillman rejoining the band) and “Feeling Pulled Apart by Horses”.
The Smile will continue their string of U.S. dates until a pair of Los Angeles concerts on December 21 and 22 close out the run for the year. A 2023 show has also already been announced at the Bluebird Theater in Denver on February 16.
Kings Theatre Setlist: Pana-vision > Thin Thing > The Opposite > Speech Bubbles > Free in the Knowledge > A Hairdryer > Waving a White Flag > Colours Fly (with Robert Stillman) > We Don’t Know What Tomorrow Brings > Read the Room > Skrting on the Surface > Just Eyes and Mouth > People on Balconies (with Robert Stillman) > The Smoke (with Robert Stillman) > You Will Never Work in Television Again (with Robert Stillman) > Encore: Open the Floodgates > The Same > Bending Hectic > Encore 2: Feeling Pulled Apart by Horses (Thom Yorke song)
Hammerstein Ballroom Setlist: The Same > Thin Thing > The Opposite > Speech Bubbles > Pana-vision > A Hairdryer > Bending Hectic > We Don’t Know What Tomorrow Brings > Read the Room > Bodies Laughing > Skrting on the Surface > People on Balconies (with Robert Stillman) > The Smoke (with Robert Stillman) > You Will Never Work in Television Again (with Robert Stillman) > Encore: Just Eyes and Mouth > Colours Fly (with Robert Stillman) > Feeling Pulled Apart by Horses (Thom Yorke song)
On October 29, two bands who got their start in Buffalo, moe. and Aqueous combined forces for only the second time. Watch the rare below moe.queous performance below.
The Town Ballroom show found the two bands donning a musical costume with a theme of ‘animals’ leading to covers of Phish, The Beatles and Pink Floyd, as well as songs from the moe. and Aqueous catalogs that centered around various creatures and critters.
The lineups for the two band combo included Al Schnier and Vinnie Amico from moe., and Mike Gantzer, Evan McPhaden and Rob Houk from Aqueous. David Loss of Aqueous would also make a surprise appearance on vocals of “I Am The Walrus.”
Gantzer said of the collaboration, “It’s a cool full circle thing to intertwine the AQ and moe. worlds so directly-Both bands have history at Town Ballroom and share strong roots being from Buffalo, too. There’s something really connective about that, and I’ve always felt a unique kinship and chemistry when making music or even just hanging with those guys. Much of AQ’s early inspiration came from seeing moe. too, so that should tell you just how truly special this will be!”
Schnier agreed, saying “We love our boys in AQ almost as much as we love Buffalo! Last time we all got together for a moe.queous throw down, it was such an awesome amalgamation of our two bands, and we knew it was something we should definitely do more often.”
photo by Curtis Kruetter
Check out the moe.queous setlist and watch videos from across the evening below.
Set 1: Bearsong > Strange Times > Bearsong, Birds of a Feather > Kitty Chaser > Downward Facing Dog, Marty, I Am The Walrus*
Set 2: Moth > Pigs > Moth, Warren in the Window, Terrapin Station > Four#, Buster#
On Friday, April 21, 2023, folk-slinger Arlo Guthrie will settle down at The Egg in Albany for a stop on his “What’s Left of Me’ tour. Guthrie had announced his retirement from touring in 2020, but admitted that “retirement was fun while it lasted” and returns with a spoken word show.
The show will be moderated by author, music historian, and former director of the Grammy Museum Bob Santelli. It will also include rarely-seen video footage and an audience Q&A.
photo by Steve Malinski
Anyone who has had the good fortune to attend a performance by Arlo Guthrie knows that while the songs are wonderful, the stories are what really make the show something really special.
As the oldest son of Woody & Marjorie Guthrie, Arlo first made his appearance onstage at age 13, made music history with the composition “Alice’s Restaurant” and a legendary performance at Woodstock. After 60 years on the road there should be a lot to talk about.
Read NYS Music’s interview with Arlo Guthrie on Thanksgiving traditions and his family legacy.
The son of legendary Woody Guthrie, Arlo Guthrie is best known for the Thanksgiving song/saga “Alice’s Restaurant Massacree,” the classic “The City of New Orleans,” and “Coming into Los Angeles.” He also performed at Woodstock in 1969 on Saturday, August 16.
Tickets for Arlo Guthrie “What’s Left of Me” are currently on sale online at theegg.org or by telephone at 518-473-1845, or in person at The Egg Box Office Monday – Friday from 11 AM – 3 PM.
Electronic-fusion band Lotus will be on the road has announced a massive 2023 US Tour in support of their new album Bloom & Recede, released in August of 2022. The coast-to-coast tour features nearly 40 shows in the early part of 2023, with stops in the Northeast, Midwest, Southeast, Texas, California, the Pacific Northwest and more.
They’ll make stops in Albany at Empire Live and Buffalo at Town Ballroom in January, as well as two nights at Brooklyn Bowl over Thanksgiving weekend, November 25-26. Get tickets here.
Lotus is a five-piece instrumental band who have been playing music for more than 20 years ago. One of hte first bands to fuse electronic beats with dance, jam, psych-rock, post-rock, disco and jazz. the group have become renowned performer and have built a loyal following wherever they venture.
Live Lotus shows take listeners on a dance-inducing journey of improvisation that can only be described as a one-of-a-kind experience. They’ve toured actively throughout the U.S., working their way up from dingy basement clubs to world class venues such as Red Rocks. They’ve become festival favorites, performing at Bonnaroo, Outside Lands, Electric Forest, and more. Lotus additionally hosts their own annual Summerdance Festival in Garrettsville, OH with a lineup of various Electronic artists.
In 2021, Mike Rempel departed the band he founded, and Tim Palmieri (Kung Fu, The Breakfast) joined Lotus, who forge ahead with Mike Greenfield, Luke Miller, Jesse Miller and Chuck Morris on this national tour.
LOTUS 2023 TOUR DATES:
Nov 25 & 26 – Brooklyn Bowl – Brooklyn, NY
Dec 10 – North Beach Music Festival – Miami, FL Dec 30 & 31 – Boulder Theater – Boulder, CO
The Caroga Arts Collective announced the events for the fourth annual WinterFest, including music from Tchaikovsky’s Nutcracker, Handel’s Messiah, and favorite Christmas singalongs. These events will be happening from Dec. 14-17.
The Caroga Arts Collective presents over 50 performances and community events in the Southern Adirondacks throughout the year, featuring world-class musicians from across the country and from various styles of arts and entertainment.
Before kicking off the WinterFest, there will be the fifth annual tree lighting ceremony at Sherman’s Park on Nov. 26, and the Caroga Arts Collective is asking for volunteers to help light up the park. On Dec. 14, the popular “SAUNDERSFEST Christmas” hosted by Canada Lake-based brothers Geoff and Rich Saunders will be happening at The Nick Stoner Inn & 19th Hole at 7 p.m. Tickets are on sale now.
On Dec. 15 and 16, the Caroga Arts Ensemble will perform the Tchaikovsky Holiday Spectacular at Paul Nigra Center. They will perform selections from Tchaikovsky’s The Nutcracker Suite and other beloved works. Tickets are on sale now for both events.
The last day of WinterFest brings the free Hallelujah, it’s Handel! event. The Caroga Arts Ensemble will perform music by Handel, Mendelssohn, Tchaikovsky, and more at St. John’s Episcopal Church. There will also be selections from Handel’s Messiah and Christmas sing-a-longs.
The Caroga Arts Collective’s fourth annual WinterFest will take place from Dec. 14-17 at various locations in the Adirondacks, showcasing the talent of the area in different musical forms.
