North Country’s premier post-outlaw country band, Austin and the In-Laws, have just released their newest album titled “Songs From the Woodshed.” The album just came out on May 10th, giving their audience original tunes of cold weather country delivered in our signature post-outlaw style. They will be coming to play in Plattsburgh on June 24th, at Elf’s Farm Winery 5:00pm.
The band is formerly known as “Cash Journey,” due to their covers of the classic outlaw country style music by Johnny Cash. If you want an evening of country classics and original tunes, be sure to check out the upcoming show dates from the In-Laws.
https://www.youtube.com/watch?v=hXMopxSHi1o
Regardless of their covers of Johnny Cash’s infamous songs, the band has just released their first original album. The band produced, recorded, mixed, and mastered all the songs on this album. Check out these five new original tunes in the classic outlaw country style.
The band is made up of four talented members including Austin Petrashune (Vocals, guitar, piano), Matt Hall (Drums), Ann Petrashune (Bass), and Reggie Duncan (Pedal steel guitar on Dark As Dusk). They are often seen on social media platforms like Facebook, TikTok, and more covering Johnny Cash’s infamous songs like “I Walk The Line” and “Folsom Prison Blues.”
Upcoming shows
June 17th, 6:00 pm, Austin and the In-Laws in Keeseville
June 24th, 5:00 pm, Austin and the In-Laws at Elf’s! in Plattsburgh
July 9th, 4:30 pm, Austin Petrashune plays the music of Austin and the In-Laws in Bloomingdale
You can find lyrics, upcoming shows on their Bandcamp page linked here.
NYC based indie sensations, Back to Yours, have released their highly anticipated single “MONSTER,” which came to Spotify on April 22nd. This is the first single off of their sophomore album, It’s Dangerous at Home, the band’s second full-length album which is scheduled for release this fall. Additionally, the band will be releasing two more singles coming this later this summer.
“MONSTER” is a catchy headbanger, consisting of pop and hard rock influences. Because of it’s up-tempo pace, the song was written from the perspective of someone being chased by their sleep paralysis demon. By blending the unique euphonious music taste of each band member, Back to Yours produces warm, nostalgic, and accessible indie rock with a range of genre-spanning influences.
This upcoming a five-piece indie-rock group began playing together in the Spring of 2019, right when the pandemic started. Consisting of Aiden Jones (bass), Bryce Kassalow (vocals, guitar), Daniel Luttway (vocals, keys), Jiaan Mansuri (drums), and Tommy Levin (guitar). Originally meeting at Georgetown University sophomore year, the boys would go on to preform Beatles covers for their locals. This quickly turned into sold out performances all along the East Coast.
The boys ended up graduating remotely, and have managed to stay together to create, perform, and publish music regardless of the Covid pandemic. Despite all of the challenges they’ve overcome, Back to Yours will be having a big NYC show at the Bowery Ballroom on June 10th. You won’t want to miss the newer direction the band has taken in order to evolve with the constantly changing indie-alternative scene.
For more information about Back to Yours and their upcoming shows, please visit the link here.
Their latest single “MONSTER” is available for download on Spotify, Bandcamp, and more. In check out this catchy headbanger, click the link here.
Venturing to the Village of Lake George is a typical Memorial Day Weekend activity for many in the greater 518 region, as the picture-perfect gateway to the Adirondacks offers a taste of summer up and down Canada Street. For those looking to start their summer with live music, the first annual Memorial Meltdown provided a fresh start to a season of live music in Lake George, with a lineup of regional favorites, highlighted by four sets of Twiddle.
Saturday began with The Whiskey Dicks, featuring Ryan Dempsey & Joe Cirotti, a self-described flaccid rock band from Burlington. Cirotti is a multi-instrumentalist from in Hackettstown, NJ who performs solo and with his rock band, Only Living Boy.
With the threat of rain passing the region, Marble Eyes filled in the late afternoon with rock and roll for the soul. Born in 2020 from the pandemic, Marble Eyes features a collection of New Hampshire Seacoast musicians, Eric Gould (Pink Talking Fish, Bass/Vocals), Mike Carter (Guitar/Vocals), Adrian Tramontano (Kung Fu, The Breakfast, Drums) and Max Chase (Keyboards/Vocals).
North Country legends Lucid brought the party into the early evening, with percussionist Lowell Wurster welcoming his father, George, to the stage to play harmonica on “Backwoods” and sang on The Doors’ “Roadhouse Blues,” joining Ryan “Rippy” Trumbull (drums), Kevin Sabourin (guitar and vocals), Jamie Armstrong (saxophones, clarinet and vocals), Chris Shacklett (bass, trombone and vocals), and Andrew Dellar (keyboards, accordion and vocals).
Jack Brown (Sophistafunk) and Lowell Wurster (Lucid) – photo by Laura Carbone
Twiddle played their first two sets of the weekend with Adrian Tramontano filling in for Brook Jordan. If you’ve caught Twiddle in the past few months, you know the shift in their sound is apparent with the energetic Tramontano elevating the playing of his three on-stage counterparts. The second set closed with the newest single, the radio friendly “Beautiful,” off Twiddle’s upcoming studio album.
Set 1: Earth Mama, Stroganoff, Daydream Farmer, White Light, The Devil, Jamflowman [1]
Set 2: Enter -> [2] Orlando’s -> Apples -> Mamunes the Faun -> Dr. Remidis Melodium -> Orlando’s, Breakadidown, Beautiful [3]
Encore: Beethoven & Greene -> Frankenfoote
[1] – Contained Layla teases [2] – Contained I Dreamed a Dream teases [3] – First time played
Another gorgeous day in Lake George was accompanied by five sets of music, starting with Long Island’s Baked Shrimp. The group is on the heels of their recent release, Pork Etiquette, and just about to embark on a 50 show summer tour, capped off in September with their second annual LonCon Music Festival, held in Bethel at Yasgur’s Farm.
Sophistafunk, fresh from a trip to Los Angeles where the Syracuse funk group recorded an appearance for an upcoming TV show, dropped a funk filled set. Roots of Creation followed, opening up their set with a pair of Grateful Dead covers, “They Love Each Other” and “Scarlet Begonias,” a rousing response coming from the late afternoon crowd.
photo by Laura Carbone
For Twiddle’s first set of the evening, the upbeat opener “Collective Pulse” (which has a distinct ring of Warren Zevon’s “Things to Do in Denver When You’re Dead,” prior to the refrain) was followed by “Hattiebagen McRat” and Lowell Wurster joining the band on washboard. When he was introduced, Mihali was sure to give a nod to the many years Twiddle played at Backwoods Pondfest in Peru, NY, a festival favorite for many that elicited cheers from across the commons.
Following “Lost in the Cold” a jazzy segue into “Doinkinbonk!!!” evolved into a keys/drums segment that channeled Umphrey’s McGee with its velocity and new wave tone. The energy that Tramontano brought to the stage added greatly to the night, and was on display in a cover of Primus’ “Too Many Puppies.”
The final set of Memorial Meltdown began with “Milk” and was highlighted by “Wasabi Eruption” -> “The Box” and “Latin Tang” seguing into Led Zeppelin’s “Fool In The Rain.” An encore of Radiohead’s “Creep” -and the perennial crowd sing-along “When It Rains It Pours” closed out the evening at 11pm, the crowd dispersing into the night.
Promoter Dave Ehmann made the first Memorial Meltdown a rousing success, channeling the energy of the summer into two music-filled days. With ADK Fest over Labor Day weekend in Lake George, make plans to be visit the Queen of American Lakes later this summer.
Set 1: Collective Pulse, Hattibagen McRat [1], Lost In The Cold -> Doinkinbonk!!! -> Too Many Puppies -> [2] Doinkinbonk!!!, Zazu’s Flight, Frends Theme [3]
Set 2: Milk, Syncopated Healing, Wasabi Eruption -> The Box, Latin Tang -> Fool In The Rain -> [4][5] Latin Tang [5], Slippin’ In The Kitchen
Encore: Creep -> [6] When It Rains It Pours [7]
[1] Lowell Wurster (Lucid) on washboard [2] Primus [3] w/ Scott Hannay on keytar [4] Led Zeppelin [5] w/ Scott Hannay on guitar [6] Radiohead [7] Contained ‘My Heart Will Go On’ and ‘Somewhere Over the Rainbow’ teases
Just days ahead of dropping their latest studio album Dripfield, buzz-worthy psychedelic improv rockers Goose kicked off summer in terrific form over the Memorial Day weekend, playing a pair of well received shows in their home state of Connecticut. Packing the Westville Music Bowl in by the thousands, the former tennis stadium turned live music mecca is quickly becoming a favorite venue for both Goose and fans alike. In the latest chapter, the band raised expectations even higher by capping Night 2 off with two impressive sets of original music.
Goose guitar players Rick Mitarotonda and Peter Anspach duel it out at the Westville Music Bowl on 5/28/22
Taking flight on their turf, the summer of Goose began in New Haven, and in promoting their latest studio effort, Dripfield, the boys came prepared, unveiling a fresh new line of Dripfield themed merch that included a limited-edition beer and their first gig poster by acclaimed artist Miles Tsang. After quick pat down through security, excited fans quickly made a B-line for the venue’s well-run merch both. While an ominous sky still lingered over the Bowl, there seemed to be a minor delay to the advertised start time of 6pm. While waiting, a lot of the conversation was centered on the Tsang diptych print, which appeared to be both polarizing to some collectors, while praised by others. The second most debated topic seemed to be over which state really has the best pizza?
Fresh Merch: The Miles Tsang diptych poster for New Haven was a hot topic of debate on 5/28/22
Taking the stage to a healthy hometown welcome on Saturday, May 28th, OG Goose fans were delighted to hear the opening riff of the song “Drive,” one of the bands earliest songs. Feeling a groovy vibe from the start, the band were all smiles early on. Consisting of guitarist Rick Mitarotonda, keyboardist/guitaristPeter Anspach, drummer Ben Atkind, bassist Trevor Weekz and percussionist Jeff Arevalo — Goose would continue to work their magic with high energy takes on “California Magic” and an excellent version of the ever-evolving “This Old Man’s Boat.” Once looking gloomy, by now the weather had become beautiful and a beach ball party was in full swing, making for a particularly on-point and potent rendition of “Turned Clouds,” the opening track off the bands 2016’s studio debut Moon Cabin.
Goose bassist Trevor Weekz kept his shirt on in New Haven, CT 5/28/22
With his trusty rain stick in hand, the uplifting energy continued as the bands beloved tour manager, Jon “Coach” Lombardi, then pulled up a spot near Trevor to shake things up on “Honey Bee.” Closing the opening set on a high note, Coach would stick around for the irresistible “Empress of Organos,” the same song that launched the band into 2022 during their NYE run. Indeed, this show was a celebration and the hometown homies had come to party.
Jon “Coach” Lombardi helped shake things up via rain stick on Night 2 in New Haven 5/28/22
After a somewhat lengthy intermission, Goose was straight birdn’ upon their return, going deep with the new song “Red Bird.” The party atmosphere picked up some more during “Butter Rum,” which featured some of the loudest cheers and best audience participation of the evening. Showing off a new and improved rig, lighting director Andrew Goedde was simply dazzling during the second half of the show. Vibing perfectly in sync with the band as our musical journey seamlessly shifted from “Echo of a Rose” to a standout version of “Into the Myst,” the latter was played in its entirety for the first time since 11/17/21. Upon its completion, the band members slowly disappeared from the stage in a cloud of, well, mist, triggering an ambient-like loop that would continue through the brief encore break. With subtle teases of “Dripfield” all evening long, when Goose returned for their curtain call, they gave fans the full treatment of their new album’s title track. Jammed all the way until curfew, Goose closed out the second night of their hometown throwdown in top notch form.
Lighting Director Adrew Goeddde showing off his new rig at Westville Music Bowl 5/28/22
A scintillating performance showcasing all original material, stellar musicianship, an impressive light show, fun-loving fans and a charismatic “X” factor that can’t be faked, this is a band worthy of the hype. With a new album and a jam-packed summer officially underway, it’s safe to say Goose are set to soar. For more information on where you can see them, including their debut at Radio City Music Hall and a stop in at Artpark in Lewiston, NY, head to bands website.
Goose | Westville Music Bowl | New Haven, CT | 5/28/2022
Set 1: Drive, California Magic, The Old Man’s Boat, Turned Clouds, Honeybee1, The Empress Of Organos
Set 2: Red Bird, Butter Rum, Echo Of A Rose > Into The Myst2, Dripfield
Encore: Dripfield3
Notes 1. Coach on rain stick 2. First finished Into the Myst since 11/17/21 3. Continued from set-closing rendition
Music Haven in Central Park in Schenectady is back for a lineup of summer concerts, as it kicks off its 32 season of “traveling the world one concert at a time.” The lineup features a variety of national and international touring artists and some theater and film and will be held from July 10–Aug. 27.
This Music Haven season is stacked with Grammy, Blues Music, and other award-winning and nominated artists. Producing Artistic Director, Mona Golub, spoke on the wide variety of music that is going to be at Music Haven.
Given the domestic journeys we’ve endured for the last couple of years, I set my sights on curating an uplifting and unifying season of world class music and events. On top of a boisterous itinerary that includes sun splashed reggae, South Louisiana Zydeco, Balkan party music, harmony-driven bluegrass and more, I am thrilled to present Finnish folk music for the first time, to expand the Blues BBQ to a mini-festival, to welcome DakhaBrakha back for a tribute to Ukraine, and to screen Questlove’s award-winning musical documentary about the 1969 Harlem Cultural Fest in the company of neighbors and friends.
Sammy Miller & The Congregation’s main focus is to share global consciousness through joyful jazz. They expand and enhance America’s original musical art form. They will also have the SUNY Schenectady School of Music Faculty Jazz Combo as a guest.
DakhaBrakha will have a powerful tribute to Ukraine as the phenomenal Ukrainian ‘Ethno-Chaos’ quartet joins them with entrancing vocal roots music of Eastern Europe.
The SSO is performing “A Night at The Movies” – selections from your favorite films, along with some other surprises, with Artistic Director Glen Cortese.
Steep Canyon Rangers are a Grammy-winning, Billboard-chart-toping sextet that plays bluegrass with elements of pop, country, and folk-rock.
Aug. 20—Summer of Soul
Summer of Soulis a multi-award-winning music documentary that pays homage to the 1969 Harlem Cultural Festival. The festivities begin with soul food, music, art, and community.
The Finish fiddle band Frigg have carved themselves a top-notch spot in folk with their feel-good tunes and amazing musicianship.
Aug. 26–27—Will Kempe’s Players: A Comedy of Errors
Will Kempe’s Players has a twist on a classic Shakespeare comedy, with unexpected role reversals, mistaken identities, and a lot of slapstick humor guaranteed to make you laugh.
Unique NYC duo MoonTree has released their debut EP For the Time We Have Left, an avant-garde, jazz-oriented record that shows the breadth of the duo’s creativity in 20 minutes.
Eight songs long, the tracks on For the Time We Have Left follow loose, unconventional song structures and feature an array of instrumentation. Accents of mandolin and guitar in the waltzy and cybernetic “No Point of Reference,” and hints of oboe and flute in the cold and ambient “On Q” enhance the EP’s character.
Cover art of For the Time We Have Left. (found on Spotify)
Tone-wise, For the Time We Have Left can range from being eerie and moody to light and melodic. The space-agey shuffling of “UNEARTHLY” contrasts the arrhythmia and creepy vocal snippets of “LOCKET/SOLES,” while never ceasing to create an enveloping atmosphere.
The EP is very textural, with MoonTree leaning heavily on reverb and never overplaying themselves on percussion, also subtly implementing vocal samples here and there to add an interesting rhythmic and melodic element.
Especially spacious and free-formed moments like the closer “your tree” reminisce slightly of Arthur Russell’s experimental 1986 album World of Echo, however MoonTree’s songs on For the Time We Have Left are consistently more focused than Russell’s offerings.
The EP is lyrically sparse overall, with Jaya Franceschini’s echoey lounge-esque vocals conveying a general focus on the complexities of romantic intimacy. This is made clear at points where reverb stripped away, such as the duet-spoken word piece “A Shoulder to Rain On” about an intense romantic moment between two lovers with a disjointed saxophone-driven instrumental sitting in the background.
There’s also the more traditional jazz cut “open book” which offers the record’s sole guest feature. Brooklyn rapper Zedikaya’s guest verse is as open-book as possible, with him offering musings about a love affair gone sour. This brief detour offers a change of pace on the EP and gives MoonTree a good opportunity to incorporate their hip-hop influences.
Despite juggling various ideas and influences, this project weaves these concepts together into a cohesive, inspired project. With tight musicianship on display, this duo of Jaya Franceschini and Ben Cuomo gives an inspired showing of what they have to offer on For the Time We Have Left.
Folk rock legends The Lumineers made a stop in Canandaigua on Friday, May 27, on their heavily anticipated world tour. Popular Upstate NY venue CMAC had a packed crowd despite the on and off rain storm that carried on all day.
Photo Credit: Maddie McCafferty
The Lumineers opened up the amphitheater’s debut concert series and left people wanting more. It was only right that another on the rise folk band open up the night and Caamp did just that. These Ohio natives are composed of Evan Westfall, Taylor Meier, Matt Vinson, and Joseph Kavalec. The group played some hits that the crowd seemed very familiar with including “Hey Joe,” “By and By,” and “Vagabond.”
Photo Credit: Maddie McCafferty
The Lumineers fans’ have waited many years for new music. Luckily, at the beginning of 2022 the band released their fourth studio album BRIGHTSIDE. Following that they announced their worldwide tour. The joyous nine-song collection is co-written by Wesley Schultz and Jeremiah Fraites. On stage they join countless other musicians to give fans the full experience of their music.
In addition to the intricate projecting screens and lighting effects, The Lumineers entered the stage with their uplifting dance beats. They opened with popular songs “BRIGHTSIDE,” “Cleopatra,” and “Ho Hey.” All of which had the crowd dancing from the front aisles to the back of the lawn. The gratitude to be back with their fans had The Lumineers pumped up and even spread the love with their fans as Wesley walked into the crowd throughout his set.
Photo Credit: Maddie McCafferty
Although this was the BRIGHTSIDE tour it did not let the band shy away from playing their much-adored songs off of their older albums III, Cleopatra, and The Lumineers. They even managed to play some covers and bring Caamp back out on stage for a group performance.
They finished their set with songs that the lead singer said reminded him of the many obstacles that everyone endured during the pandemic and the perseveration that we all held on to. With a heavy heart the crowd collectively screamed the lyrics to “Stubborn Love.”
Photo Credit: Maddie McCafferty
CMAC is welcoming many more artists this summer including Kenny Chesney, Fitz and the Tantrums, and more. Don’t miss out!
The Lumineers – CMAC, Canandaigua, NY – May 29, 2022
Setlist: BRIGHTSIDE, Cleopatra, Ho Hey, Flowers in Your Hair, Angela, A.M. Radio, Dead Sea, My Cell, Slow It Down, Charlie Boy, NEVER REALLY MINE, Gloria, Sleep on the Floor, Ophelia, Leader of the Landslide, ROLLERCOASTER, WHERE WE ARE, Walls (Circus), Big Parade
Encore: Donna, Submarines, BIRTHDAY, REMINGTON/REPRISE, Stubborn Love
The Who closed out the first half of its The Who Hits Back! 2022 North American Tour at Bethel Woods Center for the Arts on Saturday May 28. The tour date coincided with the Memorial Day weekend and the start of Bethel Woods’ pavilion show season.
Roger Daltrey, Loren Gold, Pete Townshend
Opening night duties belonged to Willie Nile. Drawing from his extensive catalog of music, Nile and crew offered up a powerful 45-minute set. Willie shared that he had gone to Woodstock in ’69 specifically to see The Who perform. His excitement of performing on the same stage with them was quite evident. A prolific writer whose songs talk to the common man, Nile dedicated a song to those impacted by gun violence, calling out his hometown of Buffalo. Willie closed with the anthem styled “One Guitar.” As a preamble to the song, he pressed that with one guitar, one voice, we can come together and help the world.
Backed by a full orchestra, Roger Daltrey,Pete Townshend and The Who took the stage. The night was an evening of essential Who. With slight vocal variations to support the aging Daltrey’s voice, both he and Townshend did not let the audience of 16,000 down. The core nine-piece band included Pete’s brother, Simon Townshend, on guitar and Ringo Starr’s son, Zak Starkey, on drums. The show featured a full orchestra enhancing the night’s experience. The orchestra, which varies location to location, was comprised of tri-state musicians, and was led by conductor Keith Levenson.
Willie Nile
Mid-set the orchestra left the stage. Pete and Simon Townshend donned acoustic guitars, shifting the tone a bit, as they started into “Seeker.” The mini set concluded with violinist Katie Jacoby, cellist Audrey Q. Snyder, and Pete Townshend sitting in the round as Roger Daltrey serenaded the audience with “Behind Blue Eyes.”
On the return of the orchestra, Pete noted he had fought against using an orchestra for the recording of Tommy. But with Quadrophenia, he realized its value. It was obvious at this point we were experiencing a live rock opera. The evening came to a close with with a song loosely inspired by Pete’s observations from their time at the original Woodstock Festival, “Baba O’Riley” from Who’s Next.
The Who
Were there guitars smashed or drums blown apart? No. However, that did not matter. This night was the about the genius of Pete Townshend, through the vessel that is The Who. For the Hudson Valley this was a trifecta night: Memorial Day weekend, live music, and The Who with an orchestra. Long Live Rock.
The Lumineers kicked off the 2022 Saratoga Performing Arts Center (SPAC) season in Saratoga Springs on Sunday, May 29th with their Brightside World Tour. Upwards of 20,000 fans poured into SPAC on a beautiful May evening that felt more like mid-summer. They played songs spanning their entire catalog, including dusting off one that hadn’t been played in almost a decade.
SPAC 5/29/22
After a 2 year delay due to COVID, the Boulder, CO Folk/Rock band made its first stop in Saratoga Springs. While the band hails from Colorado, they are no strangers to upstate New York. Brightside, the new album, was produced by Palenville, NY native and renowned musician Simon Felice, and engineered by David Baron at his Sun Mountain Studios in Ulster County, NY. Currently in the middle of their east coast swing, the group will continue throughout the Northeast and Midwest, before returning to NYC for a two night stand at Forest Hills Stadium in Queens.
SPAC 5/29/22
The evening opened up with Ohio based Caamp, an American folk/indie group performing for the eager crowd. After a short break that allowed the audience to mingle and enjoy the picturesque grounds, the Lumineers took stage to thunderous applause. Beginning with “Brightside” from their new album, then followed by well known songs “Cleopatra” and “Ho Hey”.
At times, the audience started their own sing-alongs with some of their most popular songs. Towards the end of the performance front-man Wesley Shultz was assigning parts to the crowd, which they eagerly belted out. “Big Parade” which the band said hadn’t been played in about 9 years, was met with excitement. Another highlight came at the end of the show when they closed with the song “Stubborn Love” which had the crowd chanting along.
As the show ended, I overheard one fan exclaim to her friend “That was so much fun, I can’t wait for the next one” Fans certainly left with their hearts full of excitement, for the next stop on the tour, the next show at SPAC, and the summer season to begin in Saratoga Springs.
The Lumineers – SPAC, Saratoga Springs, NY – May 29, 2022
Setlist: Brightside, Cleopatra, Ho Hey, Flowers in Your Hair, Angela, A.M. Radio, Dead Sea, Slow It Down, Charlie Boy, Never Really Mine, Gloria, Sleep on the Floor, Ophelia, Leader of the Landslide, Where We Are, Rollercoaster, Morning Song, Big Parade
Encore: Donna, Submarines, Birthday, Remington / Reprise, Stubborn Love
Brooklyn-based alt-rocker Moon Walker has released his new dark, synthy single “I’m Afraid I’ll Go To Heaven.” He also announced his sophomore album The Attack of Mirrors.
Moon Walker has been described as “Fuzzed-out 70’s rock bliss…politically charged rock music with a sound akin to the White Stripes. Lyrically, the songs are confrontational and sarcastic,” by Westword. He has also been compared to The Talking Heads by New Noise.
Formed during the height of the pandemic, Harry Springer created Moon Walker to pass time and get extra money through selling songs to song libraries. Now, he produces and performs under the name after his first album Truth To Power garnered a fanbase and hundreds of thousands of streams.
The single “I’m Afraid I’ll Go To Heaven” is sarcastic and sincere, with 70s-inspired dark-heavy synths and lyrics commentating on religion and the modern political system. They find humor in darkness as they sing “I’m afraid I’ll go to heaven / That’s why I’m hoping that I’m right / My biggest fear ain’t no red Devil / It’s being near you people all the time.”
Photo credit: Madison McConnell
The music video produced by Madison McConnell is inspired by Kubrick’s The Shining, and the infamous bar scene. Moon Walker gushed about the video in a statement.
This is my favorite music video I’ve ever made. Madi had the idea to base it heavily off of one of my favorite scenes in one of my favorite movies, which I think was brilliant. It also gave me specific references to base my performance off of, which is great if you suck at acting, like me!
His new album TheAttack Of Mirrors, due October 21, will elevate his nostalgic, alternative garage band sounds over ten tracks. He will be using a more experimental approach, expanding on the sounds shown on his first album.
