Raisinhead have been playing music together for over 15 years, and on New Year’s Eve, the beloved Upstate band will play in Saranac Lake at the Waterhole Music Lounge. This is the perfect North Country spot for music lovers to ring in 2023 together.
Raisinhead was formed by Rob Beaulieu in 2001, who wanted to play improvisational music in a live setting. Each band member Ted Grey (guitar), Brian Mangini (keys), Tom Pirozzi (bass) and Jeff Prescott, Chadd Ploss and Scott Apicelli (drums) has been involved in other musical projects and still manages to get together and play the music of The Grateful Dead, Bob Dylan, The Allman Brothers and many original tunes. The band consists of former members of The Ominous Seapods, Harvest, The Deadbeats, & Fat Albatross, to name a few.
Raisinhead is three-singer band, which gives the audience a constantly changing vocal perspective, tune by tune. The diverse background, joy of performing, and decades of experience between the members is what gives the band its high energy sound. The band has built a strong following in Upstate New York that promises audiences an interactive evening of sound, energy, and pure fun.
Raisinhead is always at its best on stage, under the lights, doing their thing, and creating an experience you won’t forget any time soon.
Doors open at 730pm on December 31, with the Joshua West Quartet kicking the night off at 830pm. Advanced Price Tickets are $10, Day of Show Tickets are $12. Tickets can be purchased here or at the downstairs bar.
Today the lineup was announced for the Peach Music Festival, a four-day event coming to Montage Mountain in Scranton, PA from June 29 to July 2.
The Peach Music Festival was created in 2012 as the first-ever Allman Brothers Band-inspired festival in the Northeast and has quickly evolved into one of the most highly-anticipated summer musical events loved by music enthusiasts from across the nation. It is a one-of-a-kind festival, as it features food and craft vendors on the grounds and access to the scenic Montage Mountain Ski Resort’s large water park.
The 2023 edition of the festival sees Goose, Tedeschi Trucks Band, My Morning Jacket, and Ween headlining. For the past few years, Goose and the Tedeschi Trucks Band have been performing, as they are popular acts people love to go see. My Morning Jacket released their self-titled album last year, and have been touring all year. Ween has yet to play at the Peach Music Festival, and their alternative rock style will be a great addition to the diverse range of artists on the bill.
Other great artists will be performing at the unique festival, including Duane Betts, Andy Frasco & The U.N., TAUK ft. Kanika Moore, Magic City Hippies, Dogs In A Pile, and more. There will also be features, like founding member of the Allman Brothers Band, Jaimoe, performing as Jaimoe and Friends, duo Brother and Sister, and a special appearance by Trouble No More, featuring Brandon “Taz” Niederaurer (Guitar, Vocals), Daniel Donato (Guitar, Vocals), Dylan Niederaurer (Bass Guitar), Jack Ryan (Drums), Lamar Williams Jr. (Vocals), Nikki Glaspie (Drums), Peter Levin (Keys) and Roosevelt Collier (Pedal Steel Guitar), performing the Allman Brothers Band album Brothers & Sisters.
Also appearing at The Peach Music Festival 2023 are Lawrence, Thumpasaurus, Christone “Kingfish” Ingram, Karina Rykman, Ghost Light, Tapers Choice, Son Little, Daniel Donato’s Cosmic Country, Mihali, Raq, TAZ Plays Hendrix, Circles Around The Sun, Melt, Mo Lowda & The Humble, Oh He Dead, Cris Jacobs Band, Friends of the Brothers, Couch, Psycodelics, Yam Yam, Hans Williams, Ally Venable, Parrotfish, Will Evans, Wax Owls, Brown Eyed Woman, Veronica Lewis, Baked Shrimp, Quinn Sullivan, Kanika Moore Presents The Broadband, The Sweet Lillies, JB Strauss, Kendall Street Company, One Time Weekend, Proper Tea, RoastJohn, and more.
Tickets for the 2023 Peach Music Festival are on sale now, and new this year will be a GA+ ticket allowing fans with a General Admission ticket access under the pavilion for headliner sets (in the 200-level seating area) for $149.
A flocking good time was had in downtown Albany as two of the jam scenes hottest acts – Pigeons Playing Ping Pong and Dogs in a Pile – teamed up for an unforgettable evening of ‘bird-dogging’ at Empire Live on Friday, December 9th. Packing out the venue and lighting up the crowd with a healthy dose of high energy funk, top-shelf improvisation, psychedelic dance grooves and plenty of good old-fashioned shredding, the evening also served as birthday celebration for Dogs’ keyboardist Jeremy Kaplan.
Pigeons Playing Ping Pong performing at Empire Live in Albany (12/9/22)
Flanked in tie dye and smothered in patchouli, fans flocked to the venue early enough to catch the opening act Dogs in a Pile. One of the most talked about up-and-coming bands around, 2022 has been a huge year for the young New Jersey quintet. Consisting of Jimmy Law and Brian Murray on guitars, Sam Lucid on bass, Joe Babick on drums and the Jeremy Kaplan on keys, the exciting group wasted no time showing everyone what all the buzz is about.
Dogs in a Pile performing at Empire Live in Albany (12/9/22)
Launching into the song “Look Johnny” and seamlessly transitioning into “Frosty” and “Fenway” before coming up for air, it was clear the Dogs were determined to make the most of their allotted time. Weaving together a tapestry of colorful sound with an undeniable charisma, Albany fans were then treated to the live debut of “Let U Go.” Rounding out the short, but impressive set was “G Song” followed by “Bent Strange,” but it wouldn’t be the last time we’d see members of the dog pound on stage this night.
The dogs were back in town on 12/9/22
After a brief break in the action, it was finally time for the long-awaited return of Pigeons Playing Ping Pong who had not played in Albany since March of 2019. Now celebrating 15 years as a band and touring in support of their sixth independent full-length album Perspective, some longtime fans could be heard reminiscing about seeing their first P4 show at the significantly smaller Red Square (now the Public Parish House) just down the block back in 2012. One of the most fan-friendly and hardest working bands going, their continued growth and popularity should come as a surprise to no one.
Pigeons Playing Ping Pong performing at Empire Live in Albany (12/9/22)
Taking the stage and genuinely thanking everyone for coming out before even playing a single note, front man ‘Scrambled’ Greg Ormont was all smiles while giving his customary pre-show p-p-p-pep talk. Reassuring everyone that they were in for some serious fun, the party on North Pearl Street kicked off with “Porcupine” from the band’s 2017 album Pizazz. All warmed up and feeling good, things fell into place nicely when “Fall In Place” landed on a surprise Beatles cover of “While My Guitar Gently Weeps” that boasted an absolutely gorgeous guitar solo from ax-man Jeremy Schon and a lengthy “Babe I’m Gonna Leave You” (Led Zeppelin) tease for good measure.
Jeremy Schon of Pigeons Playing Ping Pong performing at Empire Live in Albany (12/9/22)
Now calling on a little help from their friends, it was at this point the band invited “the other Jeremy” out, welcoming Dogs in a Pile keyboardist and the birthday boy himself, Jeremy Kaplan back to the stage to sit on “Sunny Day.” Adding a whole new dynamic to an already funky sound, Kaplan’s contributions were huge here and he seemed like a natural fit, finally answering a question that’s been dogging P4 fans for years: “What would they sound like if they added some keys?” Quite the way to ring in your 24th birthday indeed. Keeping the dance party going strong, the one-two punch of “Move Like That” into “Live It Up” had the crowd worked up into a sweaty frenzy as the band brought the lengthy opening set to a close with “Elephante.”
Jeremy Kaplan sits in with PPPP on his 24th birthday (12/9/22)
Back with more positive vibes, Pigeons started the second frame with “Live Life” before going all in on an “Upfunk” sandwich that featured a jaw dropping drum solo from Alex “Gator” Petropoulos smack dab in the middle. Always clever with their setlists, a bit of an aquatic theme seemed to emerge as “Beneath the Surface” gave way to fan favorite “Poseidon” resulting in one of the biggest peaks of the evening courtesy of Schon’s incendiary shredding.
Ben Carrey of Pigeons Playing Ping Pong keeps it heady in Albany (12/9/22)
Master of disguise and purveyor of cool, bassist Ben Carrey was keeping it heady all night long, but perhaps his bass bombs were never more physically felt than on the next combination of songs, “Twitch” and “Water.” A scorching “High As Five” would bring the second set to a close and leave fans begging for more. Giving it 100 percent max effort and always happy to please “the flock”, Pigeons would take flight one final time, returning for an encore of” Schwanthem” and sending the hot crowd into the cold night with huge feelings of satisfaction. A fantastic evening of live music, song and dance, shared joy and vibe that quite simply downtown Albany hasn’t seen since before the pandemic.
Melting Lights: Pigeons Playing Ping Pong performing at Empire Live (12/9/22)
Up next for the band, Pigeons Playing Ping Pong will head to Harrisburg, PA next weekend for a pair of shows at XL Live before closing out the year with a two-night New Year’s Eve celebration in Pittsburgh with the Magic Beans.
Pigeons Playing Ping Pong | 12-9-2022 | Empire Live | Albany, NY
Set 1: Porcupine, Fall In Place > While My Guitar Gently Weeps* > Sunny Day^, Move Like That > Live It Up, Elephante
Set 2: Live Life > Upfunk > Drums > Upfunk, Beneath The Surface, Poseidon, Twitch > Water, High As Five
Encore: Schwanthem
* w/ “Babe I’m Gonna Leave You” and “25 or 6 to 4” teases ^ w/ Jeremy Kaplan (Dogs In A Pile) on keys
Dogs in a Pile | 12-9-2022 | Empire Live | Albany, NY
Setlist: Look Johnny, Frosty, Fenway, Let U Go*, G Song, Bent Strange *Live Debut
On December 14, 2002, Phish made their first – and to date – only appearance as the musical guest on NBC’s Saturday Night Live. The band performed two songs and even got involved in one of the sketches. An animated segment also featured the use of their seminal tune “You Enjoy Myself.” Here’s a look back at what transpired on TV 20 years ago today.
The episode was hosted by Al Gore, who just two years and a day removed from conceding the 2000 election. It was a rare instance of a politician hosting SNL, joining Ralph Nader (1977), Jesse Jackson and George McGovern (both in 1984), Steve Forbes (1996), then-NYC Mayor Rudy Giuliani (1997), John McCain (2002), Al Sharpton (2003) and Donald Trump (2015).
After a couple political sketches/segments featuring Gore – “Hardball” and “Gore Goes Inside ‘The West Wing,’” Phish joined in the fun with Jimmy Fallon and Horatio Sanz on a semi-popular segment called “Jarret’s Room.” Set at Hamphire College in Amherst, MA, Jarret (Fallon) immediately expressed excitement for having acquired two tickets to Phish’s then-upcoming reunion show at Madison Square Garden on December 31, 2002. Gobi (Sanz) joins in, dressed as Santa (and is that Seth Meyers in a gimp outfit?), as does Gore as their professor Dr. Ralph Wormley Curtis, who is there to address their absence from class.
Another knock at the door reveals the four members of Phish joining in, with Trey Anastasio explaining “We were just driving through on the tour bus, thought we’d stop by, we love the show” but is corrected by Page McConnell that they actually had hit Gobi and came on the show in case he threatened to sue. It then becomes clear that the stoner Gobi mistook Anastasio for Chuck Norris.
Gore’s Dr. Curtis chimes in, regarding his tenure at UVM, giving them the same advice as before, “Get a job you damn dirty hippies.” Phish then agreed to play a song with Jarret and Gobi, who was introduced as Zamfbeer, master of the beer flute. All seven then joined together singing “Contact” for a moment before signing off.
Phish would perform the traditional two songs this evening, starting with the then new (and yet to be performed live in concert), “46 Days” off Round Room which was released just four days prior. Only alloted about four minutes for a song, the straight rocker fit well in the moment and best choice from the album. They would perform “Chalkdust Torture” in the second slot, giving a slightly accelerated take on a classic late-in-the-show performance, and at a record clip of three and a half minutes. (watch below)
The animated portion of the episode titled “TV Funhouse” made prominent use of “You Enjoy Myself” in a spoof of the Charlie Brown Christmas special where waving hands in the air improved everything, including Schroeder playing piano with Pigpen on bass, turning into Phish and segments of “You Enjoy Myself.”
Watch the full of episode of Saturday Night Live with Al Gore and musical guest Phish on Peacock, Internet Archive, or below.
With his new documentary, INSIDE SCOFIELD, filmmaker Joerg Steineck has crafted one of the truest representations of the compulsively creative lifestyle of a “road dog” jazz master – in this case, the always superlative guitarist John Scofield.
Steineck makes the incredibly wise decision of letting Scofield tell his story in his own words. This comes via voiceover narration and on-camera interviews captured at his home in Katonah, his old stomping grounds in New York City and on tour in Seattle, Portland, Phoenix and Los Angeles. The documentary also boasts some wonderful conversations with longtime collaborators like saxman Joe Lovano, bassists Steve Swallow and Dave Holland and guitarists Pat Metheny and Mike Stern. There are also insights from other A-list musos including drummer Dennis Chambers, guitarist Bill Frisell and the Grateful Dead’s Phil Lesh.
Scofield’s musical journey begins in his still current hometown of Katonah, New York. For this typical suburban kid, the big treat would be to take the Metro North down to NYC to explore. As he hit his teens, Scofield come to take in jazz at the Village Vanguard, rock at Fillmore East and blues at Café A Go Go, where he witnesses the blues power of B.B. King. In the film, Scofield says: “The way B.B. King played guitar, it just blew my mind. The way he could get this vocal sound out of a guitar. That’s when I really got the bug for music.”
As for his turn to jazz, we may have Jimi Hendrix to thank. Scofield recalls: “I heard Hendrix play at a concert and he was so good at blues and rock that I thought I’m going play jazz because I could never do what he could.”
Jazz becomes his total lifestyle when he attends the Berklee College of Music in Boston. It’s where he meets folks like Lovano and begins collaborating, at the tender age of 20, with bass legend Steve Swallow. Word of this new guitar hotshot spreads to saxman Gerry Mulligan who invites Scofield to play a gig at Carnegie Hall with him and Chet Baker. The next month, he is recommended to replace John Abercrombie in drummer Billy Cobham’s band with George Duke and Alphonso Johnson. Shortly thereafter, he gets to play on an album with jazz icon Charles Mingus.
As Scofield tells of his move to the Big Apple in 1975, there are great scenes of him strolling by his old haunts. These include The Blue Note, the former site of “guitar shop row” on 48th Street, a namecheck for the cheap eats at Mamoun’s Falafels and Seventh Avenue South. It was at the latter where Miles Davis would first hear and then enlist Scofield into his band. After his performance at the club, Miles would say to him: “You sound good.” And when Scofield began effusing about Miles’ immense influence on him, the trumpeter would say: “Shut the fuck up!”
“That was the beginning of our relationship,” quips Scofield. “But just to be around him gave me the confidence that I was on the right path, that I should trust my instincts just like Miles did.”
Much of the action in the film takes place on the road with Scofield and his touring quartet, including keyboardist Gerald Clayton, bassist Vincente Archer and longtime drummer Billy Stewart. We see them traveling in van and airplanes, checking into hotels, sound checking, playing sets and killing time before gigs by visiting local guitar stores. One of the best musical moments in the film has Scofield jamming with bassist Archer on a resonator guitar at a guitar store in the Northwest.
“Since 1975, I’ve been on tour half the year, every year, so I’m what’s called ‘a road dog,’” says Scofield. “In the old days, guys didn’t have to leave New York to make a living, but we do.” In the film, Scofield laments the loss of America’s circuit of jazz clubs, where a musician could play for a week or longer versus flying and driving between one-nighters.
Scofield also provides some enlightening observations on the art of improvisation and the creative alchemy of bands.
“The jazz world is like humanity,” he says. “When your styles match and you can play together, it’s a beautiful thing. You might be different people, but you get along because the music is happening… It’s my band, but once the band starts to play I’m just another member.”
Scofield continues: “Improvisation is a natural human thing. The compositions are meant to be taken apart. They go hand in hand – composition and improvisation… Some people have huge vocabularies and it sounds good but there’s nothing happening. I would like to hope that I’m playing less notes but saying more with them.”
One thing I truly loved about Steineck’s film is that he leaves plenty of time to luxuriate in the fantastic live performances. Steineck’s clips of Scofield and his quartet playing live demonstrate that John remains one of the most original and hardest swinging guitarists in modern jazz. There are also great clips of him playing in duets and solo, demonstrating his deep knowledge of harmony and feel, with those bold arpeggiated lyrical solos and his unflagging blues sensibility. The one thing I did miss was mention of Scofield’s participation in the more mainstream “jam band scene” of the early aughts with his Uberjam band.
Steineck’s documentary concludes with Scofield at home in Katonah. Here he enjoys his “nice espresso machine” and does what he loves most of all – playing . “I need to play every day or I don’t play well,” says Scofield. “It’s my favorite part of the day.”
As Scofield wonders what it would be like if he couldn’t play, the documentary takes a turn, colored by some delightfully weird gong-flavored music. The film concludes with Scofield self-isolating during the early days of the COVID-19 epidemic. We see him commiserating with his longtime playing partner Steve Swallow via Zoom saying, “I feel like I’m in a dystopian situation.”
Luckily for us, Scofield returned to the road as COVID abated. And some of the works of the ensembles featured in the film, his 2018 quartet and duo work with Steve Swallow, can be enjoyed on Combo 66 (Verve, 2018) and Swallow Tales (ECM, 2020). Also, not to be missed is the 2017 album Hudson, a collection of covers he made with Hudson Valley-based musicians, Jack DeJohnette, Larry Grenadier and John Medeski.
INSIDE SCOFIELD is available on DVD and video on demand on Vimeo. It will be coming to other platforms in 2023.
Fresh off the heels of a successful co-headlining tour with Trey Anastasio and his band, Goose has announced new dates for their 2023 Spring Tour. It’s one that will see the band tour 14 cities over a five-week span that literally crosses the country. After a five-night run at the legendary Capitol Theatre in NY in early March that’s already sold out, the tour is scheduled to begin in Boston on March 23 at Roadrunner.
The spring tour also features two-night stands at such iconic venues as Philadelphia, PA’s The Met (March 24-25), Nashville, TN’s Ryman Auditorium (March 31-April 1), Seattle, WA’s Paramount Theatre (April 22-23), and San Francisco, CA’s The Warfield (April 27-28).
A ticket request lottery for all these newly announced Goose Spring Tour 2023 shows is currently underway at the band’s website and will continue through Wednesday, December 7, at 5 pm (ET). Lottery winners will be notified via email before the start of venue presales, set to run Thursday, December 8 from 10 am-10 pm (local). All remaining tickets go on sale to the general public beginning Friday, December 9 at 10 am (local). A variety of VIP packages and accommodation discounts will also be available.
This week also sees Goose marking yet another milestone in what has proven a momentous 2022 with their first-ever live performance on NBC’s The Tonight Show Starring Jimmy Fallon, set for Wednesday, December 7 at 11:35 pm (ET)/10:35 pm (CT) (check local listings).
Goose Spring Tour 2023
MARCH
8-12 – Port Chester, NY – Capitol Theatre
23 – Boston, MA – Roadrunner
24 – Philadelphia, PA – The Met
25 – Philadelphia, PA – The Met
26 – Cleveland, OH – Agora
31 – Nashville, TN – Ryman Auditorium
APRIL 2023
1 – Nashville, TN – Ryman Auditorium
2 – Birmingham, AL – Avondale Brewing Co.
13 – Madison, WI – The Sylvee
14 – Chicago, IL – The Salt Shed
15 – Chicago, IL – The Salt Shed
16 – St. Paul, MN – Palace Theatre
18 – Bozeman, MT – The Elm
19 – Bozeman, MT – The Elm
21 – Boise, ID – Knitting Factory
22 – Seattle, WA – The Paramount Theatre
23 – Seattle, WA – The Paramount Theatre
25 – Eugene, OR – The McDonald Theatre
27 – San Francisco, CA – The Warfield
28 – San Francisco, CA – The Warfield
29 – San Diego, CA – CalCoast Credit Union Open Air Theatre
The Peach Music Festival 2023 has announced the dates for the season, running from June 29 through July 2 at Montage Mountain in Scranton, PA.
The Peach Music Festival was created in 2012 as the first-ever Allman Brothers Band-inspired festival in the Northeast and has quickly evolved into one of the most highly-anticipated summer musical events loved by music enthusiasts from across the nation. It is a one-of-a-kind festival, as it features food and craft vendors on the grounds and access to the scenic Montage Mountain Ski Resort’s large water park.
Last year’s lineup included Billy Strings, Trey Anastasio Band, Goose, Pigeons Playing Ping Pong, and many more. The lineup has not been announced yet, but the Peach Music Festival 2023 weekend will run from June 29 to July 2. A limited number of Early Bird passes will go on sale beginning on Friday, Dec. 9 at 12 p.m. including VIP passes, reserved seating, glamping, travel packages, as well as a special four-day, general admission $99 lawn ticket.
New this year will be a GA+ ticket allowing fans with a General Admission ticket access under the pavilion for headliner sets (in the 200-level seating area) for $149. To purchase tickets for the 2023 festival, go here.
On Friday, December 9, Albany’s Empire Live will showcase a concert featuring jam funk group Pigeons Playing Ping Pong and psychedelic jam band Dogs in a Pile. Doors for the 16+ show open at 7 p.m. with music beginning at 8.
Pigeons Playing Ping Pong members from left to right: Jeremy Schon (guitar, vocals), Ben (bass, vocals), Alex Petropulos (drums, vocals), Greg Ormont (vocals, guitar)
This Empire Live stop marks a return to upstate NY for Pigeons Playing Ping Pong after headlining at the Adirondack Independence Music Festival in September. The Maryland four-piece has played halftime during a New York Knicks game at Madison Square Garden, they’ve appeared on Adult Swim’s FishCenter Live, and annually headlined their self-produced music and camping festival Domefest. They dropped their sixth studio album Perspective in March, the group’s first studio release since lockdown.
Dogs in a Pile members from left to right: Brian Murray (guitarist), Jeremy Kaplan (keyboardist), Jimmy Law (guitarist), Sam Lucid (bassist)
Dogs in a Pile, a five-piece of Asbury Park, NJ origin, was assembled in 2019 and released their debut studio album Not Your Average Beagle in 2021. Their musical approach is inspired by the improvisation of bands such as the Grateful Dead and Phish.
Information regarding tickets for Friday’s show can be found here.
Two bands – Karina Rykman and Quiltro – made their debut appearances in the Capital District on Thursday, December 1, performing at Albany’s Lark Hall
Karina Rykman is no stranger to Albany, having played with Marco Benevento numerous times at The Hollow and Cohoes Music Hall. Now touring with her own band, consisting of Adam November (guitar), Chris Corsico (drums), and Rykman on bass, made their first appearance in Albany with a strong crowd welcoming them to town.
Quiltro also had their first performance in Albany, with bassist Mike McKinley returning home for a long overdue hometown show. Quiltro had initially been set to play Albany in May 2020, which was left unannounced as the music industry and world around us shut down for a then indeterminable amount of time. Finally arriving home, the early crowdâs rapt attention to the psychedelic rock put forth by Mark Taylor (guitar), JD Hoffmann (drums) and McKinley.
During their 60 minute first set, Quiltro opened with a spacey jam that worked its way eventually into Hendrix’s “Third Stone From the Sun” amid “Pyxis,” the third track from their self-titled 2020 release. The set drew progressively heavier as the hour wound on, driving home the set with “Knight Riding” and “Field of Cities.” Played an introductory set to the uninitiated crowd, Quiltro warmed up the audience for Rykman, a perfect pairing this evening. McKinley and the crowd thanked all for coming to the show, particular his parents who were seated up front for the show.
Quiltro Setlist: Jam-> Pyxis-> Third Stone From the Sun -> Pyxis, Dark Matter, Apollo -> The Crater, In Reverse, Antilla, Knight Riding, Field of Cities
Rykman arrived to the stage around 930pm, flanked by November to her right and Corsico on her felt. Standing front and center, bass in hand, Rykman lit up the stage, singing “Joyride” to open the show in a soft dream-pop voice.
This power rock trio doubles as a prog rock trio at times, deconstructing songs mid-jam and building them back up again. The far reaching instrumentation of the triumvirate were fully in sync on “Plants,” one of the studio tracks that when heard live helps you fully ‘get’ the band’s sound.
November’s shredding and keys created dissonance while Karina bopped around the stage, establishing her presence as the frontwoman of this unique trio, one that brings more than just jams to the table. Â
Rykman channeled Tina Weymouth on the Talking Heads adjacent tune “City Kids,” which Mike Gordon would join her for two nights later at Nectar’s in Burlington. With a few shows left this tour, Rykman’s brief Northeast Tour is well worth catching, as she sets her sights on wider touring in 2023.
Karina Setlist: Joyride > All That You Wanted > Plants > Arbitrary > Dirty South, Beacon, City Kids, Fever Dream, Atom Dance, No Occasion > Psycho Killer > The Hardest Button to Button, Elevator
Twiddle performed for two nights at the legendary Capitol Theatre for their annual Friendsgiving, this time welcoming Dogs In a Pile on Friday and Neighbor on Saturday.
Dogs In a Pile have been quickly gaining fame and have been on tour with Twiddle. Twiddle welcomed a two-piece horn section and members of Dogs in a Pile for multiple sit-ins, notably a “How Sweet It Is” encore featuring both bands, as an homage to Jerry must be paid when playing The Cap.
“Apples” proved to be a lengthy, psychedelic jam. Favorites such as “Orlando’s,” “Syncopated Healing,” and “Lost in the Cold” were great within a jam heavy set list, especially with the added horns section.
Twiddle “Frendsgiving” – The Capitol Theatre, Port Chester – November 25, 2022
Set 1: Every Last Leaf I [1], Beautiful, Stroganoff, Life Back Now, Complacent Race [2], Moments [2], Latin Tang [2], Polluted Beauty [2] > The Box#
Set 2: Syncopated Healing [2], Distance Makes the Heart [3], Enter [2] > Orlandos^ [2], Apples > White Light > Mushrooms of the Sea > Apples, Lost in the Cold [2]
Encore: How Sweet It Is (To Be Loved By You) [4]
[1] First time played. With Adrian Tramontano on guitar [2] With Michael Bafundo and Mike Oehmen (Horns) [3] With Brian Murray and Sam Lucid (Dogs In A Pile) [4] Marvin Gaye (Debut). With Jeremy Kaplan and Jimmy Law (Dogs In A Pile), plus Michael Bafundo and Mike Oehmen (Horns)
# with Mihali Cowbell Jam ^ with Crosseyed and Painless teases
Twiddle “Frendsgiving” – The Capitol Theatre, Port Chester – November 26, 2022
Set 1: Frends Theme, The Devil, Dr Remidis Melodrium [1], Fighting For, Every Soul > Mamunes The Faun [2] > Every Soul
Set 2: Grandpa Fox > The Mission, Beethoven & Greene, Frankenfoote > Grandpa Fox, Slippin in the Kitchen [3]
Encore: Why Canât We Be Frends [4] > When it Rains it Poors > Every Last Leaf II [2]
[1] Apples Vocal Reprise [2] With Scott Hannay [3] With Rick James (Neighbor) & Scott Hannay [4] WAR (Debut)
