Category: Folk/Americana

  • Honeysuckle and Tough Old Bird: A Night of Folk Duos at the Club at Water Street

    The position of the Earth relative to the Sun indicated it was Spring in the Northern Hemisphere. But unsurprisingly in Rochester, Winter was hanging on for one last (we hope) gasp before ceding the floor. On an absolutely frigid and snowy late March Sunday, a duo of duos, Honeysuckle from New York via Boston, and Tough Old Bird from nearby Buffalo, shared the stage at the Club at Water Street for an intimate evening of folk music.

    Honeysuckle Tough Old Bird

    Honeysuckle, Holly McGarry on guitar and vocals, and Chris Bloniarz on mandolin and vocals, were closing out the first week of their first tour since the big live music pause. They released a new album in 2021 but when they were ready to tour behind it COVID reared its ugly head once again. So, they were promoting their “new” year-old album finally, though their set covered the breadth of their full catalog.

    McGarry, donned in a flowery dress more fit for the season than the actual weather, tethered the duo to a more traditional folk anchor. Her beautiful singing brought life to reflective, darkened material, floating along her strummed and picked acoustic guitar work. Bloniarz contrasted that with mandolin playing that veered into jamgrass territory, weaving interesting and exhilarating threads in, out, over and through McGarry’s songs. He filtered his instrument through a large bank of pedals, though it never lost it’s mandolin-ity. He set up an occasional loop to increase the duo’s reach, a grooving bass-line or nice vamp to solo over for a few bars.

    Their songs often looked into the past. “Shadow Dance” was inspired by an episode of the British show “Repair Shop,” which McGarry binged over the pandemic, in which an old violin was meticulously restored. The tune had an appropriately timeless quality. “Two Stone Birds,” about a stressful trip transporting delicate family heirlooms cross country on a small airplane, was fittingly jaunty and folksily funky. A cautionary tale about exploring your genealogy, “To the Grave” teetered between bright and dark. A rarely played “Crossbow” emerged from obscurity to fulfill a birthday request (as if having the band sing you “Happy Birthday” isn’t enough of a gift!), and proved to be one of the set’s highlights.

    Honeysuckle Tough Old Bird

    Tough Old Bird, brothers Matthew and Nathan Corrigan, opened the show with a set of their gorgeous folk duets. Matthew handled most of the vocal duties while Nathan took care of most of the flashier guitar work. But there was no exclusivity to this setup, these are brothers that know how to share. They are also brothers who knew how to harmonize, like only kin can, beautifully singing about both winter and spring, even if neither or both were appropriate, and songs inspired by their home’s proximity to the Great Lakes. The duo filled out and diversified their sound; Matthew with deft harmonica playing and Nathan switching it up with a banjo and electric guitar, all the while banging out rhythms on a foot tambourine.

    Water Street served up a double shot of double folk that warmed the chilled audience up like a double shot of whiskey, from the inside out.

    Honeysuckle Setlist: Miss You, Gaslight, Untouchable, Shadow Dance, Two Stone Birds, Little Less Alone, It’s Getting Late, Something Worth Having, Windstorm, Greenline, Firestarter, To the Grave, Darkness Knows, Crossbow, Deep Blue Eyes, Canary

  • Eastbound Throwdown Returns Sept. 9-10

    The annual Eastbound Throwdown Festival will return to the Irwin Family Farm in Salem, NY on Sept. 9-10.

    eastbound throwdown 2022

    This year’s festival will feature Eastbound Jesus and Guthrie/Bell Productions.

    Attendance at last year’s event was capped at 1,000 people due to COVID-19. This year attendance has been increased to 1,00 guests.

    Two-day passes, which include camping, are available starting April 1 at 10am. Single day passes for Saturday, Sept. 10 are also available. Eastbound Jesus will be performing on both nights of the festival.

    Since Eastbound Throwdown is a family event entrance for all attendees under the age of 15 is free.

  • The Bob Stump Band To Play At Caffe Lena March 31

    The Bob Stump Band will perform at Caffe Lena on March 31st at 7 PM. Hailing from the Hudson Valley, the band plays a plethora of genres including blues-jazz, folk, bluegrass, country, and rock. The performance will be a euphonic mixture of sounds as the band traverses through genres. For this reason, the event will have a song for everyone.

    Leading the band is a singer-songwriter and guitarist Bob Stump. He is joined by Ernie Sites, a former rodeo cowboy from Idaho. He has traveled the United States writing and performing songs, poems, and stories. Lastly, Roy Coates plays the bass, however, he also has experience playing the tuba on big stages such as Carnegie Hall and Yankee Stadium. The three share a love for bluegrass and folk, and their love shines through during their performances.

    The Bob Stump Band
    The Bob Stump Band

    Caffe Lena, the venue at which the band is set to perform at, has an extensive history. Located in Saratoga Springs and founded in 1960, the venue has been hosting live music events for over sixty years. Most notably, Caffe Lena hosts a plethora of rising folk and indie performers. In fact, the venue hosted Bob Dylan for two historic nights in 1961, a year before the release of his debut album.

    Tickets for the event start at $10 and are available on Eventbrite. For those unable to attend in person, a live stream will also be hosted. Tickets for the live stream start at $5 and give you access to the live stream’s VOD (video on demand) for a week.

    For more information on the band, visit www.stumpsongs.com.

  • In Focus: Railroad Earth Makes a Stop at The Egg

    Railroad Earth’s 2022 tour just made a stop in Albany this past Friday, March 18. This was the their first show at The Egg since 2019, and the Capital District crowd showed just how much they missed Railroad Earth the last two years. The folk-centric jam band put on a dynamic show filled with rowdy choruses, dueling solos, and an atmosphere that felt almost like a celebration. The Egg audience was on its feet from the start of the show as folks were in great spirits. When Railroad Earth took the stage, everyone was immediately put in the mood to dance and move around out of their seats.

    Among the high energy peaks, the show was also filled with spacious moments that bordered on serene. Fans enjoyed these calm moments by slowing down with the band as they got lost in the music, creating an ambience that allowed the colorful light show to shine. Fans could breath while appreciating the full experience being created before them, before being pulled right back to their feet to continue dancing along to the very next song. And so the show flowed along like this for an hour and a half, with everyone in The Egg seeming to have been transported somewhere far away from Albany.

    Railroad Earth have been working in the studio as well, and recently released a brand new single titled “Come and Go Moon.” Back in January, they released another single titled “Runnin’ Wild,” which was their first newly recorded track since “It’s So Good” was released back in 2019. Two new songs in 2022… One could wonder if there may be a new album on the horizon for Railroad Earth. All we can d is wait and see though, so sense speculating. In the meantime, you should listen to what Railroad Earth has been up to in the YouTube video for their new single below.

    If you missed your chance to see Railroad Earth at The Egg, then be sure to check out the bands upcoming tour dates as they travel down the east coast through the end of March. After a few weeks off, the band will be hopping all over the country throughout the summer. To see all of Railroad Earth’s upcoming tour dates, visit railroad.earth/tour.

  • Dirt Farmer Festival returns to Arrowood Farms in Accord on May 21

    Levon Helm Studios is proud to welcome back the Dirt Farmer Festival at Arrowood Farms in Accord, NY on Saturday, May 21, 2022. Artists will perform on two stages in addition to great local food vendors, craft beer, and other activities.

    The initial lineup for The Dirt Farmer Festival includes the Midnight Ramble Band and Friends, Mavis Staples (Duo) and Amy Helm. Newly announced artists include Sam Evian, Oliver Wood, Conner Kennedy & The Onestar Band, Glen David Andrews, Owl & Crow, and Rock Academy with special guests Grahame Lesh, Sister Sparrow (Arleigh and Jackson Kinchloe), and Cindy Cashdollar with more to be announced.

    Arrowood Farms is the Hudson Valley’s premier farm brewery located at 236 Lower Whitfield Rd, Accord, NY – 20 minutes west of New Paltz and 30 minutes southwest of Kingston.

    A barnburner pre-sale began Wed 3/16 at 10am and a Public On-Sale Fri 3/18 10am.

    There will be limited on-site parking available for $10 per car, with carpooling strongly encouraged. Gates open at noon and the evening of music ends at 9:30pm. Empty reusable water bottles are encouraged to refill water, as are low-backed chairs. The Dirt Farmer Festival will be held rain or shine. VIP Tickets will include access to VIP hangout area with exclusive viewing in front of the Main Stage, access to indoor flushable bathroom, complimentary hors d’oeuvres and VIP-only beer specials.

    Watch Amy Helm perform “This Too Shall Light” in 2018.

  • Canadian Duo Ocie Eliot Provides a Beautiful Evening for Honest Folk

    Jon Middleton and Sierra Lundy took a trip from their home in Victoria, British Columbia to Rochester New York. Their first time to the US as a married couple, or at least their first as the couple making up the band Ocie Eliot, 2022 Juno Award nominees for Breakthrough Group of the Year. It was also their first show of 2022.

    The sparse but beautiful space in the Arbor Loft was the perfect environment to take in Ocie Eliot’s likewise sparse and beautiful music. Middleton led the way with a captivating picked guitar melody, or rhythmic strums. Lundy coaxed gently shifting organ tones or at times short melodic piano lines out of her small Mellotron keyboard. Occasionally dual harmonicas or amplified foot stomps added depth and texture. But throughout, their voices, particularly in harmony, highlighted each song, punctuated with poignant and familiar lyrics.

    When you haven’t played much in two years time, even old songs can seem new. Ocie Eliot spent much of the pandemic writing and recording, releasing four EP’s in that time. Songs like “Take Me Home” felt fresh to introduce, but as noted by Lundy, it isn’t really all that new anymore. And songs written in the before-times, like “Alive and All,” though released during the pandemic, felt more like a reaction to it: “And I want to yell from a hill, I’m alive / and I want to cry out until, I am fine.”

    Interspersed with their originals, they worked in some more familiar material, to this American audience at least. Covers of some of the best songwriters around in Gillian Welch’s “Miss Ohio” and Simon and Garfunkel‘s “The Boxer”, provided a bit of grounding. A more obscure cover of Youth Lagoon’s “17” provided some late show sparks however, as they took a more ownership with their own spin.

    Still, the highlights came in their own songwriting. Their strengths all collided gloriously in “Coming Home,” complete with a dual harmonica interlude, and again midway through the second set on “Run To You,” with its syncopated piano and guitar elevated the vocal harmonies. Long walks on an abandoned rail line inspired “Tracks,” which worked repetitive lyrics into a near round, building to a familiar train-themed harmonica finish. An emotional Lundy explained how she sang “Forest Floor,” her father’s favorite song, to him recently on his death bed. A slow-grooving rocker that again, felt more like it would have been inspired by his passing: “Through the light softly the colours storm / And we both come to falling / Let me down easy, baby /Lay me down on the forest floor.”

    A portion of proceeds from all Honest Folk shows benefit the Center for Youth in Rochester, but for this show, 100% was donated. There’s a promoter in it for all the right reasons. And they continue to bring in great folk shows to town, next up being Dead Tongues at Good Luck on on May 15. Get your tickets!

  • Ladies Night at the Egg: Incredible Voices & Tricky Guitar with Aofie O’Donovan and Yasmin Williams

    On Saturday, March 5th, Irish-American singer Aoife O’Donovan brought her glorious voice to The Egg. With special guest Yasmin Williams opening the show, it was all about incredible women in downtown Albany. They both blew me completely out of the water with their amazing voices and surprisingly unique talents.

    aofie o'donovan yasmin williams

    Artist to Watch: Yasmin Williams

    Having never heard of either of these artists, I didn’t have a clue what to expect. So when I walked in and saw Yasmin Williams with a guitar laying string-side up on her lap to say I was shocked would be an understatement. This lady plays guitar in a way I have never seen and didn’t even think possible. She played with both hands and even added other instruments throughout the set. She also used the guitar for percussion as well as a violin bow at one point. If she comes to a town near you, this one-woman show is not to be missed.

    aofie o'donovan yasmin williams

    Aoife O’Donovan — The Voice of an Angel

    Next up was Grammy Award-winning artist Aoife O’Donovan. This lady absolutely has the voice of an angel. She was playing with a four-piece band and although the crowd had to stay in their seats, it was obvious the entire audience was in a trance. The musical accompaniment was simple but it was a perfect backdrop for Aoife’s glorious pipes. She is on tour pretty much all the time and this is one show you shouldn’t miss again. Check out her tour dates here.

  • Iron & Wine Happy to Play Sad Songs for Intimate Egg Crowd in Albany

    Critically acclaimed singer/songwriter Sam Beam, better known by the stage name Iron & Wine, made a long overdue visit to the Capital Region Sunday night, bringing the “Back to Basics Tour” to a mostly sold out Swyer Theatre crowd at The Egg.  Delivering a masterful set of original music while simultaneously putting on a clinic of “cool”, the thought provoking and soul-searching show was the kind of thing every fan of modern folk music dreams of.  Straddling the line, but always finding the balance between intensely personal pain and lighthearted laughter, the stripped-down performance was nothing short of mesmerizing.   

    iron & wine

    The evening began with a brief opening set from female singer/songwriter Hannah Cohen who was marvelous in her own right.   Quickly making mention of how nice and clean the venue was, for whatever reason, it made her want to be dirty and curse out loud.   “Fuckitdy fuck fuck fuck,” she blurted out, breaking the ice as the audience doubled over in laughter. After playing her first song, she told the crowd “This is not working for me, you guys are just way too quiet.  You always hope for an attentive audience, but what do you do when you actually get one?” she pondered.  Her beautiful and delicate voice juxtaposed with her raw sense of humor, foul language and a “tongue in cheek” invitation to pass one of her smelly shoes around for the room for anyone who wants a whiff all made for a memorable opening act for an artist worth keeping an eye on.   

    iron & wine
    Hannah Cohen gets a leg up at The Egg

    After a brief intermission and the customary dimming of the lights five minute prior to showtime, just a stool, a glass of water and a rack full of Taylor acoustic guitars set the stage for the evening’s headliner. No flashy lights, no fog machines, no video projections.  Just a soft-spoken man named Sam and his signature “Rick Rubin-like” beard.  Taking the stage to a hearty applause, Iron & Wine surveyed the audience while tuning up, asking where everyone was from and essentially letting them know it was ok to let their hair down a bit and interact. “They say I’m a folk singer, which isn’t exactly true.  But I don’t give a shit, if it fits, it fits.”

    iron & wine
    Papa died Sunday and I understood; All dead white boys say, “God is good” -Sodom South Georgia

    After a bit of noodling on the nylon, Iron & Wine opened the set with some heavy subject matter in the form of “Sodom South Georgia,” likely in acknowledgment that it was a Sunday evening during the coldest month of winter. The well-mannered crowd hanging on every word in total silence from the get-go, then unanimously erupting in approval upon the song’s final note, an ovation so loud even Sam seemed surprised. “Oh, it’s gonna be that kind of night.  Ok Albany, I see you. As a performer, you have no idea how strong that kind of applause makes us feel,” Beam said.  “But no matter how many times I’ve played this next one, all the clapping in the world won’t stop me from messing up.”  

    Alone and vulnerable on darkened stage Sam did screw up, even stopping mid song at one point and telling us there were just so many chords to remember. “I probably should have practiced.”  Charming in his honesty, it’s part of what makes Iron & Wine so endearing and relatable to both new fans and old.  “It’s ok Sam, we still love you!” shouted a female voice near the front.  “Thanks for coming, Mom” Beam immediately responded with razor-sharp wit. “I’m so glad you could make it out tonight.”  A joke that had everyone laughing and one he’d play up for the remainder of the show.  Beam’s personality always showing through, despite a set made of mostly melancholy material. “Now I don’t know about you,” he joked, “but when I think about uplifting feel good albums, ones you can throw on at the gym, I think we know who’s right at the top. These little rooms are fun though, yeah? For some people.”

    iron & wine

    Some call it talking blues (talking blues)
    Some call it bitter truth
    Some call it getting even in a song 

    I can’t read it, didn’t mean it
    As you would rage how I was wrong
    Life is too short, and you’d stay too long
    Let’s be honest, we were strongest till I let you drag me down
    I was sorry then, I’m not now 

    You’d better love yourself, ’cause I tried 

    -Bitter Truth

    “What a weird job. You can say bullshit and people will clap.  It’s amazing, you guys should try it.  Just go to your job and like totally fuck up everything that you try to do, curse, and see what happens.  You never know, you might be rewarded like me? It’s fucking crazy.” And with that confession, came perhaps the standout song of the night and also the biggest hit in the brilliant Iron & Wine catalog; a hauntingly unique, vocal only rendition of “Flightless Bird, American Mouth.” Prominently featured in Hollywood’s ultra-successful Twilight saga, the song currently has over 162 million streams on Spotify alone.   Claiming vampires have long been a great muse for songwriters, he is very aware of just how pretentious some people view his music.  “It’s pretty crazy to write these songs and put them out.  You don’t know who it lands on.  Sometimes it lands pretty hard though and you have no idea.    I just want to say ‘thanks.’” 

    Watch Iron & Wine perform “Flightless Bird, American Mouth” live at The Egg!

    All tallied up, Iron & Wine played a total of 16 songs spanning across 10 albums. Fans were also treated to an as-of-yet unreleased song called “Why Hate Winter.” Other notable highlights included “Grace for Saints and Ramblers,” Each Coming Night, ”Autumn Town Leaves,” “Call it Dreaming,” and the set closing “Waitin’ for a Superman.” 

    The story the setlist doesn’t show, however, is what the audience brought to the table.  While it may have been a one man show mostly consisting of slow and sad songs, the crowd was fully invested and lively the entire night. A mutual back-and-forth- feeding of energy through off the cuff banter, a little beatboxing, and lots of mutual laughter, this was the variable that truly made the show something special.  Combined with a carefully crafted setlist chosen specifically for Albany, you won’t get this same show the next time, or in the next city.  While Beam’s playing wasn’t aways perfect, he’s a perfect example of personality going a long way and that it’s somehow possible to turn sorrow into success.  A special kind of artist capable of changing the way you think and how you feel.  I dare say anyone who was at Swyer Theatre on Sunday night left The Egg as a different, more complete person.  

    iron & wine

    Up next for Iron & Wine, a few weeks of rest before returning to the road for the remainder of the Back-to-Basics tour.  After that, Beam will join up with his ultra-talented buddy Andrew Bird for the recently announced Outside Problems Tour. The co-headlining jaunt is set to bring the two acclaimed artists to more than 25 cities later this summer, including stops at both Pier 17 in New York as well as Beak & Skiff Apple Orchard in LaFayette, New York.   The smart money says you’re not going to want to sleep on this one.

    Iron & Wine / February 27, 2022 / Swyer Theatre at The Egg, Albany, NY 

    Setlist: Sodom South Georgia, Follow the Water, Lion’s Mane, Bitter Truth, Lover’s Revolution, Each Coming Night, Flightless Bird, American Mouth, Autumn town Leaves, Woman King, Resurrection Fern, Rabbit Will Run, Grace for Saints and Ramblers, Why Hate Winter, Call It Dreaming, Waitin’ for a Superman. 

    Encore: Cinder and Smoke

  • Honest Folk Returns with Joe Pug at Arbor Loft

    joe pug

    On February 17, 2020, Honest Folk hosted Joe Pug at Restaurant Good Luck. We know now, it was just month out from a worldwide pandemic that would shut down live music and continue to disrupt it going on two years. Pug’s show would be the second to last for Honest Folk. Until he returned, exactly two years to the day, February 17, 2022.

    The world had changed. Everyone in attendance had been affected in one way or another. Pug insisted that he never took anything surrounding his live performances and audiences for granted. But now, it was especially true.

    He was thankful to be able to play completely acoustic, without amplification, or any technology, which he did in a midset “Deep Dark Wells.” It was something he couldn’t do in his many streaming performances.

    He was thankful, though chiding his tour manager who “couldn’t read a map,” to be able to perform for the attentive Rochester audience again, even if it meant driving in from his show the previous night in Portsmouth, New Hampshire. Just a bit out of the way.

    He was thankful to have known some of the great artists we lost since the last time he had played here. The great John Prine, one of the early losses to COVID, who he never met but respected from afar. And Justin Townes Earle, who he knew well and had toured with. Pug took advantage of his opportunity to continue to perform to pay his respects to each of their bountiful contributions to the great American songbook, beautifully covering Prine’s “Sam Stone” and Earle’s “Mama’s Eyes.”

    Joined on the stage by Charlie Muench on upright bass, Pug worked his way through his own songbook, presenting his poetic masterpieces on both guitar and piano, always with his harmonica at the ready to provide some extra oomph when called for.

    The crowd was quiet and attentive in the calming loft space overlooking Rochester’s East End. Each song elicited gasps of excitement would emerge from different corners of the room. It seemed everyone had their favorites, and he was working his way to get them all in. But just in case, he stayed on for an all-request encore. So someone got the “Bright Beginnings” they were hoping for, another got to hear “The Great Despiser.” The night ended on “Not So Sure,” which Joe Pug thought was a bit of a bummer song to finish with, “but it’s my fault for writing a bunch of songs that are bummers,” he quipped. Nonetheless, Rochester couldn’t have been happier to have him back, hopefully it won’t be another two years before they get to have him again.

    It certainly won’t be another two years before another Honest Folk show. The next one is mere weeks away when Canadian duo Ocie Eliot comes to town to make their own bit of magic up in the Arbor Loft on March 10. Tickets are on sale now. Don’t miss it!

    joe pug

    Set List: Hymn #35, The Letdown, Nation of Heat, Exit, After Curfew, Sam Stone (John Prine), Mama’s Eyes (Justin Townes Earle), Veteran Fighter, Deep Dark Wells, I Don’t Work in a Bank, I Do My Father’s Drugs, The Flood In Color, Hymn #101, Speak Plainly Diana, E: Bright Beginnings, The Great Despiser, Not So Sure

  • Chris Stapleton to Tour Through Three New York Venues

    The formidable singer-songwriter Chris Stapleton is set to tour through three New York venues this year. On the list is Northwell Health at Jones Beach Theater in Wantagh, Saratoga Performing Arts Center and CMAC in Canandaigua.

    The accomplished artist announces this tour in concurrence with his three Grammy nominations. Moreover, with already five wins already under his belt, Stapleton has the accolades to show his strength and talents.

    Chris Stapleton
    Chris Stapleton

    Expected to join the Chris Stapleton at CMAC are Elle King, famous for her hit viral song “Ex’s & Oh’s” and Madeline Edwards. At the Northwell Health at Jones Beach Theater and Saratoga Performing Arts Center, Elle King and Morgan Wade will perform. All three women are talented in their respective rights, and their performances will be spectacles to watch.

    Tickets go on sale Friday, February 25th at 10 AM local time.

    Chris Stapleton 2022 All-American Road Show Tour

    March 17—Houston, TX—Houston Rodeo

    March 18—Durant, OK—Choctaw Casino (SOLD OUT)

    March 19—Durant, OK—Choctaw Casino (SOLD OUT)

    April 8—Atlantic City, NJ—Hard Rock Live at Etess Arena

    April 9—Atlantic City, NJ—Hard Rock Live at Etess Arena

    April 20—Toledo, OH—Huntington Center* (SOLD OUT)

    April 21—Columbus, OH—Schottenstein Center*

    April 23—Lexington, KY—A Concert for Kentucky – Kroger Field† (SOLD OUT)

    April 28—London, ON—Budweiser Gardens‡

    April 29—Ottawa, ON—Canadian Tire Centre‡ (SOLD OUT)

    April 30—Montreal, QC—Centre Bell‡ (SOLD OUT)

    May 5—Regina, SK—Brandt Centre‡

    May 6—Saskatoon, SK—Sasktel Centre‡

    May 7—Winnipeg, MB—Canada Life Centre‡

    May 11—Edmonton, AB—Rogers Place‡ (SOLD OUT)

    May 12—Calgary, AB—Scotiabank Saddledome‡

    May 14—Vancouver, BC—Rogers Arena‡ (SOLD OUT)

    June 2—Nampa, ID—Ford Idaho Center Arena+

    June 3—Ridgefield, WA—Sunlight Supple Amphitheater+ (SOLD OUT)

    June 4—George, WA—Gorge Amphitheater+ (SOLD OUT)

    June 9—San Diego, CA—North Island Credit Union Amphitheatre#

    June 10—Los Angeles, CA—The Forum#

    June 11—San Bernardino, CA—Glen Helen Amphitheater#

    June 16—Bakersfield, CA—Mechanics Bank Arena+ (SOLD OUT)

    June 17—Sacramento, CA—Toyota Amphitheatre+ (SOLD OUT)

    June 18—Mountain View, CA—Shoreline Amphitheatre+ (SOLD OUT)

    June 23—West Valley City, UT—USANA Amphitheatre^ (SOLD OUT)

    June 24—Denver, CO—Ball Arena^

    June 25—Denver, CO—Ball Arena^ (SOLD OUT)

    July 7—Cleveland, OH—Blossom Music Center°

    July 8—Detroit, MI—Comerica Park§

    July 9—Charleston, WV—Charleston Coliseum°

    July 21—Mt. Pleasant, MI—Soaring Eagle Casino‡

    July 22—Noblesville, IN—Ruoff Music Center°

    July 23—Chicago, IL—Wrigley Field**

    July 28—Huntsville, AL—The Orion Amphitheater°

    July 29—Rogers, AR—Walmart AMP°

    July 30—Kansas City, MO—GEHA Field at Arrowhead Stadium††

    August 17—Canandaigua, NY—CMAC°

    August 19—Cincinnati, OH—Riverbend Music Center° (SOLD OUT)

    August 20—Columbia, MD—Merriweather Post Pavilion°

    August 25—Wantagh, NY—Northwell Health at Jones Beach Theater‡‡

    August 26—Saratoga, NY—Saratoga Performing Arts Center‡‡

    August 27—Hershey, PA–Hersheypark Stadium‡‡

    September 2-4—Snowmass, CO—Jazz Aspen Snowmass

    October 6—Grand Forks, ND—Alerus Center‡‡

    October 7—Saint Paul, MN—Xcel Energy Center‡‡

    October 8—Milwaukee, WI—Fiserv Forum‡‡

    October 13—Jacksonville, FL—VyStar Veterans Memorial Arena‡‡

    October 14—Tampa, FL—MIDFLORIDA Credit Union Amp‡‡

    October 15—Hollywood, FL—Hard Rock Live‡‡

    October 20—Little Rock, AR—Simmons Bank Arena‡‡

    October 21—Bossier City, LA—Brookshire Grocery Arena‡‡

    October 22—New Orleans, LA—Smoothie King Center‡‡ (on-sale March 11)

    October 27—Fort Worth, TX—Dickies Arena‡‡

    “ALL-AMERICAN ROAD SHOW” SPECIAL GUESTS

    *with special guests Margo Price and Yola

    †with special guests Willie Nelson, Sheryl Crow, and Yola

    ‡with special guest Elle King

    +with special guests Margo Price and Mike Campbell & The Dirty Knobs

    #with special guests Dwight Yoakam and Mike Campbell & The Dirty Knobs

    ^with special guests Elle King and Mike Campbell & The Dirty Knobs

    °with special guests Elle King and Madeline Edwards

    §with special guests Nathaniel Rateliff & The Night Sweats, Marty Stuart and Madeline Edwards

    **with special guests The Highwomen, Mavis Staples and Mike Campbell & The Dirty Knobs

    ††with George Strait

    ‡‡with special guests Elle King and Morgan Wade

    For more information visit https://www.chrisstapleton.com/