On November 21st, I Prevail brought their True Power tour, named after their latest album, to Buffalo RiverWorks, with Pierce The Veil, and Fit For A King. Stand Atlantic was supposed to be on the bill but due to the lake effect snow that hit Buffalo and other regions, the show was postponed to the 21st from the 20th, and could not make the rescheduled date.
Fit For A King
When heading to the venue, you can see why they had to postpone the show, with snow piles all over the city. At first it was a sold out night, but with the reschedule, more tickets opened up but you would not be able to tell as the line to get in was still long.
Since Stand Atlantic had to step off this show, Fit For A King opened up the show, though while waiting for things to kick off, suddenly out of nowhere, there were multiple balloons being tossed around in the crowd, after a while, you noticed someone from the upper floor, blowing more to toss down, it was some needed entertainment as the doors opened up at its scheduled time but they didn’t move up the timeline so people had to wait longer for the show to start.
Pierce The Veil
Once things kicked off, it was full blast, with Fit For a King slaying it, everything was going well till suddenly the band stopped playing, it wasn’t clear at first what was happening but EMT’s were needed, come to find out someone had a seizure in the crowd. The EMT’s pulled the person from the crowd and the show continued on.
Next to go on stage was Pierce The Veil, who hasn’t had an appearance in the state for a few years now. Again, the show was going great, until people from the crowd were yelling at the band to stop again. This time, it was never clear as to what happened but many people were climbing to get out of the crowd and off to the side, being with a almost sold out show, the floor level was packed, so during the set, it was easier to go to the front. After everyone wanted to get out, the show continued but half a dozen or so people were seen by EMT’s throughout the show. Then on next, last to take the stage, I Prevail. This time, everything seemed to go well with the show not having to stop for medical emergencies.
On December 10th, 2022 State Champs brought Frozen Fest back to Albany, NY with a packed lineup of pop-punk and alternative rock bands. For 5+ hours, Save Face, Between You & Me, Young Culture, Hunny, and headliner State Champs kept people on the feet and some surfing over the crowd at Empire Live.
State Champs dropped their album, Kings of the New Age, back in February 2022. With the resurgence of pop-punk, the demand to see them live kept many of their fans anxious. A highly anticipated return to the stage was met in back in June at Albany’s first show for their 2022 Alive at 5 series. Then in August, State Champs announced their tour for their album for late fall of this year.
The show opened with gothic rock band Save Face from New Jersey. Lead vocalist, Tyler Povanda, came out a stronger than expected. With the stage illuminated blood red, the entire band in red jump suits, and Povanda’s jerky movements, it gave the feeling more of a death metal concert… at a pop-punk show? Povanda did warm up the crowd eventually and they left with a warm cheer from the crowd.
Save Face, Frozen Fest 12/10/2022, – Photo by Jarron Childs
Between You & Me (BYAM) came all the way from Australia to join State Champs on their Kings of the New Age tour. No introduction was needed as they were an instant hit with the crowd. With a style similar to State Champs, the energy could easily be matched between the two. Their set was a rager from start to finish. Towards the end, vocalist Jake Wilson, and Tyler Povanda matched the energy of the crowd when they dragged their wired mics into the mosh pit seemingly against the advice of security.
Between You & Me Bassist, Frozen Fest 12/10/2022 – Photo by Jarron Childs
Young Culture opened for State champs for their first 7 shows on tour and had to come back home to end the tour. They brought peace, love, and positivity to every single person in the room. Vocalist, Alex Magan, greeted crowd surfers at the barricade with a warm and infectious smile. Though their set was a bit shorter than expected, the energy felt light enough to float on for long after.
Hunny was the last opening act for the night. Along with BYAM, they went the whole tour with State Champs. Hailing from the suburbs just outside of LA, their somewhat mellow indie-rock style flattened out the crowd before the main event. They had turned off the lights for the first half of their set which made you really have to just vibe with the music. Things were turned up towards the end with vocalist Jason Yarger strumming his guitar with his foot and laying on the ground out of pure exhaustion.
Young Culture Vocalist Alex Magan, Frozen Fest 12/10/2022 – Photo by Jarron Childs
State Champs came out strong and did not let up. The crowd kept up with their energy as they sent a heavy stream of crowd surfers to barricade, over hauling the security for the rest of the night. With special guest appearances from Jake Wilson and their tour manager Colin Lorne, they brought out all the stops for their final show of their tour.
Their 22-song setlist was mostly songs from their new album, Kings of the New Age, but also had certified bangers for their real fans including “Secrets,” “Elevated,” and “All You Are is History.” Vocalist Derek “Steez” Discanio and Bassist Ryan Scott Graham interacted well with the crowd, having them dancing and head banging for the whole night.
Ryan Scott Graham of State Champs, Frozen Fest 12/10/2022 – Photo by Jarron Childs
Things were brought pretty low halfway through to do a 3 song acoustic set; including a solo stunt with Discanio strumming “Our Time To Go.” Hearts were clenched, hands were held, and bodies were swaying along as Steez belted his heart out on stage.
The music was turned right back up after, making the last three songs feel like a distant memory. Derek Discanio celebrated 13 years of State Champs by releasing balloons onto the crowd. They played their last 5 songs hard and left to the crowd screaming for one more. They came back out and granted Empire Live with a 2-song encore. First their Christmas song “Ordinary Christmas,” then closed the night with their hit off their album, “Everybody But You.”
Derek Discanio of State Champs, Frozen Fest 12/10/2022 – Photo by Jarron Childs
Steez and State Champs showed so much love to his home crowd and promised to bring another Frozen Fest next year. State Champs has had themselves a year and it looks like they plan to take a break and enjoy Christmas and the New Year.
Save Face Setlist: Sharpen Your Teeth, Bad, Bury Me (Tonight!), Weak, A.M. Gothic, Glitter, Another Kill For The Highlight Reel
Between You & Me Setlist: Butterflies, Supervillain, Overthinking, Goldfish, Go To Hell, Pleased to Meet You, Deadbeat, Dakota
Young Culture Setlist: Not in Love, Hum, Kinda Over It, Party Girl, Whiskey, Drift, Different Now, Holiday in Vegas
Hunny Setlist: JFK, Shy, Halloween, Saturday Night, A Slow Death In Pacific Standard Time, Loser, GHS, Vowels (And the Importance of Being Me), Everything Means Everything To Me, Homesick, Televised, Sports With Strangers, Lula, I’m Not Mad
State Champs Setlist: Just Sound, Mine Is Gold, Eventually, Outta My Head, Criminal, Sundress, Frozen, Elevated, Half Empty, Crying Out Loud, If I’m Lucky, Our Time To Go, Fake it, All You Are Is History, Act Like That, Deadly Conversation, Hurry Up and Wait, Losing Myself, All or Nothing, Breaking Ground, Secrets
State ChampsEncore: Ordinary Christmas, Everybody But You
Albany’s State Champs spent their Thanksgiving in Las Vegas, holding a family dinner with their crew. The day off from their Fall Tour, one that took them from the East Coast, with an appearance in Brooklyn in November and all the way out west by late November, was a welcome respite from cross-country travel in post-pandemic America.
State Champs at Brooklyn Steel – photo by Joe Buscarello
State Champs return home to Albany to close the tour out at Empire Live on Saturday, December 10, with a sold out show and support from Young Culture, Hunny, Save Face and Between You & Me opening up the night. Dubbed Frozen Fest, the pop-punk scene is alive and well with State Champs leading the way for the next wave.
Speaking with guitarist Tyler Szalkowski and drummer Evan Ambrosio via Zoom the night before Thanksgiving before the band’s show at The Union in Salt Lake City, Las Vegas was a jumping off point, given the group having a first hand experience at When We Were Young Festival, held a month prior at the Las Vegas Festival Grounds. High winds forced the cancellation of Day 1 of the festival, leaving a sour taste in many fans mouths, despite safety of fans being paramount, especially in a city like Las Vegas.
State Champs at Alive at Five – photo by Jarron Childs
The band was unloading at 10am when the found ou their se was cancelled. “It was a massive bummer, many thought it was too good to be true given the lineup, but the cancellation of Day 1 was needed due to high winds and fan safety,” said Szalkowski. “It’s the last thing you want to do as a promoter, let alone as a band. I can’t see anyone dying from the selfish desire to see music.” This passionate defense of a festival that was at first criticized for canceling the day is on point – this was no ‘emo Fyre Fest’ as Ambrosio best put it. In a town with hundreds of hotel options and nightlife around every corner, the band and fans made due.
They attempted to come up with a last minute show, but playing a show just to play a show wasn’t a worthwhile option, especially when all bands on the Friday lineup was looking to put on a show. With options limited and bands they were looking to pair up with for an impromptu show – one booked and announced mere hours before doors – State Champs came up with a better idea. Tweeting out a message to fans to meet them outside O’Shea’s – near The Linq, centrally located on the Vegas Strip – and this meetup turned into a large gathering for about an hour, much to the chagrin of security, despite fans being peaceful and there to hang with their idols in a setting that was a rare opportunity for all parties. Fans from around the world who were bummed about the cancellation were happy to meet a band they traveled far to see.
When Day 1 of When We Were Young fest got cancelled, we decided to do an impromptu fan meet up! Thanks to everyone who came and showed love pic.twitter.com/W7ShS4NZUw
Still in town for the weekend, the band and crew were able to check out the festival and see bands from their formative years, with Evan noting “I was impressed with how it was, walking around saying ‘I know that song, and that song. It also made you feel safe, with more security and scanning an RFID chip to get through access points.”
State Champs at Empire Live Frozen Fest 2021 – photo by Peter Herrick
Looking back on their Vans Warped Tour days with the experience of When We Were Young and other festival appearances for State Champs, Szalkowski reflected on the basicness for artists who were appearing at the many Warped side stages. “Warped was like a free for all with a mixed bag of folks and poppy artists nearby, the band playing Super Smash Brothers on a 55” screen TV in our 10×10 tent backstage.” For Evan, “Warped is still to this day my favorite tour,” with the band needing to be compact enough to set up, perform and break down quickly so you can get out to discover bands that were on the same footing.
Live performances these days for State Champs are all about keeping the sound, energy and performance steady for each night of the tour.
“There’s a lot of integrity in being a band, it has to be authentic and real, One day we said ‘fuck it, let’s be a professional band,’ and you want it to carry over live. At one point we dove into live rhythm tracks to have more control over our performance and the layers that helped us sound more professional. All the touring bands had a similar set up and we’re using tracks and a number of amps on stage. Why limit ourselves when we have all these assets at our disposal? We want it to sound like the biggest and best band, better than the studio.”
Tyler Szalkowski
By 2019, the full band had in-ear monitors, and lost the live cabinets from the stage, and ceded more control to FOH, keeping the rig fully self-contained so that none of our stuff changes from day to day. “We don’t show up with an experimental groove, we bring it all – gear, consoles, mics – to guarantee sonic consistency,” said Ambrosio.
Factoring in the setlist to the cohesive sound has the band looking steps ahead with each choice to determine ‘What does this song do, and how does the song before and after affect it,” according to Szalkowski. Keeping the setlist consistent this fall tour helps to keep the flow of the show going – although they had a rotating setlist in the summer.
“This tour is the favorite one we’ve ever done. We’ve extended some sections and added new arrangements and perform a medley of old songs that satisfies fans looking for earlier work. Having toured with pop acts that did cool things that we wanted to do, we brought in LED screens to make the show more of a live music experience.”
Evan Ambrosio
But as they push into their 30s, the angst they shared through their music once before has changed in inspiration, not in message. “We’re still pissed off about stuff. Not borderline teenage angst; bad stuff still happens to us, our hearts get broken by people (and events)” shared Szalkowski. “We always have a bit of an edge, we were the band of ‘something sucks, but it’ll get better, life is worth living.”
Avoiding being disingenuous or cringe and authentic in performance – as well as songwriting – allows the band to allow fans to create their own interpretation of a song. Ambrosio sums up where State Champs’ mindset is “We focus on life as we experience it, not an event we didn’t have a part in. We write about things that stay true to what we experience, and not try to jump on a trend of ultimate sadness or TikTok videos, so we can maintain authenticity and stay true to what the band has built up.”
State Champs’ sold out Frozen Fest at Empire Live takes place this Saturday, December 10.
In the middle of a 38-date tour of smaller venues across North America that kicked off November 3 in Fresno, California, thrash metal titans Machine Head played an intimate show to a raucous Saint Vitus audience in Brooklyn on Tuesday, November 29. A live extension of the band’s “Electric Happy Hour” online shows, which were streamed remotely throughout the COVID-19 pandemic, the first half of the tour has seen their diehard legion of fans thrilled by a free-form style set filled with deep cuts.
Nestled in its Greenpoint neighborhood, Saint Vitus opened in 2011 and has been known as the premier heavy metal hang spot ever since. On this weekday night, the bar would be taken over by the quartet hailing from Oakland, California who are touring in support of their tenth studio album Of Kingdom and Crown. A 13-track concept album that follows the stories of two main characters, Ares and Eros, was released via Nuclear Blast/Imperium Recordings this past August.
Arriving to the venue for my first time, I knew I was in the right place (despite the venue displaying no street signage as to its existence) when I spotted the band’s tractor trailer rig parked out front and a contingent of lucky VIP fans who were already making their way into the venue for soundcheck. The remaining fans, including myself, chatted and shivered together on the frigid evening as the general admission line steadily grew until it wrapped around the street corner.
At approximately 7:00 pm, security returned to escort us into the warm confines of the 250-capacity concert hall. After my media credential was confirmed by the stamped application of the bar’s skull logo to my right hand, I walked through the bar area and headed straight for the coveted rail position. With no area designated for pit photographers, I was glad to be as close as possible to the metal action that would unfold before our collective eyes in a little more than an hour.
Without any opening support and Ozzy Osbourne’s “Diary of a Madman” playing over the house PA, the stage lights suddenly dimmed and the chants from the fans began . . . “Machine-Fucking-Head,” “Machine-Fucking-Head,” “Machine-Fucking-Head,” “Machine-Fucking-Head.” For the next 2 hours and 15 minutes, Robb Flynn (vocals/guitar), the only remaining original member, Jared MacEachern (bass), Wacław Kiełtyka (lead guitar) and Matt Alston (drums) would deliver a heart-pounding, 21-song set that fully displayed the hard-hitting musicianship that made Machine Head one of America’s pioneering influences in new wave heavy metal.
Performing a set that included at least one song from each of their studio albums – spanning the course of nearly three decades – the San Francisco Bay Area metallers’ first offering was “Imperium,” from Through the Ashes of Empires (2003). With Flynn urging the crowd to “open up that circle pit,” he took us back to 1997 with the speed metal single “Ten Ton Hammer” (The More Things Change…). Reverting to their thrash metal roots, we lost our collective mind during “CHØKE ØN THE ASHES ØF YØUR HATE,” taken from the aforementioned Of Kingdom and Crown and the first of three offerings that would be performed tonight from that 2022 release. The next trio of songs comprised two tracks from 2014’s Bloodstone & Diamonds (“Now We Die” and “Killers & Kings”), followed by “The Blood, the Sweat, the Tears” (The Burning Red, 1999). The night’s second contribution from Of Kingdom and Crown ensued, “UNHALLØWED,” an anthemic tune featuring dual-lead guitar lines and Flynn’s melodic vocals.
With Machine Head’s set approaching the one hour mark and his plastic cup of Guinness running low, Flynn summoned crew member Junior to the stage to remedy the problem. After a quick refill of the Irish-made suds and another toast to the fans for coming out and their support, a special guest appearance was made by Joey Zampella (better known as Joey Z), guitarist for the Brooklyn alternative metal band Life of Agony that Joey Z co-formed in 1989. Taking over axe duties for Kiełtyka, the first of three cover songs followed, Life of Agony’s “This Time.”
Over the next thirty minutes, Machine Head gave us “Old” (Burn My Eyes, 1994), “I Am Hell (Sonata in C#)” (Unto the Locust, 2011) and “Aesthetics of Hate” (The Blackening, 2007), with Flynn again urging his fans to form another circle pit that nearly engulfed the entire room. Following a brief pause in the action, Flynn reappeared, now armed with an acoustic guitar. Pulling his hair back and wiping the sweat from his eyes, Flynn addressed the steamy room of sweaty bodies:
The song that we’re going to do for you here is about mental health. It’s about religion. It’s about music, and it’s about depression. And, you know, for me, I wrote this song when I was in a pretty dark place in my life. I wasn’t raised with religion. I never prayed to a God upstairs to help me when times went tough. No, the thing that I always, always turned to throughout my life was music. It could be Black Sabbath or Pink Floyd or Metallica or Slayer or Hatebreed or Life of Agony. [There were] a million fucking bands [with] the power to reach down and pull me up out of that hole. It was never my music. It was someone else’s.
So, I tell you what. If you relate to the words that I’m talking about, I want you to feel free to sing them as loud, loud as you want to. Be louder than me if you want to. I don’t care Brooklyn, you’re in a Machine Head show, New York. You can do whatever the fuck you want. Get your flashlights way, way, way up in the sky [and] turn the lights on for all of you who have a little bit of darkness inside you. This song is called “Darkness Within.”
In accordance with the show’s career-spanning theme, a foursome of songs followed, comprised of “Catharsis” (2018’s self-titled track), “Bulldozer” (Supercharger, 2001), “From This Day” (The Burning Red, 1999) and “Davidian,” a pulverizing, groove metal number from their 1994 debut album (Burn My Eyes) about the Waco, Texas siege the year prior. Following a brief moment offstage to collect their breaths for the final push, Machine Head performed two back-to-back covers as part of their encore. The first, Alice in Chains’ “Man in the Box,” was spontaneously played in response to a request from the crowd. A blistering rendition of “Roots Bloody Roots,” released by Brazilian metalists Sepultura in 1996, was performed next.
The epic night of heavy metal ended with “Halo,” a second track played from 2007’s The Blackening, with Flynn addressing us for a final time: Brooklyn, New York, we love you fucking maniacs. You were absolutely incredible. Thank you for making us feel so good. We are Machine-Fucking-Head, good night! Before leaving the stage for the final time, all four Machine Head members took a long, gracious bow before Alston handed his sticks to a pair of blissfully stunned fans and handfuls of picks were handed out by Flynn, MacEachern and Kiełtyka. The metal festivities officially concluded with the exclusive Machine Head t-shirt award to the most worthy fan who raged the hardest, a young man I personally witnessed headbanging in the front row all night long, while screaming every lyric in unison with Flynn.
Machine Head will continue their string of U.S. tour dates until the tour finale at Ace of Spades in Sacramento on December 23. Additionally, on the heels of a recently postponed show in Portland, Maine due to “transportation issues,” that show has already been rescheduled for April 2023.
Machine Head Setlist: Imperium > Ten Ton Hammer > CHØKE ØN THE ASHES ØF YØUR HATE > Now We Die > Killers & Kings > The Blood, the Sweat, the Tears > UNHALLØWED > Locust > NØ GØDS, NØ MASTERS > This Time (Life of Agony cover) > Old > I Am Hell (Sonata in C#) > Aesthetics of Hate > Darkness Within > Catharsis > Bulldozer > From This Day > Davidian > Encore: Man in the Box (Alice in Chains cover) > Roots Bloody Roots (Sepultura cover) > Halo
Metallica has announced their 2023-24 M72 Tour, with performances at MetLife Stadium for August 4 & 6.
Metallica at Highmark Stadium in Buffalo – photo by Mike Miller
Promoting their upcoming 12th studio album 72 Seasons, the tour begins on April 27 in Amsterdam and finishes September 29, 2024 in Mexico City. It will include two performances each at 22 different locations across North America and Europe.
Promotional poster for the M72 tour.
With unique setlists and different supporting acts for each night of every stop along the tour, Metallica’s Metlife guests include Pantera and Mammoth WVH on night one (August 4), with Five Finger Death Punch and Ice Nine Kills on night two (August 6).
Ticket presale for Citi cardmembers will be offered from 1 p.m. on Wednesday until 10 p.m. on Thursday through the Citi Entertainment program. Two-day tickets for Metallica’s MetLife Stadium dates as well as the rest of the M72 Tour will become available on Friday through Ticketmaster.com, while single-day tickets will be opened for purchase on January 20.
72 Seasons, slated for April 14 release, will follow up Metallica’s 2016 record Hardwired… to Self-Destruct. Every album from their nearly 40 year career has been certified platinum, with the previous six all hitting number one on the Billboard 200.
METALLICAM72 WORLD TOUR 2023-2024
Thursday, April 27 2023 – Amsterdam NL – Johan Cruijff Arena
Saturday, April 29 2023 – Amsterdam NL – Johan Cruijff Arena
Wednesday, May 17 2023 – Paris FR – Stade de France*
Friday, May 19 2023 – Paris FR – Stade de France
Friday, May 26 2023 – Hamburg DE – Volksparkstadion
Sunday, May 28 2023 – Hamburg DE – Volksparkstadion
Friday, June 16 2023 – Gothenburg SE – Ullevi Stadium**
Sunday, June 18 2023 – Gothenburg SE – Ullevi Stadium
Friday, August 4 2023 – East Rutherford, NJ – MetLife Stadium
Sunday, August 6 2023 – East Rutherford, NJ – MetLife Stadium
Friday, August 11 2023 – Montreal, QC – Stade Olympique
Sunday, August 13 2023 – Montreal, QC – Stade Olympique
Friday, August 18 2023 – Arlington, TX – AT&T Stadium
Sunday, August 20 2023 – Arlington, TX – AT&T Stadium
Friday, August 25 2023 – Inglewood, CA – SoFi Stadium
Sunday, August 27 2023 – Inglewood, CA – SoFi Stadium
Friday, September 1 2023 – Glendale, AZ – State Farm Stadium
Sunday, September 3, 2023 – Glendale, AZ – State Farm Stadium
Friday, November 3, 2023 – St. Louis, MO – The Dome at America’s Center
Sunday, November 5, 2023 – St. Louis, MO – The Dome at America’s Center
Friday, November 10, 2023 – Detroit, MI – Ford Field
Sunday, November 12, 2023 – Detroit, MI – Ford Field
Friday, May 24 2024 – Munich DE – Olympiastadion
Sunday, May 26 2024 – Munich DE – Olympiastadion
Friday, June 7 2024 – Helsinki FI – Olympic Stadium
Sunday, June 9 2024 – Helsinki FI – Olympic Stadium
Friday, June 14 2024 – Copenhagen DK – Parken Stadium
Sunday, June 16 2024 – Copenhagen DK – Parken Stadium
Friday, July 5 2024 – Warsaw PL – PGE Narodowy
Sunday, July 7 2024 – Warsaw PL – PGE Narodowy
Friday, July 12 2024 – Madrid ES – Estadio Cívitas Metropolitano
Sunday, July 14 2024 – Madrid ES – Estadio Cívitas Metropolitano
Friday, August 2 2024 – Foxborough, MA – Gillette Stadium
Sunday, August 4 2024 – Foxborough, MA – Gillette Stadium
Friday, August 9 2024 – Chicago, IL – Soldier Field
Sunday, August 11 2024 – Chicago, IL – Soldier Field
Friday, August 16 2024 – Minneapolis, MN – US Bank Stadium
Sunday, August 18 2024 – Minneapolis, MN – US Bank Stadium
Friday, August 23 2024 – Edmonton, AB – Commonwealth Stadium
Sunday, August 25 2024 – Edmonton, AB – Commonwealth Stadium
Friday, August 30 2024 – Seattle, WA – Lumen Field
Sunday, September 1 2024 – Seattle, WA – Lumen Field
Friday, September 20 2024 – Mexico City MX – Foro Sol***
Sunday, September 22 2024 – Mexico City MX – Foro Sol
Friday, September 27 2024 – Mexico City MX – Foro Sol***
Sunday, September 29 2024 – Mexico City MX – Foro Sol
Show 1 Support Europe: Architects & Mammoth WVH**
Show 2 Support Europe: Five Finger Death Punch & Ice Nine Kills
*Five Finger Death Punch/Ice Nine Kills play show 1 in Paris, Architects & Mammoth WVH play show 2 in Paris
**Volbeat replaces Architects on show 1 in Gothenburg
Show 1 Support North America: Pantera & Mammoth WVH***
Show 2 Support North America: Five Finger Death Punch & Ice Nine Kills
***Greta Van Fleet replaces Pantera on show 1 both weekends in Mexico City
Alt-pop group Ripe announces the release of their sophomore album Bright Blues, and tour dates for the spring, including a stop at Terminal 5 in New York City on April 15.
Photo Credit: Brent Goldman
Ripe first became a group at Berklee College of Music and immediately began drawing fans in with deep funk, soulful jazz, pop melodies, and well-done improvisations. Hailed by Boston’s WGBH as “teeming with a pop swagger, confidence, and total self-assuredness,” Ripe is comprised of singer Robbie Wulfsohn, guitarist Jon Becker, drummer Sampson Hellerman, and trombonist Calvin Barthel.
The group’s new record pushes them in a different direction, as the pandemic and everything around them was crumbling down. They enlisted rising pop producer/songwriters – and Berklee classmates – Noah Conrad (BTS, Niall Horan) and Ryan Linvill (Olivia Rodrigo, Dermot Kennedy), who helped infuse songs like “All or Nothing” and the hypnotic “Paper Cups” into new depths of creativity.
Ripe will be releasing their new album Bright Blues on March 10. They will be embarking on a spring tour, stopping at Terminal 5 in New York City on April 15. Tickets for the tour are on sale here.
On Friday November 18, Day 1 of The Wonderfront Music and Arts Festival kicked off for an unbeatable weekend. Located in San Diego’s marina, the forefront of downtown welcomed the return of the multi-genre festival WonderFront, which hit the ground running with Joey Purp as his very first show in Southern California. Purp uplifted the crowd with gratitude for their support and pursuit in his music career. Joey gained attention in 2012 after his first mixtape release “The Purple Tape,” and jumpstarted the feel for the festival and anticipation for the rest of day one.
Darling Greatly a group composed of The Croome Brothers, drummer Brayden Tario and electric Guitarist David Mills. introducing classical rock into modern alternative. The band truly rocks on and their style says it all. David Mills performs with a cig in his mouth and all time classic aviators, as the Croome Brothers rock with a trippy button up and ruby red electric guitar. Paying their respect to the loyalty of the fans, Darling Greatly opened with top hit “Shine” as part of their first album released in 2016.
As the day progressed, Saint Motel, Lainey Wilson, Quinn XCII and Young The Giant enticed the crowd and fan appeal. Saint Motel lead with top hits “My Type” and “Cold Cold Man” as lead singer AJ Jackson ran onto stage wearing a bright red tail coat, knee high boots and a black homburg hat. AJ fascinates the fans with his style and Indie pop music genre.
Lainey Wilson, performing since a young age, brought her country groove to the festival. Singing her top hit “Things A Man Oughta Know”, Wilson engaged with fans and danced among band members. An enticing an interactive show, Lainey continues her funk and groove as a female country artist.
Rising Artist Quinn XCII gave a stunning show at the Coors Light Stage. Fans filming, singing, dancing and pulled up their flashes to light up the main stage. Beginning his career back in 2011, Quinn XCII is best known for top hits “Stacy,” “Flare Guns” and “Straightjacket.” Quinn stands for ‘Quit Unless Your Iinstincts are Never Neglected’ and XCII represents the Roman numeral of Mikael Temrowski birth year 1992.
Another top show from day one had to be Young The Giant and they gave a set to remember. The euphoric lighting, mic stands strung with flowers and erratic dancing were part of lead singer Sameer Gadhia and his unpredictability as he moved across the stage and screamed with fans who floored for intro song “Wake Up.” The strobe lights, euphoric blues and purples made for an outstanding set that concluded with a well remembered hit performance of “Mind Over Matter” released in 2014.
To represent the East Coast, New Jersey-based singer and songwriter Bea Miller led an impressive set at the Tustreams Community Stage located at Ruocco Park. Grasping her career at only the age of 13. Miller is best known for hit album Aurora released in 2018 and her fans were ecstatic to hear “Song Like You,” “Burning Bridges” and “Crash&Burn” live. Bea’s facial expressions and assurance to the loyalty of her fans says it all.
To conclude Day 1 of WonderFront Music and Arts Festival, headliners The Zac Brown Band and EARTHGANG closed the day out with a well-remembered performance at the main stage. The Zac Brown band is most known as an American Country Band based in Atlanta with a classic “Chicken Fried” that captivated the crowd as they sang along ‘Cold Beer on a Friday Night,’ on a Friday night.
Headliner EARTHGANG featured hip-hop duo Johnny Venus and Doctur Dot raised the bar as the duo synced up, fist pumping the air, jumping towards the crowd and engaging their fans. The fans showed their loyalty for EARTHGANG as the duo’s songs have a fascinating range of musical influence. Attempting the notion of the conscious and subconscious of their lyrics and musical output, their closing of Day 1 of The WonderFront Music and Arts Festival of 2022 set the tone for what’s to come on both Saturday and Sunday.
Bob Riley is a singer extraordinaire, in more than one groundbreaking hardcore band, blazing a smoke strewn trail from Troycore to New York Hardcore. He’s fury and force, and a guy who sits down with his morning coffee and enjoys the peace of Motown with the waking dawn.
One of the enduring mysteries of music, all art really, is that the performer exists and the person exists, and if you didn’t know both of them, you might not guess one would inhabit the same flesh and bone of the other. Art gives people a chance to step out of the confines of who they are, who an orderly society needs them to be, and become who they need themselves to be, and in that transformation, a little magic escapes to the crowd.
RadioRadioX: Murderer’s Row is the name of your band. It’s a historical term, coming from a bad section of the tombs in New York City, and also a fearsome section of the 1927 Yankees lineup with Ruth and Gehrig. Was there a tie or a nod back to the history of the phrase, or is the idea of a Murderer’s Row just universal?
Bob Riley: No, Murderers Row is definitely a nod at the Ruth, Gehrig Yankees lineup of 1927. The original lineup of Murderers Row would get together every Sunday to rehearse and watch the Yankees game. We would play during commercials. I suggested the name knowing it had been used here and there in the past but seeing as how we are Yankee fan New Yorkers and live three hours from the stadium that we would use it. Bring it home back to NY!
RRX: Murderer’s Row, by all accounts, would be considered Troycore. There’s a lot of sentiment surrounding all things Troy, and Troycore has a deep vein. But what does it mean? Is it a situation of everybody living in Troy, so a geography, or is it a unique sound, like Muscle Shoals or Chicago blues?
BR: There has always , long before me, an us vs them attitude with Troy people. South Troy against the World is an old saying long before my dad and his friends were using it. It most certainly stems from Troy having so many factories back in the day. The “Collar City”, as we are nicknamed, was and still is very working class. Also, the “Home of Uncle Sam” Working people are tough and proud and that’s Troy in a nutshell. It’s only natural that angry proud music is made by Troy people. We labeled ourselves “Troycore” to say, “Hey, we are the outcasts of the outcasts, and we are proud of it!” There’s some old school people who believe that the original five Troy bands Cranial Abuse, Dead End, Final Terror, Direct Attack and Rude Awakening was Troycore and that’s it period it’s over. I don’t agree at all. I love that these newer kids in bands are flying the Troycore banner keeping it alive!
RRX: You been down the long road with hardcore and punk. Cranial Abuse, Stigmata, Murderer’s Row and more that I don’t know, more that maybe no one except the people in the room knew about. You’re in a good band then you’re in a good band; you’re in three, then maybe it’s you who got something. What’s the secret to having something?
BR: I’ve been involved in music my whole life at this point. I love what I do and it shows. People can sense that, especially a live audience. You can’t fake it. I’m so happy and very lucky I have people who want to make music with me. I’m so happy I have people buying our music and coming to see us play. Music has given me so much it has gotten me around the world many times. And I’ve met so many great people. I love what I do so maybe it’s just as simple as that!
RRX: Hardcore gets a bum rap among the pleasant folks in the PTAs and the Homeowners’ Associations. Because those people listen to hardcore too. Violence and aggression, but people in the scene, people deep in the scene, including, have a pretty laid-back mindset. Is hardcore cathartic? If so, why do you think that is?
BR: It’s easy to see outsiders see hardcore metal or punk as negative because sometimes, well, it is. It’s many different things to many different people. Hardcore gives you that platform to complain about your bad day that jerk who cut you off or that crappy 9 to 5 job or worse. For me it was to get my anger and negativity out. Yell it, scream it, pound it out as loud and as angry as possible into people’s faces. So yes, aggressive music can be very cathartic.
RRX: You bring a ton of energy to the stage when you’re on it. And that; I can’t imagine its always easy. Do you have to prepare yourself, punch yourself in the face in front of the mirror backstage? Punch someone else in the face backstage? (kidding.) How do you go beyond just bringing a melody to the stage to bring a strong feeling?
BR: Thank you for the compliment but nowadays I do a lot of pointing. I was more energetic was I was younger. Jumping off the stage into the crowd. Fell off the Saratoga Winners stage so many times. And bashing my head off the beam above the drum riser so hard I saw stars. As I’ve gotten older, I put together Murderers Row because I wasn’t so angry anymore and I could use my humor in my lyrics. I also wrote a song for my daughter called “My Little Molly”. If there’s violence in an Murderer Row’s song, and there is, I compare it to Three Stooges violence. Nowadays, I’d rather laugh than fight.
RRX: Everybody thinks of match-ups. But let’s go a little weird. Instead of wishing you had such and such a person on drums, let’s say you could have a nameless drummer that is a master of one kind of fill. Can you give us that? Not people, but specific talents. What specific instrument talents would you want in a dream team?
BR: That’s a good question because I’ve made music with a lot of amazing musicians over the years people who played in big named bands. Machinehead, Possessed, Danzig, Biohazard, Cromags and even Glen Campbell. I’m going to mention some names and only those living. If I was to put together a heavy rock kinda band dream team for myself Phil Rudd: drums, Harley Flanagan: bass, Tom Warrior: rhythm guitar, Michael Schenker: lead guitar.
RRX: Here’s where you answer the question I didn’t ask. Comments or remarks? Hype and promo? Educate, enlighten, emote – the floor is yours.
BR: Keep making music, live hard, love hard, work smart, make mistakes but learn from them! Have fun always all ways! Thank you, Liam, and Xperience!
The night of Saturday, November 12 was a bitter and cold, and at The Rapids Theater in Niagara Falls, The Thom Conde Project, Buffalo’s newest hard rock band, opening the night’s show. Next up, was Buffalo’s Red Letter, followed by Sirens & Sailors from Rochester taking the stage. And among the crowd was unreal anticipation for STEMM to the start their set. Even Rob Arnold, guitarist from the band Chimaira made the trip to see this show from Ohio.
By showtime, the building had filled up and it didn’t feel like a bitter cold night anymore. STEMM has been working for over a year to bring back their old vocalist TJ Frost to play their album Songs for the Incurable Heart in its entirety. TJ flew in from Boise, Idaho for two weeks of constant rehearsals – and let me tell you, it surely paid off. They started with original STEMM songs before TJ was brought out on stage. At this point, the entire vibe in the building was through the roof – it was hot, It was humid and it felt like a jungle inside the venue.
This is where things got fun. Having personally known the guys in STEMM for 25 years and shared the stage with them with my band countless times (before I traded in my gear and became a photographer.) When you add STEMM and TJ Frost – the roof was blown off the building by the crowd. There were multiple people crowd surfing including a 10 year old kid who was witnessed crowd surfing at least 5 different times, like it was his favorite theme park ride. When you think you’ve seen it all, you see a security guard crowd surf, and you know you’re at an amazing show, with all the incredible vibes at this point.
STEMM is Joe Cafarella- Vocals/Guitar; Danny Nelligan – Drums; Alex Scouten- Guitar; TJ Frost- Vocals; Louis Penque – Vocals; Fred Blackwell- Guitar, and Joe Scouten- Bass Guitar. With seven members on stage during STEMM’s set, including their original vocalist Louis Penque from the beginning of their days, to TJ Frost himself, both vocalists were boucing all over the building. On the speakers and on the security gate they were both reaching out as far as they could in the crowd just to give a fan a high five. This is personally the most amazing performance I have seen STEMM perform in more than 20 years. Yet the band is not done – they plan on one-upping this show in the future.
Not only has STEMM became a staple of the music scene in Niagara Falls for the past 25 years, their songs have been used by the UFC, including “Face the Pain” being the UFC’s main theme song from 2002-2018. The UFC has used 25 different STEMM songs as background music over their history. This is saying A LOT from a little band from a the second largest city in NYS, Niagara Falls, NY. And Recently heard at Buffalo Sabre’s and Buffalo Bills games; more STEMM songs.
STEMM – The Rapids Theater, Niagara Falls, NY – Saturday, November 12
Setlist: Wish, Dead Inside, House of Cards, Don’t Act Surprised, Inside, Casualty for Prayer, The Memory Remains, A Song for the Incurable Heart, Till I Die, MONSTER, Pandemic, Numb, On the Surface, 13 Years, Incomplete, Holding On, Between now and Forever, The day the Earth Stood Still, Face the Pain
Nearing the end of the 2022 leg of their world tour that commenced six months ago in Croatia, East London heavy metal legends Iron Maiden landed at the Prudential Center (affectionately known as “The Rock,” a reference to the Rock of Gibraltar corporate logo) in Newark, NJ this past Friday night, October 21.
The Rock | Photo by Michael Dinger
Iron Maiden’s Legacy of the Beast Tour, inspired by the 2017 video game of the same name, is an all-encompassing retrospective of their history, complete with a visually stunning stage design featuring jaw-dropping, thematic backdrops and stage props. Dating to the first leg of the tour consisting of European dates in 2018, Iron Maiden have played nearly 150 shows to more than 3 million fans, their biggest world tour since their formation on Christmas Day 1975.
Bruce Dickinson of Iron Maiden | Photo by Michael Dinger
Taking over support duties from Trivium, who departed the tour at the end of September after opening eleven shows for the heavy metal icons, Within Temptation took the stage promptly at 7:30 pm. Formed in 1996 in the Netherlands, the symphonic metal band are led by vocalist Sharon den Adel and guitarist Robert Westerholt. The Dutch sextet is rounded out by Ruud Jolie (lead guitar), Jeroen van Veen (bass), Mike Coolen (drums), Stefan Helleblad (rhythm guitar) and Martijn Spierenburg (keyboards).
Within Temptation performed three tracks (“Raise Your Banner,” “Supernova” and “The Reckoning”) from the latest of their seven studio albums, 2019’s Resist (Spinefarm Records), which found the band exploring new genres such as industrial and electronic dance music. The remainder of their 8-song set included single offerings from their discography, albeit their 1997 debut album (Enter) and their third studio album, 2004’s The Silent Force. Nearing the end of their set, Within Temptation presented “Don’t Pray for Me,” the fourth and most recent independently-released single in a series that is a precursor to their next studio album – expected for release in 2023.
Sharon den Adel of Within Temptation | Photo by Michael DingerRobert Westerholt of Within Temptation | Photo by Michael DingerRuud Jolie of Within Temptation | Photo by Michael DingerMike Coolen of Within Temptation | Photo by Michael DingerJeroen van Veen of Within Temptation | Photo by Michael DingerMartijn Spierenburg of Within Temptation | Photo by Michael Dinger
At approximately 8:45 pm, as “Doctor Doctor” by UFO played over the house PA, the lights went dark and it was game on! To thunderous applause from the 20,000 capacity crowd, the heavy metal icons appeared before us – the 64-year old Bruce Dickinson known for his legendary, operatic-style vocals, bassist Steve Harris, drummer Nicko McBrain and the trio of guitarists comprised of Adrian Smith, Janick Gers and Dave Murray.
Maiden’s 15-song, nearly two hour set kicked-off with the three lead tracks from their most recent studio album and 17th overall, Senjutsu, including the title track, “Stratego” and “The Writing on the Wall.” The opening trifecta of songs was accompanied by a magnificent stage production that matched the Japanese theme of the record’s visual graphics, including an early appearance by their mascot Eddie as a samurai warrior. Eddie would make another appearance later in the night as “The Trooper” to do battle with Dickinson.
Eddie | Photo by Michael Dinger
The setlist was a retrospective of their voluminous, four decade discography celebrating their biggest hits (“The Trooper,” “Hallowed Be Thy Name,” and “Fear Of The Dark”), while also including some deeper cuts such as “Revelations” (Piece of Mind, 1983), “Blood Brothers” (Brave New World, 2000) and “Sign of the Cross” (The X Factor, 1995). Maiden played two encores consisting of “The Trooper,” “The Clansman,” “Run To The Hills” and the closing number of the night, “Aces High,” as a life-size replica Spitfire plane swayed high overhead.
Bruce Dickinson of Iron Maiden | Photo by Michael DingerJanick Gers of Iron Maiden | Photo by Michael DingerSteve Harris of Iron Maiden | Photo by Michael DingerDave Murray of Iron Maiden | Photo by Michael DingerAdrian Smith of Iron Maiden | Photo by Michael Dinger
In the closing moments of the show, before Monty Python’s “Always Look on the Bright Side of Life,” Dickinson addressed his audience for the last time of the night:
We’d like to take you home with us, but you won’t fit through the front door. Have a great weekend, have a great week, have a great month, have a great year. In fact, have a great fucking life, because you only get one. Live every fucking day you can of it. We’ll see you again, thank you everybody.
Maiden’s 24-date journey across North America culminates at the Amalie Arena in Tampa, Florida on October 27, followed by a much-needed rest for this band on the cusp of their golden years. Lord knows they sure haven’t wasted any, especially with 2023 dates already announced for The Future Past Tour that will launch at the Sweden Rock Festival in early-June. And hopefully, by then, these metal behemoths will finally be on the Rock & Roll Hall of Fame’s list of new inductees.
Iron Maiden | Photo by Michael Dinger
Within Temptation Setlist: The Reckoning > Paradise (What About Us?) > In the Middle of the Night > What Have You Done > Supernova > Don’t Pray for Me > Raise Your Banner > Mother Earth
Iron Maiden Setlist: Senjutsu > Stratego > The Writing on the Wall > Revelations > Blood Brothers > Sign of the Cross > Flight of Icarus > Fear of the Dark > Hallowed Be Thy Name > The Number of the Beast > Iron Maiden > Encore: The Trooper > The Clansman > Run to the Hills > Encore 2: Aces High
