Category: Reviews

  • An Inside Look at the Sites, Songs, Shows and Stars that Made NYC Rock in “New York Groove”

    In 2021, veteran rock writer Frank Mastropolo gave us a mega-informative book about the history of one of New York’s most legendary performance venues in Fillmore East, The Venue That Changed Rock Music Forever.  Now he’s back with New York Groove (Edgar Street Books), a sort of half guidebook/half history to the sites, stars, shows and songs that made the Big Apple a mighty rock metropolis, from its dawning days in the 1950s to today.

    The generously-illustrated 224-page book divides the city’s rock landmarks and stories into three chapters: Downtown, Midtown and Uptown, with the first being the arena of most of the action.  All the classic venues of the past are here, from the well-trodden like The Fillmore East, MSG, The Apollo Theater and CBGB to more temporal ones, like The Dom, Club 82, Player’s Theater, Mercer Arts Center and The Garrick Theater, which played a role in launching acts like The Velvet Underground, The New York Dolls, The Fugs and Zappa’s Mothers of Invention.  After these venues are introduced, the author gives the history of some of the most famous shows at each. One important one was James Brown’s 1962 live show at the Apollo. This incendiary performance gave birth to not only one of his most lasting albums but provided proof positive that a live performance of previously released tunes could sell as an LP.  Mastropolos’ book also unearths lots a cool factoids about the many ratty apartments, cheap hotels and, and later, the palatial brownstones where stars like Dylan, Lennon, Sting and Patti Smith lived. Also covered are where they penned, and the studios at which they recorded, some of their most well-known songs like The Lovin’ Spoonful’s ever-enduring steamy weather staple, “Summer In The City.” There’s more than 200 archival and performance photos, posters, albums, buttons and memorabilia included, arcania that truly brings nearly 70 years of NYC rock history to life.

    New York Groove

    The book is a bit of a personal blast from the past for me as it’s a trip back to my recently former life, when I ran a PR company that created, among other weird things, rock and roll landmark bus tours for Tanqueray Gin, first in Los Angeles and later in New York City.  In New York, our tour guide/researcher was the amazing Danny Fields, the man who did PR for The Doors and discovered and managed folks like Iggy Pop and The Ramones, subject of the Ramones song and later documentary “Danny Says.”  Fields shared some of the same weird facts that Mastropolo does here.  My favorite?  That Paul Simon’s song “Mother and Child Reunion” was inspired by a chicken and egg dish he ate at a Chinatown restaurant.  

    A look at NYS Music’s reviewer as a younger man giving Japanese TV viewers an inside look at Electric Lady Studios and other NY Rock landmarks, ones covered in this new book.

    Mastropolo’s book is a must for anyone who wants to head to the streets, or just couch-potato it, and take a comprehensive, first-rate tour of the whole history of rock music in New York.

    New York Groove
  • In Focus: 24kGoldn at The New York State Fair

    24kGoldn headlined at The Great New York State Fair on Friday, September 2. Following performances on Wiz Khalifa and Logic’s Vinyl Verse Tour, the rapper debuted on the Chevy Park stage within the New York Experience Festival Grounds. Under the yellow stage lights, 24kGoldn presented an incredible show to a large interactive audience.

    A San Francisco native, 24kGoldn burst into the music industry with the success from the release of his single “Valentino” in January 2019, receiving over 371 million streams on Spotify. His music genre ranges from punk and alternative to pop and rap. Driven by a TikTok viral trend, 24kGoldn’s song with Iann Dior, “Mood,” set music chart records by becoming the first song ever to top four Billboard Music Charts at the same time.

    @24kgoldn

    #stitch with @cameronghassemi i knew i felt sumn in there!

    ♬ original sound – 24kGoldn

    The lights dimmed and 24kGoldn ran on stage full of energy to “Valentino.” Immediately, fans in the crowd jumped out of their seats. He worked each side of the stage equally, especially during the performance of “Coco,” featuring DaBaby where he assigned each side of the audience to chant “Coco” or “Chanel.”

    Closing the show, 24kGoldn performed “Mood,” and the crowd sang along. His stage presence is outstanding, with an effortless way of working an audience.

  • Indie rock band Local Natives light up The Rooftop at Pier 17

    It has been three long years since Local Natives have toured and the wait was worth it. The Inside An Hourglass Tour started late-July with Jordana and made it’s second to last stop at New York’s Pier 17 on a beautiful summer night.

    Local Natives' Kelcey Ayer on keyboard playing a sold out show at New York's Pier 17.
    Local Natives’ Kelcey Ayer on keyboard playing a sold out show at New York’s Pier 17.

    Jordana opened the show with “Pressure Point”, the first song off their latest album, Face The Wall, which was released in May. The singer-songwriter had a comedic way of addressing the crowd throughout the set with her trusty Gumby on the mic stand. Before closing with “Why”, Jordana exclaimed “I love you dude!” to her new friend in the crowd, Kenny, who she briefly chatted with earlier in the set. Lastly she went on to say “This one…you know what’s funny is that we started the set with the first song on the album I just released in May…and now we’re ending it with the last song on the album, so it’s kind of artistic in that way…you know what I mean? Kind of meta, artsy, any way it’s about not giving a damn.”

    Sing-songwriter Jordana and Gumby playing a sold out show at New York’s Pier 17.

    Local Natives took the stage shortly after sunset, kicking off with “Statues in The Garden (Arras)” which has a dreamy, psychedelic music video to accompany it. After a few songs, vocalist and guitarist Taylor Rice remarked that it has been three years since they have toured and “we missed you very, very, very much!” Taylor continued to share that their tour bus caught fire two weeks prior and they weren’t sure they were going to make it to New York, proudly stating “…but we are here! We didn’t cancel anything!”

    Overall the group’s mix of songs off their full discography along with newer tracks “Desert Snow” and “Hourglass”. During the encore, Kelcey commented “…this is such an amazing night, and I just think about the first time we ever played New York City was at Pianos…this little place somewhere over there…” as he gestured off into the distance. “It feels fucking great! And this song is dedicated to New York.”

    Local Natives at Pier 17, Friday, August 26

    Setlist: Statues in the Garden (Arras), Megaton Mile, I Saw You Close Your Eyes, Coins, Ceilings, Desert Snow, Past Lives, Wide Eyes, Sun Hands, Wooly Mammoth, Heavy Feet, Fountain of Youth, Colombia,
    Lemon (with Jordana), Dark Days, Who Knows, Who Cares

    Encore: Hourglass, Airplanes, When Am I Gonna Lose You

  • Steve Tibbetts Serves Up a Long Overdue Career-Retrospective with “Hellbound Train”

    Hellbound Train is an astounding double-album retrospective from the always revelatory American guitarist Steve Tibbetts, a stalwart innovator who has been associated with ECM Records for 13 albums over 40 years. 

    Steve Tibbetts

    Tibbetts has one of the widest palates in the world of guitar.  His music features alternately tuned 12-string acoustics that trigger lush samples from a wide library he has created – Tibetan long horns, gongs and even his wife’s tuned wine glasses.  And no one can create a more fearsome sound with an electric guitar.  Tibbetts combines a vintage Stratocaster with a Marshall JCM 800 to create feedback that he compares to “sheet metal being torn to pieces.”  Tibbetts can tap and slur with the best of them, with his electric sounding like an uncaged animal and his acoustic melodies bearing a sitar-like tonality. He complements this with electric kalimba, dobro,  percussion and piano to complete his always melodic compositions.  

    Since the beginning of his career, Steve Tibbetts has been supported by the incredible tribal cum gamelan rhythms of percussionist Marc Anderson, surely one of the most underrated musicians working today.  Minnesota-based Tibbetts has traveled widely. He has lived and collaborated with musicians in Tibet, Nepal and Bali, something that infuses his music with colors and beats that are truly unique.

    Hellbound Train is divided in two chapters. The first disc is largely a showcase for his dazzling electric side; the second his acoustic and more peaceful ethereal leanings.  The anthology juxtaposes pieces originally featured on the albums Northern Song, Safe Journey,  Exploded View, Big Map Idea, The Fall Of Us All, A Man About A Horse,  Natural Causes and Life Of.  The guitarist’s goal was not to create a “Best Of”with bits from every album, but a collection of pieces that flowed best together.  

    The album opener, “Full Moon Dogs,” enters with polyrhythmic hand drums and shakers supporting Tibbett’s vocal choir chants and sitar-like melodies from his treated acoustic.  At the four-minute mark, things get more hellacious with the entrance of Tibbett’s fuzz fried Strat and groaning whammy bar antics. “Black Temple” opens with an orchestral acoustic and tinkering temple bells and Anderson’s sandy, scrapy percussion.  More animal melodies from Tibbett’s electric as the pulse and tempo accelerates. 

    I am delighted that side one features the tune that turned my head and turned me on to Tibbetts, “Vision” from his 1984 album, Safe Journey. It has everything I and you are sure to love about Tibbetts.  There’s an intro with tablas and shakers supporting a simple melody played by Tibbetts on his kalimba.  After a slight breakdown for percussion at 1:45, Tibbetts roars in with drawn out notes of his fuzzed-out Strat before moving into the melody, with slurs, taps and harmonics.  Interestingly he get this thick maelstrom of guitar splendor without an effects boxes, just with every dial on his amp turned up to 10.

    It’s music ancient and modern, music of both the soil and deep space.

    Disc 2 showcases Tibbetts’ unique approach to acoustic.  Rock fans will have their minds expanded by his cover of Jimmy Page’s “Black Mountain Slide.”  Tibbetts’ take is infused with other worldly ambience from his sample-generating 12-string and driven by Anderson’s excellent tabla drumming.  In places, it brings to mind the work of John McLaughlin’s Indian acoustic band, Shakti.  The Indonesian-flavored “Wish” provides a distinct gamelan vibe while “The Big Wind” is all airy guitars and ambience at first, leading to a rhythmic pulse and kalimba melody before an outro of heavenly sustained guitars climax.  These pieces show that, in the hands of Tibbetts, an acoustic guitar can be orchestra with all the color of a philharmonic and the warmth of a large concert hall.

    Since the 1970s, ECM Records has been a platform for not only some of the most virtuosic and original musicians on the planet, but a producer many of the best sounding and engineered albums ever made.  Along with Tibbetts, ECM has been home to monster guitarists’ guitarists like Norwegian Terje Rypdal, John Abercrombie, Ralph Towner, David Torn and Eivind Aarest.  And it’s let them not only stretch their wings conceptually, but produces some of the most attractive album packaging to showcase these superlative sounds .

    Steve Tibbetts

    With its liquid melodies and textures,  its hypnotic beats and pulsations subtly influenced by musics of many cultures, Hellbound Train is an ideal introduction to the work of one of the world’s most consistently original guitarists.

  • In Focus: Chevelle Performs at Opening Day of the New York State Fair

    On August 24, the New York State Fair opened its gates up for the annual fair that runs through Labor Day. Many come from all over the state and even out of state to Syracuse for the food, the exhibits and rides, but plenty come to Central New York for State Fair music acts at Chevy Park and Chevy Court, including opening day act, Chevelle.

    chevelle state fair

    At the State Fair, there is plenty to do, see, and even eat, especially those deep fried Oreos but one event that attracts so many, is the free concerts that take place at Chevy Park. A while back, the fair had grandstands but eventually removed them in place of an open field with a few bleachers in front of the stage. On the opening day of the State Fair, the band to close out the night was a very well known rock band, Chevelle. They played for over an hour and played a wide variety of hits from many of their albums. 

    chevelle state fair

    After the band’s performance, an opening day special, fireworks for the end of the night, which could be seen throughout the fairgrounds. There are still many other performances lined up, along with other events. The State Fair’s last day is on Labor Day, September 5th.

  • Tim Eletto Drops New Single “For a Second”

    Long Island singer/rapper Tim Eletto has released his fifth 2022 single “For a Second,” an ode to positivity and personal honesty while dealing with anxiety and depression.

    It’s a bright and poppy song that reflects the Hofstra University student’s life experience through the construction of two conversations with fictional people across the song’s pair of verses. “I took all of the patterns that I see in people that struggle with this stuff (mental illness) and combined them to make two characters that I think everyone is very familiar with,” says Eletto of “For a Second.”

    Tim eletto
    Artwork in promotion of the single.

    Citing AJR has a major influence, Eletto’s musings about his emotional ups and downs are cast over a light piano melody that keeps the song feeling hopeful even when he drops his moodier lines in the track. The highlight of “For a Second” though is the chorus with its very catchy melody. “I been in the left lane with my eyes closed, ’cause life is too fast but I see it too slow,” he sings.

    Eletto’s other four singles released this year also can be found on Spotify.

    In this song, Tim Eletto has no qualms about letting the listener see his full self. His lyrics are straightforward, his melody is optimistic, and the track’s themes are genuine and personal. “For a Second” is a successful exercise in using music as a therapeutic outlet.

  • Lynyrd Skynyrd rocks the house at Seneca Niagara Casino

    Saturday, August 27th brought the legendary southern rock band Lynyrd Skynyrd to Seneca Niagara Casino In Niagara Falls. To note, the only original member of the band is Gary Rossington who plays guitar, but he was recovering from heart surgery so he was unable to play.

    Lynyrd Skynyrd is a rock band formed in Jacksonville, Florida in 1969. The band rose to fame in the 70s with five studio albums and one live album but their career was abruptly halted in 1977 when their chartered airplane crashed, killing three band members and seriously injuring the rest. They reformed in 1987 with their former singer’s brother Johnny Van Zant as singer. They were inducted into the Rock and Roll Hall of Fame in 2006 and have sold more than 28 million records in the USA.

    photo credit- Mike Miller

    The show started off with AC/DC’s thunderstruck with a video montage of the band on the large stage screens. Once the whole band walked on the stage the fans went screaming loudly and all stood from their seats with applause. Lynyrd Skynyrd opened their set with “Workin for MCA”. They usually open most shows with this song so fans kind of expect it now.

    photo credit- Mike Miller

    Some other notable songs in their set (all the fan favorites) were “What’s Your Name,” “That Smell,” “Mississippi Kid”, “Sweet Home Alabama” and of course, “Free Bird” as their encore. This is the only band that you can yell out “Free Bird” and be guaranteed that they will play it and not look at you crazy as it is their most famous song.

    photo credit- Mike Miller


    Setlist: Workin’ for MCA, What’s Your Name, You Got That Right, The Needle and the Spoon, Whiskey Rock-a-Roller, That Smell, Cry for the Bad Man, Saturday Night Special, Tuesday’s Gone, Mississippi Kid, Red White & Blue, Simple Man, Gimme Three Steps, Call Me the Breeze, Sweet Home Alabama, Free Bird

  • Lionel Richie Performs First Show in Buffalo area in 22 years

    It’s that time of year for the Seneca Niagara Casino to host their annual outdoor concert series in Niagara Falls. On Friday August 26th, they hosted their first of two this year with Lionel Richie headlining. Richie of course is the American singer, songwriter, musician, and record producer who rose to fame in the 1970s as a songwriter and the co-lead singer of funk band the Commodores.

    Lionel Richie
    Photo Credit- Mike Miller

    There was no opening act, just Lionel Richie performing. The casino had announced this was their largest attended event ever since they started doing these outdoor concerts many years ago. Almost every seat was filled and the general admission section in the back of the lot was packed as well.

    Photo Credit- Mike Miller

    It had been a very long time since Lionel Richie has played a show in our area. The last time he played Buffalo was in 2000. The show was scheduled to begin at 8pm but due to a flight delay due to weather in NYC, Lionel was about 80 minutes late arriving. Fans were very eager for the show to start as once they saw his police escort arrive behind the fence, the atmosphere changed and the crowd got louder.

    Photo Credit- Mike Miller

    Before Lionel took to the stage the band started with “Overture”, it had many older photos of Lionel throughout his history on the large video display wall panel on the stage. He played all of his top hits along with some Commodores tunes. After the second song “Running With The Night”, Lionel told the crowd a story why he was late tonight. He mentioned that the mayor of NYC was behind him at the airport and if he isn’t going anywhere due to the weather, neither is he.

    Photo Credit- Mike Miller

    Lionel and his band were on fire all night, getting the crowd to sing along to every word. Some other memorable songs in his setlist were “Three Times a Lady”, “Hello” and “Brickhouse”. He closed the night with “All Night Long” as his encore.

  • Interpol And Spoon Launch Co-headlining Tour In Asbury Park

    In a double bill for the ages, Matador Records label mates Interpol and Spoon joined forces for their first show on the “Lights, Camera, Factions” tour on Thursday, August 25 at The Stone Pony Summer Stage in Asbury Park, NJ.

    Paul Banks of Interpol | Photo by Michael Dinger

    Post-punk outfit Interpol, formed at New York University in 1997, have recently released their seventh studio album The Other Side of Make-Believe, which was produced by the legendary duo of Flood & Moulder at Battery Studio in London. Indie rockers Spoon, the 1993 brainchild of front man Britt Daniel and drummer Jim Eno (the band’s only consistent members), are touring in support of their latest album Lucifer on the Sofa, recorded in their hometown of Austin, Texas.

    Britt Daniel of Spoon | Photo by Michael Dinger

    With a glorious sunset sky as the natural background to their set, Spoon took to the stage a few ticks past 7:00 pm. Their opening number was “Held,” a cover by Smog (the alias of enigmatic singer/songwriter Bill Callahan), which also serves as the introductory song to their most recent studio release, the aforementioned Lucifer on the Sofa. Spoon would go on to perform a second cover near the halfway point of their 18-song set, John Lennon’s “Isolation,” taken from his first post-Beatles album released in 1970.

    The Stone Pony Summer Stage | Photo by Michael Dinger
    Jim Eno of Spoon | Photo by Michael Dinger

    The remainder of the quintet’s 75-minute set would be split up amongst their celebrated discography, with at least one offering from eight of their ten studio albums. Spoon fans eager to hear their new material in a live setting would also not disappointed, as they were treated to three tracks from Lucifer on the Sofa, including “Wild,” “My Babe” and “The Hardest Cut.” Albeit for some technical difficulties with Daniel’s guitar pedals late in their set, Spoon’s performance was filled with the high energy, crowd-engaging experience that you can always count on them to deliver.

    Britt Daniel of Spoon | Photo by Michael Dinger

    After a 30-minute turnover of the stage, and nightfall having settled over the beach boardwalk venue, the trio comprised of Paul Banks (lead vocals, guitar), Daniel Kessler (guitar) and Sam Fogarino (drums) unassumingly appeared in the dark shadows of the stage. Accompanied by a touring bassist and keyboardist, the set’s opening number was “Untitled,” taken from 2002’s critically acclaimed debut album Turn On the Bright Lights, written specifically to open the band’s live shows.

    Paul Banks of Interpol | Photo by Michael Dinger
    Daniel Kessler of Interpol | Photo by Michael Dinger
    Sam Fogarino of Interpol | Photo by Michael Dinger

    Sharply attired in tailored suits, the band was often immersed in a deluge of smoke haze, heavily backlit with dramatic strobe lights, which made for a visually stunning experience. Like Spoon before them, Interpol’s 15-song set would also bestow upon their fans a representative sampling of their impressive music catalog, with the exception of 2010’s self-titled release, their fourth album overall.

    Paul Banks of Interpol | Photo by Michael Dinger
    Daniel Kessler of Interpol | Photo by Michael Dinger

    A third of Interpol’s set was composed of songs from this year’s The Other Side of Make-Believe, namely “Fables,” “Toni,” “Something Changed,” “Gran Hotel” and “Into The Night.” However, the clear highlights of their 70-minute act included “Obstacle 1,” the second single from Turn On the Bright Lights and “Rest My Chemistry,” from 2007’s Our Love to Admire, which would see many of the nearly 3,000 fans light up the night with their raised cell phones to capture this fan favorite. As the show closed shortly after 10:00 pm with another one of Interpol’s biggest hits, “Slow Hands” from their sophomore album Antics (2004), my only regret is that it all happened too quickly.

    Paul Banks of Interpol | Photo by Michael Dinger

    Interpol and Spoon’s 18-date “Lights, Camera, Factions” tour will conclude mid-September in Portland, Oregon with a pair of shows at Pioneer Courthouse Square.

    Spoon Setlist: Held (Smog cover) > The Fitted Shirt > Wild > My Mathematical Mind > Do I Have to Talk You Into It > The Way We Get By > The Underdog > My Babe > I Summon You > Got Nuffin > Isolation (John Lennon cover) > The Hardest Cut > Inside Out > I Turn My Camera On > Don’t You Evah > Do You > Jonathon Fisk > Rent I Pay

    Interpol Setlist: Untitled > Narc > Fables > Evil > Pioneer to the Falls > Toni > Something Changed > Obstacle 1 > Gran Hotel > All the Rage Back Home > Rest My Chemistry > Into the Night > The New > The Rover > Slow Hands

    Spoon

    Interpol

  • JRAD Plays Inaugural SPAC Show, Debuts Motown Classic

    Thursday, August 25 marked the debut performance of Joe Russo’s Almost Dead (JRAD) at Saratoga Performing Arts Center (SPAC), a remarkable step for the all-star Grateful Dead tribute act featuring drummer Joe Russo, guitarists Scott Metzger and Tom Hamilton, keyboardist Marco Benevento and bassist Dave Dreiwitz.

    photo by Zak Radick

    An enthusiastic Saratoga Springs crowd – one that has seen JRAD perform from Brooklyn Bowl to The Palace Theatre and stops across the country – was treated to a fitting opener of George Jones’ “The Race Is On,” followed by an extensive “Shakedown Street” that followed. After “Row Jimmy” (which had a “They Love Each Other” tease at the start), the band shifted into “Dancing In The Street” and then seamlessly into “The Music Never Stopped,” which featured teases of “Dancing” and “Shakedown Street” intertwined throughout, then provided a sharp return to the end before closing the set with “Touch of Grey.”

    photo by Zak Radick

    After a setbreak full of Tom Petty songs, Russo, wearing a Late Night with Seth Meyers shirt, led the band through a rousing jam that worked its way into “Playing in the Band.” Hinted at by pre-show MoTown songs (and The Chordettes “Lollipop” post show music), JRAD then debuted Smokey Robinson’s “Second That Emotion” after the 20 minute “Playing.” The highlight of the night would arise in “Brown Eyed Women” that found Hamilton, Metzger and Benevento alternating in taking the lead in the jam, each of them finding higher peaks to reach with each passing of the baton. “Let It Grow” and Dylan’s “When I Paint My Masterpiece” followed the scorching “BEW,” and the set was brought to a close with an upbeat “Franklin’s Tower.”

    During the encore of “I Know You Rider,” Hamilton found every peak to take the envigorating jam up another step, as JRAD gave the SPAC crowd an uplifting number on which to end their historic night.

    Set 1: The Race Is On, Shakedown Street > Row Jimmy > Dancing In The Street > The Music Never Stopped > Touch Of Grey

    Set 2: Playing In The Band, Second That Emotion > Brown-Eyed Women > Let It Grow > Masterpiece > Franklin’s Tower

    Encore: I Know You Rider

    photos by Zak Radick