On Saturday, January 15, The Campbell Brothers played a high energy set for a small Caffe Lena crowd that braved the elements to make it out. The self-described church music group rocked Caffe Lena with their unique style that combined funk, soul, gospel, folk, and everything in between. The Campbell Brothers’ energy was contagious and the small cold crowd helped sing along to their entire hour and fifteen minute set.
To get a real sense of what The Campbell Brothers’ music is all about by listening, check out this clip of “Morning Train” from 2011.
The Campbell Brothers’ set included “Morning Train” and a number of other energetic tunes including “I’ve Got a Feeling,” “Hell No,” “Heaven Yes,” and “Jump for Joy”. This clip of “Morning Train,” though, is a perfect representation of the tone, mood, and level of musicianship present at the show on Saturday night.
Whether it was Phillip’s touch on guitar, Denise’s powerful vocals, or Chuck’s superb control on the pedal steel, The group hit notes that anyone can enjoy. Their simple hooks made it easy for the crowd to learn the lyrics and sing along with Denise throughout the night.
There is no substitute for witnessing their music performed live in person, and it is an experience that music lovers will crave again and again. So the next time The Campbell Brothers morning train rolls into your town, the only question you need to ask yourself is, “how many tickets am I buying?” Also, be sure to check them out on Facebook.
Folk and protest music legend Pete Seeger performed on The Late Show with David Letterman in 2008, performing “Take it From Dr. King,” a tribute to the late Dr. Martin Luther King, Jr.
Seeger, who helped popularize the Civil Rights movement’s protest anthem “We Shall Overcome,” first met Dr. King in 1957 at Highlander Folk School, a social justice leadership training school and cultural center located in New Market, Tennessee. Seeger recalls the day:
I met her, I met all three of them that day. As a matter of fact there is a picture taken of us out standing out standing in front of a cinder block wall that they enlarged the barn which became their library and King, Abernathy, Rosa, Me and Miles and Zelphilia’s teenage daughter were there. Pete Seeger
Seeger would later write the song “Take It From Dr. King,” a tribute to the legacy of a man who led a non-violent movement that championed civil rights and equality.
Seeger connected with King in 1957, in this story from The Kennedy Center
On September 2, 1957, Dr. Martin Luther King, Jr., visited Highlander Folk School in Tennessee. Part of the school’s mission was to help prepare civil rights workers to challenge unjust laws and racist policies that discriminated against African Americans. The school also made a point of bringing blacks and whites together to share experiences and to learn from each other. It was a dangerous idea. At a time when southern laws kept blacks and whites segregated or separate, some white racists terrorized African Americans with deadly violence.
Dr. King delivered the main speech that day, honoring the school’s 25th anniversary. As part of the meeting, folk singer Pete Seeger got up with his banjo. He plucked out a song he had learned at Highlander, and led the audience in singing it.
Later that day, Dr. King found himself humming the tune in the car. “There’s something about that song that haunts you,” he said to his companions.
That song in question was the protest movement song “We Shall Overcome.”
“Take it from Dr. King” lyrics
Down in Alabama, 1955, Not many of us here tonight were then alive; A young Baptist preacher led a bus boycott, He led the way for a brand new day without firing a shot.
Don’t say it can’t be done The battle’s just begun Take it from Dr. King You too can learn to sing So drop the gun.
Oh those must have been an exciting 13 years. Young heroes, young heroines. There was laughter, there were tears, Students at lunch counters, Even dancing in the streets. To think it all started with sister Rosa Refusing to give up her seat.
Song, songs, kept them going and going; They didn’t realize the millions of seeds they were sowing. They were singing in marches, even singing in jail. Songs gave them the courage to believe they would not fail.
We sang about Alabama 1955, But since 9-11 we wonder will this world survive. The world learned a lesson from Dr. King: We can survive, we can, we will. And so we sing
Don’t say it can’t be done The battle’s just begun Take it from Dr. King You too can learn to sing So drop the gun
Restless World has released their new single called, “Bridges Are Collapsing.” The NYC band is no stranger to melodic beats and emotionally driven lyrics, assets that this new single include as well.
Described as “smartly crafted”, Restless World have been praised for their ability to mesh between genres, like with the drop of their singles “I No Go Play” and “Cyclone”
Restless World’s cover art.
The song is perfectly crafted as it conveys the emotion of previously stable things in your life as they fall down. The lyrics, “Bridges are collapsing/there goes everything” accurately explain the feeling when things are not working out, and you’ve given up.
Speaking of the song, Restless World summarized the song itself.
Bridges connect people, places, cultures…and sometimes hearts. So what happens when that connection starts breaking down? That’s the story “Bridges are Collapsing” tells.
This song is important in the new life with the pandemic, as everything around us is collapsing, but we do have one thing to keep us grounded, the art of music.
Featuring JOSEPH on vocals, “Bridges Are Collapsing” is hauntingly beautiful, and makes it no surprise that Restless Music has won several songwriting awards, notably from The Great American Song Contest five years in a row.
Jess Novak and The Jess Novak Band are gearing up for a big year with the release of their new music video, “The Key.” Written and recorded by The Jess Novak Band at Hobin Studios, the second track off of their 2021 album release, “A Thousand Lives,” seeks to inspire listeners everywhere.
In its lyricism and upbeat instrumentation, “The Key” tackles themes such as baggage, trauma, and moving on. Lyrics like “If the ground keeps crumbling, then get some wings/You gotta rise to survive this thing” metaphorically express how the world may be a cruel and unfair place, however, we have the power to let go of the things weighing us down and reach our goals.
This song is all about choosing to let go of the things holding you back and to embrace your own power. It’s a declaration that “you can do it” – and you can. Whatever IT is, I hope 2022 is your year to make it happen.
Jess Novak
The video itself, recorded and produced by Lights on Fayette, features brilliant color in up to 4k resolution. Novak has previously worked with the studio while filming her music video for “The Joke.”
“The Joke” – The Jess Novak Band
Alongside this release, Jess Novak has announced February show dates throughout upstate New York, where you can catch her solo or duo performances live.
Thursday, February 3 – Twitch – twitch.tv/jessnovakmusic – 9:30 a.m. – SOLO Thursday, February 3 – The Village Tavern – Marcellus, NY – 8 p.m. – DUO Friday, February 4 – Bellevue Country Club – Syracuse, NY – 7 p.m. – SOLO Saturday, February 5 – Stinger’s – Manlius, NY – 6 p.m. – SOLO Sunday, February 6 – Hops Spot – Syracuse, NY – 11 a.m. – DUO Thursday, February 10 – Twitch – twitch.tv/jessnovakmusic – 9:30 a.m. – SOLO Thursday, February 10 – Steamers – Oswego, NY – 6 p.m. – DUO Friday, February 11 – TK Tavern – Camillus, NY – 7 p.m. – DUO Saturday, February 12 – Battle Island – Fulton, NY – 11 a.m. – DUO Saturday, February 12 – DiPrinzio’s – Clayton, NY – 7 p.m. – SOLO Sunday, February 13 – Brian’s Landing – Jamesville, NY – 11:30 a.m. – DUO Monday, February 14 – Hops Spot – Clayton, NY – 6 p.m. – SOLO Thursday, February 17 – Twitch – twitch.tv/jessnovakmusic – 9:30 a.m. – SOLO Thursday, February 17 – Al’s Wine and Whiskey – Syracuse, NY – 10 p.m. – JNB Friday, February 18 – Piggy Pat’s – New Hartford, NY – 7 p.m. – DUO Saturday, February 19 – The Sting – Oswego, NY – 9 p.m. – SOLO Sunday, February 20 – Brian’s Landing – Jamesville, NY – 11:30 a.m. – DUO Thursday, February 24 – Twitch – twitch.tv/jessnovakmusic – 9:30 a.m. – SOLO Thursday, February 24 – Bluewater Grill – Skaneateles – 7 p.m. – SOLO Friday, February 25 – Gibby’s – Oswego, NY – 8 p.m. – DUO Saturday, February 26 – Lukin’s – Utica, NY – 10 p.m. – JNB Sunday, February 27 – Skaneateles Brewery – Skaneateles, NY – 2 p.m. – SOLO Tuesday, March 1 – The Finish Line – Brewerton, NY – 6 p.m. – SOLO
For more information on music and shows click here.
You can also catch Jess Novak live every Thursday at 9:30 AM EST on her Twitch channel.
For the first episode of 2022, SNL welcomed Ariana Debose to host, along with Jack Antonoff’s Bleachers as musical guest. Debose won a Golden Globe earlier this week for her performance as Anita in Steven Spielberg’s “West Side Story” and gained additional honors as the 200th woman since 1975 to host the NBC variety show.
During her monologue, Debose was joined by veteran cast member Kate McKinnon for a medley of “West Side Story” numbers, including “Tonight,” “Something’s Coming” and “America;” during “I Feel Pretty” the pair fist bumped following the famous line “I feel pretty and witty and gay!”
https://www.youtube.com/watch?v=tLOEKEwjGKk
The show began with “Message from the President” and featured new cast member James Austin Johnson as President Joe Biden blaming the spread of the omicron variant of COVID-19 on too many people seeing “Spiderman: No Way Home.” Biden at one point wondered if there were other President Biden’s in the multiverse, leading Pete Davidson to arrive as a Biden variant from another universe.
Local business commercials in the New York Metro area were spoofed by Davidson and Chloe Fineman, who advertised their shop for prom and formal wear in “Formal Emporium,” with featured player Andrew Dismukes as their nerdy son.
https://www.youtube.com/watch?v=4QoH_oYaN6M
Chris Redd made his debut as new New York City Mayor Eric Adams, in a NY1 press conference sketch where Adams made his arrival to the podium with Mase’s “Feel So Good”as walk on music. Adams bragged about the swag he brings to the office and gave stark comparison to the predecessor, who was never parodied on SNL in his eight prior years in office.
https://www.youtube.com/watch?v=d7igRfDC1YQ
Jack Antonoff’s NYC-based indie-pop group Bleachers performed an energetic “How Dare You Want More,” off 2021’s Take the Sadness Out of Saturday Night, and was performed on The Tonight Show with Jimmy Fallon last year.Mark ‘Rat’ Ratner Antonoff was joined by singer-songwriter Blu DeTiger on bass, Claud on keys and Rick Antonoff, Jack’s dad, on guitar.
https://www.youtube.com/watch?v=Gnn-pBhmUX4
The Sound of Music has been a regular musical sketch number on SNL, appearing in sketches twice in the last four years. Debose’s Broadway chops were on display in “Governess” where a widower, Kenan Thompson, hired DeBose to teach his children, who sang a take on “Do-Re-Mi.”
For Bleachers’ second song, Antonoff’s 2020 collaboration with Bruce Springsteen, “Chinatown,” was featured, with Claud shifting to guitar. Antonoff recently confirmed that he will release a new Bleachers album, the group’s fourth, by the end of the year.
https://www.youtube.com/watch?v=l3hEhMMfUJo
Rapper Roddy Ricch was originally scheduled as musical guest this evening but had to withdraw due to members of his team being exposed to COVID-19. SNL returns on January 22 with host Will Forte and musical guest Måneskin.
One sketch that was cut for time, “All On Me,” features a rapper (Chris Redd) performs a song with his entourage (Ariana DeBose, rapper Freddie Gibbs, Kenan Thompson) after signing a major deal.
On Jan. 14, Long Island pop punk band, Lupopunk, released its second single, “Before You Go,” from their upcoming untitled EP.
https://www.youtube.com/watch?v=oa9SudVKJG0
Lupopunk’s previously released single, “Don’t Think I Forgot About You” from their upcoming EP.
On “Before You Go,” Lupopunk delivers a vintage pop punk performance, one that was frozen in ice back in 2003 and made to be thawed out under the blazing studio lights of an MTV stage. Except that MTV doesn’t play music anymore and pop punk turned out to be a fad. Which complicates the whole ordeal. How do you judge a good single from an outdated genre that barely holds any cultural bearing? Or should it not even matter because art should exist for its own sake and not to please, serve, and/or be sold to an audience?
Lupopunk’s recorded their new single “Before You Go” with John Naclerio of Nada Recordings.
If you’re a fan of pop punk Lupopunk’s new single, “Before You Go” is like a fond childhood memory that triggers a rush of emotions and a longing for a time when all the things you loved were at the center of your world. The powerful guitar riffs with the emphatic chords, the angst-ridden vocals, the drums which demand attention all combine to make for a true “they don’t make ‘em like they used to” performance.
When I first started Lupopunk it was going to be just an acoustic project…[but] I started to record that and demo it and realized that I’m going to finally do my pop punk stuff.
Matty Lupinacci, Lupopunk front man
Lupopunk’s lead vocalist, Matty Lupinacci, a long-time staple of the Long Island punk scene, will perform live for the first time in 14 years on Saturday 1/15 at the Massapequa VFW Hall.
Peter Stone’s debut EP, “Unlabeled“, delivers an eminently listenable and creatively integral album. It’s a work whose influences are clear—R&B vocals, 80’s synthesizers, pop beats—but who’s originality and creative vision are even more evident.
Stone’s work features a knack for melodies that are sonically complex and rich with texture but that are, nonetheless, earworms that stick with you as you listen. Even though he recorded the album in 2020 during lockdown in his native Italy “when he couldn’t have any contact with anyone [which] was a really tough time” his ability to guarantee head-bobbing tunes belies the conditions under which the EP was recorded.
Although his ability to do so appears effortless the quality of the music suggests it likely wasn’t. Rather it was the product of a detailed process of intentional musical choices from his myriad influences. On “Cold,” the album’s likely hit, his mix of R&B crooning and 80’s synthesizers combine to make what is ultimately a pop song of the highest order.
Stone doesn’t have an aversion to pop music. Even if we admits that it’s not one of the guiding inspirations of his musical process.
“Pop is one of the genres I’m up to put myself in even though [I’m not] mainly inspired by it when it comes to the writing and the production of my songs,” acknowledged Stone.
Even if it isn’t his main inspiration there’s no denying that it’s the outcome. On “Lead Me”, the first song on Peter Stone’s debut EP, he sings “She’s dancing on the floor/She’s moving on the floor” over pulsating synths and basses.
His obvious talent for creating uniquely creative, yet accessible music is on delves into new spaces with “Save Me” and “Trust.” The first is an emotional piano ballad, with Stone playing the keys, that while still feeling slightly like a young artist’s imitation of what they think an emotional song should sound like; has lyrics that effectively portray a person that’s fractured and realizing that they have to put themselves back together.
On “Trust” Stone exhibits a mature understanding of song composition that is reflexive of a clear creative vision, executed with purpose. The song is a three-parter but to say more would spoil the mix of delight and intrigue one feels at its transitions. All of which are unlike both each other and the rest of the songs on Unlabeled offering a glimpse into Stone’s multidimensionality as an artist.
His multitude of influences might have created a genre blending debut but ultimately all that matters is that once you listen to Peter Stone’s debut EP…you’ll want to listen to it again.
Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from Shortwave RadioBand, Paul Moody, Hanzolo,and many more!
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
ShortWave RadioBand
Last week, ShortWave RadioBand released their newest single, “SomeDay.” An upbeat rock song about looking ahead to brighter days, the accompanying music video is on its way. “SomeDay” follows the Schuylerville trio’s debut single, “Don’t Care,” which previously featured on EQXposure in November 2021. Listeners can expect the band to release their first EP later this year.
Paul Moody
Continuing this week’s theme of positivity, singer-songwriter Paul Moody has released “Letting Light In.” The calming folk song is about being receptive to new connections and relationships, particularly with one special person: “I was king of the lonesome, but I gave up the throne / For what good is a kingdom, when you rule all alone?”. While its melody is simple, the song crescendos into a sweeping instrumental halfway, almost mimicking the blooming of sunflowers.
Hanzolo
“Goldmine,” the opening song on Hanzolo’s self-titled album, expertly blends soul, funk and pop. There’s rarely a dull moment on the four-minute track, which smoothly glides along and promises plenty of replay value. Hanzolo, a seven-piece alt-funk band, sounds current and clean while still drawing upon retro influences like Motown.
Today marks the anniversary of one of the last Grateful Dead shows ever to take place in Utica. It comes at a time that’s the end of an era, so to speak, as Keith and Donna Jean Godchaux’s final shows with the band would take place the following month in February before keyboardist Brent Mydland’s tenure began soon after. It’s not a very widely circulated show by any means; the lone audio copy is far from pristine and, supposedly, technical issues plagued the concert that night. It’s the third of four shows that the Dead would play at Utica Memorial Auditorium and one of the final times that fans in New York, and the Northeast for that matter, would be able to see the Godchauxs on stage.
In a fitting nod to the locale and season, the Grateful Dead greet Utica Memorial Auditorium with “Cold Rain And Snow.” The rowdy auditorium crowd eats it up, whistling and clapping endlessly throughout. A couple of crisp runs from Jerry Garcia on guitar give way to some engaged harmonies by song’s end, starting the show off nicely. First set stalwart “New Minglewood Blues” follows with the Utica faithful still very much engaged, taking the collective whistling of approval to another level. “Dire Wolf” does little to temper the audible energy, with Garcia’s signature guitar solo showing plenty of pep in its step. Bob Weir then tags back in on lead vocals for a jazzy “Me And My Uncle” which flows seamlessly into a rather percussive “Big River,” a song pairing that started the previous year and would remain popular for the rest of the Grateful Dead’s career.
The breakneck speed of all the songs after the opener finally comes to a halt with “They Love Each Other,” played very much in its low tempo format, lending itself much better to Donna Jean’s vocal harmonies which are also prominently featured alongside Weir for the emotional “Looks Like Rain” that comes next. A top notch “Brown Eyed Women” with a few more remarkable runs by Garcia up and down the fretboard follows, although it’s marred a little by some audio difficulties on the recording. The first set then begins to wrap up with a cover Bobby Womack’s “It’s All Over Now,” perhaps foreshadowing the upcoming end of an era. It’s a spirited version though, with Garcia and Keith Godchaux on piano trading fills back and forth. After a run through the folksy “Jack-A-Roe,” a regular cover at future Garcia solo gigs, the set comes to a close with another legendary pairing of songs “Lazy Lightning” and “Supplication.” The jam connecting the two is very much energetic, heavily psychedelic and fueled with extensive work on the drums from the Rhythm Devils, a great sign for the second set to come.
After a set break to rehydrate and reenergize, the second part of the show begins with somewhat of a first set feel to it. “I Need A Miracle” has a slightly extended Garcia-driven jam neatly attached to it which builds the platform for a launch into a boisterous “Bertha.” The communal good vibes keep moving along into a customarily raucous cover of “Good Lovin’” with Weir taking his usual liberties with vocals before “Stagger Lee” mellows things out a tad.
Finally, for a show bereft of much deep end improvisation, the next few numbers do their best to make up for it. The composed section of “Estimated Prophet” is played to near perfection, minus some off kilter early Garcia vocals, before later devolving into near silence (with the exception of more whistlers) for a soaring, exploratory jam that literally builds itself from the ground up. As the pace reaches a crescendo, some familiar guitar chords begin to seep through and the Dead are off and running in Utica with a blisteringly quick “Eyes Of The World.” Garcia dazzles once more in the song’s first jam with a jaw-dropping flurry of notes that can’t seemingly be played any faster. The second one is dominated by the rhythm section of bassist Phil Lesh and the drummers so, naturally, this makes its way into the “Drums” portion of the evening, shining the spotlight on Bill Kreutzmann and Mickey Hart for a while.
View this and more Grateful Dead shows from across the years in New York State with our interactive map below!
A rather choppy-starting “Iko Iko” slowly but surely emerges from “Drums” and it’s played at a much slower tempo than it would be in the years to follow, making for an interesting early version. At its conclusion, the familiar noodley opening jam of “The Other One” begins to develop before Lesh’s thunderous opening bass riff confirms it. It’s a short but sweet take that serves as the evening’s last true dip into psychedelia.
Oddly there would be no encore for this show. Instead it wraps up with the lead singers going back and forth one last time. First, Garcia leads the band through a soulful “Black Peter” before Weir does the same for a show-closing cover of Chuck Berry’s “Around And Around” that has both he and Donna Jean trading lyrics back and forth by song’s end.
Grateful Dead – Utica Memorial Auditorium – Utica, NY 1/14/79
Set 1: Cold Rain And Snow, New Minglewood Blues, Dire Wolf, Me And My Uncle > Big River, They Love Each Other, Looks Like Rain, Brown Eyed Women, It’s All Over Now, Jack-A-Roe, Lazy Lightnin’ > Supplication
Set 2: I Need A Miracle > Bertha > Good Lovin’, Stagger Lee, Estimated Prophet > Eyes Of The World > Drums > Iko Iko > The Other One > Black Peter > Around And Around
Pop-rock trio Hanson announced their Red Green Blue Tour to follow a release of their new album Red Green Blue, with stops at Empire Live and The Beacon Theatre.
The band of brothers is a three-time Grammy-nominated pop-rock trio, selling over 16 million albums, and performing for over three million fans.
Hanson, photo by Jonathan Weiner.
Created in 1992 in Tulsa, OK, Hanson established a regional following before getting international fame, with a string of top 40 singles.
The new album Red Green Blue will be released on May 20, and it will mark 30 years of the band being together. Speaking about the milestone, they said this.
Going into our 30th year as a band we felt like it was imperative we continue to tell our story like only we can, and telling stories in ways that will continue to challenge us to grow and give people new reasons to listen. Red Green Blue is about sharing what has made us a band that has been able to weather so many storms.
Hanson’s tour will be stopping all over the globe, with two NYS stops. One will be at Empire Live in Albany and the other at the Beacon Theatre in NYC.
The band plans to release singles to accompany the album, one on February 11, one on March 11, and one on April 15.
Hanson
Tickets to see the Red Green Blue tour can be found here, with tickets going on sale at 10 AM local on January 20.
Hanson 2022 Tour Dates
EUROPE: JUNE 8 – Helsinki FINLAND – House of Culture 10 – Stockholm SWEDEN – Berns 12 – Oslo NORWAY – Vulkan Arena 13 – Goteborg SWEDEN – Pustervik 14 – Kolding DENMARK – Godset 16 – Hamburg GERMANY – Mojo 17 – Koln GERMANY – Gloria 18 – Munich GERMANY – Strom 20 – Milan ITALY – Magazzini Generali 22 – Paris FRANCE – La Cigale 23 – Brussels BELGIUM – AB 24 – Amsterdam NETHERLANDS – Melkweg 26 – Nottingham UK – Rock City 28 – Glasgow UK – SWG3 Galvanisers 29 – Manchester UK – O2 Ritz 30 – London UK – Roundhouse
JULY 2 – Bristol UK – O2 Academy 3 – Leeds UK – University – Stylus
NORTH AMERICA
JULY 12 – Houston TX – House of Blues 14 – New Orleans LA – The Joy Theater 15 – Nashville TN – Ryman Auditorium 16 – Atlanta GA – The Eastern 17 – St Petersburg FL – Jannus Live 19 – Birmingham AL – Alabama Theater 20 – Raleigh NC – The Ritz 22 – Richmond VA – The National 23 – Silver Spring MD – The Fillmore Silver Spring 24 – Philadelphia PA – The Fillmore Philadelphia 26 – Pittsburgh PA – Palace Theatre 28 – Albany NY – Empire Live 29 – Boston MA – House of Blues 30 – Hampton Beach NH – Hampton Beach Casino Ballroom 31 – New York NY – The Beacon Theatre
AUGUST 2 – Montreal QC – Corona Theatre 3 – Toronto ON – Danforth Music Hall 5 – Elizabeth IN – Ceasers Event Center 6 – Cleveland OH – Agora Theatre 7 – Detroit MI – Royal Oak Music Theatre 9 – Grand Rapids MI – 20 Monroe Live 10 – Indianapolis IN – Egyptian Room at Old National Centre 12 – St Louis MO – The Pageant 13 – Chicago IL – Aragon Ballroom 14 – Madison WI – The Sylvee 16 – Springfield MO – Gillioz Theatre 18 – Council Bluffs IA – Stir Cove at Harrah’s 19 – Minneapolis MN – The Fillmore Minneapolis 20 – Fargo ND – Fargo Brewing Company Outdoors 21 – Winnipeg, MB – Park Theater 23 – Calgary AB – The Palace Theatre 24 – Edmonton AB – Midway 26 – Vancouver BC – The Vogue Theatre 27 – Seattle WA – The Moore 28 – Portland OR – Crystal Ballroom 30 – San Francisco CA – The Fillmore 31 – Anaheim CA – House of Blues
SEPTEMBER 2 – Los Angeles CA – Ace Theatre 3 – San Diego CA – Humphrey’s Concerts By The Bay 4 – Phoenix AZ – The Van Buren 6 – Las Vegas NV – Brooklyn Bowl 7 – Salt Lake City UT – The Depot 9 – Denver CO – Paramount Theatre 10 – Kansas City MO – Uptown Theatre 11 – Wichita KS – Cotillion Ballroom 13 – Austin TX – Emo’s 14 – Dallas TX – House of Blues
LATIN AMERICA
SEPTEMBER 25 – Mexico City MEXICO – BlackBerry 27 – Guadalajara MEXICO – Teatro Diana 28 – Leon MEXICO – Foro de Lago 29 – Queretaro MEXICO – Teatro Metropolitan
OCTOBER 1 – Monterrey MEXICO – Pabellon M 4 – Santiago CHILE – Teatro Coliseo 6 – Buenos Aires ARGENTINA – Teatro Gran Rivadavia 8 – Montevideo URUGUAY – La Trastienda 11 – Porto Alegre BRAZIL – Teatro Bourbon Country 12 – Curitiba BRAZIL – Live Curitiba14 – Ribeirão Preto BRAZIL – Arena Eurobike 15 – Sao Paulo BRAZIL – Espaco Das Americas 16 – Uberlandia BRAZIL – Arena Sabiazinho 19 – Brasilia BRAZIL – Centro de Convencoes Ulyess Guimaraes 21 – Rio de Janeiro BRAZIL – Qualistage
