Category: Features

  • Widespread Panic Perform Long Awaited Beacon Theatre Run

    Widespread Panic held their long-awaited 5-night residency at New York City’s Beacon Theatre this from Thursday, July 21st to Monday, July 25th. The Athens, Georgia band had performed in February and March 2020 just before the pandemic set in, and this new run of shows had been long anticipated and originally scheduled for September, 2021. The shows were pushed to January 2022 then again to July. NYS Music was there on opening and closing night – check out photos from Night 1 and show as well as the setlists and video.

    widespread panic beacon theatre
    Widespread Panic, Beacon Theatre, 7/21/2022. Photo by Buscar Photo

    The atmosphere of the historic theater was electric at the start of the residency. The sidewalks were filled with small vendors selling all sorts of fan art, jewelry and merchandise. Fans were walking up to groups of people handing out stickers and fliers. The official merchandise table was as busy as can be, even with all the competition with numerous t-shirt options outside on the street. Fans were piling in, excited to see what songs would be played on night one.

    widespread panic beacon theatre
    Widespread Panic, Beacon Theatre, 7/21/2022. Photo by Buscar Photo

    The setlist for night one was just what you would expect from Widespread Panic: a surprising career spanning set with various covers and extended jams. After playing “Goodpeople”, the band played “Dark Star” with a “Goodpeople” reprise at the end. Set two featured covers from War (Four Cornered Room), The Beatles (You’ve Got To Hide Your Love Away), and Bloodkin (Henry Parsons Died).

    widespread panic beacon theatre
    Widespread Panic, Beacon Theatre, 7/21/2022. Photo by Buscar Photo

    The run continued at the Beacon Theatre on Monday, with a compact first set featuring huge versions of ‘Hatfield’ and ‘Tie Your Shoes’ which segued cleanly into the set closing “Blackout Blues.” Set 2 was straight fire from the get-go with a party starting “Disco” that pushed into ‘”Big Wooly Mammoth” and from there things only got hotter. A long sandwich of “Chilly Water” > “Surprise Valley” > “Arleen” > “Surprise Valley” > “Chilly Water” was as fulfilling as it sounds, with the crowd letting loose as the run came closer to the end. A stand alone “Airplane” by Jerry Joseph preceded two more fiery tunes to close the show, “Postcard” > “Conrad.”

    What followed was a 5-song encore – only the fourth five-song single encore in Panic’s 36 year history – and the song selection could not have been finer. Paying tribute to old friends, legends and inspirations, they began with Col. Bruce Hampton, and his song “Basically Frightened” (also the name of a great documentary on the Colonel) before shifting into an unexpected “Mountain Jam.” Panic does not cover Allman Brothers Band tunes very often, maybe a tease here and there, but a proper “Mountain Jam” with former ABB guitarist Jimmy Herring leading the charge, is as Georgia as you can get in NYC short of eating a peach at the same time. John Bell picked up his mandolin for Bloodkin’s “End of the Show,” which normally would be the final song of an encore but on this final night of the run, two more surprises were in store. Black Sabbath’s “Fairies Wear Boots” got a proper southern rock treatment, with David Bowie’s “Heroes” closed the set, a fitting bookend to the run that began with Panic’s own song “Heroes,” a nod to the audience who stuck it out amid a pandemic and three reschedules and brought the love to the Beacon Theatre once again.

    Listen to Monday’s show and all others from the run via Panicstream.com.

    Widespread Panic next heads to Atlanta for a four-night run at The Fox Theatre starting August 10th.

    Setlists via Panicstream.com

    Thursday, July 21st

    Set 1: Heroes, Rebirtha, Papa Johnny Road, Goodpeople, Dark Bar, Goodpeople, Papa’s Home, Shut Up And Drive, Blue Indian, Wondering

    Set 2: Cease Fire, Henry Parsons Died, Time Zones, Happy, Jamais Vu (The World Has Changed), Four Cornered Room, Impossible, Worry, Hide Your Love Away, Ain’t Life Grand

    Encore: Down, Makes Sense to Me

    Friday, July 22nd

    Set 1: From The Cradle, Please, One Arm Steve, Stop Breakin’ Down Blues, Can’t Get High, I’m Not Alone, There Is A Time, Holden Oversoul, Sleeping Man.

    Set 2: Little Kin, Action Man, Better Off, Jack, Love Tractor, Drums, Goin’ Out West, Stop-Go, Walk On, Imitation Leather Shoes.

    Encore: Gimme, Give, No Sugar Tonight / New Mother Nature

    Saturday, July 23rd

    Set 1: Pigeons, Sharon, Junior, Up All Night, Christmas Katie > Radio Child, Glory, Greta > Cream Puff War

    Set 2: Flicker, Tall Boy > Fishwater, A of D, Driving Song > Machine > Barstools and Dreamers > Zambi Jam > Driving Song > Happy Child > Dear Prudence, Climb to Safety

    Encore: Time Waits, Travelin’ Man > The Waker

    Sunday, July 24

    Set 1: Send Your Mind, All Time Low, Bear’s Gone Fishin’ > Ride Me High > You Got Yours, Space Wrangler, Walkin’ (For Your Love), Protein Drink / Sewing Machine

    Set 2:Rock > Party At Your Mama’s House > Ribs and Whiskey, Halloween Face, Me and the Devil Blues, Bust It Big > Drums > One Kind Favor > Bust It Big, North

    Encore: Red Hot Mama

    Monday, July 25th

    Set 1: Saint Ex > Hatfield, Pilgrims, This Part of Town, Thought Sausage, Honky Red, Tie Your Shoes > Blackout Blues

    Set 2: Disco > Big Wooly Mammoth > Chilly Water > Surprise Valley > Arleen > Surprise Valley > Chilly Water, Airplane, Postcard, Conrad

    Encore: Basically Frightened, Mountain Jam, End of the Show*, Fairies Wear Boots, Heroes

    w/ JB on mandolin

    ‘Spanish Moon’ tease during ‘Tie Your Shoes’

    ‘Day Tripper’ tease by JoJo after ‘Airplane’

  • Phish Make A Triumphant Return To Bethel Woods

    Phish made their much anticipated and welcomed return to Bethel Woods this weekend. Two packed shows on Friday and Saturday, not far from the original Woodstock grounds, saw the band delight fans with song selections that covered every facet of their ever-growing musical catalog. Phish first played Bethel Woods eleven years ago, with three legendary shows that seemed to serve as prime examples that the band was fully engaged again after reuniting two years prior. Although it was only two shows this weekend, they certainly didn’t do anything to ruin the mystique between Phish and these hallowed grounds.

    Friday night’s show had a discernable old school feel to it right from the get-go, courtesy of a “Golgi Apparatus” show opener, the first one of those in nearly seven years. The “Sample In a Jar” that followed reached heights that few “Samples” have seen, fueled by a monstrous jam that evoked memories of The Baker’s Dozen and is a must hear. The rest of the first set featured other older songs like “Timber” and a “My Friend My Friend” > “Guelah Papyrus” sequence. And it wasn’t just limited to originals, with “My Soul” and a raucous and much welcomed “Walk Away” to close out Bethel’s opening set.

    In typical fashion, Phish stretched things out a tad in the second set with a boisterous “Mr. Completely” to start that set the stage for an incredibly captivating “You Enjoy Myself.” Bassist Mike Gordon shined on a cover of “Boogie On Reggae Woman” later on which preceded a harmonious “Scents And Subtle Sounds” with a wonderfully slow build in emotion. The closing sequence on Friday night reverted back to the ‘classic’ format with a trifecta of “Wilson” > “Possum” > “Cavern.”

    Phish Bethel Woods Center For The Arts – Bethel, NY 7/22/22

    Set 1: Golgi Apparatus > Sample in a Jar, My Soul, Gumbo[1] -> Saw It Again > Timber (Jerry the Mule) > Meat, Lawn Boy > My Friend, My Friend > Guelah Papyrus, Brian and Robert, Walk Away

    Set 2: Mr. Completely > You Enjoy Myself > Fuego > Joy, Boogie On Reggae Woman, Scents and Subtle Sounds > Wilson > Possum > Cavern

    E: A Life Beyond The Dream

    [1] Unfinished

    Phish returned to Bethel Woods on Saturday night for one more go ’round and the old school vibes were thrown out the window right away with a show opening “Evening Song,” a tune from the band’s recent Sigma Oasis release and only the fourth one ever performed live. Next, the band dusted off some Kasvot Vaxt material with “Turtle In The Clouds” and Gordon and Trey Anastasio’s signature dance moves on full display. The emotional peaks of the opening set were handled by a “Fast Enough For You” that fed right into the ever majestic “Divided Sky.”

    Phish made the last set, and certainly the encore, count before heading out of Bethel Woods. A somewhat surprising “Prince Caspian” began the proceedings before Phish injected a mega-dose of funk with a sterling cover of The Talking Heads’ “Crosseyed and Painless.” A mid-set “Miss You” served as a needed breather before the set later concluded with two more vintage jam staples in a “Twist” > “Carini” combination. To cap things off for a memorable two-night Bethel run, Phish played not one but five songs, clearly not wanting to leave just yet. A “Horse” > “Silent In The Morning” traditional pairing kicked things off, followed by “Fuck Your Face” and the grand return of “Buffalo Bill,” the first one in three years, close behind. Fittingly, on the grounds of Woodstock, the show came to end with a raging cover of “Fire” that saw Anastasio channel his inner Hendrix, replete with an instrumental run through of “The Star-Spangled Banner.”

    Phish Bethel Woods Center For The Arts – Bethel, NY 7/23/22

    Set 1: Evening Song, Turtle in the Clouds, Vultures, My Sweet One, Undermind > Fast Enough for You > Divided Sky, Suzy Greenberg > Ghost

    Set 2: Prince Caspian > Crosseyed and Painless > Miss You > Set Your Soul Free > Prince Caspian > Twist > Carini

    E: The Horse > Silent in the Morning, Fuck Your Face, Buffalo Bill, Fire

    Set Your Soul Free contained a short Crosseyed and Painless jam with quotes from Trey. Trey also quoted Crosseyed and Painless in Twist. Trey played The Star-Spangled Banner in its entirety during Fire.

  • Wilder Maker Release “Static” and “Against Numbers”

    Brooklyn‘s Wilder Maker have just released two of their latest singles, “Static” (ft. V.V. Lightbody) and “Against Numbers” (ft. Katie Von Schleicher). The band is also preparing to release their latest album Male Models on July 29, the album tells tales of unrequited love, drunkenness, and desperation, and more.  

    Following up on previous singles “A Professional” and “Letter of Apology,” “Static” is the third track from their upcoming album. Gabriel Birnbaum says, “it touches on how violence in our culture tends to simmer under the surface in subtle ways that we overlook until they explode into something really horrific. It’s loosely inspired by a friend I had who used to get drunk and bait people into fights that he meant to lose. It features my friend V.V. Lightbody on vocals, an amazing singer and multi-instrumentalist from Chicago whose solo work I’m a huge fan of.”

    Wilder Maker Releases "Static" and Upcoming Album July 29th
    Photo credit: Ebru Yildiz

    We all listen to playlists a lot, even us album diehards. I’ve been keeping an ever-expanding playlist of songs that I never want to skip, with all of these different voices back to back. I wanted to make a record that sounded like a playlist in this way; it became a kind of songwriting challenge for me.

    – Gabriel Birnbaum

    Male Models can be described as Birnbaum’s tales of unrequited love, drunkenness, and desperation. The album feels almost voyeuristic, as if you were sitting in a crowded cocktail bar, sneaking glances at nearby tables. 

    Wilder Maker features a dynamic roster of musicians that includes singer-songwriter Gabriel Birnbaum, Nick Jost and Sean Mullins as the core trio. Male Models also features guest lead vocal spots from Adam Duritz (of Counting Crows fame), Katie Von Schleicher, Felicia Douglass (Dirty Projectors, Ava Luna), Alex Schaaf (Yellow Ostrich), V.V. Lightbody, and Mutual Benefit. 

    Male Models succeeds in truly capturing the energy of a crowded party and its accompanying playlist. Musically, it also changes shape constantly. The album has an electrified soul, featuring heartfelt folk songs, indie rock, and searing barn burners, all of which are expertly tethered by Birnbaum’s sardonic and doom-laden storytelling.

    Wilder Maker Releases "Static" and Upcoming Album July 29th
    Male Models is due July 29th via Western Vinyl
  • In Focus: Ballyhoo! at Alive at 5

    On Thursday, July 21, 2022, Albany’s 6th installment of Alive at 5 kicked off with The E-Block and Souly Had, opening up for headliners, Ballyhoo!. Facing an intense heat wave throughout the week in Albany, the show was moved to the Corning Boat Launch to shield guests from the sun.

    Souly Had at Alive at 5

    The E-Block is an upstate NY indie band composed of 5 musicians. They got their start around 2017 after playing in the garage of saxophonist, James Soren. The E-Block has been been popping up around the Capital Region the last few years; playing at local bars, SUNY Albany, and the Laundromat. They are a growing band that now can add Alive at 5 to their resumé.

    Souly Had is an r&b and hip hop artist also from the Capital Region. He went from doing covers of Amy Winehouse songs to signing a deal with Island Records in 2019. Souly Had’s single “Crush” did well on streaming platforms and “Maybe Not” took off on Tiktok. Both The E-Block and Souly Had have a collaborative performance at the Lost & Found on July 23rd.

    Left: Guitarist Sebastian Right: Bassist Nick Lucera

    The pop reggae rock group Ballyhoo! from Aberdeen, MD seemingly brought the heat with them on stage. With their beach-rock style, they made the middle aged crowd feel like they were on the boardwalk. With temperatures in the mid 90s, it was reasonable to see the crowd spaced out and enjoying the vibe. The vocals were not that great for most of the set, so all the audience had to go off of was the beat. Towards the end of their performance, the vibe shifted from chill beach-rock to pop-punk. There was lots of head banging, standing on amps, and hand waving that really brought excitement for the audience. They left pretty abruptly leaving the crowd confused. There were weak screams for an encore coming from the back that Ballyhoo! did answer.

    Ballyhoo! is preparing to go on tour with alternative hip-hop artist, Shwayze, starting August 2nd in Indianapolis. Before that show, they are preforming at Reggae Rise Up festival in Maryland on July 31st.

    Ballyhoo! Set List: Cerveza, Destroy Me, Girls, MD Summer, Middle Finger, This Chick is Wack, Social Drinker, Cali King, Front Porch, Message, I Don’t Wanna Go, Dark Sunglasses, The Fool, Cali Girl, Burrito, Struggle, Blaze This Weed, Scarlet Blue, Walk Away, Mind Over Matter, Jameson, Mixtape; Encore: Panama

  • Dropout Boogie Tour: The Black Keys, Band of Horses and Ceramic Animal Bring the Heat to SPAC

    In what will perhaps go down as the warmest day of 2022, Wednesday, July 20 also proved to be a scorching night of live music in Saratoga Springs, NY for the nearly 15,000 fans who packed SPAC to see the Dropout Boogie Tour. A stellar lineup was headlined by the critically acclaimed blue-collar Blues/Rock duo, The Black Keys. Bolstered by indie rock icons, Band of Horses, along with charismatic up-and-comers Ceramic Animal, the trio of talented bands left it all on stage, giving fans every ounce of sweat they had. Confirming what most of us already know: rock ‘n roll is alive and well in the Capital Region.

    Boogie On: The Black Keys made their Capital Region debut at SPAC on Wednesday, July 20, 2022

    Kicking off the “boogie” in fine fashion, was Doylestown, Pennsylvania’s Ceramic Animal.  A band consisting of three brothers and two of their childhood friends, this genre blending, high energy psychedelic-rock quintet has been around for a while now, having put out three self-funded studio albums, before garnering the attention of Black Keys front man and producer Dan Auerbach. Impressed by their songwriting, big yet down-to-earth personalities, and their DIY work ethic, Auerbach quickly signed Ceramic Animal to his label, Easy Eye Sound. The renowned producer then brought the band to Nashville to record their most recent album, Sweet Unknown (released this past March). Sticking close to their roots while honing their chops, their look and their stage show, Ceramic Animal’s relentless ambition is finally showing dividends. Tapped by Auerbach for a slot on this huge national tour produced by Live Nation, Ceramic Animal quite literally went from playing Albany’s intimate Empire Underground club last month, to making their Red Rocks debut last week, to taking the main stage at SPAC by storm on Wednesday night. 

    Rapid Rise: Ceramic Animal played a significantly smaller Capital Region venue less than a month ago. (Photo by Zak Radick; 6/30/22 Empire Underground; Albany NY)

    Dressed to thrill and ready to make the most of their allotted time, the band came out firing on all cylinders with “Ann Marie” which flowed directly into the hard charging foot stomper “I Can’t Wait.” Taking a brief moment to address fans who showed up early, songwriter Chris Regan lifted the brim of his cowboy hat and acknowledged the significance of collaborating with Auerbach before going into the set’s only “slow” tune, “Forever Song,” which Auerbach originally helped them arrange and record. With stage time at a premium, Ceramic Animal saved perhaps their most impressive and catchiest song of the night for last, uncorking a near 10 minute rendition of “All My Loving,” a hybrid song of sorts that truly showcases what this band can do; seamlessly shifting tempos from rock riffs to a disco-type funk, then slowed to a darkly psychedelic build before reaching it’s climactic end. Successfully cashing in on a huge opportunity to gain new listeners, if people didn’t know who Ceramic Animal was before this show, they certainly did after. At the end of the night, the guys could be seen near the merch both hanging out and taking selfies with scores of new fans.

    Ceramic Animal | July 20, 2022 | SPAC | Saratoga Springs, NY | Dropout Boogie Tour

    Setlist: Ann Marie, I Can’t Wait, Forever Song, All My Loving

    Next on the bill was a different kind of animal in the form of enduring alt rock titans Band of Horses. Led by songwriter Ben Bridwell and featuring a noticeably more “road tested” look than their predecessors, the tattoo covered, flannel wearing rockers from Seattle immediately got the crowd singing along with “Is There A Ghost” from their 2007 album Cease To Begin. With a layered sound full of subtleties and textures thanks to the bands three distinct guitar parts, it wasn’t until Matt Gentling dropped in with his first big bass bomb that the set really took off. Thrashing about the stage with reckless abandon, Gentling’s long haired headbanging was some of the best of the entire night and that’s saying something.  Keeping the crowd involved with another sing-along, “The Great Salt Lake” off their debut album was next, followed by my personal highlight of the set, an irresistibly catchy version of ‘The General Specific’ which gave burley and bearded multi-instrumentalist Ryan Monroe a prime opportunity to shine behind the keys. Keeping it old school, another pair of fan favorites, “No One’s Gonna Love You” and “Islands on the Coast” came next.  Perhaps taking a que from the audience as you could smell it all night, from there things got a little hazy as The Horses turned SPAC into an all-out “Weed Party” before going into a new tune,“Crutch,” the only song played off their recently released 2022 album Things Are Great. “In a Drawer” and “Laredo” would lead Band of Horses down the home stretch before their final song of the night and easily their most popular, “The Funeral,” which currently has over 300 million streams on Spotify.

    Band of Horses | July 20, 2022 | SPAC | Saratoga Springs, NY | Dropout Boogie Tour

    Setlist: Is There a Ghost, The Great Salt Lake, The General Specific, No One’s Gonna Love You, Islands on the Coast, Weed Party, Crutch, In a Drawer, Laredo, The Funeral

    After an absolutely hilarious ‘Anti-Boogie’ intro video starring comedian David Cross urged Dads Interested in Choosing Our Kids Songs(D.I.C.K.S) to avoid this tour at all costs, it was finally time for the main event.  Making their first ever Capital Region appearance and taking the stage around 9:15pm to a rabid applause, The Black Keys came out swinging for the fences with one of their hardest hitting songs, “I got Mine.” Often regarded as one of rock’s most prolific two piece, Dan Auerbach on guitar and vocals and his longtime friend and collaborator Patrick Carney on drums, some first timers in the audience seemed surprised to see a backing band on stage with them. Enlisting two brothers, Zach and Andy Gabbard, along with multi-instrumentalist Chris St. Hilaire to help fill in their live sound, The Black Keys strung together hit after hit. Sing-along songs like “Howlin’ For You,” “Tighten Up,” and “Your Touch” won the crowd over early before the band would really settle in with their signature bread-and butter, groove and blues-based sound. Like following a road map of their musical inspirations, The Keys would go on to pay homage to a number of Blues legends like John Lee Hooker, Junior Kimbrough and RL Burnside and cover songs like “Stay All Night,” “Coal Black Mattie”, “Going’ Down South” and “Crawlin’ Kingsnake” to name a few.

    Influential Hitmaker: Dan Auerbach of The Black Keys performing at Saratoga Performing Arts Center on 7/20/22

    Armed with a bevy of beautiful guitars and his signature fuzz-heavy pedal effects pallet, Auerbach would get a little extra help from ultra-talented guest guitar player Kenny Brown, who joined in on the fun to play a little slide. All frills and showmanship aside, The Black Keys were mostly all business on this night, only asking the crowd to “sing along if they know they words” once before launching into one of their biggest hits “Gold on the Ceiling.” As one of modern rocks most mimicked voices, Auerbach’s distinct singing was on point all evening, but one song that particularly stood out was a slowed down rendition of “Everlasting Light” in which he absolutely nailed the challenging falsetto parts.  Recent ‘Keys songs like “Your Team is Looking Good” and “Wild Child” were met with favorable reactions, but the true highlight for long time TBK fans had to have been the set closing combo of “Ten Cent Pistol” and “She’s Long Gone” from the bands most popular album, 2010’s Brothers. Exiting the stage to a deafening applause, the crowd of about 15,000 simply would not stop cheering until the band came back out for an encore. Happy to oblige, instead of one they got two.  First up was the sentimental ‘hold your lighter in the air’ type anthem “Little Black Submarines” which had nearly the entire lawn singing along in unison, a special moment that had all the feels. With the venue curfew now rapidly approaching, The Black Keys brought the show to a close with one final barn burner, the riff heavy stomper now commonly heard at sporting events everywhere, “Lonely Boy.”      

    With a successful Capital Region debut now in the books, the only real complaint fans may have is the lack of “old school” material played. With a back catalog that currently includes 11 studio albums, The Keys only performed one song that predated their 2008 breakthrough, Attack & Release. That being said, it’s doubtful anyone left the Dropout Boogie Tour feeling cheated. If anything, it’s a testament to the bands uncanny and continued ability to write catchy songs that appeal to a wide range of people of all ages; almost as if they have “too many” good songs to fit into one show.  “Always keep them wanting more” they say, well on this hot and humid July night in Saratoga Springs, The Black Keys did exactly that.  With this untapped market now fresh on their radar, hopefully it won’t take nearly as long for this dynamic, influential and charismatic duo to find their way back.

    The Black Keys | July 20, 2022 | SPAC | Saratoga Springs, NY | Dropout Boogie Tour

    Setlist: I Got Mine, Howlin’ For You, Fever, Tighen Up, Your Touch, It Ain’t Over, Gold On The Ceiling, Stay All Night, Coal Black Mattie, Goin’ Down South, Busted, Crawlin’ Kingsnake, Have Love Will Travel, Lo/Hi, Everlasting Light, Next Girl, Your Team Is Looking Good, Wild Child, Ten Cent Pistol, She’s Long Gone

    Encore: Little Black Submarines, Lonely Boy

  • Pleasantville Music Festival Returns

    After a two-year COVID hiatus, the 16th Pleasantville Music Festival returned on July 9.  The all-day event featured a cornucopia of musical performances with 18 acts between three stages. 

    We try to check off as many boxes as we can so there is something on our stages that everybody will appreciate.

    Festival Director, Bruce Figler

    Under a bright blue sky, attendees moved freely between the Chill Tent, Pamnation Party, and main stages. With each location offered its own style of music.  Superb coordination of stage start times allowed most fans to catch most if not all of the performances.

    Platinum Moon

    Pleasantville music festival has prided itself on the promotion of local musicians. Staying true to their mission statement, the opening acts on each of the three stages were winners in the Lagond Music School ‘s 2022 “Battle of the Band” competition, where first place winners, Platinum Moon, were rewarded with opening the main stage. Rounding out the triumvirate of winners was Westchester based Noshows — who appeared on the Pamnation stage — along with Carter Quinn Tanis (hailing from Cromwell-on-Hudson) who performed in the Chill Tent.

    The Pamnation stage, set up between the Chill Tent and the main stage, offered a separate dance area. The Narrowbacks from Pearl River took full advantage by getting the crowd up and moving with their Irish rock. Pamnation stage closers, Illiterate Light, raised the bar with a guitar and drum duet from the Virginia natives. The audience roared along with enough liveliness to mimic an arena.

    The Narrowbacks

    Resembling a circus big top, the Chill Tent offered an oasis for acoustic performers. Located at the back of the festival grounds, the Chill Tent lived up to its name: benefiting from a constant breeze flowing through the performance area. Throughout the day solo, duo, and trios graced the stage. Paula Cole closed out this space backed by a three-piece band.  Under a subdued purple glow, Cole and band shared an intimate performance filled with songs and insights from her lengthy career.

    Glenn Tilbrook

    The main stage was not to be outdone. Highlights included Glenn Tilbrook of Squeeze performing solo.  Tilbrook played a host of Squeeze songs including “Take Me I’m Yours” and “Black Coffee in Bed,” to the crowd’s enjoyment. Standing tall with his custom-made red Squire Telecaster, Black Joe Lewis and the Honeybears followed, sharing a powerful blues set.  Festival headliners, X Ambassadors, closed out the evening with lead singer Sam Harris singing and dancing from one end of the stage to another. Teenage girls lined the front of the stage giving their approval after every song.  The Ithaca band presented a dynamic performance of their music, capping a stellar day.

    X Ambassadors

    With its 16th event in the books, the Pleasantville Music festival has proven its sustainability, offering top-notch performers in a suburban setting while mixing in crafts, food and family-oriented activities. 

    Main Stage

    Pamnation Stage

    Chill Stage

  • This Week’s EQXposure On WEQX Features Jason Wolfman Martin, Luminous Crush, and More

    Each Sunday evening from 7-9 pm you’ll find EQXposure on WEQX, featuring two hours of local music from up-and-coming artists. Tune into WEQX.com this Sunday night to hear new music from Jason Wolfman Martin, Shane Guerrette, and Luminous Crush.

    WEQX

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    Jason Wolfman Martin- Test Singles EP

    At 7 P.M., the entire Test Signals EP will be played over the air. Jason Wolfman Martin is an artist/musician/curator, active from 1989 to now, with three decades of LPs, CDs, and tapes under his belt. He hasn’t made music in over seven years, and this new EP serves as his comeback.

    Shane Guerrette- “Lost Without”

    Luminous Crush- “Binary Star”

    Luminous Crush is made up of Laura Molinelli and Ben Campbell, who make a wide variety of music spanning multiple genres like bluegrass, country, indie, and psychedelic.

  • Brooklyn-based Band Stay Inside Release Intense EP Blight

    On June 3, Brooklyn-based emo band, Stay Inside, released their newest work and 5-track EP, Blight, via No Sleep Records.

    Stay inside Blight Album Cover

    Stay Inside consists of Bryn Nieboer (vocals/bass), Chris Johns (guitar/backing vocals), Chris Lawless (guitar/backing vocals), and Vishnu Anantha on drums. Blight is the band’s newest release since their critically acclaimed 2020 album, Viewing.

    Jon Markson of Drug Church and Koyo returns on production for the Blight EP which showcases a more intense side of the emo Brooklyn band. Although only totaling five songs, the lyrics and carefully executed instrumentation put the release on a caliber of its own.

    The opening track, “Eraser,” starts slowly, with an emotional rhythm and vocals to draw you in before an intense build with drums and guitar. “Hollow,” plays with a unique beat and engaging message, with the lyrics “so I just sit there with my arms wide / I think I used up all my good lies / Oh god you started losing everything before you try to tell yourself to stop.” The EP was written while NYC was experiencing intense lockdown, and it fully represents the extreme feelings of the time.

    Other tracks, such as “Fracture” and “Spore” are great additions to the EP, bringing even more depth and experimentation to the work with addictive drums and melodies. Stay Inside is surely growing and expanding with this most recent EP, Blight

    This summer, the post-hardcore band perform at the Saint Vitus Bar in Brooklyn on July 22. Be sure to keep up with the band on Instagram here and Twitter here, and take a listen to some more of their music, available below. 

  • Roger Waters “This Is Not A Drill” Tour Stops in Albany After Two-Year Delay

    Art, in all its forms, is intended to inspire, challenge and broaden our minds. Whether a song, a painting, a NFT, or an interpretive dance, art is not intended to be comfortable, and if it is, it’s not doing its job. So when Roger Waters, co-founder and former member of Pink Floyd, arrived in Albany this week, he brought with him a performance that reaffirmed his status as an artist, while confronting the views of the audience in the process, sometimes to their discomfort but to great acclamation.

    photo by Dave Decrescente

    Appearing at a hazy MVP Arena on Wednesday, July 20 for a show two years in the planning – and more than half a century in the making – Waters performed a career-spanning show, featuring Pink Floyd classics, solo and new material amid an odyssey for the senses.

    Those two years were such a span of time, that from when the This is Not a Drill Tour was announced in January 2020, the name of the Albany venue has changed from the Times Union Center to MVP Arena. The anticipation for fans – who represented a wide age-range as grandparents joined grandkids to see a legend perform – grew steadily as they awaited the show to go on, nearly two years to the date of the original show (July 25, 2020).

    With announcements on the screen read aloud by a calming British voice, the audience was given 15, 10 and 5 minute warnings for when the show would begin. There was this courtesy to all in attendance, as well as a request to silence your cell phone, that were met with agreement from the crowd. Rousing applause and cheers overshadowed those rumblings when those in the crowd who were not interested in hearing Roger’s politics were advised to ‘fuck off to the bar right now,’ as the audience prepared themselves for a spectacle of the audio, visual and political varieties.

    photo by Dave Decrescente

    For this performance, the cross-shaped stage featured four quadrants of video screens displaying animation and early band images, so that every seat was a great seat and you could see the full show from any vantage point, amid a haze that hung in the air like London fog. Opening with “Comfortably Numb” as a video played across the screens with a dark, dystopian future city scape, the song reaching an emotional peak and the screens ascending, revealing the full band and offering Albany a rare performance in the round. 

    Performing this evening with Waters were Jon Carin (keys, guitar, vocals), Robert Walter (organ), Jonathan Wilson – (guitar, vocals), Gus Seyffert (bass, guitar), Dave Kilminster (guitar, vocals), Joey Waronker (drums, percussion), Seamus Blake (saxophone), Amanda Belair (vocals) and Shanay Johnson (vocals).

    As the band was revealed, the 78 year old Waters showed off his vocal ability and on-stage agility as he moved from side to side and end to end of the arena, making sure no one was left out of seeing Roger close up. A trio of songs from The Wall were the first songs in full view of the audience – “Happiest Days of Our Lives,” “Another Brick in the Wall (Part 2)” and “Another Brick in the Wall (Part 3).” “Powers That Be” followed as the first solo work of Waters, a track off his 1987 concept album, Radio K.A.O.S.

    photo by Dave Decrescente

    This is when, as if you hadn’t been given fair warning, Roger’s politics become their own feature of the show. If you somehow weren’t aware of where Roger stood on world issues beforehand, well, you were in for an education into the mind of the former Pink Floyd frontman.

    Imagery included BIPOC victims of police violence – not just in America, but in England, Africa, Turkey, and around the world. During “The Bravery of Being Out of Range,” the voice and floating head of Ronald Reagan appeared on the screen, giving his farewell address to the nation in 1989, with the words WAR CRIMINAL beneath his image along with 30,000 Guatamalans killed referring to those of Mayan descent who were killed during his presidency through efforts to expand democracy in Latin America. By now, Roger had shifted to the piano as Reagan’s head was burned into the minds of those in attendance, and rightly so given his hatred for Reagan and Margaret Thatcher and whose policies the song criticizes. Not to leave the Gipper alone, Presidents Bush (both), Clinton, Obama and Trump are all featured as well with WAR CRIMINAL below their image for various military action and drone strikes taken during each presidency. Biden was featured last and while his presidency is just one and a half years old, WAR CRIMINAL appeared again, with ‘just getting started’ below, which was met with an uneasy applause from the audience.

    https://youtu.be/C6bNEPF9EKU?t=1223

    Roger spoke to the audience as he sat at the piano, thanking everyone who kept their tickets from the initial date in 2020. The first portion of “The Bar,” an unreleased song that was written during the pandemic followed, with a similar sound to “Nobody Home” from The Wall. Here, imagery was displayed of the Lakota Indian tribe and their protest against a uranium mine in the Black Hills of North Dakota. These were not light images to see, yet showing the resolve of the Lakota people in the face of overwhelming odds and power, both remarkable and inspiring. 

    Nothing, however, prepares you for the sheer amount of reading involved in a full Roger Waters concert experience. Instead of a professor giving you a pre-reading assignment before class, Waters puts the text on the screen, leading your eyes to dart from the screen to the band, and back again, knowing that this captive audience is laser focused on the center of the room. All of the text is no doubt informative and sheds some light into the mind of Roger Waters, yet at times feels like being stuck in a car with a podcast where you can’t change the channel.

    The second side of Wish You Were Here took center stage as the set moved into its second half, starting with “Have a Cigar,” as early Pink Floyd photos were displayed on the screens; “Wish you Were Here,” as Roger spoke of Syd Barrett stories and images appeared above, and the finally, the latter portions of “Shine On You Crazy Diamond.” As sheep, pigs and dogs appeared on the screen, the show entered the Animals era, including Tweets featuring the recent opinions of the US Supreme Court while the band performed “Sheep” to the loudest cheers of the set thus far.

    photo by Dave Decrescente

    After a 20-minute intermission, a flying pig was released – roughly the size of a compact car and soaring over the crowd – circling the arena and drawing attention away from Roger and the band as they took the stage and moved into The Wall’s “In the Flesh (Part 2)” and bringing along the full experience of The Wall, short of the actual wall being torn down. Banners dropped down featuring marching hammers, a red hue about the stage and Waters in a full dictator-tilt as he tore through Pink’s speech from the film, before moving into “Run Like Hell” as the pig continued to circle the stage above the crowd.

    Two tracks from 2017’s Is This the Life We Really Want?, “Déjà Vu” and the title track followed, with a theme of human rights flashing on screen, along with specific rights for Yeminis, Palestinians, women and those without equal rights in the world. 

    The coins of “Money” could be heard next as the Dark Side of the Moon era was given center stage.. With screens showing faces of humanity and scenes from global protests, “Us and Them” felt more like “Us versus Them,” particularly those most vulnerable among the ‘Us,’ indiginous peoples from around the world. “Brain Damage” and “Eclipse” would follow, with a rainbow forming on the screens while a triangular prism of lasers surrounded the stage end to end, providing a full Dark Side of the Moon album cover effect.

    photo by Dave Decrescente

    Waters’ encore began with one of his last songs for Pink Floyd, “Two Suns in the Sunset,” which references nuclear holocaust, and was connected to the Doomsday Clock. A second portion of “The Bar” followed, with the band crowding around Waters at the piano, as they brought acoustic instruments in preparation for a walk around the perimeter of the stage as “Outside the Wall,” the final track on The Wall closed the show. With Waters standing on the stage at the end to a standing ovation, his bid farewell with a simple message: Peace. 

    When taken together, Roger Waters’ live performance coupled with the knowledge he seeks to impart on his audience is a vivid spectacle of the highest order. Taken separately, both fall on deaf ears and the message is lost. Waters continues to examine the uncomfortable realities of life through his music, one for the benefit of his audiences for the past 54 years and counting.

    Roger Waters’ “This is Not a Drill” Tour arrives at Long Island’s UBS Arena at Belmont Park on August 13, followed by two nights at Madison Square Garden on August 30 & 31. All tour dates can be found here.

    Roger Waters – MVP Arena – Albany, NY – July 20, 2022

    Set 1: Comfortably Numb, The Happiest Days of Our Lives > Another Brick in the Wall, Part 2 > Another Brick in the Wall, Part 3, The Powers That Be, The Bravery of Being Out of Range, The Bar, Have a Cigar, Wish You Were Here > Shine On You Crazy Diamond (Parts VI-IX), Sheep

    Set 2: In the Flesh > Run Like Hell, Déjà Vu, Is This the Life We Really Want?, Money > Us and Them > Any Colour You Like > Brain Damage > Eclipse

    Encore: Two Suns in the Sunset, The Bar (Reprise), Outside the Wall

    photos by Dave Decrescente

  • In Focus: Phish Blast Off into Space at The Mann

    The Mann Center in Philadelphia hosted Phish for two steamy nights of music over Tuesday and Wednesday, July 19-20, including a space-themed “Tweezer”-fest on night one of the run.

    Phish Mann

    Opening up Tuesday’s show were a trio of space songs, “Space Oddity,” “Martian Monster” and “Halley’s Comet,” perhaps inspired by new photos from the James Webb Space Telescope. A second set “Tweezer” segued freely in and out of “Cities,” “Passing Through,” Hendrix’s “Izabella” (which seems to be firmly in the rotation once again), “Mercury” and “Piper.” Trey Anastasio seemed to quote Lou Reed and Velvet Underground’s “I’m Waiting for the Man” during “Character Zero.”

    Phish Mann

    Wednesday night, an appropriate “Steam” opened the night, given the steamy temperatures at showtime hovering around 90 degrees. A surprising “AC/DC Bag” opened the second set, with a nonstop segue threough “Soul Planet” > “Simple” -> “Light” -> “Party Time” with a romantic encore of “Waste” and “Loving Cup”.

    Catch Phish in Bethel this weekend, then Hartford and Jones Beach next week!

    Setlists via Phish.net

    Phish – The Mann Center, Philadelphia, PA – Tuesday, July 21

    Set 1: Space Oddity, Martian Monster, Halley’s Comet > Stash, The Moma Dance > Gotta Jibboo, Shade, The Old Home Place, Walls of the Cave

    Set 2: More > Tweezer -> Cities -> Tweezer -> Passing Through > Izabella > Tweezer > Mercury > Piper > Tweezer > Also Sprach Zarathustra > Character Zero

    Encore: Drift While You’re Sleeping > Tweezer Reprise

    Space Oddity was played for the first time since July 28, 2017 (154 shows). The third Tweezer contained teases of Izabella and Cissy Strut. Trey teased Dave’s Energy Guide in Piper. Also Sprach Zarathustra included Space Oddity quotes from Trey and Martian Monster quotes from Trey and Page. Trey quoted I’m Waiting for the Man in Character Zero.

    Phish – The Mann Center, Philadelphia, PA – Wednesday, July 20

    Set 1: Steam > Runaway Jim, Tela, Kill Devil Falls, Theme From the Bottom, Birds of a Feather, I Didn’t Know, Funky Bitch, Split Open and Melt

    Set 2: AC/DC Bag > Soul Planet > Simple -> Light -> Party Time, Lonely Trip, David Bowie

    Encore: Waste > Loving Cup

    Runaway Jim contained a Nellie Kane tease by Trey. David Bowie featured an In Memory of Elizabeth Reed tease by Trey.

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