Brooklyn-based indie-rock band Wilder Maker released their newest single, “A Professional” on June 27 from their upcoming album, Male Models, out on July 29 via Western Vinyl. The single features guest lead vocalist Felicia Douglass of Dirty Projectors and Ava Luna.
Photo credit: Ebru Yildiz
Made up of musicians Gabriel Birnbaum, Nick Jost, and Sean Mullins, Wilder Maker began with a series of self-releases and home recordings before debuting music such as “New Streets” (2017), and Zion (2018) to much acclaim. Their upcoming Male Models album was live-recorded over several days and includes an impressive lineup of guest vocalists.
The track, “A Professional” is one of twelve songs on Male Models. Although the lead vocalist and songwriter of Wilder Marker, Birnbaum, does not sing on the track, Douglass’ vocals shine right in the start. Her voice carries the song’s message of isolation with feeling. With simple chords eventually overlaid with drum beats and other instrumentation, the track blends together beautifully.
’A Professional’ dips into the feeling of digital isolation … the way the physical world has become less real and more ghostly, less mysterious and more quantifiable. It’s inspired by this recurring experience I have, usually traveling, where I’ve been alone all day and I suddenly want to connect very badly with people I care about. I fire off several texts and sit there waiting for the phone to light up, with this strange feeling that everyone I know might have vanished. As soon as I imagined Felicia singing this song, I knew she’d be perfect for it, and she was. I’m so happy and grateful she was able to do it.
– Songwriter Gabriel Birnbaum
The upcoming Male Models features more guest lead vocalists, including an impressive line-up of Adam Duritz (Counting Crows), Katie Von Schleicher, Felicia Douglass, Alex Schaaf (Yellow Ostrich), V.V. Lightbody, and Mutual Benefit. Across the 12 songs on the album, audiences will find electrified soul, heartfelt folk songs, indie rock, and more.
Birnbaum drew from a wide array of inspirations for the album, including everything from American novelist James Salter, the NBA playoffs, to Thin Lizzy and the topic of masculinity. After making music for nearly a decade together, Wilder Maker is set for the release of yet another energetic album – stay tuned for July 29.
The Pleasantville Music Festival will be held on July 9 at Parkway Field in Pleasantville N.Y. The festival’s Main Stage headliner this year will be X Ambassadors – current hit makers from Ithaca, NY with hugely popular songs like “Renegades”, “Unsteady” and “Boom.” “Renegades” was featured recently in a national Jeep advertising campaign. Other performances on the Main Stage will include Tarrytown native Clare Maloney & her band the Great Adventure. She and her band perform regularly at Garcia’s and are favorites of the Grateful Dead and Jefferson Airplane crowds. She’ll be followed by a solo performance by the legendary Glenn Tilbrook; founding member and lead sing of the band Squeeze. Next up on the Main Stage will be Black Joe Lewis and the Honey Bears, performing their funk and R&B mix, often channeling James Brown. They’ll be followed by ’80s and ’90s icons 10,000 Maniacs featuring Mary Ramsey, a band that has come to be known for hit songs like “What’s the Matter Here”, “Like the Weather”, “Trouble Me” and “These are Days.”
This year, the Chill Tent Stage will feature performances from Cornwall on Hudson’s Chaz Kiss; singer-songwriter Greg Jacquin, originally from Sleepy Hollow; Riki Stevens , a singer-songwriter from Norwalk, CT; and Cole Quest & the City Pickers – a five-piece bluegrass band. The band’s founder and namesake, Cole Quest, a Mt. Kisco native, is Woody Guthrie’s grandson. The Chill Tent’s schedule will culminate with a performance from the Chill Tent Stage’s headliner, singer-songwriter Paula Cole, known for huge hit songs in the ’90s like “I Don’t Want to Wait” and “Where Have All the Cowboys Gone.”
The Party Stage this year will feature The Breaks Inc. , a retro rock band with a Beatles vibe featuring guitarist Adrian Cardenas from Croton on Hudson; Blankslate , a Denver-based alt-rock trio with partial roots in Armonk; Sid Simons , alt-rockers from Brooklyn featuring the Simons brothers from Mamoroneck; and The Narrowbacks – Rowdy Irish rockers hailing from the Bronx and Pearl River. The Party Stage will close out with headliner’s Illiterate Light, a talented Virginia-based duo known for their recent radio hit “Better Than I Used To.”
“We do our best to appeal to a wide variety of musical tastes and demographics. We try to check off as many boxes as we can so there is something on our stages that everybody will appreciate,” says festival Director Bruce Figler. “Some come to see the headliners. Some come to see artists they have never heard. We’ve got something for every one. After two years off, we are super pumped to get the festival back up and running, and I think our audience is pretty pumped too.”
The Pleasantville Music Festival, presented by Northwell Health, is known as New York’s Backyard Jam. It’s become a must-attend summer event for the whole family, with great local food and drink, a warm positive vibe, and of course, world-class rock. Tickets to the Pleasantville Music Festival are available through Ticketweb and the Festival Box Office located in the Pleasantville Rec Center. More information about the event and links to the performers can be found at www.pleasantvillemusicfestival.com
The unique event features craft beer accompanied by live musical performances throughout the day and evening – topped off with a massive firework finale.
Over 50 NYS craft breweries will travel to share their unique brews with festival-goers, many of who had participated in the NYS Craft Beer Competition.
Heritage Hill sits on 300 acres of protected farmland and resides on one of the highest points and center of New York State. Nine counties can be seen from the venue, creating the perspective of being “top of the world.”
Heritage Hill
Dan Palladino, Owner of Heritage Hill Brewhouse, spoke about the excitement of hosting the BriteVibes Beer and Music Festival.
Our family is excited to be the new host of the BriteVibes Festival and we cannot wait for you to experience the beauty of our farm and location. As host of Empire Farm Days, we know how to host a great event and by partnering with NYSBA we are going to collectively give you a full-day experience you will never forget.
Seekers and travelers, both aquatic and avian, endured a nauseating sense of moral conflict while making their way to see Goose on June 24th and 25th for the sold out Radio City Music Hall shows. News of the Dobbs Supreme Court ruling was fresh; strong introspective notes of guilt and grieving rang in battle with the plans for a most jovial gathering. Hurdles of planning jumped for months to make those nights happen. Travel high jumps cleared in the last hour. All of this legwork to prepare for two nights when we thought we could finally be animals and move our abdominals for a night, instead receiving news that life for women just got a whole lot scarier.
Good news brought to you by Goose and Trey by Em Walis
Goose’s cover of “Mad World” from the South Farms Halloween show played on repeat the whole drive down. A song which leaned into the darkness in the throws of pod-era guilt stricken live music attendance. It also was a song Doom Flamingo played later that night with powerhouse feminist badass Kanika Moore appropriately addressing this particular moment of darkness.
During moments of self-preservation and protection, the mind for some went to a strange place where the value of innocuous thoughts skyrocketed. Distraction in the form of social anxiety, primal desire to hunt for big game in the form of a limited release poster, and theories of potential setlists and sit-ins began to swarm the mind, blocking out any space for all-out panic about women living in those states.
Empresses by Em Walis
SOS
Shock-driven imagination created a surreal mental image worthy of the “Weird Goose Dreams” facebook group. The line outside of Radio City before Connecticut Indie Groove band Goose played back to back sold out shows at Radio City Music Hall painted the sidewalks like the signs that once were held up only a few blocks away outside of MTVs TRL. Memories of pop-punk fandom long ago trailed while approaching. Opening conversations were mentally rehearsed. Would Dripfield have been hitting #1 on the hit music video countdown show if it were still airing today?
So ready by Em Walis
Why the rehearsals? The typical over-thinker would estimate that of the 6,000 guests, a core group of, say, 10% would be in attendance for every show. Another 20% will go to every run within a day’s driving distance. 30% will see every show where they can return home the same night. 20% could be first-timers and the remainder… It was complicated.
100% Sold by Em Walis
In a landscape of ever-changing risk, evolving life circumstance and financial whirlwinds, that percentage unaccounted for above could be dedicated fans, unable to attend for a solid chunk of time. Thankfully, they were able to continue to follow the band, only from the VIP view of the livestream and rode the rails of the coffee table with company of an active group chat. The poster line was more like reflexes with a Nintendo game, instead of the running of the bulls (or in this case, geese). The importance of a historic night for band and community might have inspired months of preparation in order to attend. The emotions of the prodigal children ran high.
The time they left Scarf the Redeemer in charge of the pit at RCMH – Georgiana Platt
Before crossing the street over to the line, all thoughts were immediately interrupted when a man standing with arms outstretched and body language that shouted, “Welcome!” and “I’m so glad you made it to the show!” Golden light poured over the massive Radio City Music Hall and line as far as the eye could see weaving behind. Scarf draped over the outstretched arms, the bit of fabric which has become a rock relic illuminated with vibrancy from the sun as it set behind.
The scarf danced and waved tirelessly during those early streams where the pods were spaced such that only two people from the crowd could be seen when Marta Goedde switched the cameras to the front of house viewpoint. A symbol of giving it all you’ve got to both thank the band for taking a risk during a dark time and to honor those that were not in a position to safely attend. A symbol of hope when we needed it most. A man whose outstretched arms and scarf draped, larger than life in front of the epic Radio City Music hall could only be described as “Scarf the Redeemer” washed away all doubts with a single hug. Radio City. Goose. Good News. Mood Boosted. Game on.
Start and end with glizzy sacrament by Em Walis
Seekers
Familiar faces full from streams and memes were assembled at the front of the line, taking part in the sacrament known as the eucharist of glizzies. Why show up so early when there are assigned seats? The group up front at Radio City absolutely wanted a poster, but more importantly, value the time waiting on line for doors as part of the community experience. Hours of sharing and connecting before as well as mutual experience up front for every show has created an unbreakable bond and ritual that could not be forgotten, even if their ticket put them somewhere up in the three Mezzanines.
Shine on by Em Walis
Stickers, baklava and pogs were passed around from arms draped in glistening sequin capes to ones with vibrant colors of one specific tie dye maker. Typically a sign on regional representation, these dyes transcend the regions and have been worn by community members hailing from an area much larger than their origins of Western New York.
The patterns on the dyes both thoughtful and ornate, evoked an unconscious mood boost because the coloring seemed to look exactly like the big looks from some most cherished moments from Goose shows past. The Blue Sky Dyes have been worn by members of Goose over the years which have been featured on streams played at home time and time again. Another mood boost.
Travel MVPs by Em Walis
Travelers
Seven missed flights, one broken truck and a marriage proposal later, one couple finally made it to Radio City for the show. Another seated monk figure had converted his van to follow Goose. Coast to coast, Midwest to Southeast. Representations from across the country were assembled together. The mood was cohesive and upbeat.
The Rockdale by Em Walis
Goin Down To The Rockdale
Arriving inside Radio City Music Hall felt like time travel. Lounges, not bathrooms, all had unique mirrored constructions. Water fountains made with artistry that could not look like anything further than the industrial robot fill stations of today. The merch line spiraled down an oval staircase. The surreal feeling seemed to never end as memories of the Resonance set from a few years ago kept appearing when chatter began to spread about what potential this band had. Familiar faces, big long hugs and selfies galore could be witnessed throughout the halls as thousands of people poured into the venue. This was a powerful feeling at a powerful time.
Peter remembering who is important by Em Walis
Gonna Lay It All Down For You
Before Goose began their first song during the biggest night of their careers, Peter took a moment to address the crowd about the devastating news. He stated the value for women’s rights among the band and tears were falling before the first note commenced.
Arms up, or not. You decide. By Em Walis
Leave Your Coat At The Hotel, We’ll Be Hanging In The Old Barroom
The atmosphere differed tremendously depending on location of seating. Each quadrant held a distinctive personality. Under typical circumstance, a Goose crowd would often resemble that of a high school cafeteria. Same people riding the front rails. Tamara, Crepes and Val on Trevor side, Phil, John and Noah in the middle. Binky between Rick and Peter alongside the Carusos forever dedicated to “Pete side, sweet side.” At Radio City Music Hall, everyone was scattered throughout. Some were able to experience the light show for the first time, despite countless shows attended.
Ryan Stasik believes in shenanigans by Em Walis
Orchestra: Elmegs and Empresses
In the Orchestra seating, there appeared to be a near checkerboard pattern of longtime family and friends mixed with first timers and socializers. Similarly dispersed were those that danced hard with those who would fall under a still, hypnotic trance. In the center of it all, fittingly, was the Goblin King. The “George Washington of hot guys in the jam scene,” according to Andy Frasco. Ryan Stasik was in attendance. “So hot right now,” someone whispered from nearby.
Escaped animal by Em Walis
First Level Mezzanine: Animals
The first mezzanine was a different story. These bunch of animals danced hard and could be called rowdy. The view of the stage from the back rows could have been better, but it didn’t matter. Every person of every age sang each word as if it were a church hymn. It was discovered here that amidst a tumultuous emotional experience, it can be extremely healing to let all of that angst out with dance and shouting the words. Catharsis comes in the form of the silly and leaving egos at the door. Appropriately, this quadrant of the venue went all out bananas when Animals came on. Little did they know the amount of banana jokes that would be made after the following night.
A game the animals played was called “Guess When Goedde is in Charge!” The critters up in mezz 1 would try to spot moments when the lights matched what was happening musically and participants in the game would try to guess what they thought Goedde would say through the monitors to the band like a circus ring leader. “Again!” was the most common guess.
Feed the creatures. They will grow. By Em Walis
Second Level Mezzanine: Creatures
The second level was where true entrancement happened. A sensory experience where holding a prism, balloon while adorning 3D Glasses was common ground. The visceral reactions and empathy held by all. The bigger meaning was felt here. The growth of the band and its fanbase. The creature which grows when nourished and loved. When Trey came on, all bets were off and everyone beamed with excitement in celebration of the good news we all finally needed. Conversations afterword consisted of repeatedly exchanging the question “what the actual f?” back and forth to each other for the remainder of the night.
Mezzanine 3: Red Birds
Perched up above, the full view of the light show was quietly enjoyed by those that dedicated their night to doing everything possible to appreciate the small moments of beauty in life. The colorful moments viewed from a safe distance created a space for the Red Birds to begin to heal. In the most heartfelt performance of the new song “Red Bird,” dedication to all of the women struggling with the supreme court ruling. Caring, judgement free words were sang to the Red Birds up in Mezz 3, reminding the rest of the crowd of Peter’s assertion at the start of the run. Attendee Tony Vasile put it best,
“Red Bird was a necessary anthem for women’s rights tonight.”
Leave your coat at the hotel by Em Walis
Going Down To The Rock Dale
All in all, the two night of Goose at Radio City Music Hall were memorable because of the good news it brought. Everyone seemed to get exactly what they needed out of it and left feeling better than when they arrived. For good reason. Fans both streaming from home and in attendance were able to witness their favorite band live out their childhood fantasy. It does not get more proud mother goose than that. One proud parent in the crowd recalled an early rendition of Goose practicing every Friday night for three hours over the course of seven years before they all left for college. With the occasional Saturday and Sunday jam session peppered in, it is remarkable to see the result of dedication as well as a coming of age tale converging during two beautiful nights.
Media team and long time friends Adam Berta and Bryan Murphy perched by Em Walis
One Life To Live For
The spirit of the night was impactful for more than just bands and fans. The crew behind the scenes have all been friends with Goose for years. The amount of tears shed could fill buckets. It was not only a dream come true for the band to collaborate with Trey, or play this venue. Aspiring audio engineers, lighting designers and photographers dream of working Radio City Music Hall. To ice the cake with both musical and photographic heroes sent it over the edge into something that could once only be joked about as a “Weird Goose Dream” facebook group fantasy.
Not The First Time by Em Walis
And The Sun Will Be Rising Soon
Beneath the brightly illuminated city lights and glowing marquee reading the words “Sold Out” and “Goose” common ground established between birds of a feather and fish in the sea. It turns out, they were all just animals. It was phenomenal. Finding an exit path through the boisterous carnival and second consumption of the eucharist of glizzies outside Radio City Music Hall, chirps of praise volleyed between friends old and new.
Glancing upward, the bright white points of St. Patricks cathedral glowed brightly as they peeked out from behind Rockefeller center. Like a scene from a movie, it all clicked. We have been here before. The face tingling sensation from Arcadia was felt this intensely only one other time during the Goosemas livestream performed atop Rockefeller Center amidst the throes of shutdown.
Its a new light creeping out…
This band seems to have made it a habit of there for us when we need it most.
Goose – Friday, June 24 – Radio City Music Hall, NYC
Set One: California Magic, Elizabeth, Jack-a-Roe (1), Turned Clouds, This Old Sea, All I Need
Set Two: Tumble, Borne, The Whales, A Western Sun, Pancakes
Set Three: Madhuvan, Hot Tea (2), Arrow (2)
Encore: Animal
(1) Grateful Dead cover, Goose debut (2) Studio arrangement with Stuart Bogie on saxophone, D. James Goodwin on guitar, Dave Nelson on Trombone
Goose – Saturday, June 25 – Radio City Music Hall, NYC
Set 1: Atlas Dogs, Moonrise, Wake Up(1), Atlantic City(2), Flowdown, Elmeg the Wise
Set 2: Rockdale, Seekers On the Ridge (Part 1)>Seekers on the Ridge (Part 2), Redbird >I’m Writing a Novel(3), Creatures
Set 3: Silver Rising, Hungersite (4), Arcadia(4), Dripfield(4)>Loose Ends(4), Empress of Organos (4)
Encore: Tomorrow Never Knows(5)
(1) “Wake Up” by Arcade Fire (2) “Atlantic City” by The Boss (3) “I’m Writing a Novel” by Father John Misty WITH FATHER JOHN MISTY!!!!! (4) Trey Anastasio Playing with the boys! (5) Jeff on Guitar w/FJM on Drums, Trey has returned) “Tomorrow Never Knows” by The Beatles
The NYC-based funk and rock collective Specialists are set to perform across New York as they kick off their summer tour on July 1. The band completed a Southeast US tour in January of 2022 and returns to the Northeast with 6 shows across NY and PA.
The summer performance schedule coincides with the band’s release of their upcoming full-length record. Other Specialists releases include Too Easy (2020), Specialists (2019), and No Need to Explode (2018). With irresistible groove, crafty arrangement, witty lyrics, and catchy hooks, the band’s sound will get any audience up on their feet.
Specialists initially consisted of duo Billy Harden (guitar) and Mikey Rotunno (bass) before adding Christian Hickey (drums) and Pete Harden (keys) to the mix. Their newest single, “I Got You,” released in March of 2022, gives listeners a taste of their newest sound.
After the band’s Brooklyn Made performance on July 1, they will head off to Syracuse’s Funk N Waffles on July 2. The Specialists will then take their sound to the Sterling Stage Ameribeat on July 3 before eventually finishing their tour in Peekskill. To listen before their upcoming tour dates, the band’s music is available on Apple Music or Spotify.
Specialists Summer Tour Dates
July 1 – Brooklyn Made – Brooklyn, NY
July 2 – Funk N Waffles – Syracuse, NY
July 3 – Sterling Stage Ameribeat (4pm – 5:10pm) – Sterling, NY
July 22 – Deutschtown Music Festival – Pittsburgh, PA
Alternative rock pioneers, the Pixies, have announced an intimate 4-date U.S. tour set to kick-off on October, 1. After being benched for nearly two years due to COVID, this set of performances will come on the heels of a massive global tour that begins in June. During that time, the Pixies will perform at a number of festivals throughout Europe, Asia and South America. Their return will be quickly followed by the September 30 release of their 8th studio album, Doggerel (BMG).
Their October run will see them perform at four intimate venues between California and New York. Beginning on October, 1 at SOMA and concluding on October, 5 at New York City’s Terminal 5 venue. As is the Pixies’ “standard,” the band will draw from their extensive catalogue to perform a different set every night. Attendees can expect the band to perform not only some of the most beloved Pixies songs, but also, new tracks from Doggerel.
Doggerel album cover
Pixies have been acclaimed as the most influential, pioneering band of the late 80s alternative rock movement, having served as a major influence for bands like Nirvana, Pearl Jam, Radiohead, the Strokes, Weezer, and many more. The group has released seven studio albums including the Gold- certified Surfer Rosa, and the iconic Platinum, Doolittle.
Dates for the Pixies October slate can be found below, while tickets are on sale here.
Pixies October Tour dates
Sat. October, 1 – San Diego, CA – SOMA Sun. October, 2 – Anaheim, CA – House of Blues
Buffalo-based indie singer-songwriter Marina Laurendi has released her second single “Neighborhood Kids” of her Stay Mine EP releasing this August.
Neighborhood Kids – Mariana Laurendi
“Neighborhood Kids” is a sweet and summertime hometown ballad. It starts with simple acoustic guitar, piano and light synth until it culminates with the bluesy electric guitar solo ending. The folksy Americana vibe reminiscent of Brandi Carlile, melancholic indie pop evoking Lana Del Rey, and an edgier blues sound with notes of Gary Clark Jr. could be sensed from this song. The lyric video of “Neighborhood Kids” will be released on Monday, June 27th.
Marina Laurendi is a unique singer-songwriter who fuses elements of cinematic pop, alternative rock, and singer-songwriter lyricism. She was also a theatre performer and moved to NYC shortly after college to perform Off-Broadway and around the East Coast. However, as she returned to her hometown of Buffalo during the pandemic, she explored her roots with the “everything happens for a reason” attitude. Her music is heavily influenced by the pulse of the city along with the quiet nostalgia of her roots
I wrote “Neighborhood Kids” after coming back home after years of living away. Seeing and re-experiencing my hometown in the summertime as an adult hit me with a wave of nostalgia-driving down the neighborhood streets at sunset, reconnecting with people I hung out with in high school- all of it brought back this youthful sense of rebellion, curiosity, and a sense of suburban restlessness that summed up my entire youth pretty well.
Marina Laurendi
She sums it up perfectly at the end of the song when she croons, “Bittersweet baby, I got nothing to chase it. The music’s been here but we don’t wanna face it. Nothing feels different when I’m hanging with the neighborhood kids.”
Marina will be performing this summer at Griffon Gastropub in Lewiston on July 9, and at Gallo Coal Fire Kitchin in Lewiston on August 7. For more info visit her webpage.
Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from Precious Metals, Gordon St., and Kristian Montgomery and the Winterkill Band, and many more.
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Precious Metals – “Jacqueline”
Precious Metals is a solo endeavor led by Troy singer-songwriter J Lee White, features a rolling cast of contributors. The band’s high energy alt-rock sound pulls from the early 2000s emo explosion and 2010s indie rock revival.
Schenectady based rock combo Gordon St. is made up of veteran Local 518 musicians Dan Noonan (lead vocals, bass), Ritch Harrigan (vocals, guitar), and Jason Nowak (drums, vocals) and have been recording and performing in New York’s Capital Region for over a decade. On this week’s EQXposure, Gordon St. will preview “Hey Dan,” their next single, due out July 1.
Kristian Montgomery and the Winterkilll Band – “Family Owned”
Born in Florida to a Danish immigrant and a blue blooded American girl, Kristain’s family moved to New England where his father worked as a fisherman. He lived with his grandparents and began singing in the church choir where his voice was recognized by his Reverend, a former professional tenor. Kristian realized the impact his voice had upon people once he opened his eyes after singing the Lord’s Prayer and seeing the silent tears fall from faces he had never met.
Outside of church Kristian sang shanties,Celtic and Scandanavian songs at local bars and told stories of fisherman coming home from sea. Over time he progressed as a songwriter and ultimately developed a following, He joined several rock bands through the years where he won awards for his voice. While a member of a metal band, Kristian was nominated for the Boston Music Awards for best male vocalist. He however, did not feel like this genre was a good fit for him. He wanted adventure, so he traveled to Nicaragua to perform on television in Managua. While there, he was photographed sitting around a table relaxing in the capital with an AK-47 in his arms; as if this was war torn country was just another place to find stories for his songs.
This experience awoke something in Kristian, he found a freedom that only his ancestors had known. He began taking his music back to his father’s homeland, where it was received like a son coming home to his family. Although his intentions were to bring music to the world; after starting a family in the US, it was at the dinner table where he truly found home. A divorce inevitably threw Kristian back into performing. He was jailed after fighting for equal rights for fathers in Massachusetts. Having lost everything, he began to rebuild his life. Upon release from prison he began work on The Gravel Church. He wrote about his experiences in prison, starting over and how he found hope.
Brooklyn-based artist stevexcooper has just dropped his new single “Water Wings,” sharing open-hearted tales of human connection in all its glory, from romance, awkwardness, and uncertainty.
stevexcooper by Pete Gibson
Recognized by Wonderland Magazine, stevexcooper has embossed within the music business for nearly 20 years. He earned credits in writing, recording and performing, as well as collaborated with Grammy nominees. He has also previously co-produced London’s ATO (MCMXCV) alongside platinum artist EDEN, which garnered on-air support from pop star Tom Grennan and multiple BBC Radio 1 DJs.
stevexcooper
Influenced by the artists Aphex Twin and Squarepusher, stevexcooper expressed his fond of “capturing the sound of worlds breaking”. His works are also described as left-wing pop and rap, his music bends stereotypical genres, creating dynamic beats and a uniquely exclusive sound.
The recently unveiled “Water Wings” feat with Rothstein is off of the pair’s upcoming collaborative EP, What Are You Made Of?, which was written in Brooklyn over the course of a year and a half. The uptempo “Water Wings” demonstrates Rothstein’s polished pop songwriting over Cooper’s off-kilter anthems. Delicate chiming synths and syncopated beats provide the backdrop for Rothstein’s glossy vocals, as he sings “It’s contagious, the way that you’re so sure we’ll be alright.”
This is my first producer project release that’s about relationships. I’m excited about the prospect of not only switching genres with abandon, but also switching message and content. They’re pop tracks but without straight up pop sounds. The structures are familiar, but the guts of the place are new.
George Clinton & Parliament Funkadelic embarked on their One Nation Under A Groove tour on Wednesday, June 15 in Central Park’s Summerstage. Bands including Dopapod, The Motet, & Pimps of Joytime performed ahead of the legendary funk band, a part of Blue Note Jazz festival.
Dopapod played an incredible yet much shorter set than the excited fans were used to, but regardless it was a super tight set and the band all seemed hyped for their stacked summer tour.
Shira Elias stole the show when she joined in with The Motet and The Horn Section, all of them former members of Turkuaz, with Elias’ vocals and stage presence nothing short of amazing. As the show went on, the funk meter increased until it was finally time for P Funk who brought an intensely funky, fun, and freaky time.
