Six shows in three nights ladies and gentlemen!” Danielle exclaimed, addressing the crowd in-between songs. “Amazing crowds, amazing people. This has just been really a great moment and it actually has been very surreal, but I’m going to get into these songs. Hope you enjoy them!
Danielle Ponder at the McKittrick Hotel’s Manderley Bar
The Rochester-based singer confidently radiated her powerful voice throughout The McKittrick Hotel’s moody Manderley Bar. This performance was the last of Ponder’s three-night run in New York City before joining St. Paul and the Broken Bones on tour later this month. Before exiting, Ponder concluded the set with an inspiring personal anecdote.
I quit my successful job as an attorney to be a broke musician because I absolutely love you, and I absolutely love this stage. I completely live for it. I truly believe in following your purpose, I think that when God gives you a gift, a way you can show gratitude is committing to that thing. Amen, amen, amen! You all feel me? So a lot has happened in the past year that has really changed my life, even to be here with this audience in New York City listening has been so affirming for me and lets me know I made the right decision. I really feel like I’m a living testimony of that and that’s the only reason I’m telling you I’m 40! Because I want you to know my knees hurt, I’m old, but I’m here! So this next song is called “So Long.”
“So Long” is Ponder’s latest single, released on March 11, an anthem about letting go of fear and being the best person you can possibly be.
You can learn more about singer-songwriter Danielle Ponder on her website and listen to her Tiny Desk Contest submission, a recording of her song Poor Man’s Pain,here.
St. Paul and the Broken Bones with Danielle Ponder Tour Dates
April 23 – Dallas, Texas – The Granada Theater April 24 – Austin, Texas – Stubb’s April 26 – Tulsa, Okla. – Cain’s Ballroom April 28 – Denver, Colo. – Mission Ballroom April 29 – Aspen, Colo. – Belly Up April 30 – Salt Lake City, Utah – Commonwealth Room May 3 – Seattle, Wash. – The Neptune May 5 – Portland, Ore. – Crystal Ballroom May 6 – San Francisco, Calif./Oakland, Calif. – Fox Theater May 7 – San Diego, Calif. – Humphreys Concerts By The Bay May 10 – Los Angeles, Calif. – The Theatre at Ace Hotel May 11 – Pioneertown, Calif. – Pappy & Harriet’s May 12 – Phoenix, Ariz. – The Van Buren
Heartbeat Opera’s QUANDO brought a one-of-a-kind film and theatrical performance at The McKittrick Hotel, home of Sleep No More, April 7-9.
Presented by The McKittrick Hotel, QUANDO is Directed and Edited by Tee Vaden, produced and conceptualized by Associate Artistic Director, Derrell Acon, with Photography Direction by Kathryn Boyd-Batstone and Production Design by Yuki Izumihara.
Mx. Oww and Jessie Cox live performance alongside the film, QUANDO.
The film stars Lauren Michelle, Brian Vu, and Shelley Washington. Musical director Daniel Schlosberg arranged the film score for a mix of instruments and electronics. The live performance features Mx. Oww and Jessie Cox.
The 75-minute experience took place in the McKittrick’s upstairs theater, the Club Car. The evening kicked off with the short film, challenging viewers with “…issues of representation, inequity, and self-serving actions that plague so many industries and movements, not by simply calling out the problem but by showing what is possible, while asking viewers to interrogate themselves and their motivations, which is one of my favorite sorts of call to action,” said Director & Editor, Tee Vaden. After the screening, the film played once more with a theatrical performance by Mx. Oww and Jessie Cox actively disrupting the music throughout, creating a mesmerizing experience for the audience.
QUANDO team taking the stage after the performance concluded.
QUANDOis the latest production by Heartbeat Opera whose mission is to create “incisive adaptations and revelatory arrangements of classics, reimagining them for the here and now.” Previous productions by Heartbeat Opera include FIDELIO, which toured earlier this year including performances at The Metropolitan Museum of Art in New York and The Broad Stage in California, and Messy Messiah, Heartbeat Opera’s 7th annual Drag Extravaganza, at Roulette in Brooklyn. Learn more about QUANDO by viewing the trailer and visiting Heartbeat Opera’s website. You can also visit The McKittrick Hotel to experience Sleep No More and Speakeasy Magick at 530 West 27th Street in Manhattan. Special thank you to Stephanie Geyer and the McKittrick Hotel staff for welcoming NYS Music to their beautiful venue.
English indie rockers Alt-J made their way to Madison Square Garden on Monday, April 11 as part of The Dream tour. The show is Alt-J’s first New York show in four years since the band’s performance at the 2018 Mountain Jam Festival at Hunter Mountain. These shows come in support of their fourth studio album The Dream, released back in February on Infectious Records.
Support across the tour is coming from Alaskan indie veterans Portugal. The Man and this second leg of the run also features Cherry Glazerr. Portugal. The Man have been at it since 2005 and are gearing up to release their ninth studio LP. The as-of-yet untitled album features the lead single, “What, Me Worry?” and is out this June. As they always do, Portugal. The Man opened the show by inviting members from indigenous people groups that represent the land they are playing on. After this intorduction, the band kicked off their set with a thrash metal medley of Metallica, Pantera, and Slayer before playing one of their own songs. PTM typically plays their live sets as giant medleys, showcasing a really cool moment when the played “Another Brick In The Wall (pt. 2)” into their classic hit “Purple Yellow Red and Blue.”
Portugal. The Man at MSG, 4/11/22. Photo by Buscar Photo
It has been a quiet 5-years since Alt-J put out their last album, 2017s Relaxer. The band came out of hiding late last year with the announcement of The Dream along with lead single “U&ME.” The song starts off with a wandering guitar and vocal melody, dreaming of summer nostalgia and hot dogs off the grill. The song picks up the pace halfway through and crescendos into a psychedelic summer ballad. On Monday night, Alt-J also played the highly experimental The Dream songs “Chicago” and “Philadelphia.” Alt-J’s stage set-up for this tour is quite remarkable. The three band members are on elevated platforms, surrounded by a semi-transparent screen that they project visuals onto, completely immersing the band into the visual presentation.
With only four LPs, the band played many songs from each of their releases but weaved them together in such a compelling way that they could have been playing a complete album in full. Alt-J have been incredibly consistent over the years, and created quite a unique sound in the oversaturated indie rock scene. As a trio from the start, Alt-J never try to make their music too dense with many layers. Instead, the three members allow the instruments they are playing to shine through as clear as possible while moving in and out of subtle movements within their songs. They are uniquely able to create the illusion of a five-piece band without adding too much at any given point.
The US leg of the tour is nearing the end, with three more shows in Boston, Montreal, and Toronto. The band then heads over to the UK for a run of shows in May and then a larger European run in Novemeber. Head over the the band’s website for more info and check out our full photo gallery of Alt-J at Madison Square Garden below.
On Monday April 11th 2022, The Trinity of Terror Tour made a stop in Buffalo at RiverWorks. This is a triple headlining tour featuring Ice Nine Kills, Black Veil Brides and Motionless in White. The Buffalo show was a sell out with 5,000 people singing along to every song. Buffalo RiverWorks is the city’s newest premier waterfront, boating, sports, music, dining and entertainment destination located along the banks of the Buffalo River.
Buffalo RiverWorks crowd- Photo credit- Mike Miller
There are three guarantees in life; death, taxes and waiting in long lines at a sell out concert. Many concert attendees did not head the advice of the venue to arrive early. Traffic was as expected and one of those meandering snake single file lines to enter the venue in the parking lot. Some fans waited over an hour to enter the concert in the rain. But once fans passed through security, they were greeting with a huge two floor, standing room only, 50,000 sq. ft space, filling up with music lovers alike. The stage had a large drum riser with 2 LED video screens. One in front of the drum riser and a larger one behind it that would play music videos in between sets. Along the edge of the stage were remote light bars that are blinding if you look at them directly.
Motionless in White
Motionless in White is an American heavy metal band from Scranton, Pennsylvania. Formed in 2005, the band has stated that their band name is derived from the Eighteen Visions song “Motionless and White”. Their set was nine songs in length featuring songs like, “Disguise” and “Another Life”. During “Cyberhex”, the song was stopped at the last chorus because of a fan injury. Security and medical professionals were able to attend to the fan and the show continued on. Their second last song was a Killers cover, “Somebody Told Me” where almost every fan was singing along to the lyrics, because who does not like The Killers? It was announced that the bassist Justin was not there because he was at home expecting a new born child in Rochester.
Motionless in White- Photo credit- Mike Miller
Band members: Chris “Motionless” Cerulli (lead vocals), Ryan Sitkowski (lead guitar), Ricky “Horror” Olson (rhythm guitar), Vinny Mauro (drums), and Justin Morrow (bass).
Setlist: Disquise, Reincarnate, Necessary Evil, Voices, Thoughts & Prayers, Cyberhex, Another Life, Sombody Told Me, and Eternally Yours.
Black Veil Brides
Black Veil Brides is an American rock band based in Hollywood, California formed in 2006. Their style has constantly been changing ever since the group was formed in 2006. They were originally described as metalcore when they were formed but now resemble glam metal/shock rock like Kiss or Motley Crue. Singer Andy Biersack was recently diagnosed with Covid-19 and had to drop from their current tour for a few shows. He was recently cleared and they have rejoined the tour.
Black Veil Brides- Photo credit- Mike Miller
Band members: Andy Biersack– lead vocals, keyboards; Jinxx– rhythm guitar, violin, backing vocals; Jake Pitts– lead guitar; Christian “CC” Coma – drums; Lonny Eagleton – bass, backing vocals
Setlist: Faithless, Coffin, Crimson Skies, Shadows Die, Wake Up, Scarlet Cross, Knives and Pens, The Legacy, Fallen Angels, and In the End.
Ice Nine Kills
Ice Nine Kills (sometimes stylized in all capital letters or abbreviated to INK, and formerly known as Ice Nine) is an American heavy metal band from Boston, Massachusetts who are signed to Fearless Records. Best known for its horror-inspired lyrics, Ice Nine Kills formed in its earliest incarnation in 2000 by high school friends Spencer Charnas and Jeremy Schwartz. Charnas is currently the only remaining founding member.
Ice Nine Kills- Photo Credit- Mike Miller
Throughout their set, they used props like axes, drills and chainsaws for imagery to remind fans of horror movies as each band member was a separate character. Some of their inspiration was from movies like American Psycho, Hostel, Psycho and The Evil Dead. Their 13 song set featured songs like: “Welcome to Horrorwood”, “Hip to be Scared” and “Wurst Vacation”. During their third song, a fan appeared to be injured and security signaled to pause the show again. Security was overhead saying that the fan just dropped their phone and were struggling to get back up. Shortly after this the show resumed.
Band members: Spencer Charnas – lead vocals; Ricky Armellino – backing vocals, rhythm guitar; Joseph Occhiuti – backing vocals, bass, keyboards; Dan Sugarman – backing vocals, lead guitar; Patrick Galante – drums.
Setlist: Opening Night, Welcome to Horrorwood, Wurst Vacation, Hip to be Scared, Stabbing in the Dark, Rainy Day, IT is the End, Communication of the Cursed, Take Your Pick, Ex-Martis, The Shower Scene, Funeral Derangements, and The American Nightmare.
This tour will be stopping in Huntington NY at The Paramount on Friday April 15th for another sold out show. Ice Nine Kills will be back in Buffalo opening for Metallica on August 11th at Highmark Stadium (Home of the Buffalo Bills!)
Motionless in White
photo credit- mike millerphoto credit- mike millerphoto credit- mike miller
Black Veil Bride
photo credit- Mike Millerphoto credit- Mike Millerphoto credit- Mike Miller
On Friday, April 9th, all the old school rockers of Albany came back together at The Hollow in Albany for a once-in-a-lifetime reunion of two of the local’s favorite bands from back in the day – The Sharks and Johnny Rabb with his Jailhouse Rockers. This was the third installment of shows celebrating the 30th anniversary of local promoter and rock legend Greg Bell of Guthrie Bell Productions. This epic show at the Hollow proved that even after several decades in the business, Greg Bell still knows what the people want, and consistently gives it to them.
Johnny Rabb & The Jailhouse Rockers
First up was Johnny Rabb & The Jailhouse Rockers. Unlike most of the other bands we have seen recently, these guys didn’t take a little pandemic break — for some of them, it had been decades since they rocked out together. Their set was packed full of well-known and loved oldies ranging from the 50s to the 70s, and it was impossible to tell they hadn’t been on tour.
The Sharks
The Sharks reunited for the first time in 19 years as part of the celebration, bringing with them a following that sold out The Hollow and a captive audience. With an early R&B sound ranging across the 50s to early 80s, the band member (short one) had a party in Albany, thrilling with “Everybody Wants to Know” and two well tuned covers – “Baba O’Riley” by The Who and “Downtown” by Petula Clark.
Setlist: Too Late to go back, I’ll Follow you, Change Your Tune, Take What You Get, Please Say Yes, Pay Day Blues, Bien Vendido, She Never Feels the Same, Too Good for Words, Baby Don’t Know It, How Can I Give You, With Your Love, Moving to America, Baba O’Riley, Little Yeeti, Rehabilitation Blues, Everybody Wants to Know, Good Old Days, Arm in Arm, Down Town, I Won’t Be Happy
The Swyer Theatre at The Egg played host to a sold out afternoon performance on Sunday, April 10 by Triveni, featuring three of the greatest musicians in Indian classical music – Zakir Hussain, Kala Ramnath, and Dr. Jayanthi Kumaresh. The three musicians have been honored in India and abroad with numerous awards, and have collaborated for Triveni’s initial tour in North America.
The mixed crowd drew from the large South Asian population in the Capital Region, all captivated by the sonic experience the trio had to offer this afternoon.
All three performers walked out shortly after 3pm, taking their seats behind their respective instruments. Hussain wished the crowd a happy Palm Sunday, and said that they were all very glad to finally be performing, which was greeted by loud applause from the audience. Ramnath and Kumaresh – wearing traditional saris – flanked Hussain on each side, with Ramnath playing violin to Hussain’s right and Kumaresh the Saraswati Veena.
Hussain noted they would treat the performance as a train on a journey, stopping at different stations. Noting the North Indian raga tradition background of Ramnath, and the South Indian veena of Kumaresh, Hussain served as the bridge for the two to meet, culminating in hypnotic interplay between all three and, at times, duets between them.
The combination of sounds from each of the stringed instruments joined with the tabla made for a consistent musical conversation, one with no breaks in between, just a constant flow from song to song. With the group’s name of Triveni derived from the mythical site of the union of three sacred rivers in India, the name was on point as a perfect one for this concert of musicians.
In one segment, after 20 minutes of continuous interplay between Ramnath and Kumaresh, Zakir joined in after quietly observed the pair. As the collaboration progressed, Hussain used the rapid drumming of his fingers on the tabla to drive the tempo of the “train” quickly uphill. After taking a lengthy solo, Hussain was joined by once again by Ramnath and Kumaresh, bringing the performance to a ferocious close.
After a slightly more than 90-minute set, the trio went out in front of their instruments to bow in appreciation to the audience. At this time, Hussain stepped back, allowing the women to soak in the appreciation from the Swyer Theatre audience.
Triveni Tour Dates
4/12/2022 Pittsburgh Cultural Arts Pittsburgh, PA 4/14/2022 Sixth&i Washington, DC 4/17/2022 Global Arts Live Somerville, MA 4/19/2022 Davidson Theatre Columbus, OH 4/20/2022 Cleveland Museum of Art Cleveland, OH 4/23/2022 Indian Classical Music Circle Austin, TX 4/24/2022 Wortham Center Houston TX
Touring in support of their debut studio album It Won’t Always Be Like This, released on July 9, 2021 (Polydor), the Irish sensation known as Inhaler performed the second of back-to-back shows in New York City on Monday, April 4.
True to their word as they neared the end of a 20-date North American tour that kicked off one month ago in Atlanta, the quartet of young lads were making up a date that was originally scheduled for March 10, but postponed due to a positive test for COVID-19 among the touring party.
Eli Hewson (Photo: Michael Dinger)
Inhaler’s rapidly growing legion of fans, many of which are comprised of a young female demographic, lined the sidewalks of two city blocks in the Union Square neighborhood of Manhattan, all waiting for tonight’s venue to open its doors to them. Irving Plaza, more than a century and half old, was inhabited as a Polish-American community center in the late-1940s, prior to a conversion into a ballroom-style music hall in 1978. Having hosted legendary performers during its storied history, such as The Clash, Paul McCartney, The Ramones and Bob Dylan, the venue underwent an eight-month long, multi-million dollar renovation in 2019.
Irving Plaza marquee (Photo: Michael Dinger)
Upon entering the iconic venue, general admission fans blew right through the contemporary, revamped lobby and flew up the stairs to the second level stage, hoping to find themselves as close to the night’s performers as possible. Talking with dedicated fan Arianna Russell moments before Inhaler appeared on stage later in the night, I learned that she arrived to queue outside Irving Plaza more than 12 hours earlier! For her to be in the front row, leaning on the stage rail barricade, it was more than worth the effort.
Fans queue (Photo: Michael Dinger)
Having also opened for Inhaler the night before at Warsaw in Brooklyn, the up-and-coming indie-pop rockers known as Rebounder took to the stage at approximately 8:25 pm. These New Your City natives are led by the alluring Dylan Chenfield (singer-songwriter-guitarist), a self-proclaimed huge fan of Bruce Springsteen, who is already known for the nostalgic lyrics about the city that inspires him. The trio is rounded out with Dylan’s younger brother Noah (bass) and Cobey Arner (drums). The fourth offering from their seven song set included their newest single “Premium Fantasy,” a dreamy tune complete with a catchy hook combination of melody and lyrics.
Rebounder (Photo: Michael Dinger)
Noah Chenfield (Photo: Michael Dinger)
As their name suggests, Dylan is also a basketball fan, particularly that of Patrick Ewing and the New York Knicks. A deeper meaning to their moniker, however, can be attributed to their DIY mentality and strive for success, bouncing higher with each new challenge.
Cobey Arner (Photo: Michael Dinger)
Nearing the end of their time onstage, Rebounder executed a shining example of 1970s electronic energy with their synth-dominant track “Swim Zone.” After graciously thanking the audience for their support and Inhaler for inviting them to perform, Rebounder exited house right.
Dylan Chenfield (Photo: Michael Dinger)
For those unfamiliar, Inhaler formed in 2012 at St. Andrews College in Dublin and are Elijah (Eli) Hewson (lead vocals, guitar), Robert Keating (bass), Josh Jenkinson (guitar) and Ryan McMahon (drums). Also joining them for live performances is Louis Lambert (keyboards/synthesizer).
Inhaler (Photo: Michael Dinger)
As a 50-year old Gen Xer, I admittedly discovered Inhaler through my passion of Eli’s father, Paul Hewson (a.k.a. Bono of U2), the legendary frontman himself. Notwithstanding, their infectious songs have completely won me over, dating back to their first single, “I Want You,” which the group self-released in 2017. With their debut album having topped the UK chart in its first week of release, this fast-rising band is “must see” entertainment.
Fans in the front row (Photo: Michael Dinger)
Immediately following two back-to-back shows in Los Angeles, and showing no signs of jet lag, Inhaler appeared on the Irving Plaza stage accompanied by flashing strobe lights that beamed throughout the intimate setting. While surveying the 1,200 souls in attendance, including VIP guests in the mezzanine that included Bono, Christy Turlington, Ed Burns and Helena Christiansen, I heard a fan say to her friend, “If I stop breathing, [just] slap me on the back.” Opening their 12-song set with the title track “It Won’t Always Be Like This,” Eli was dressed in a white t-shirt and head-to-toe in denim. The first words out of his mouth, which he addressed to the fervent audience who jam-packed the entire floor area like sardines in a tin, were, “A Monday night never felt so good, thank you for coming to see us.”
Crowd waiting for Inhaler to take the stage (Photo: Michael Dinger)
Ryan McMahon (Photo: Michael Dinger)
Equipped with a Fender Stratocaster that was complete with an Elvis Presley guitar strap, for the next hour, Eli and his bandmates would tear through fan favorites such as “We Have To Move On,” “Ice Cream Sundae,” “When It Breaks” and “Cheer Up Baby.”
Robert Keating (Photo: Michael Dinger)
Well on their way to becoming refined songsmiths, Inhaler songs are defined with a dizzying array of sonic textures, complete with a melodic chorus that grabs your immediate attention upon first listen. Their dynamic, intricate instrumentation is anchored by Jenkinson’s soaring guitar riffs, Keating’s rhythmic, thumping bass lines and McMahon’s dynamic drumming style reminiscent of Stewart Copeland, The Police drummer he has noted as one of his inspirations. The closing number, “My Honest Face,” is a coming-of-age song that Eli wrote about losing himself, and then finding himself again, figuring out the type of performer that he wanted to be onstage, in front of a live audience.
Josh Jenkinson (Photo: Michael Dinger)
Inhaler’s It Won’t Always Be Like This North American tour wrapped in Toronto, Canada on April 6th. The band’s next plans for world domination in 2022 include 60 plus shows spanning the globe that will take them to Germany, Italy, France, Spain, Scandinavia, The Balkans, United Kingdom, and of course, The Emerald Isle. Several stops along the way will also include major festival dates, such as PinkPop (June 19), Glastonbury (June 22), Rock Werchter (July 1) and Lollapalooza (July 28). Additional details can be found on their website here: https://www.inhaler.band/
Eli Hewson (Photo: Michael Dinger)
Rebounder Setlist: Change Shapes > Slow Angel > The Library > Premium Fantasy > Lovers > Swim Zone > Night Sports
Inhaler Setlist: It Won’t Always Be Like This > We Have to Move On > Slide Out the Window > Ice Cream Sundae > When It Breaks > A Night on the Floor > Who’s Your Money On? (Plastic House) > My King Will Be Kind > Totally > In My Sleep > Cheer Up Baby > My Honest Face
Western New York natives Joywave came back to their local roots in Buffalo on April 3.
In the spirit of a local show, Buffalo’s very own Humble Braggers opened up the night at the Town Ballroom. This synth pop band played hits off of their new EP Love & Fear. Following up, joe p took the stage with his signature basement-produced songs that wowed the crowd. Especially when performing his popular song, “Off My Mind.”
Photo Credit: Maddie McCafferty
Fans of Joywave packed in throughout the night with excitement as its been many years since this indie rock group toured. The Cleanse tour showcased many songs off of their latest album release in February while still playing the classics.
Photo Credit: Maddie McCafferty
Joywave is no stranger to the music scene in Buffalo. The born and raised Rochester group has been made all too familiar with the back and forth drives between the two cities to see all their favorite artists growing up. So, getting to perform at a venue they spent their youth going to was a full circle moment.
Photo Credit: Maddie McCafferty
The group consists of Daniel Armbruster (vocals), Joseph Morinelli (guitar), Paul Brenner (drums), Kevin Mahoney (bass guitar), and Connor Ehman (keyboard). The band took over the stage with their matching mechanic outfits and innovative production design. They began the night with a more recently released song “Cyn City 2000.” They even paid tribute to their pandemic album Possession by playing a couple of songs they hadn’t got to perform live. The intricate synth usage and unique sound structure made even unfamiliar listeners be awed.
As excited as the crowd was to have such high energy, it doesn’t exceed the excitement that the band had to return home and finally sleep in their own beds again. The night ended with an absolute bang with heavily praised songs “Tongues” and “Dangerous” finishing up the set. Nothing compared though to the rage worthy crowd that went crazy after heavy beats dropped off of the classic “Destruction.”
Photo Credit: Maddie McCafferty
No one wanted the night to end and luckily for that Joywave is making their way back to their actual hometown in Rochester. If you unfortunately missed out on these energetic guys, don’t worry. They’re performing at the Anthology both April 8 and April 9.
Also check out upcoming shows at the Town Ballroom. Peach Pit performs April 9 and The Airborne Toxic Event takes the stage on April 10.
Setlist: Cyn City 2000, Buy American, It’s a Trip!, Obsession, After Coffee, Every Window Is A Mirror, Coming Apart, Half Your Age, Traveling at the Speed of Light, The Inversion, F.E.A.R., True Grit, Somebody New, Ugly Ending, Goodbye Tommy, We Are All We Need, Tongues, Dangerous, Destruction
Another Saturday night brought Bob Weir back to Radio City Music Hall along with the Wolf Bros and special guests to celebrate the 50th anniversary of the release of his first solo studio album, Ace.
Special guests for the show included Brittany Spencer who complimented Weir’s vocals with soulful harmonies. And Tyler Childers whose guitar and vocals added an extra touch of Americana. Longtime Weir collaborator Ron Carter stepped on bass for ”Dark Star.”
The core of Weir’s Wolf Bros band consisted of Don Was (bass), Jay Lane (drums), Jeff Chimenti (keys), and Barry Sless (pedal steel guitar). The Wolf Pack of Alex Kelly, Mads Tolling, Adam Theis, Brian Switzer, Sheldon Brown on strings and horns brought some rather fun improv breaks throughout both sets.
Weir’s Ace celebration continued Sunday evening at Radio City Music Hall. This time with another added guest, Dead & Company bandmate John Mayer.
Bob Weir and Wolf Bros Radio City Music Hall – New York, NY 4/2/22
Set 1: When I Paint My Masterpiece, Me and My Uncle, Loser, Ace: Greatest Story Ever Told (w/ Tyler Childers), Black-Throated Wind, Walk in the Sunshine (w/ Brittney Spencer), -> Playing in the Band -> Looks Like Rain (w/ Brittney Spencer), Mexicali Blues, One More Saturday Night, Cassidy
Set 2: You Win Again (w/Tyler Childers), Weather Report Suite -> Shakedown Street (w/ Brittney Spencer), Dark Star (w/ Ron Carter), Eyes of the World -> What’s Going On -> Eyes of the World, Days Between -> Playing in the Band
Pop-punk mainstays The Maine celebrated their 15th anniversary as a band this past Monday, April 4th at Webster Hall. The band last played in NYC back in August 2021 as part of the Sad Summer Festival, but the show at Webster Hall was The Maine’s first NYC headline in over four years. Overjoyed to be playing a club in the city again, singer John O’Callaghan thanked the fans for their longstanding support and treated them to a career spanning setlist.
The Maine at Webster Hall, 4/4/22. Photo by Buscar Photo
As the house lights went down, archetypal party song “Sweet Caroline” played over the PA as The Maine filed onto the Webster Hall stage. The song provides a perfect segway into the opening track from their 2021 LP XOXO: From Love & Anxiety In Real Time, “Sticky,” which references the Neil Diamond anthem. Staying true to their Southwest roots, light-up cowboy hats were on sale at the merch table, and have been a crucial part of the band’s merch package for many years. Looking around Webster Hall you found dozens of these hats as well as fan-made versions lighting up the room. Going along with the passion of The Maine’s fan community known as “8123,” the crowd exploded with energy as the band played the first notes of “We All Roll Along” from their debut Can’t Stop Won’t Stop.
The Maine at Webster Hall, 4/4/22. Photo by Buscar Photo
The Maine’s latest record was released last summer, and the band spent the second half of 2021 on tour supporting All Time Low; a tour that stopped at NYC’s Pier 17 for the Sad Summer Fest back in August. The current headlining tour (which began in January) is the first time the band is able to fully flesh out the new songs and mix them into their classics. Mixing nostalgia and with the reality of today, John told an anecdote of losing his wallet at The Knitting Factory while asking the audience to pay tribute to his baby who was in attendance clad in earmuffs at the sound table.
The Maine at Webster Hall, 4/4/22. Photo by Buscar Photo
The band cruised through a 16-song setlist that touched on all of their albums and various singles. In the last leg of the show, The Maine introduced Taking Back Sunday frontman Adam Lazzara as well as opening artist Charlotte Sands onto stage to perform their latest collaborative single “Loved You A Little.” Released back in January the song is a classic emo/pop-punk anthem featuring vocals from the three singers. Adam, Charlotte, and John from The Maine are all individually powerful vocalists that command a room, but on “Loved You A Little” the three are mixed so well and create a unified sound as if they were all in the same band.
The Maine with Adam Lazzara and Charlotte Sands at Webster Hall, 4/4/22. Photo by Buscar Photo
“Loved You A Little” by The Maine, Taking Back Sunday, and Charlotte Sands. Via YouTube
The Maine maintain a busy tour schedule through the month of April and ending on a somewhat hometown show in Prescott, AZ on April 30th. The band also has two festival appearances at SO WHAT!? as well as the meme-famous When We Were Young Festival in Las Vegas. Head over to The Maine’s website for the full itinerary and check out NYS Music’s photo gallery from the Webster Hall show below.
