It has been three long years since Local Natives have toured and the wait was worth it. The Inside An Hourglass Tour started late-July with Jordana and made it’s second to last stop at New York’s Pier 17 on a beautiful summer night.
Local Natives’ Kelcey Ayer on keyboard playing a sold out show at New York’s Pier 17.
Jordana opened the show with “Pressure Point”, the first song off their latest album, Face The Wall, which was released in May. The singer-songwriter had a comedic way of addressing the crowd throughout the set with her trusty Gumby on the mic stand. Before closing with “Why”, Jordana exclaimed “I love you dude!” to her new friend in the crowd, Kenny, who she briefly chatted with earlier in the set. Lastly she went on to say “This one…you know what’s funny is that we started the set with the first song on the album I just released in May…and now we’re ending it with the last song on the album, so it’s kind of artistic in that way…you know what I mean? Kind of meta, artsy, any way it’s about not giving a damn.”
Sing-songwriter Jordana and Gumby playing a sold out show at New York’s Pier 17.
Local Natives took the stage shortly after sunset, kicking off with “Statues in The Garden (Arras)” which has a dreamy, psychedelic music video to accompany it. After a few songs, vocalist and guitarist Taylor Rice remarked that it has been three years since they have toured and “we missed you very, very, very much!” Taylor continued to share that their tour bus caught fire two weeks prior and they weren’t sure they were going to make it to New York, proudly stating “…but we are here! We didn’t cancel anything!”
Overall the group’s mix of songs off their full discography along with newer tracks “Desert Snow” and “Hourglass”. During the encore, Kelcey commented “…this is such an amazing night, and I just think about the first time we ever played New York City was at Pianos…this little place somewhere over there⦔ as he gestured off into the distance. “It feels fucking great! And this song is dedicated to New York.”
Local Natives at Pier 17, Friday, August 26
Setlist: Statues in the Garden (Arras), Megaton Mile, I Saw You Close Your Eyes, Coins, Ceilings, Desert Snow, Past Lives, Wide Eyes, Sun Hands, Wooly Mammoth, Heavy Feet, Fountain of Youth, Colombia, Lemon (with Jordana), Dark Days, Who Knows, Who Cares
Encore: Hourglass, Airplanes, When Am I Gonna Lose You
Jordana at New York’s Pier 17Jordana at New York’s Pier 17Jordana at New York’s Pier 17Jordana at New York’s Pier 17Jordana at New York’s Pier 17Jordana at New York’s Pier 17Jordana at New York’s Pier 17Jordana at New York’s Pier 17Jordana at New York’s Pier 17Local Natives Taylor Rice at New York’s Pier 17Local Natives Kelcey Ayer at New York’s Pier 17Local Natives Ryan Hahn at New York’s Pier 17Local Natives Nik Ewing at New York’s Pier 17Local Natives Matt Frazier at New York’s Pier17Local Natives’ Taylor Rice at New York’s Pier 17Local Natives Nik Ewing at New York’s Pier 17Local Natives’ Ryan Hahn at New York’s Pier 17Local Natives’ Kelcey Ayer at New York’s Pier 17Local Natives’ Taylor Rice at New York’s Pier 17
The 34th annual Byron Bay Bluesfest Festival’s initial lineup has been revealed. Featuring international artists for the first time since 2019’s pre-pandemic festival, the first lineup released features over 40 artists.
Set for April 6-10, Bluesfest will see some of the finest contemporary and legendary blues, roots, soul, rock, hip hop, r&b, world and americana artists take the stage. This will be the first original style Bluesfest since the world re-opened. Last year primarily featured Australian and New Zealand Artists. Among those making their way down under are Utica’s own and renowned blues guitarist, Joe Bonamassa, bluegrass music innovators Greensky Bluegrass and jam-band favorites, Southern Avenue.
Bluesfest 2022 daytime
What is Bluesfest All-About?
Bluesfest is held over five days at the Byron Events Farm each easter long weekend. Event facilities include seven performance stages, nine licensed bars and two undercover food courts. There are many independent food vendors, car parking for over 7,000 vehicles and camping for up to 6,500 people.
In the coming weeks, Bluesfest will release more of the line-up, along with artist performance dates so that both day-trippers and 3-day ticket holders can make an informed choice. There will also be further announcements on two special satellite events happening in Melbourne and Perth.
And more good news is that ticket prices, camping and VIP tickets remain the same as 2022’s prices. That’s despite the significant increase in cost of international flights and freight logistics, with artist fees also on the rise. Bluesfest will also invest in upgrading the VIP area in order to give its supporters the best experience possible. For the campers that seek a“class above” experience you can upgrade to the Rainbow Tipi accommodation this year.
Whilst there are still plenty of Aussie artists listed in this first and upcoming announcements it is wonderful to once again in 2023, after four long years be able to bring back some of the greatest Blues, Roots, Soul, Rock, Hip Hop, R&B, World and Americana artists (and so much more) back to our shores after so long. As well as, of course, the stars of tomorrow.
– Peter Noble, Festival Director
Tickets for Bluesfest are now available and can be purchased on their official website. While only the 5-day passes are on sale for now, Bluesfest also offers 3-day and single-day passes.
Accessible Festivals officially launched its Dan Grover Memorial Ticket Grant Program this week, providing a limited number of free access tickets to recreational experiences like concerts, festivals, and conventions for disabled music fans and their loved ones. This marks a huge step forward towards accessibility for all throughout major events across the U.S.
Pictured: Past recipient Cindy Navarro at Escape Festival
Accessible Festivals is partnering with the largest festivals in the country, such as Austin City Limits Music Festival, BottleRock Napa Valley, Electric Daisy Carnival, Lollapalooza, Rolling Loud NY, Stagecoach and more. The idea was born out of the organization’s founder, Austin Whitney’s own personal experience. In 2007, Whitney was injured in a car accident that severed his spinal cord and paralyzed him from the waist down. He became consumed with depression and anxiety about his new life living with a disability.
Photo credit: Abbey Madrid Stagecoach
After some time, Whitney attended his first music festival, Coachella. For the first time since his injury, he was able to simply enjoy life. With the realization of the importance of festival accessibility, he decided to devote his life to ensuring people of all abilities can have an equal opportunity to experience live music and recreational activities to the fullest extent possible.
Photo credit: TJ Hayes Lollapalooza
Dan Grover was born on December 6, 1962, in rural New Jersey. At an early age, he was diagnosed with Muscular Dystrophy, a genetic condition that deteriorates muscular strength over time, and began using a wheelchair for mobility at the age of 21.
Dan was responsible for implementing and improving ADA operations at some of the nation’s largest music festivals including Electric Forest, Outside Lands, Life is Beautiful, and many more. He helped ensure thousands of disabled guests were able to see the show safely and comfortably and was a fierce advocate for greater inclusion and accessibility for all.
In an unfortunate turn of events, Dan passed away on July 27, 2022. This program is intended to keep Dan’s legacy alive and honor him by sharing his passion for music and continuing to help other people with disabilities see the show.
Each Sunday evening from 7-9 P.M. you’ll find EQXposure on WEQX, featuring two hours of local music from up-and-coming artists. Tune into WEQX.com this Sunday night to hear new music from El Modernist and Stellar Young.
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience and showcases new music on EQXposure. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
El Modernist – “Red State” “Lines”
El Modernist is an indie band from Albany, delivering new takes on what is considered indie rock. They mix genres and have a psychedelic sound with pulsating hooks and melodies. Their brand new album, Eras is out now, and their songs “Red State” and “Lines” will be played on EQXposure.
Stellar Young – “Hitting Reset”
Stellar Young is an indie-rock band from Albany, comprised of John Glenn (vox/keys), Erik Flora (guitar/vox), Kyle Hatch (guitar), Dave Parker (producer), and Tim Brosnan (drums). Their song “Hitting Reset” off of their 2015 record Vessels will be played on EQXposure Sunday Night.
Make sure to tune into EQXposure on Sunday from 7-9 P.M. on WEQX to hear these songs, and more.
Arctic Monkeys seventh studio album, The Car, arrives on October 21st and today the band shared the lead single “There’d Better Be A Mirrorball.” Check out the video for the song below; directed and (mostly) shot by frontman Alex Turner, the video features clips of the band writing and recording the song shot in a retro-film style.
“There’d Better Be A Mirrorball” by Arctic Monkeys. Via YouTube
Arctic Monkeys rockers took a turn away from their driving rock style with their last record, Tranquility Base Hotel & Casino in 2018. Lead single and album opener “There’d Better Be A Mirrorball” follows in that direction with vocalist Alex Turner crooning over a shimmering, retro jazz instrumental. The Car features 10 tracks and is out October 21st on Domino Records. Stay tuned for new about a potential Arctic Monkeys North America tour.
Arctic Monkeys Upcoming Tour Dates
August
25 Rock En Seine, Paris, France 27 Reading Festival, UK 28 Leeds Festival, UK
September
1 Cala Mijas Festival, Malaga, Spain 2 Kalorama, Lisbon, Portugal 4 Electric Picnic, Stradbally, Ireland 16 Life Is Beautiful Festival, Las Vegas, Nevada, US 18 Primavera Sound, Los Angeles, California, US
November
4 Jeunesse Arena, Rio de Janeiro, Brazil 5 Primavera Sound, São Paulo, Brazil 8 Pedreira Paulo Leminsk, Curitiba, Brazil 10 Kilk Fest, Asunción, Paraguay 12 Primavera Sound, Santiago de Chile, Chile 13 Primavera Sound, Buenos Aires, Argentina 15 Arena 1, Lima, Peru 17 Coliseo Live, Bogota, Colombia 19 Corona Capital Festival, Mexico City, Mexico
December 29 Lost Paradise, Sydney, Australia 31 Falls Festival VIC, Murron (Victoria), Australia
January 2 Falls Festival NSW, Yelgun, Australia 4 Sidney Myer Music Bowl, Melbourne, Australia 5 Sidney Myer Music Bowl, Melbourne, Australia 6 Heaps Good Festival, Adelaide, Australia 8 Falls Festival WA, Perth, Australia 11 Riverstage, Brisbane, Australia 14 The Domain, Sydney, Australia
In a double bill for the ages, Matador Records label mates Interpol and Spoon joined forces for their first show on the “Lights, Camera, Factions” tour on Thursday, August 25 at The Stone Pony Summer Stage in Asbury Park, NJ.
Paul Banks of Interpol | Photo by Michael Dinger
Post-punk outfit Interpol, formed at New York University in 1997, have recently released their seventh studio album The Other Side of Make-Believe, which was produced by the legendary duo of Flood & Moulder at Battery Studio in London. Indie rockers Spoon, the 1993 brainchild of front man Britt Daniel and drummer Jim Eno (the band’s only consistent members), are touring in support of their latest album Lucifer on the Sofa, recorded in their hometown of Austin, Texas.
Britt Daniel of Spoon | Photo by Michael Dinger
With a glorious sunset sky as the natural background to their set, Spoon took to the stage a few ticks past 7:00 pm. Their opening number was “Held,” a cover by Smog (the alias of enigmatic singer/songwriter Bill Callahan), which also serves as the introductory song to their most recent studio release, the aforementioned Lucifer on the Sofa. Spoon would go on to perform a second cover near the halfway point of their 18-song set, John Lennon’s “Isolation,” taken from his first post-Beatles album released in 1970.
The Stone Pony Summer Stage | Photo by Michael DingerJim Eno of Spoon | Photo by Michael Dinger
The remainder of the quintet’s 75-minute set would be split up amongst their celebrated discography, with at least one offering from eight of their ten studio albums. Spoon fans eager to hear their new material in a live setting would also not disappointed, as they were treated to three tracks from Lucifer on the Sofa, including “Wild,” “My Babe” and “The Hardest Cut.” Albeit for some technical difficulties with Daniel’s guitar pedals late in their set, Spoon’s performance was filled with the high energy, crowd-engaging experience that you can always count on them to deliver.
Britt Daniel of Spoon | Photo by Michael Dinger
After a 30-minute turnover of the stage, and nightfall having settled over the beach boardwalk venue, the trio comprised of Paul Banks (lead vocals, guitar), Daniel Kessler (guitar) and Sam Fogarino (drums) unassumingly appeared in the dark shadows of the stage. Accompanied by a touring bassist and keyboardist, the set’s opening number was “Untitled,” taken from 2002’s critically acclaimed debut album Turn On the Bright Lights, written specifically to open the band’s live shows.
Paul Banks of Interpol | Photo by Michael DingerDaniel Kessler of Interpol | Photo by Michael DingerSam Fogarino of Interpol | Photo by Michael Dinger
Sharply attired in tailored suits, the band was often immersed in a deluge of smoke haze, heavily backlit with dramatic strobe lights, which made for a visually stunning experience. Like Spoon before them, Interpol’s 15-song set would also bestow upon their fans a representative sampling of their impressive music catalog, with the exception of 2010’s self-titled release, their fourth album overall.
Paul Banks of Interpol | Photo by Michael DingerDaniel Kessler of Interpol | Photo by Michael Dinger
A third of Interpol’s set was composed of songs from this year’s The Other Side of Make-Believe, namely “Fables,” “Toni,” “Something Changed,” “Gran Hotel” and “Into The Night.” However, the clear highlights of their 70-minute act included “Obstacle 1,” the second single from Turn On the Bright Lights and “Rest My Chemistry,” from 2007’s Our Love to Admire, which would see many of the nearly 3,000 fans light up the night with their raised cell phones to capture this fan favorite. As the show closed shortly after 10:00 pm with another one of Interpol’s biggest hits, “Slow Hands” from their sophomore album Antics (2004), my only regret is that it all happened too quickly.
Paul Banks of Interpol | Photo by Michael Dinger
Interpol and Spoon’s 18-date “Lights, Camera, Factions” tour will conclude mid-September in Portland, Oregon with a pair of shows at Pioneer Courthouse Square.
Spoon Setlist: Held (Smog cover) > The Fitted Shirt > Wild > My Mathematical Mind > Do I Have to Talk You Into It > The Way We Get By > The Underdog > My Babe > I Summon You > Got Nuffin > Isolation (John Lennon cover) > The Hardest Cut > Inside Out > I Turn My Camera On > Don’t You Evah > Do You > Jonathon Fisk > Rent I Pay
Interpol Setlist: Untitled > Narc > Fables > Evil > Pioneer to the Falls > Toni > Something Changed > Obstacle 1 > Gran Hotel > All the Rage Back Home > Rest My Chemistry > Into the Night > The New > The Rover > Slow Hands
Each Sunday evening from 7-9 P.M. you’ll find EQXposure on WEQX, featuring two hours of local music from up-and-coming artists. Tune into WEQX.com this Sunday night to hear new music from Lucas Garrett, Architrave, and Scothcka.
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience and showcases new music on EQXposure. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Lucas Garrett – “Together”
Lucas Garrett is a musician from Upstate New York, who has played professionally for over nine years. He has a unique style that blends progressive rock, folk, new wave, and indie, which audiences enjoy. His newest single “Together” is out now.
Architrave – “Lorem Ipsom”
Architrave is a synth-pop duo from Ballston Spa, made up of Jennifer Maher Coleman and Paul Coleman. Their unique blend of synth and alternative sounds makes listeners really enjoy them, and their new single as well as an accompanying video is out now.
Scotchka – “Painted World”
Scotchka is a rock band from Albany that blends emo, pop punk, and alternative influences for an energetic, introspective style. Formed in 2016 under a different name, the band released their first EP, Locket, as Scotchka in 2018. Their song “Painted World” off of their new album Corinthians will be played on EQXposure.
Rochester artist Sam Nitsch is releasing his brand new album Under the Influencer, which expands on common criticisms of social media.
Photo Credit: Maddy Nguyen.
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Nitsch originates out of Rochester and is a multi-instrument recording artist and has been a member of several orchestras and chamber ensembles, eventually becoming an awarded concertmaster of the NY Conference All-State String Orchestra.
He has provided backup vocals for Josh Groban’s summer tour during his stop in Saratoga Springs and performed for Rochester Philharmonic League Young Artists Auditions Winners Recital and the Rochester Music Hall of Fame Induction Ceremony.
Sam Nitch’s second album Under the Influencer comes out on Aug. 26, and it is written about the common criticisms of social media, and how it can be harmful to those who compare themselves to others. He wrote this during the pandemic when suddenly everyone became isolated.
His most recent single “Follow Me” is an upbeat, chill song with lyrics about social media and cancel culture. The chorus “Follow me/Like what I do/Tell all your friends to follow too/What can I say?/It’s what I do/Find what you want,” is a good comment about society and social media, and how we are so concerned with our followers and who is following us, it is addicting.
The brand new album from Sam Nitsch called Under the Influencer is out now on all streaming platforms.
NYC-based singer-songwriter Marina Laurendi is set to release her full debut EP, Stay Mine, on Friday, Aug. 26.
A native of Western NY, Laurendi blends two energies into her album: the pulse of NYC and the nostalgia of her quieter roots. The EP comes after three previous single releases, “Gramercy,” “Neighborhood Kids,” and “Upper East Side,” out earlier this year.
With a sound similar to early Lana Del Rey, Best Coast, and Phoebe Bridgers, and vivid lyricism intertwined, the four-track Stay Mine EP cuts deep. The title track describes a larger-than-life romance with an invitation for adventure. With a moody timpani beat, electric guitar, and ethereal three-part harmony, the song pulls you in and keeps you there throughout the journey.
Marina Laurendi’s tales of idealism, dreaming, nostalgia, and wanderlust are beautifully written and captured within the tracks of Stay Mine. The poetic stories Laurendi shares are genuine as they are creative. While the instrumentation on the album varies from slow strums to upbeat pop percussion, Laurendi’s voice and clear tone stay consistent.
With the debut EP Stay Mine, Marina Laurendi cements herself as someone to watch in the alternative music scene. The young artist is also currently a quarter-finalist in the competition to open at this year’s Hollywood Bowl with voting ending Sep. 1.
Be sure to take a listen to the entire EP when it releases on Aug. 26. Until then, croon alongside Laurendi with her recent single releases and reminisce with her authentic lyricism.
The Strokes are an alternative rock band from New York City, often credited with influencing the revival of 1960s-style rock in the early 21st century. The band was formed in 1998 and was arranged by singer Julian Casablancas, guitarists Nick Valensi and Albert Hammond Jr., bassist Nikolai Fraiture, and drummer Fabrizio Moretti.
How The Strokes became “The Strokes“
Eventually, after playing in clubs throughout New York’s Lower East side, the Stokes revival began to make a name for themselves. For instance, The Strokes sold out shows such as The Capitol Theater. But why are the Strokes called The Strokes in the first place?
The band’s bassist, Nikolai, revealed to NME, “We had a running joke that every time we met up, we had to have a certain number of names. Some were horrible. One day Julian said, ‘How about The Strokes?’ And it was the one name we all didn’t disagree on.”
Although The Strokes were becoming very popular in NYC, Albert Hammond Jr is the most business-like out of the band’s members. In the early days, he booked shows and harassed record executives claiming to be the band’s manager, and using the fictitious name, Paul Spencer.
The Strokes Influenced Many Popular Artists Today
While Tom Petty, The Ramones, Blondie, and Television have had a heavy influence on their early sound, The Stroke’s music has inspired numerous artists and created a distinct 2000s alternative sound.
Bands such as The Killers, Artic Monkeys, The Kooks, MGMT, and more became inspired by their sound and broadened the alternative genre. Along with the White Stripes and Yeah Yeah Yeahs, The Strokes revival helped shape the sound and look of alternative rock in the 2000s.
“Is This It” and It’s Aesthetic
In the 2000s, The Strokes’ unique sound sparked a revival of alternative rock within New York City. Primarily, their recording of “This Is It” has influenced younger teens to have a “late 90s grunge aesthetic.”
Along with this, frontman Julian Casablancas embodied this look. The aesthetic consisted of using the social media staple Tumblr, worn leather jackets, tattered denim, and cigarettes.
The Breakup of The Strokes
The Strokes were big throughout the early 2000s, but over time began to lose their spotlight. The band members began to lose their harmony and took a break from performing together, some took their own ways and started other projects.
After some time apart, the band came back together and released their newest album “The New Abnormal” which has been a huge hit with all the millennials.
The era of “The New Abnormal” and its Fame
The Strokes’ newest album, “The New Abnormal,” is a huge hit today. For instance, the song “The Adults Are Talking” is currently trending on social media like TikTok, inspiring kids across the new generation. The album was released on April 10th, 2020, and is their first album in seven years. It’s not every day that a band can come back strong, but using their signature sound and melodies, they have become popularized once again.
