Category: Jam/Progressive

The Grateful Dead Overwhelm SPAC: June 27, 1985

The Grateful Dead played SPAC only four times in their career and today marks the anniversary of the third show which, for better or worse, may be the most memorable one of them all. Unfortunately, the show is remembered more for being responsible for getting the Dead banned from SPAC for the next three years. Reportedly, more than 40,000 fans attended this show, with Deadheads traveling from all over, creating Woodstock-like traffic conditions in Upstate New York and the Saratoga area.

This crowd size might be suitable for a stadium show, but instead created a venue that was 17,000 people over capacity, producing a chain reaction of safety issues that could have easily endangered the massive crowd. The SPAC balcony for this show was a veritable zoo, packed beyond belief as a result of people rushing in and passes reportedly being dropped down from above. Things are so out of hand a first set PSA urging people to stop hanging from there needs to be done. The band would serve its time and return in grand fashion three years later, but not before one more rowdy show that features a bevy of live Dead standards and traditional blues covers.

The show kicks off in a rather atypical fashion with a cover of the recently revived “In The Midnight Hour.” The Dead had dusted off this Wilson Pickett cover and refashioned it into an opener for a brief span in 1985. After some quick vocal sparring between Bob Weir and Brent Mydland, the band quickly launches into a much more familiar first set sight in “Bertha.” Jerry Garcia rips off the first of many effortless guitar solos and SPAC is officially all systems go.

“Little Red Rooster” follows and produces a sturdy blues jam, this time with Mydland going back and forth with Garcia on organ and guitar, respectively, that does a nice slow build in intensity. Afterwards, both Weir and bassist Phil Lesh essentially stop the show to admonish some fans who are hanging from the balcony railings and urge them to get back into their seats. Fittingly, the Dead then waste no time and jump right into a cover about an outlaw of another kind in “Stagger Lee.”

A pristine “El Paso” with some truly dulcet tones provided from Mydland’s electric piano then follows before Garcia begins to strum the opening chords to “Crazy Fingers.” A spirited Jerry powers through the vocals and delivers a string of delicate runs on the guitar with even more blissful background soundscapes emanating from Mydland’s rig. After a brief, exploratory jam the music then finds itself turning into a full-fledged “Supplication” jam, although no lyrics are ever sung. For some reason, the song was no longer paired with its traditional tag-team partner in “Lazy Lightnin’,” which the band stopped playing in 1984, and would only be a played a handful of times more in their career. The jam eventually loses steam and eventually dissolves seamlessly into “High Time.”

The Dead then wrap up the first set at SPAC with one of their newer live staples in a rousing “Hell In A Bucket” replete with more aggressive guitar play from Garcia and the boisterous vocal stylings of Bob Weir. The set then closes with a cover from way back when in a short and sweet “Don’t Ease Me In.”

The second set starts on a high note right from the gates and literally doesn’t come to a stop with a set full of nothing but segues. It begins with a “Feel Like A Stranger” that produces a riveting jam that seems to be picking up steam before Garcia seems to shift gears a little quicker than the rest of the band and steers it right into the beginning of “Eyes Of The World.” This lays down the foundation for another series of instrumental jams, spearheaded by Garcia’s frenetic runs up and down the fretboard.

The music then somehow finds its way to an early second set “Goin’ Down The Road Feeling Bad” that’s supercharged and seemingly played at a quicker than normal pace. After some brief indecision, and a possible nudge into “Not Fade Away,” the Dead instead veer into the ever prescient “Women Are Smarter.”

The band then yields the floor to the Rhythm Devils, drummers Bill Kreutzmann and Mickey Hart, for some percussive and psychedelic relief with the traditional “Drums” > “Space” sequence. From the depths of “Space,” some familiar chords begin to emerge and the Dead launch into a “Truckin’” with the “New York’s got the ways and means line” getting a serious round of applause from the SPAC faithful. Instead of stretching this out a bit, the night’s ongoing theme of blues covers then carries on with a take of Howlin’ Wolf’s “Spoonful” with Weir ably manning the vocals.

The short, bluesy jam lends itself perfectly to the intro to “Black Peter” as the Grateful Dead keep the second set’s train of songs going without nary a stop. The Dead then unleash the last three covers from their musical holster to wrap up the evening’s festivities, starting with a set closing “Turn On Your Lovelight” that produces one more brief, boisterous jam with Weir singing the vocals that the legendary Pigpen used to make his own in a different time.

The encore selections could very well serve as a subliminal message to the overflowing crowd that helped make this the last Grateful Dead show at SPAC for three years as well as a nod to the upcoming ban. Chuck Berry’s “Johnny B. Goode” was the first choice, perhaps an indirect message for the Dead faithful to respect the rules and capacity figures for venues going forward. A fitting closer in Bob Dylan’s “It’s All Over Now, Baby Blue” then closes out this show and begins the three-year wait for the Dead’s return to Saratoga.

Grateful Dead Saratoga Performing Arts Center – Saratoga, NY 6/27/85

Set 1: In The Midnight Hour, Bertha, Little Red Rooster, Stagger Lee, El Paso, Crazy Fingers > Supplication Jam > High Time, Hell In A Bucket > Don’t Ease Me In

Set 2: Feel Like A Stranger > Eyes Of The World > Goin’ Down The Road Feeling Bad > Man Smart (Woman Smarter) > Drums > Space > Truckin’ > Spoonful > Black Peter > Turn On Your Lovelight

E: Johnny B. Goode, It’s All Over Now, Baby Blue

June 27, 2022
Yankees Announce Upcoming Jerry Garcia Bobblehead Night

Count the New York Yankees as one of the many entities lined up to celebrate the late Jerry Garcia’s upcoming birthday. August 1 will mark what would have been the legendary artist’s 80th birthday and to celebrate, the Yankees are breaking out the bobbleheads. The first 1,000 fans to purchase a special event ticket for that night’s game against the Seattle Mariners will receive the collectible Garcia bobblehead figurine, adorned in a Yankees jersey, pinstripes and all. Portions of the ticket sales will also benefit the Grateful Dead’s longtime non-profit, Rex Foundation.

The Yankees’ Garcia Bobblehead Night is just one of the events that are slated to celebrate his birthday that day. The Jerry Garcia Foundation, in partnership with Starchive, will also host a benefit concert on August 1 at Blue Note Napa in Sonoma County, CA with music performed by Garcia’s fellow New Rider of the Purple Sage in David Nelson and his band. The event will benefit the Jerry Garcia Foundation who, along with its technology partner in Starchive, have announced an upcoming archival project to help preserve the historical and artistic contributions of Jerry Garcia.

Like the Garcia bobblehead, tickets for this show are limited and can be purchased here. Yankees tickets can be purchased directly though mlb.com.

June 27, 2022
Follow the Arrow: Marco Benevento’s Celebration of The End Or The Beginning?

Marco Benevento and family held applause for the positive at the cozy single day music festival Follow the Arrow, held at Arrowood Farms Micro Brewery and Distillery in Accord, NY. The full embrace of creative expression combined with an organized yet relaxed atmosphere made for an ideal pre-solstice celebration.

Marco Benevento and Friends – photo by Em Walis

Deciphering The Map

The landscape for live music is changing. Many that have remained sheltered are beginning to emerge. Bigger festivals lure us in with extensive setlists at locations worthy of wanderlust. Despite the inviting notion of clear air and open spaces, logistics like shuttles and multiple stages converge with the perception of crowd density might all just be too much for some at this time. The push and pull of compulsory desire for experience, the reality of life circumstance and anchors which prevent last minute flights. The consolation prize of a livestream. Like many loves in life, our relationship with music we have had and what the evolution might look like can get complicated.

So many rails, so little time – photo by Em Walis

Which Way?

Wouldn’t it be nice to have an oracle appear to gently guide in the direction towards a more positive relationship with live music? A figure that shares family values and the importance of grounding might be the answer. There has got to be some all-knowing upbeat individual that knows where to enjoy music that does not require a post-binge sense of shame for kicking responsibilities to the curb in order to experience that one night of euphoric, attention consumption of music; the paralysis of decision.

Marco Benevento – photo by Em Walis

This Way!

Cue Marco Benevento: artist, musician, family man and Hudson Valley resident arriving like cavalry to the rescue on Saturday, June 18. His inaugural “Follow The Arrow” [FTA] festival could not have been more aptly named. Meaning in the name dives far beyond the venue being located at Accord’s Arrowood Farms. Those that followed the arrow were guided to an oasis filled with reminders of all that is valued.

Hudson Valley Kid – photo by Em Walis

Arrowood Farms provided a pseudo-lagoon in the form of a beautiful field filled with delicious beverages brewed and distilled on site. Attendees wearing merchandise featuring geese and goats blended perfectly with the actual chicken coup to the left of the stage quite well. Despite the production of intoxicants, the survival instinct never kicked in that anyone was behaving out of line or taking things too far. One stage, one corral. Security presented with an upbeat, passionate attitude without sacrificing professionalism or sense of safety provided. This presence combined with the ability to see the entire production within one field of view allowed for families to attend with young kids worry-free.

Hudson Valley Serenity

The weather happened to fall on what is jokingly referred to as one of the four days in the year where the Hudson Valley is the best place on earth to enjoy a day outside.

Karina’s hair moving in rhythm with the trees – photo by Em Walis

Karina Rykman brought the energy to the point where it seemed the breeze-swept trees behind the stage rocked out as hard as the crowd.

Cheers for the sun – photo by Em Walis

Dark clouds and afternoon sun mesmerizingly dipped in and out of the crowd at rhythms mimicking the swaying upbeat ambiance pulsing from the stage with Antibalas.

Sunset bubbles – photo by Em Walis

Nature’s light show built up to a colorful golden sunset during Marco’s set. Illuminated bubbles glowed as they floated gently during their precious and short lifespan. These micro crystal balls provided a reminder of how delicate these precious moments are, and those we experience them with can be.

Coat game strong – photo by Em Walis

Royal Potato Family

The well-established culture surrounding FTA and the Royal Potato Family (RPF) record label lived in the details. Expressive up-cycled fashions worn; accessorized by jewelry that held a story. Excellent coats appeared as the temperatures dropped.

Family values by Em Walis

The Benevento family band hosted three generations. While The Slip played, the drummers son could be seen with drumsticks standing behind his dad, rocking out. Most importantly, as the day progressed, chosen family members made appearances on stage, as well as converged in the crowd.

Hudson Valley Kids Pt. 2 – photo by Em Walis

Quintessential “Hudson Valley kids” held a space in such a way that can only exist when New York City influences a worldview , outlook and attitude earlier than most. The atmosphere was family friendly without sacrifice of artistry or musicality. FTA was a place to celebrate values and emphasize the importance of self expression for generations to come.

Happy to support by Em Walis

Joyful Tokens

Merchandise sold included records, CDs, cassette tapes. Shirts screen printed and produced at home by Marco’s wife were the big hit. The only top obviously showing Marco’s name is one that started boldly, “Who The Fuck Is Marco Benevento?” This spoke to the low key tip of the hat that will occur out in the world between those that know. In true pseudo-sibling satirical spirit, harpist Mikaela Davis proudly displayed her “Who the Pluck is Mikaela Davis?” shirt right next to Marco’s after her beautiful set entranced us all.

One for my head – photo by Em Walis

The love and support not only felt, but shown by attendees spoke volumes for the relationship RPF has with those involved. The merchandise was reasonably priced and attendees were cleaning house by acquiring three and four shirts at a time, returning for more later and after the show being sure to leave with a stack of records. It was clear that everyone not only wanted to support, but celebrate.

A little helop from friends – photo by Em Walis

Arrow Explorations

Target identified. Aim set. Redirecting an arrow after it has been released would be a tall order. Non-negotiable direction. The relief that comes when deliberation ends and movement begins. Occasionally presenting as a cairn or colored dot on trees and stones, arrows act as trail markers and remind us that we are on the correct path. Arrows scribbled on top of class notes or in books provide emphasis on the important and worthy to be logged as memory. When arrows appear, a sense of calm washes over because scrutiny and sifting of all information can be skipped, time saved and getting to the point of it all arrives quickly.

Moments in time by Em Walis

Bubbles Filled With A Moment In Time

Arguably, and in true RPF spirit, the bubble machine was the ultimate target of the arrow Marco had us follow. To take a moment and appreciate the child-like joy that emerged in attendees of all ages from such a simple sphere held the power to make all of the distress experienced over the last segment in time disappear with a single pop.

Bring the light by Em Walis

Marco Benevento Setlist: At The Show, Dropkick, At The End Or The Beginning, Send It On A Rocket, Intro: The Story Of Fred Short ->Seven Twenty Two ->Walking With Tyrone, The Shape I’m In (The Band), Such A Night, The Real Morning Party, Right Down The Line, The Catskills Stole My Heart, Limbs Of A Pine

For More Check out Marco’s new album Benevento.

June 24, 2022
20 Years Later: The First Bonnaroo

Today we look back at perhaps the most memorable and influential music festival of the 21st century, the first Bonnaroo. Held June 21-23, 2002 in Manchester, TN, Bonnaroo has helped pave the way for the success of the modern day music festival. The original 2002 edition skewed jam band-heavy when compared to the contemporary version, but the communal vibes and appreciation for live music that the festival has fostered over the years have only gotten stronger. Discover how the first Bonnaroo Music and Art festival came to fruition, the memorable musical offerings that weekend, and how the festival laid the groundwork for successful music festivals in the years and decades that followed.

photo by Pete Mason

Origins

Bonnaroo, in name alone, is steeped in musical culture. The word derives from the French words “bonne,” meaning “good,” and “rue” which means “street.” This was done out of respect for the music tradition of New Orleans, a spirit the founders of Bonnaroo were looking to carry over into their next venture. And even more fittingly, “bonnaroo” also serves as Creole slang for a “really good time,” the very essence of any successful music festival.

Not only that, Angola Prison was located on Bonnaroo Avenue. To be on that street, and not in prison, was naturally, a good thing. The cajun expression “desitively bonnaroo” came to mean “better than the best,” originating among the inmates of the South Louisiana prison, for if you were on that street and not in the prison, it was “desitively bonnaroo.”

Not only that, Angola Prison was located on Bonnaroo Avenue. To be on that street, and not in prison, was naturally, a good thing. The cajun expression “desitively bonnaroo” came to mean “better than the best,” originating among the inmates of the South Louisiana prison, for if you were on that street and not in the prison, it was “desitively bonnaroo.”

The closing of Knoxville’s World’s Fair Park in 1999 unknowingly got the ball rolling for the creation of Bonnaroo. The park had been the yearly home of the Hot Summer Nights music festival until construction forced concerts to no longer be held there. Festival founders AC Entertainment were forced to pivot and look elsewhere and from there the seeds of Bonnaroo were hatched.

The closing of the World’s Fair Park for concerts precipitated getting creative and trying to find, ‘OK, if we can’t do this anymore, how can we still participate in the summer outdoor concert business,’ and it was from that that Bonnaroo was ultimately launched.
Ashley Capps, co-founder AC Entertainment

Bonnaroo seemed like a natural name for the massive new venture on a giant farm in Manchester, TN. Not only for the aforementioned translations, but the term itself wasn’t completely foreign either after being introduced to pop culture through Dr. John’s 1974 release Desitively Bonnaroo.

Superfly, who produced shows during New Orleans Jazz Fest in the late 90s, had experience in staging 28 shows over 8 nights at various New Orleans venues, typically late-night and catering to jam band fans. Superfly founders Kerry Black, Rick Farman, Richard Goodstone and Jonathan Mayers had attended Glastonbury and Coachella Festivals in years prior, and used these experiences to frame their vision for Bonnaroo Music and Art Festival.

The Superfly team brought in Coran Capshaw, who managed Phish and Dave Matthews Band, among others, to assist with financing, and worked with regional promoter Ashley Capps (AC Entertainment), based out of Knoxville. Working together, Superfly, Capshaw and AC Entertainment combined resources and dove in feet first, creating America’s most successful multi-day camping music festival since the original Woodstock.

Farman spoke to Relix in April 2002 noting that the first task was to establish bonafides to the fans:

The first thing that I think is important to let everybody know is that we have an extremely experienced and professional crew behind this event. I know many people know Superfly from the events we’ve done at Jazz Fest and other things. And I know people know AC for the events he’s done. But what I really wish to emphasize is that we have hired the best people in the camping festival business to help us put on this event. We have a lot of experience between AC and us in putting on concerts and concert promotion but we certainly understand that our experience is limited in putting on an event of this size.

Our basic plan has been to make the learning curve zero. Most of the people that we’ve hired were also key players in putting on the big Phish events- everything from our project manager, site coordinator, vending consultant, production manager, parking company, business manager, the head of security and the different security companies that were hiring. We’re going to have Clean Vibes out there, which I think people know through many events, including the big Phish events. So in terms of the quality of the people putting on the event and the quality of the facilities, its really going to be top notch.
Rick Farman, as told to Relix

The location the team would choose was found in Central Tennessee, in the small Coffee County town of Manchester. Located an hour drive southeast of Nashville, the town of less than 9,000 at the time had previously served as host to at least one previous music festival, Itchykoo.

Named for the Small Faces song “Itchykoo Park,” the festival was held only once, from August 12-15, 1999, featuring 40 bands over four days and nights. The event sold 20,000 tickets, but the event did not repeat, something apparent before the weekend concluded, with event staff reportedly departing mid-shift when it became clear their work would not be paid.

The classic rock-centric festival featured Dave Mason, Survivor, Rick Springfield, Blue Oyster Cult, Sammy Hagar, Joan Jett and the Blackhearts, Iron Butterfly, Leon Russell, Davy Jones and Mickey Dolenz (performing separately), Starship and the Wilson sisters from Heart. The lineup, while ambitious, did not have a true headliner, but instead a list of classic rock bands with no clear connection between the artists.

Itchycoo not returning to Manchester for additional installments, coupled with World’s Fair Park closing for construction, made the perfect conditions for Bonnaroo to arrive in 2002. Of course, the two festivals would have a similar sounding name, and an ambitious first year endeavor like Bonnaroo needed to establish their brand as distinct from the predecessor, at least to all who were aware of Itchykoo. With a name that signified a ‘good time,’ was the name of a street in New Orleans as well as a Dr. John album, confusion with the 1999 festival was not a factor.

The location in Manchester, a 700-acre farm with access roads left over from Itchykoo gave it perfect location next to I-24, something that was a necessity for any major music festival to ensure easy access for arriving fans. The farm was purchased in 2007, and a permanent power source was added shortly after, so as not to use the TVA hookup that accounted for 70% of all power, with the rest coming from generators.

On March 13, 2002, with little advertising, tickets for Bonnaroo went on sale, at an initial cost of $100, eventually sold for as much as $170. Tickets were sold exclusively through the Bonnaroo website, with 10,000 tickets sold the first day. Within the first week, 70,000 tickets were sold, and the festival announced a sell out on March 24. Within 11 days, and mostly by word-of-mouth, Bonnaroo had sold out their first year with a lineup and vision that fans agreed with.

There was of course another failed festival in 1999 that also had an impact on Bonnaroo, and music festivals in general. Woodstock 99, which quite publicly showed Baby Boomer greed meeting Gen X angst, in full view on MTV. While Itchykoo failed due to lack of headlining acts and lack of funding, Woodstock tarnished a brand permanently, with founder Michael Lang unable to celebrate the 50th anniversary of Woodstock with a festival 20 years later.

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June 22, 2022
CFCU Cortland Main Street Music Series expands for Summer 2022

The annual CFCU Cortland Main Street Music Series continues to grow with a 2022 line-up featuring the best local talent from CNY plus world-class bands. The series celebrates 19 years of bringing local, regional and national acts to Downtown Cortland with genres ranging from rock, Americana, folk, country, blues and many points in between. Doors open at 5pm for all shows and music begins at 6pm every Friday in July.

The City of Cortland, home of the Main Street Music Series, is centrally located in the scenic seven valleys of Central New York. Historically known as the Crown City, for its position as the highest elevation city in the state, Cortland is a gateway to the Finger Lakes Region and destination spot for live music and cultural events.

15 artists will grace the CFCU Community Credit Union stage over the course of five free concerts, all taking place at Rose Hall, at 19 Church Street Cortland.

The series kicks off with a triple billing on Friday, July 1st with headliners James Barker Band and supporting acts Taylor Made and Jon Rogalia. James Barker Band have fueled an incredible story over the last six years, largely on their own, from playing opening spots in small Ontario bars to charting multiple No. 1 singles, garnering hundreds of millions of global streams, and headlining some of Canada’s largest country music festivals. Now, with new music on the way, the four-piece is continuing their meteoric ascent in Nashville. In 2017, they sent their single “Chills” straight to the top of Billboard’s Canadian Hot 100 chart. The upbeat anthem also achieved Platinum status, alongside other songs from their introductory LP Game On, earning them numerous national awards. In addition, these best-friends have already amassed another six GOLD-certified and PLATINUM-certified tracks.

The second week of the series follows on July 8th with local roots rock band The Unknown Woodsmen and fellow area artists The Rollin’ Rust and Austin MacRae. Music fans across the Northeast are talking about CNY-based band The Unknown Woodsmen, who draw from the classic sounds of rock to create their own blues-reggae flavor of infectious rock grooves. Since its inception in 2011, the band has spent countless hours honing their signature sound and tirelessly performing throughout the Northeast. Whether it is their crafty hooks, old-school grooves, or energetic stage presence, The Unknown Woodsmen captivate crowd after crowd at show after show to a growing base of loyal fans in the Central New York region.

The series turns things up a notch in the third week, when The Rods headline the Friday, July 15th show at Rose Hall. They’ll be joined by supporting acts Sydney Irving and the Mojo and local singer songwriter Quona Hudson. The Rods are a series favorite and classic heavy metal band that rocked their way through the 80’s with a powerful, raw energy that led them on tours with some of today’s greatest metal bands—Judas Priest, Ozzy, Motorhead, and Metallica, to name just a few. Listeners will find that The Rods are still a force to be reckoned with today, as they continue on at full-throttle, with a new line-up and a forceful, vintage sound.

Friday, July 22nd, the CFCU Cortland Main Street Music Series will drench Rose Hall in the blues, when Joe Louis Walker brings his band to the Cortland stage, with opening sets by regional favorites Mike Powell and Raedwald Howland-Bolton. Joe Louis Walker, a Blues Hall of Fame inductee and four-time Blues Music Award winner celebrates a career that exceeds a half a century. A true powerhouse guitar virtuoso, unique singer and prolific songwriter, he has toured extensively throughout his career, performed at the world’s most renowned music festivals, and earned a legion of dedicated fans. Walker’s 1986 debut album Cold Is the Night on HighTone announced his arrival in stunning fashion, and his subsequent output has only served to further establish Walker as one of the leading bluesmen on the scene. NPR Music has called Walker “a legendary boundary-pushing icon of modern blues,” and he is already being referred to within the blues world as a living legend.

Rounding out the last show of the series on Friday, July 29th, Rose Hall will welcome headlining act Upstate along with opening artists Miss Tess Duo and Cloey Tierno.

The CFCU Cortland Main Street Music Series, presented by CFCU Community Credit Union, is a non-profit 501(c)3 organization with a mission to enrich Cortland’s culture and contribute to a vital downtown by providing an annual series of concerts by local, regional and national artists. Additional sponsorship is provided by the Cortland County Business Development Corporation and the Cortland County Convention and Visitors Bureau to promote “Crown City Rising,” a communications platform aiming to inform downtown stakeholders and the community at large about the ongoing Main Street reconstruction process.

More information can be found by visiting CrownCityRising.com and more information about the series can be found by following updates on Facebook and Instagram or by visiting their website at MainStreetMusicSeries.com.

June 20, 2022
Alive at 5: Spafford and Annie in the Water Jam Out at Jennings Landing

Making their first visit to Albany since October 2017, Spafford returned to the Capital Region with a vengeance on Thursday, June 16. Headlining week two of Albany’s beloved Alive at 5 concert series, organizers could not have booked a more appropriate act for “Jam Night” than the Arizona improv quartet; a band that’s bolstered their reputation in recent years by occasionally surprising audiences with unannounced single-song shows.

Despite a tornado warning in areas of Western New York, mother nature played nice and so did the band. Indeed the jams at Jennings Landing on this night went long and strong and judging by the look on many of the first timers in the crowd, it was as if the music was hitting them over the head like a sonic sledgehammer, and they loved it.

Opening band and local legends Annie in the Water started the evening as only they know how. The whole band was delighted to be playing for Alive at Five and you could tell from the first note. Although it wasn’t the jam-heavy sets fans may be accustomed to, the Annie boys threw down a well-rounded set that had a large portion of people on their feet. They chose original songs as well as an excellent cover of Fleetwood Mac’s “Dreams” that have brought their fans to fall in love with the band.

Setlist: Time to Play, In the Sand, Lights up, River, Dreams (Fleetwood Mac), Seeds, Dancing the Night Away

In an age where “jamming” is often viewed as a dirty word, Spafford makes no bones about what type of band they are. Comprised of Brian Moss (guitar/vocals), Jordan Fairless (Bass), Andrew “Red” Johnson on keyboards and Nick Tkachyk on drums, their social media bio simply says “We Jam.” But while the theme for this week was “Jam night,” this was anything but your typical Spafford show. For one thing it was totally free, thus attracting a lot of curious and first-time listeners. Second, due to the 8pm city curfew, there was only time for the band to play one set and no encore. Another key component missing was the bands elaborate light show, which due to the time of day was an impossibility.

Well aware of these limitations, Spafford played it smart and went with an almost “festival-like” setlist. With first time ears upon them, they decided to offer up a collection of some of their more well known and more accessible compositions. Kicking things off with one of the songs that put them on the map, the opening riff of “Electric Taco Stand” made it clear that despite the constraints, these Arizona cats came to Albany to boogie down. After a beautiful and contemplative version of the Andrew “Red” Johnson sung “Slip and Squander,” bassist Jordan Fairless had his chance to shine on what was perhaps the highlight of the night, “Leave the Light On.” Shifting gears from its reggae style structure, this version would drift into a delicate and blissfully sublime space before Jordan would reel it in and lead fans through the call and response portion of the song, so catchy even first timers could be seen mouthing the words in unison.

Worth noting is that the guys appeared to be having an absolute blast on stage. Smiles all around, Jordan in particular seemed more jovial than his usual self, even making all kinds of “bass faces” and playing off Brian’s tasty licks by sticking out his tongue during an absolutely epic version of “Back Door Funk.” Showcasing their versatility and flaunting their ability to blend various genres seamlessly into one, the evening had everything from filthy funk and up-tempo jamtronica, to rump-shaking reggae, introspective instrumentals and all out rock n’ roll shred fests courtesy of Mr. Brian Moss and his custom Thomas Milana guitar: The Raven. In fact, if there was an actual way to keep track of such things, I’d be willing to bet Moss played more notes during this set than any other performer in Alive at 5 history.

After working their way through “Mind’s Unchained,” the show would come to a glorious end by way of the anthemic “Salamander Song” in which the audience was encouraged to “dance the whole way home.” Judging by the look on some of the freshly melted faces of Albany’s first timers, that’s exactly what they may have done. While it may not have been your typical two-set Spafford show, there was still plenty to like about this performance. Savoring every minute of it, Albany fans can only hope it doesn’t take 5 more years for this very talented band to return.

6/16/22 | Alive at Five | Albany, NY

Setlist: Electric Taco Stand, Slip and Squander, Leave the Light On, Backdoor Funk, Mind’s Unchained > Salamander Song

Up next in the Alive at 5 concert series is Classic Rock night with Lita Ford headlining and up-and-coming New York band Candy Ambulance opening things up. The event is scheduled to take place on June, 23 at Jennings Landing on Thursday, June 23, 2022 and as always, is completely free.

June 19, 2022
Adirondack Music Festival Scheduled for Labor Day Weekend In Lake George

The Adirondack Independent Music Festival will once again take place in Lake George at the unofficial end of summer on Labor Day weekend. The festival will return to the Charles R. Wood Festival Commons and take place Friday, September 2 through Sunday, September 4.

Pink Talking Fish

This year’s headliners are moe. who are playing four sets over two nights and Pigeons Playing Ping Pong who will play two sets as well, returning to the festival for the first time since 2019.

In addition to lots of great music, the festival will also feature a variety of food and craft vendors
as well a great view of the fireworks at Lake George on Saturday evening. $175 General Admission Weekend (3-day) tickets are on sale now at the Adirondack Music Festival website. There is also a special VIP option available, which includes admission to all three days, a meal each night, free snacks, half-priced adult beverages, $2 water / soft drinks, a private viewing area (with private bar) and access to private bathrooms.

Also featured on this year’s bill are Dopapod, Pink Talking Fish, Badfish: A Tribute to Sublime, Ryan
Montbleau Band, lespecial, Dogs in a Pile, Neighbor, Hayley Jane & The Primates and Freekbass &
The Bump Assembly (featuring former members of Turkuaz).

Music in the Festival Commons will begin at 1pm on Friday and 12:00pm on Saturday and
Sunday and run continuously across two side-by-side stages until 11pm each night. The event is
open to attendees of all ages and children 12 and under are free.

June 14, 2022
A Phone Free Festival: What’s in Store at Over Yondr Festival, June 24-26

Cell phones have changed the dynamic of concerts and festivals in the past 20 years. Whereas in the early part of the 21st century, holding up your cell phone so your friend at home can (sort of) hear a song was fairly common, now in 2022 you can stream the concert direct to them with clear sound and visual quality.

It doesn’t have to be like this. When you’re at a show, naturally you want to take a photo or post to social media, but that can distract from your enjoyment of a show, as well as the enjoyment of those around you.

Enter Yondr. Since 2014, the company has partnered with comedians, musicians and even schools to provide pouches that seal phones inside so they cannot be used during performances or instructional time.

If you haven’t heard of Over Yondr Festival via social media, there’s a reason for that – the company does not have any social media accounts and does little advertising. “People are bombarded with so many notifications and advertisements, it’s not something we need,” said Yondr founder and CEO Graham Dugoni. “People don’t need to be hit up for new things. We practice less is more. Social media isn’t going away but its presence in daily life is going to change.”

The lack of social media hasn’t prevented Yondr from partnering with big names like Dave Chappelle, Alicia Keys, John Mulaney and more to keep events completely phone-free using Yondr’s patented sealable pouch.

The use of these pouches at shows is so that patrons are not distracted by their phones and unable to use them, all while holding onto them during the performance in a sealed pouch. Returning to the intimacy of a distraction-free environment is one thing that drove Dugoni to build the brand in the past 8 years.

At a show when someone photo or text, their attention leaves the space for a moment, making it harder to re-engage. You miss what a great show can be. Spaces need to be carved out for things, like music festivals and live entertainment, that are negatively affected by the presence of phones and digital media.
Yondr founder and CEO Graham Dugoni

Considering the impact phones have on young people, and the next generation of festival attendees, live music and performance patrons will need to keep the phone at bay so they can enjoy the full scope of the event, not what is limited to glances at screens.

Dugoni notes the factors that go into the artist’s decision to insist on a no-phone policy. “When there is privacy, perhaps an artist wants to try out new material and not have the music show up the next day. You need a degree of privacy to make that happen. If you pull a phone out often it can have a negative impact.”

By entering the venue, locking your phone in a pouch and carrying it with you, possession is maintained if access is not. There is of course a smokers-section style area to check your phone just in case, while creating a simple gorund rule for all to get along with.

“After 5-10 min people will forget about their phones. You get out of the rhythm of responding to texts and pings,” noted Dugoni.

Dugoni and his team first came up with the plan for a phone-free festival when the company was founded, he notes how “there is big community of people paying attention to their phones and social media who want to get together without that. Society is looking for spaces where they can unplug.”

aerial view of the festival grounds

Scheduled to take place from June 24-26 on private farmland at 5143 Route 81 in the town of Greenville, the Over Yondr Festival will bring more than a dozen eclectic musical acts and hundreds of music fans to Greenville.

map of the Over Yondr Festival grounds

Greenville was chosen for the location of the festival after the Yondr team took a trip to the area several years ago. They stopped in Rensselaerville and also looked for sites in California but they felt built up. Given how Yondr sees the world now, it seemed like a natural fit. “The locals have been great and it just seemed right. You still have the feel of counterculture and with this generation we are ready for one, pushing back on technology and aiming for simplicity in life. And I think it’s already beginning. Coming out of college, grads don’t want to stare at a screen all day, and a lot of political and social division can arise from that.”

We are trying to put the technology in its right place. The next generation has to learn to treat the physical world as real and their interactions online as different. If you don’t disaggregate those two, a lot of negative things tend to happen. Phone free spaces are helpful and unique places to see 20-30,000 interacting and talking in concession line. It takes only a little to remove this social impediment.
Yondr founder and CEO Graham Dugoni

As for that eclectic lineup? Dugani and his team assembled the artists, looking for a diversity of sounds among the more than 15 performers, a lineup that felt right for the atmosphere, per Dugani.

Tickets are on sale now for Over Yondr Festival. and get 15% off by entering code NYSMUSIC.

Over Yondr Festival Daily Lineup

Friday, June 24

Topaz Jones
Kaleta & The Super Yamba Band
Black Mountain Symphony
Anna Fox Rochinski
Nas Leber
SVB

Saturday, June 25

!!! (chk chk chk)
Sheer Mag
Bones of JR Jones
Kississippi
Jadeisdxpe
Artz

Sunday, June 26

Hanzolo
Jak Lizard
Rhys Tivey
Andrew Richards

June 11, 2022
Great Blue Heron Music Festival Goes “Beyond The Blue” This Summer

The Great Blue Heron Music Festival in Sherman, NY, will happen once again during the first weekend of July. For nearly 30 years, the festival has drawn in thousands of fans from across the U.S. and has remained a tradition for people young and old to celebrate self-expression and music.

This year, the festival will expand the summer music series and implement “Beyond The Blue,” which will be weekend events running from the middle of July through Labor Day Weekend. The diverse and eclectic lineup will carry over into these “Beyond The Blue” events. Julie Rockcastle, festival’s co-founder, spoke about this new addition to the festival.

Our goal of this season, and the future, is to create a vibrant Great Blue Heron experience that honors both the traditions of the past and the land, by operating at a scale that doesn’t over-stress the natural and human resources we are entrusted to care for. The genre-focused Beyond the Blue mini-festivals present diverse and family-friendly experiences all summer long that enable us to welcome more people who share our passions for music, the outdoors, and sustainability.

Beyond the Blue I starts July 16 and is full of funky bluegrass, soulful rhythms, and sweet harmonies with artists like Dirty Blanket, Folkfaces, and Bella’s Bartok. Beyond The Blue II starts July 30 and it will be a full day of progressive Reggae beats, island music, and Native American sounds. The event headliner Giant Panda Guerrilla Dub Squad, will play on the main stage, along with Keith Secola, Root Shock, and Mosaic Foundation.

On August 20, Beyond the Blue III will have electrifying funk and electro-rock jams with headliner Jimkata. They are based in Ithaca, and Los Angeles that use bold arrangements and synthesizers to create their music.

To end the season, Beyond The Blue IV will happen on Labor Day weekend with more than 20 artists, including old-time country blues band Pokey Lafarage. Also headlining is acclaimed singer/songwriter Ryan Montbleau, who has spent much of his life going across the globe on a search for meaning and purpose, shown through his music.

The Great Blue Heron Music Festival sits on top of an award-winning campground. Voted the #1 campsite in the U.S. by HipCamp, The Heron is open daily for seasonal camping from May through October along with the Green Heron Growers Farm Store. For more information on the festival, go here.

June 4, 2022
Twiddle Shines at Memorial Meltdown in Lake George

Venturing to the Village of Lake George is a typical Memorial Day Weekend activity for many in the greater 518 region, as the picture-perfect gateway to the Adirondacks offers a taste of summer up and down Canada Street. For those looking to start their summer with live music, the first annual Memorial Meltdown provided a fresh start to a season of live music in Lake George, with a lineup of regional favorites, highlighted by four sets of Twiddle.

photo by Frankie Cavone

Saturday began with The Whiskey Dicks, featuring Ryan Dempsey & Joe Cirotti, a self-described flaccid rock band from Burlington. Cirotti is a multi-instrumentalist from in Hackettstown, NJ who performs solo and with his rock band, Only Living Boy.

With the threat of rain passing the region, Marble Eyes filled in the late afternoon with rock and roll for the soul. Born in 2020 from the pandemic, Marble Eyes features a collection of New Hampshire Seacoast musicians, Eric Gould (Pink Talking Fish, Bass/Vocals), Mike Carter (Guitar/Vocals), Adrian Tramontano (Kung Fu, The Breakfast, Drums) and Max Chase (Keyboards/Vocals).

photo by Frankie Cavone

North Country legends Lucid brought the party into the early evening, with percussionist Lowell Wurster welcoming his father, George, to the stage to play harmonica on “Backwoods” and sang on The Doors’ “Roadhouse Blues,” joining Ryan “Rippy” Trumbull (drums), Kevin Sabourin (guitar and vocals), Jamie Armstrong (saxophones, clarinet and vocals), Chris Shacklett (bass, trombone and vocals), and Andrew Dellar (keyboards, accordion and vocals).

Jack Brown (Sophistafunk) and Lowell Wurster (Lucid) – photo by Laura Carbone

Twiddle played their first two sets of the weekend with Adrian Tramontano filling in for Brook Jordan. If you’ve caught Twiddle in the past few months, you know the shift in their sound is apparent with the energetic Tramontano elevating the playing of his three on-stage counterparts. The second set closed with the newest single, the radio friendly “Beautiful,” off Twiddle’s upcoming studio album.

Set 1: Earth Mama, Stroganoff, Daydream Farmer, White Light, The Devil, Jamflowman [1]

Set 2: Enter -> [2] Orlando’s -> Apples -> Mamunes the Faun -> Dr. Remidis Melodium -> Orlando’s, Breakadidown, Beautiful [3]

Encore: Beethoven & Greene -> Frankenfoote

[1] – Contained Layla teases
[2] – Contained I Dreamed a Dream teases
[3] – First time played

Another gorgeous day in Lake George was accompanied by five sets of music, starting with Long Island’s Baked Shrimp. The group is on the heels of their recent release, Pork Etiquette, and just about to embark on a 50 show summer tour, capped off in September with their second annual LonCon Music Festival, held in Bethel at Yasgur’s Farm.

photo by Frankie Cavone

Sophistafunk, fresh from a trip to Los Angeles where the Syracuse funk group recorded an appearance for an upcoming TV show, dropped a funk filled set. Roots of Creation followed, opening up their set with a pair of Grateful Dead covers, “They Love Each Other” and “Scarlet Begonias,” a rousing response coming from the late afternoon crowd.

photo by Laura Carbone

For Twiddle’s first set of the evening, the upbeat opener “Collective Pulse” (which has a distinct ring of Warren Zevon’s “Things to Do in Denver When You’re Dead,” prior to the refrain) was followed by “Hattiebagen McRat” and Lowell Wurster joining the band on washboard. When he was introduced, Mihali was sure to give a nod to the many years Twiddle played at Backwoods Pondfest in Peru, NY, a festival favorite for many that elicited cheers from across the commons.

Following “Lost in the Cold” a jazzy segue into “Doinkinbonk!!!” evolved into a keys/drums segment that channeled Umphrey’s McGee with its velocity and new wave tone. The energy that Tramontano brought to the stage added greatly to the night, and was on display in a cover of Primus’ “Too Many Puppies.”

The final set of Memorial Meltdown began with “Milk” and was highlighted by “Wasabi Eruption” -> “The Box” and “Latin Tang” seguing into Led Zeppelin’s “Fool In The Rain.” An encore of Radiohead’s “Creep” -and the perennial crowd sing-along “When It Rains It Pours” closed out the evening at 11pm, the crowd dispersing into the night.

Promoter Dave Ehmann made the first Memorial Meltdown a rousing success, channeling the energy of the summer into two music-filled days. With ADK Fest over Labor Day weekend in Lake George, make plans to be visit the Queen of American Lakes later this summer.

Set 1: Collective Pulse, Hattibagen McRat [1], Lost In The Cold -> Doinkinbonk!!! -> Too Many Puppies -> [2] Doinkinbonk!!!, Zazu’s Flight, Frends Theme [3]

Set 2: Milk, Syncopated Healing, Wasabi Eruption -> The Box, Latin Tang -> Fool In The Rain -> [4][5] Latin Tang [5], Slippin’ In The Kitchen

Encore: Creep -> [6] When It Rains It Pours [7]

[1] Lowell Wurster (Lucid) on washboard
[2] Primus
[3] w/ Scott Hannay on keytar
[4] Led Zeppelin
[5] w/ Scott Hannay on guitar
[6] Radiohead
[7] Contained ‘My Heart Will Go On’ and ‘Somewhere Over the Rainbow’ teases

Photos by Laura Carbone

June 2, 2022

Built in Breakdance