Category: Genres

  • Canadian Duo Ocie Eliot Provides a Beautiful Evening for Honest Folk

    Jon Middleton and Sierra Lundy took a trip from their home in Victoria, British Columbia to Rochester New York. Their first time to the US as a married couple, or at least their first as the couple making up the band Ocie Eliot, 2022 Juno Award nominees for Breakthrough Group of the Year. It was also their first show of 2022.

    The sparse but beautiful space in the Arbor Loft was the perfect environment to take in Ocie Eliot’s likewise sparse and beautiful music. Middleton led the way with a captivating picked guitar melody, or rhythmic strums. Lundy coaxed gently shifting organ tones or at times short melodic piano lines out of her small Mellotron keyboard. Occasionally dual harmonicas or amplified foot stomps added depth and texture. But throughout, their voices, particularly in harmony, highlighted each song, punctuated with poignant and familiar lyrics.

    When you haven’t played much in two years time, even old songs can seem new. Ocie Eliot spent much of the pandemic writing and recording, releasing four EP’s in that time. Songs like “Take Me Home” felt fresh to introduce, but as noted by Lundy, it isn’t really all that new anymore. And songs written in the before-times, like “Alive and All,” though released during the pandemic, felt more like a reaction to it: “And I want to yell from a hill, I’m alive / and I want to cry out until, I am fine.”

    Interspersed with their originals, they worked in some more familiar material, to this American audience at least. Covers of some of the best songwriters around in Gillian Welch’s “Miss Ohio” and Simon and Garfunkel‘s “The Boxer”, provided a bit of grounding. A more obscure cover of Youth Lagoon’s “17” provided some late show sparks however, as they took a more ownership with their own spin.

    Still, the highlights came in their own songwriting. Their strengths all collided gloriously in “Coming Home,” complete with a dual harmonica interlude, and again midway through the second set on “Run To You,” with its syncopated piano and guitar elevated the vocal harmonies. Long walks on an abandoned rail line inspired “Tracks,” which worked repetitive lyrics into a near round, building to a familiar train-themed harmonica finish. An emotional Lundy explained how she sang “Forest Floor,” her father’s favorite song, to him recently on his death bed. A slow-grooving rocker that again, felt more like it would have been inspired by his passing: “Through the light softly the colours storm / And we both come to falling / Let me down easy, baby /Lay me down on the forest floor.”

    A portion of proceeds from all Honest Folk shows benefit the Center for Youth in Rochester, but for this show, 100% was donated. There’s a promoter in it for all the right reasons. And they continue to bring in great folk shows to town, next up being Dead Tongues at Good Luck on on May 15. Get your tickets!

  • The Indie Collaborative To Celebrate Earth Day With Performances From 20 Award-Winning IC Artists At Carnegie Hall This Spring

    On April 25th the Indie Collaborative (IC) will host an Earth Day Celebration, a night of blended music including jazz, rock, classical, Americana, and theatrical, at the Weill Recital Hall in Carnegie Hall.

    The Indie Collaborative

    This show was to first take place in April of 2020, but unfortunately it has been rescheduled twice to accommodate the safety and health requirements during an ongoing pandemic. Therefore, the performers are truly excited to show off their talents and make this Earth Day Celebration an unforgettable one.

    This performance will be broken down into two acts, the first presents the possibilities and newness of “The Beginning” and the second follows with the “Reality” of the situations. There’s only one way to discover what happens in the end, which is why The Indie Collaborative have worked hard to establish such an event with amazing artists.

    This show is produced by Eileen Sherman, along with emcee Grant Maloy Smith. Lastly these are the following performers: Alan Storeygard, Alex Otey, Amy Otey, The Bluestone Sisters, Benjamin Lerner, David S. Goldman, Elaine Romanelli, Helen O’Shea, Grant Maloy Smith, Jerome Brooks Jr., Leti Garza, Mike Greenly, Mowgli Giannitti, Noshir Mody (with his band, Benjamin Hankle, Campbell Charshee, Yuka Tadano, Ronen Itzik), Ricky Persaud, Jr. (with his brother, LilNicky Persaud), Ryan VanDenBoom, Sophia Agranovich, Thomas Hutchings, and Yocontalie Jackson.

    The Earth Day Celebration will be at 8PM come the day of the performance, but the doors will open at 7;30PM. Standard tickets are $60, student/senior tickets are $40, and Indie Collaborative members are $36 each. The IC discount code can be found in the members chat upon request for it. Additionally, full vaccination and masking is required, including at least one booster shot. For more information and to acquire tickets visit the Carnegie Hall website.

  • In Focus: Love Rocks NYC 2022 at the Beacon Theatre

    On Thursday, March 10, 2022, The Steven & Alexandra Cohen Foundation is presented the sixth annual Love Rocks NYC benefit concert for God’s Love We Deliver, live from the historic Beacon Theatre. Executive produced by iconic international fashion designer John Varvatos, NYC real estate broker and prominent concert producer Greg Williamson and esteemed concert/events producer Nicole Rechter, the concert was hosted by Mario Cantone, Kiefer Sutherland, Gina Gershon, Steve Schirripa and Michelle Buteau, supporting and honoring the work of the New York-based not-for-profit organization.

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: (L-R)John Varvatos, Greg Williamson, Warren Haynes, Ivan Neville, Jimmy Vivino, and Anders Osborne attend the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    The 2022 edition of Love Rocks NYC This year’s concert event will also celebrate an extraordinary milestone for God’s Love We Deliver with the delivery of their 30 millionth meal this spring. The organization, which was founded during the AIDS pandemic in 1985, has been an essential services provider during the COVID-19 pandemic. Last year, the organization cooked and delivered more than 2.6 million medically tailored meals to nearly 10,000 New Yorkers living with and affected by severe illness, and its staff and volunteers continue to work tirelessly to meet the ever-growing demand for its services. 

    Building off of the smaller Love Rocks NYC affair in 2021, the announced lineup included Keith Richards & The X-Pensive Winos, Mavis Staples, Hozier, Warren Haynes, Melissa Etheridge, Allison Russell, Larkin Poe, Tyler Bryant, David Shaw (of The Revivalists), Anders Osborne, Celisse, Jimmy Vivino, Maggie Rose, Connor Kennedy (of Steely Dan), and left many surprises in store for all in attendance.

    At 8:15pm, Ben Harper opened the show with an instrumental tribute to his friend and long time bassist Juan Nelson. Then Harper took the crowd from the Hudson River down the Mississippi for Led Zeppelin’s “When the Levee Breaks” with Danny Clinch on swamp harp. 

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Danny Clinch and Ben Harper perform onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Bill Murray took David Letterman’s role 2021 as the surprise MC and introduced the first round of artists and God’s Love We Deliver founder Karen Pearl. He also helped organize a special farewell to the audience members that were seated below the Beacons infamous spike. “That thing is gonna come down mid show tonight and just take out that section, say goodbye to these people.”

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Bill Murray speaks onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Murray then introduced Connor Kennedy for a performance of Tom Petty’s “Learning to Fly.” Aside from this song, all other artists performed three song sets over the three hours of music.

    Celisse Henderson, who was part of Trey Anastasio’s Beacon Jams, returned to the stage with her guitar in hand to make her voice heard to a fully seated Beacon. She also howled like Robert Plant & wrote a letter to Jimmy Page on guitar for Zeppelin’s “Rock & Roll”.

    NEW YORK, NEW YORK – MARCH 10: Celisse performs onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Kevin Mazur/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Mavis Staples’ family has been gracing the world with their music for 74 years and her rendition of David Byrne’s “Slippery People” created a Start Making Sense vibe at Love Rocks.

    NEW YORK, NEW YORK – MARCH 10: Mavis Staples performs onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    New York Yankee Bernie Williams traded his bat for a guitar axe at the event, joining Staples on the classic “I’ll Take You There.”

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Mavis Staples and Bernie Williams perform onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Kevin Mazur/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Maggie Rose set a tone for the Upper West Side at Love Rocks for her version of “Lonely Town, Lonely Street,” perhaps a nod to the former unlit Beacon marquee in the past two years.

    Allison Russell acknowledged the moment immediately on how it was full circle for them to be standing where Mavis just performed, performing a special version of “Stop Dragging My Heart Around” with Hozier.

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Allison Russell performs onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Larkin Poe, who performed at the return of the New York State Bluesfest last June at the Syracuse State Fairgrounds, killed “Rock & Roll Hootchie Koo” with Tyler Bryant.

    A taste of New Orleans arrived around 10pm with Lafayette’s Anders Osborne with Danny Clinch for Little Feat’s “Dixie Chicken.” The Beacon stage took on an old juke joint vibe as Laurence Fishburne came to tell stories about his favorite winos & introduce the band. 

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Laurence Fishburne speaks onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Fishburne introduced Keith Richards, Ivan Neville, Steve Jordan, Waddy Wachtel, and CBS Orchestra bassist Will Lee to the stage. The three song set included “999,” “You Got the Silver” & Keith’s killer “Before They Make Me Run.”

    Steve Schirripa from The Sopranos kept the fun going on stage after the X-Pensive Winos set, needing to take a minute on the stage as the smoke cleared from the winos set before carrying the show along. 

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Steve Schirripa performs onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    The next hour of music was a tribute to artists including David Bowie, John Lennon and Gregg Allman. Hozier sang on “Changes” & Melissa Etheridge performed “Come Together,” while Devon Allman, Warren Haynes and a full horn section performed on “Just Another Rider,” off Gregg’s final solo album. All yet another direct spark of inspiration off the Beacon Theatre’s historic stage.

    Jackson Browne returned to the Beacon for the first time since March 2020 and joined Haynes for a special “Running on Empty” to close the show.

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Warren Haynes and Jackson Browne perform onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Kevin Mazur/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Prior to the encore, Varvatos, Williamson and Rechter set the date for next years 7th annual Love Rocks NYC for March 9, 2023, and announced that a portion of the proceeds with go to those in need in Ukraine. 

    For the encore, the entire cast joined in unison for Bob Dylan’s “Like a Rolling Stone” to send everybody with smiles from the theatre to the reception.

    Love Rocks was once again a source of light & inspiration for those in the crowd, serving a worthy cause for those in the greater NYC community.

    Love Rocks Benefit Concert – Beacon Theatre, NYC – March 10, 2022

    Setlist: Inland Empire, When The Levee Breaks, Learning To Fly, Get There. Rock & Roll, In The Midnight Hour, Lonely Town, Lonely Street, Slippery People, I’ll Take You There, Nightflyer, Stop Draggin’ My Heart Around, She’s A Self Made Man, Rock & Roll Hoochie Koo, Dixie Chicken, 999, You Got The Silver, Before They Make Me Run, Work Song, Come Together, I’m The Only One, Ooh La La, Baba O’Riley, Just Another Rider, I’ve Been Loving You Too Long, Running On Empty
    Encore: Like A Rolling Stone 

    Photos via Getty Images by Kevin Mazur and Jamie McCarthy

  • In Focus: Lawrence Hotel TV 2 Tour Rolls Through Albany

    Two years ago, in March of 2020, bands were cancelling shows and tours left and right. Such was the case for Lawrence’s Hotel TV Tour, but the band has picked up right where they left off in 2022 with the Hotel TV Tour 2. Lawrence just stopped in Albany to perform at Empire Live, and the brother-sister-led soul group put on a show that was as advertised. The set was full of positive energy, funk, soul, and the crowd loved every minute of it. Lawrence opened the show on a high note, playing ‘Casualty’ and ‘It’s Not All About You,’ two songs off their 2021 album Hotel TV.

    lawrence hotel TV

    Fans of the show may recognize Clyde’s Arrested Development shirt in the photo above. This is one of many TV related shirts that he’ll be wearing as a nod to the tour’s theme: Hotel TV. Lawrence’s set had references throughout the night as they covered some classic theme songs from shows and movies like Hey Arnold!, The Office, and The Little Orphan Annie. Grace likened the idea of hotel TV to being a home away from home, which for kids raised in the 90’s and beyond this is often the case. And so for a chunk of the set, Lawrence bounced between nostalgic covers and originals, including ‘Probably Up,’ ‘The Heartburn Song,’ and ‘Jet Lag.’

    lawrence hotel TV

    After hitting the Cha Cha Slide, Lawrence moved into another string of originals including: ‘Shot,’ ‘More,’ and ‘Freckles.’ ‘Freckles’ is a standout song from the band’s newest album, and is a perfect representation of Lawrence’s music. The band’s music features lyrics with optimistic spins on relatable topics layered over upbeat, groovy tracks that are a joy to perform and witness live. After ‘Freckles’, Lawerence stayed loose with another cover, their funky version of Sean Paul’s ‘Get Busy.’

    After ‘Get Busy,’ Lawrence slowed things down with their ballad: ‘The Weather.’ The crowd got what would be a timely, quiet moment, before an upbeat end to the night. Lawrence ended the show on a particularly high note with a string of hits including: ‘Make A Move,’ ‘Do You Wanna Do Nothing with Me?,’ and ‘Don’t Lose Sight.’ The crowd loved the set Lawrence crafted and they jumped, screamed, and sang at the tops of their lungs all night long. The crowd eventually waited for and welcomed an encore that featured ‘It’s Gonna Be Me’ and then faded out with Gracie singing ‘Tomorrow’ from Annie.

    Lawrence are wrapping up the east coast leg of their Hotel TV 2 Tour in Pennsylvania. After two shows at the end of March, the band will be making their way through the midwest and the south. You can view all of their upcoming tour dates and purchase tickets on their website. In the meantime, be sure to follow and subscribe to Lawrence on Instagram, YouTube and Spotify. For all upcoming shows at Empire Live, you can view their website here.

    lawrence hotel TV

    Setlist: Casualty, It’s Not All About You, Office Theme Song, Probably Up, Hey Arnold! Theme Song, The Heartburn Song, Jet Lag, Cha Cha Slide (Mr C the Slide Man), Shot, More, Freckles, Get Busy (Sean Paul), The Weather, Make A Move, Do You Wanna Do Nothing with Me?, Don’t Lose Sight

    Encore: It’s Gonna Be Me, Tomorrow (Annie)

  • Rosalía performs “Chicken Teriyaki” and “La Fama” on SNL

    Spanish singer Rosalía served as musical guest for this week’s episode of Saturday Night Live, hosted by The Batman star Zoë Kravitz.

    Following a TikTok influencers-meet-President Biden cold open, Kravitz was joined by various Cat Women and Katt Williams (Chris Redd) in her monologue.

    Rosalía began singing at age eight, graduated from Barcelona’s Catalonia College of Music with a degree in the Flamenco arts (with studio album Los Ángeles serving as her graduate project) she has appeared in Pedro Almodóvar’s Pain & Glory. Shortly after, Rosalía and her sister Pili launched a brand, gained a massive following in Spain and in 2018 was signed to Sony Music.

    The evening’s performance marked Rosalía’s solo debut on SNL, having performed in 2021 alongside Bad Bunny for a duet of their romantic collaboration “La Noche De Anoche.”

    https://www.youtube.com/watch?v=0EEyiB9NtVg

    The 28 year old Flamenco singer first performed the Latin trap song “Chicken Teriyaki” off the upcoming release Motomami, a track that is prime for TikTok at a run time of only 2:02.

    The lyrics reference various parts of New York City: “De azúcar la mami, todo sin recibo/Leo pentagrama’, pero no lo’ escribo./Desde Queens hasta Tribeca/Un ramo de flore’ azule’ no se seca.” Translated to English the lyrics read: “The mami made of sugar with no receipts/I read pentagrams but don’t write them./From Queens to Tribeca/a bouquet of blue flowers that doesn’t die.)

    https://www.youtube.com/watch?v=aAtUnqdTz2g

    Her second song of the night “La Fama,” is a collaboration with The Weeknd (who did not make an appearance on the Studio 8H stage this evening.) Wearing a large comforter, Rosalía resembled Baymax from Big Hero 6, before ditching the puffy outer layer to reveal a white dress and shawl.

    https://www.youtube.com/watch?v=gnItVv1EsXw

    Both songs performed his evening will be featured on the upcoming Motomami, the follow up to her 2018 album, El Mal Querer. The Latin GRAMMY-winner told Rolling Stone in an interview that the new album would include both experimental and vulnerable material, with a big emphasis on the theme of feminism.

  • Killswitch Engage Unleash Atonement Tour in Rochester

    Metalcore titans Killswitch Engage brought their Atonement Tour to Rochester at the Main Street Armory with August Burns Red and Light The Torch. With only a couple shows left to go on their U.S. run, all the bands still gave it their all and the crowd was singing along to every song.

    Opening the night was Light The Torch, fronted by Howard Jones who was Killswitch Engage’s previous singer before Jesse Leach came back. Both Howard and Jesse contributed some of the best Killswitch material they have released, and it is always a great pleasure to see when there’s no bad blood between artists and they tour together. Immediately starting their set, Howard Jones takes to the dim it stage to a roar of applause from the crowd. Not holding back, Light The Torch goes right into “More Than Dreaming”, which showcases Howard’s vocals in both his cleans and screams.

    After listening to Killswitch Engage for so long, and not being too familiar with Light The Torch’s work, it is difficult to not compare this band with the sound Howard brought with his time in Killswitch. There are some similarities, however that is mostly due to Howard having a fantastic voice that just carries to whatever project he is working on. Light The Torch had a 10 song set that was basically nonstop from start to finish. Some of their hard hitting songs such as “Calm Before The Storm”, “Death of Me”, and “Become the Martyr” really set the mood for the evening and did a great job of energizing the audience. Closing out their set with “Die Alone” Howard told the crowd how much it means to him to be able to still perform after experiencing a dark time, and how fortunate he is to have his band members with him. “I fucking love this so much, thank you, thank you, thank you!” he says before giving the crowd the metal horns and ending their set.

    August Burns Red wasted no time coming out swinging with “The Truth of a Liar”. Immediately, it’s like a switch is hit, going from Light The Torch’s dimly lit set to a full blown lightshow and fog machines. August Burns Red didn’t slow down at all for their set, feeding off of the crowds energy as mosh pits emerged and crowd surfers started flowing. The bands vocalist, Jake Luhrs, commanded the crowd with his stage presence as he moved around swinging the microphone and jumping up onto their platforms. Highlights of their set included a very surprising cover of the “Legend of Zelda” theme song right into “Mariana’s Trench”. Performing for just under an hour, August Burns Red really delivered a great performance. This was many of the attendees first time seeing them live, as shown by a raise of hands when asked by Jake Luhrs who’s first time it was, and it was clear they won over many new fans.

    After a quick teardown of the August Burns Red set, Killswitch Engage is ready to take the stage. Opening with “Unleashed” off their latest album, was the perfect introduction. Since this was one of the final shows of the tour, you would expect the band to be a little worn out, however this was not the case. Jesse Leach ran around the stage full of energy, singing and screaming the songs with as much enthusiasm as you’d expect on the opening night.

    Killswitch Engage always puts on a fantastic show, and this night was no different. The banter between guitarist Adam Dutkiewicz and the crowd provided a comedic value that is almost expected at a Killswitch show. With fan favorites to sing along to such as “My Last Serenade”, “Daylight Dies”, and “My Curse” it was a pleasure to hear a combination of their older material as well as their new stuff. The highlight of their set was definitely when Killswitch brought Howard Jones on stage to sing two of their most well-known songs, “The End of Heartache” and “Rose of Sharyn”. This set the crowd into a massive sing along which was so much fun. Ending their set with a duet of “The Signal Fire”, Killswitch Engage delivered one of the best metal tours so far this year.

    Setlist: Unleashed > Hate by Design > Know Your Enemy > My Last Serenade > I Am Broken Too > Reckoning > In Due Time > Daylight Dies > This Fire > As Sure as the Sun Will Rise > The Crownless King > Irreversal > Always > My Curse > Strength of the Mind > Rose of Sharyn(with Howard Jones) > The End of Heartache(with Howard Jones) > The Signal Fire(with Howard Jones)

    Killswitch Engage

    August Burns Red

    Light The Torch

  • ESYO appoint new Music Director, Etienne Abelin

    The Empire State Youth Orchestra has appointed Etienne Abelin as new Music Director. Abelin is from Basel, Switzerland and was described as a “post-classical pioneer” by BBC Music Magazine.

    Etienne Abelin Music Director ESYO
    Etienne Abelin was appointed the new Music Director of the ESYO on March 7, 2022.

    “Etienne possesses that rare combination of brilliant vision and compassionate empathy,” said Rebecca Calos, Executive Director of the ESYO. “Our students were captivated from his first moment in rehearsal and since then they have been abuzz about his creative energy and passion.”

    Prior to joining the ESYO, Abelin worked with renowned, Italian composer Claudio Abaddo. During his tenure with Abaddo he was selected as a founding member of the Lucerne Festival Orchestra.

    Holding numerous degrees Abelin brings a breadth of experiences to his new role. He is a classically trained violinist, who studied at the Musik-Akademie Basel, Indiana University, and at Oberlin College. He also studied conducting at the Eastman School of Music at the University of Delaware. Finally, he also holds an Executive MBA from the University of St Gallen in Switzerland.

    His latest venture was, Music-Eyes, a non-profit that created an educational tech platform that helped teach music animation. That same innovative spirit will serve him well as ESYO looks to open a new chapter after that difficulties it faced during the pandemic.

    “There are many fascinating developments in music and music education today, and I’m especially looking towards integrating with other music genres and art forms, particularly through technology. I’m excited to help position ESYO as an incubator for new collaborations and for new ways of connecting our young musicians with local communities,” said Abelin.

  • St. Paul And The Broken Bones Play Biggest NYC Show Yet At The Beacon Theatre

    Southern soul rockers St. Paul and The Broken Bones made their debut at NYC’s famed Beacon Theatre this past Friday, March 11th. The band is still fresh off the release the excellent new album The Alien Coast; their fourth LP and first on ATO Records.

    paul broken bones beacon
    St. Paul and The Broken Bones at The Beacon Theatre, 3/11/22. Photo by Buscar Photo

    Their most experimental record to date, The Alien Coast features psychedelic transitions and textures backed by singer Paul Janeway’s signature, soulful voice. The Beacon Theatre is known for it’s beauty and near magical acoustics; features Paul took full advantage of by climbing to the balcony during “Sanctify” and belting out the lyrics into the packed sold-out room.

    St. Paul and The Broken Bones played a career spanning set at The Beacon Theatre. The band opened the show with three straight tracks off The Alien Coast, including hit single “The Last Dance,” and the night ended with a loud sing-along to Half The City favorite “Call Me.” St. Paul relished in the appreciation received from the Beacon crowd and returned the favor with such an extensive set.

    paul broken bones beacon theatre
    Paul Janeway of St. Paul and The Broken Bones. Photo by Buscar Photo

    St. Paul and The Broken Bones have a lengthy tour schedule ahead. The solo headline dates continue into mid-May before beginning a co-headline run with Fitz & The Tantrums. Those shows take place in June and then St. Paul head over the Europe for a short run of shows. Head over to the band’s website to see the full itinerary and check out NYS Music’s full photo gallery from The Beacon Theatre below.

  • Goose Rocks Cleveland

    Connecticut jam band Goose came to Cleveland and played to a packed house at the Agora Theater on Thursday, March 9th. They wasted little time before venturing deep into improvisational territory as the opening “Tumble” stretched out to nearly 30 minutes. Three well placed covers kept the audience on their toes including Father John Misty’s “Writing a Novel.” While the second set featured “Use Me” by Bill Withers and finally they encored with Devo’s “Whip It,” which included Jon ‘Coach’ Lombardi on rainstick.

    goose cleveland

    Goose :: 03/10/2022 :: Agora Theater :: Cleveland, Ohio

    Set 1: Tumble > Writing a Novel, Turned Clouds, Bob Don, Rockdale

    Set 2: Echo of a Rose > Into the Myst > Old Mans Boat > Use Me, Dripfield

    Encore: Whip It’ > Jive Lee

  • Vessels to Motherland Brings You Inside the Machine With New LP ‘Machine Lieder’

    Electroacoustic duo Vessels to Motherland have recently released their debut album, Machine Lieder. The project transports listeners into the world of machines and engulfs them in a brand new environment.

    Vessels to Motherland

    Machine Lieder has an impressive, well thought out back story that allows listeners to truly sink into the project and visualize what they hear. Created by machines, this collection of songs combines human emotions with cold metal shells and expresses the complexity of the modern world.

    Vessels to Motherland consists of composer, producer and pianist, Danica Borisavljevic and composer, producer and violinist Nikita Morozov. The experience gained from being classically trained has created the base from which their ideas blossom and evolve. 

    The NYC duo have recently collaborated with the NY Institute for the Humanities and Social Studies to found “NYC Keyboard Fest”, a one day festival focused on showcasing keyboard performances. 

    ‘Rusty’ serves as the album’s transition between its more minimal beginning and the intensity of its later tracks. An almost sullen mundanity settles in the listeners mind as they are exposed to the inner toil of the machines. It passes as quickly as it comes. 

    ‘Terminal Circuit’ brings you deeper into this new universe as the otherworldly sound continues to craft the story around you. It almost feels as though tension is building inside you as you get further into the song. Pressure builds and then suddenly vanishes as the song ends with one final synthetic wail.

    ‘Tghtr’ is the last song on the album and serves as the perfect ending to the strange journey Vessels to Motherland has taken you on. Lowkey synths intertwine with the hypnotizing beat until heavy distortion pushes you out near the very end of the track.

    Machine Lieder is available now on all streaming platforms, as well as Bandcamp

    Key Tracks : Rusty, Terminal Circuit, Tghtr

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