Category: Features

  • On this day in 1966, the Philadelphia Orchestra Begin Annual SPAC Residency

    On August 4, 1966, the world-renowned Philadelphia Orchestra took up residence at Saratoga Springs Performing Arts Center (SPAC) for the very first time with Maestro Eugene Ormandy conducting. The maestro helped shape SPAC into the perfect venue for such a performance and brought the orchestra much acclaim throughout his 44 years as conductor.

    56 years later, the orchestra still continues to offer audiences classical entertainment with its programming and performances.

    Philadelphia Orchestra
    Adrian Siegel, courtesy of Adrian Siegel Collection/Philadelphia Orchestra Archives

    On the first Saturday of August, on a clear night, an estimated 5,100 attendees gathered inside the newly opened SPAC for the first show with another estimated 2,000 on the center’s lawns. The performance marked a first for the venue. The New York City Ballet’s July performances that year went beautifully, but how would the SPAC amphitheater sound hold with an entire symphony inside?

    According to the New York Times, which reported on the show at the time, the performance and acoustics held well and the enthusiastic crowd agreed. Maestro Eugene Ormandy chose an all-Beethoven program: the Ninth and Eighth Symphony and the “Consecration of the House” Overture in C Major. The Overture, featuring a march and much fanfare, made the perfect celebratory music for an opening night. Despite the distant sound interference of a freight train interrupting during the Eighth Symphony, the rest of the concert seemed to be a great success.

    The concert in no way would have been such a success without the preparation and intensity of its maestro. Eugene Ormandy and his Orchestra were careful, precise, and presented a wonderful concert to their audience. From the start, Ormandy predicted the venue would be “one of the great summer festivals of all time.” However, according to Times Union, before opening night, Ormandy made it clear that some things about the SPAC venue had to be changed.

    The waterfall behind the venue interrupted the music, and a dam was promptly built to rectify the situation. This solution did not last long, and groundsmen had to catch every last frog that resided in the resulting pond so Ormandy, and his audiences, did not hear any incessant croaking during the performance.

    Philadelphia Orchestra
    Adrian Siegel, courtesy of Adrian Siegel Collection/Philadelphia Orchestra Archives

    According to SPAC, the amphitheater was specifically built with the Philadelphia Orchestra in mind. In addition to his work as maestro, Eugene Ormandy played a huge role in ensuring that the venue would be the perfect summer home for such a major orchestra, known as one of the “Big Five.”

    Although founded in 1900, the Philadelphia Orchestra would grow immensely in reach under Ormandy. One of the first orchestras to record music, many of the most popular recordings of the organization were under the conduction of Ormandy. 7 years after the first show at SPAC, the orchestra would travel to the People’s Republic of China, one of the first tours to the region from a Western orchestra in decades. 

    Ormandy expanded the reach of the Philadelphia Orchestra and the prominence of Saratoga Performing Arts Center during his long career. The Philadelphia Orchestra has returned to the venue consistently since that first summer evening show in August of 1966. 56 years later, the people of Saratoga Springs and visitors can enjoy the talents of the Philadelphia Orchestra, which will hold multiple performances at SPAC this August.

    The orchestra will play a mix of traditional classical music and more contemporary takes. Beginning on August 10, the current Music Director of the Philadelphia Orchestra, Yannick Nézet-Séguin, will return for four programs. Highlights include the return of world-famous cellist Yo-Yo Ma and violinist Joshua Bell, among the performances. For tickets to upcoming concerts, visit the SPAC website for more information.

  • Northern Current in Saranac Lake Returns for Labor Day Weekend

    The Northern Current Music Festival in Saranac Lake returns for Labor Day weekend, featuring local and international artists representing contemporary music’s past, present, and future.

    northern current festival

    The festival’s mission is to enrich Saranac Lake’s cultural diversity by celebrating various musical heritages. The event is free, and family-friendly, with various activities for kids and adults. The daylong celebration will happen in Riverside Park in Saranac Lake on September 4.

    Northern Current Festival Lineup

    TEKE

    TEKE is a female-fronted Montreal-based Japanese psych-rock group that features traditional Japanese
    instruments, flute, and trombone alongside raging guitars and a pulsing rhythm section. They create a
    sound reminiscent of the 1960s and 1970s era psychedelic Japanese soundtracks.

    teke

    The Big Takeover

    Leading The Big Takeover is Jamaican-born singer and songwriter NeeNee Rushie, creating a horn-powered global blend of reggae and world music, with hints of soul and Motown, and their infectious brand of pop classicism.

    Photo by Katie Palatucci

    Ghost Funk Orchestra

    Hailing from Brooklyn, Ghost Funk Orchestra is the brainchild of producer and multi-instrumentalist Seth Applebaum. The band has evolved from a one-man band to a ten-piece powerhouse live band that draws heavy influence from the worlds of soul, psych rock, salsa, and beyond.

    Rose & The Bros

    Rooted in southern dance tradition and the addition of soft vocal harmonies, Rose & The Bros from Ithaca will serve with their Lousiana sound and reggae undertone.

    The Outcrops

    The Outcrops are from the woods of Northern New Jersey, presenting original blues-infused rock and roll. The four-piece was formed in 2016 by lead vocalist Cassidy Rain and lead guitarist Bryan Schroder.

    Crackin’ Foxy

    Crackin’ Foxy is a ukulele-driven ensemble, featuring tight instrumental arrangements and close vocal harmonies inspired by 30s swing, Hawaiian, and NOLA jazz.

    For more information about the Northern Current Music Festival happening in Saranac Lake on September 4, go here.

  • The 29th Annual Chenango Blues Fest Returns on August 19

    The annual Chenango Blues Festival will return for its 29th year on August 19 and August 20. The festival features Blues Hall of Fame inductee and multiple Grammy-winning guitarist Jimmie Vaughan, who returns after last year’s cancellation.

    The Chenango Blues Festival is a family-friendly event open to all at the County Fairgrounds in Norwich. The Friday performances will kick off with the Rock N’ Roll band the Hi-Jivers from 5:30 pm to 6:45 pm. Canadian singer Angel Forrest takes the stage next, with an impressive career spanning over three decades. To close out the first day of the festival, blues rocker Popa Chubby will perform. The parking gate opens at 4 pm and the festival gate at 5 pm with music starting at 5:30 pm. 

    On Saturday, at the Infield Stage, festival gates open at 11:00 am with Massachusetts-based Misty Blues playing at 11:30 am. Duo Annika Chambers band will be performing next bringing blues fused with influences of gospel music.  Altered Five will follow from 2:45 pm to 4:00 pm and then fest favorite Nick Moss returns from 5:00 pm to 6:15 pm. To close out Saturday’s Infield Stage performances, Jimmie Vaughan will perform an exciting set of songs from 7:30 pm to 9:00 pm.

    The Chenango Blues Festival’s Tier Pet Tent Stage also includes even more performances on Saturday.  The first act, Corey Harris and Cajun fiddler Cedric Watson, will open the stage from 1:45 pm to 2: 45 pm.  Americana and blues band EG Kight Trio will play next followed by Los Angeles-based Teresa James & the Rhythm Tramps.  The tent stage, and the entire festival, will be closed out in style by the returning Grammy-nominated band Southern Avenue, who average 150 shows in a typical year. 

    Attendees of the festival can enjoy food from different vendors, and on-site camping in addition to the great live music. The Chenango Blues Association also presents a series of free shows in East Park every Thursday in July and August and will feature the Mike Zito Big Band on August 18.  This show is the unofficial kickoff to Blues Fest weekend.  Attendees of the Blues Fest can spend the day exploring the area before heading to the fairgrounds for the concert and the official start on August 19.

     For further information on tickets, camping, vendors, and artists you can visit the Chenango Blues Festival website at here.

  • East goes West: Joey Bada$$ celebrates 10 years at House of Blues San Diego

    Celebrating 10 years since his first release Enter the Void in 2012, Joey Bada$$ performed at House of Blues San Diego on July 27. With a double decker venue, open house bar and mosh pit, House of Blues held a great environment for the show.

    Joey was born and raised in Brooklyn and a member of the hip hop collective, releasing 3 mixtapes along with various solos. With his debut album 1999, produced at age 17, Badas$$ finally got the recognition he deserved in June 2012.

    Joey’s opener Capella Grey set the tone for the crowd and left them begging for more prior to Joey Bada$$’s set. 

    It was a big night not only for Joey but for his fans and their excitement to the new album release 2000. The album set the bar and exceeded all expectations since the last release back in 2017. Including hits such as “Brand New 911” and “Written in the Stars” along with many others. 

    Joey noted it had been 5 years since his last release and performed some of his greatest hits “Devasted” and “Temptation” from ALL-AMERIKKKAN BADA$$, released in 2017. During the show he stated “I had a kid, a babygirl,” and shared how his daughter Indigo Rain has become a huge part of his life outside of making music, and played a role in such a big comeback. 

    With 10 years under his belt and many more to come Joey continues to bring his own groove to rap and the hip hop community. 

  • Beyonce Drops 7th Album ‘Renaissance’

    On Friday, July 29, Beyoncé dropped her seventh studio album, Renaissance, to the delight of her fans worldwide. The album is the first act of a trilogy project from the singer, who dedicated the record to her family, via Instagram.

    Beyonce album cover
    Renaissance Album Cover

    Renaissance, just as Beyoncé penned to fans, is surely an album of empowerment, exploration, and creativity full of hype songs to let loose to. The famous performer and mother wrote the album during the COVID-19 pandemic in the hope it would provide a safe space “to scream, release, [and] feel freedom.” With the 16 songs coming in at just over an hour, the new album does just that.

    The first track, “I’m That Girl,” opens a hint at the album, providing listeners with multiple overlays, repetitive chants, and Beyoncé’s familiar vocals and empowering lyrics. “Cozy,” brings an entirely sultry new beat, where Beyoncé passionately sings, “comfortable in my skin / cozy with who I am.”  Much of the album celebrates self-love and incorporates and honors so many different styles of dance music.

    The popstar unapologetically explores multiple genres on her album – the first full release since her critically acclaimed Lemonade release – with inspiration from hip-hop, trap, techno, rap, and much more. “Break My Soul,” the first single released off the new album dropped in June and gives listeners a taste of her house music style with a sample of Robin S’s “Show Me Love” hit.

    In addition to different samples from various artists, the album also features a great line-up. Fans can listen in for the collaborations of Grace Jones, Beam, and Tems. Beyoncé plays with her sound, lyrics, and creative inclusions, making the album the perfect release for the rest of the summer. It would not be surprising to see snippets of the album start trending across social media platforms. 

    The record is varied, offering the best beats to energize and dance in front of the mirror no matter who is watching. With a vocal range and energetic sound which fans have come to hope for from the star, Beyoncé continues to assert her domination in the industry with this newest release. 

    Key tracks: Break My Soul, Virgo’s Groove, I’m That Girl

  • In Focus: Lita Ford Live at The L in Horseheads

    Classic rock legend Lita Ford brought her heavy metal music from yesteryear to the “L”in Horseheads on Friday, July 22nd in front of a very excited crowd. Her line up consists of herself, Patrick Kennison (guitar), Bobby Rock (drums) and newly acquired bassist Martin Anderson.

    photo by Tammy Peer

    Since her early days with Joan Jett in the Runaways, Lita once again proved she hasn’t lost her touch at 64 years young, she can still take control of the venue and crowd. Getting away from the traditional structured tours Lita now plays as a ‘hired gun” playing for festivals, events and stand alone shows nationwide.

    The last time Lita was in the Southern Tier was opening up for Vince Neil at Tags in Big Flats in 2019. Tonight it was her show and her solid lineup that took no prisoners. Just coming in from a show in Iowa, the stop in the Southern Teir at the “L” was before heading off to South Butler, PA and all points west.

    photo by Charlie Berch

    The set was a mixture of her entire career with some of her top hits, “Kiss Me Deadly, “Hungry” and “Close my eyes forever” with guitarist Patrick Kennison singing the Ozzy Osbourne part of the lyrics and “Cherry Bomb” from her Runways days. Also a huge hit that night was her version of Elton John’s “Bitch is Back.” It does not look like the ‘Queen of Metal’ is ready to slow down anytime soon. To find other Lita Ford shows this year visit her website.

    Photos by Charlie Berch

  • Earth Wind and Fire bring soldout show to Artpark

    Earth Wind and Fire played in Lewiston at Artpark on Sunday July 31st. Earth, Wind & Fire is an American R&B band formed in Chicago, in 1969 and led by founder Maurice White. Also known as EWF, or the Elements of the Universe, the band has won seven Grammy Awards and four American Music Awards.

    They have been inducted into the Rock and Roll Hall of Fame and the Vocal Group Hall of Fame.They have sold over 90 million albums worldwide earning them a place on the list of best-selling music artists where they are ranked as the seventh best selling American band of all time. Earth Wind and Fire are currently on tour with Santana and touring all over the states this summer.

    Sunset at Artpark.

    The show was a near sellout with a capacity at Artpark near 10,000 people. With that said, some fans had a good experience and others, not so much, but it really depends when you arrived at the show. Prior to the show, the venue posted online many times to arrive early and expect heavy traffic and they were 100% correct. Those fans that arrived early, just as the gates opened, found parking and got in the venue prior to showtime. But those that did not heed the advice of the venue were waiting at the entrance for awhile after the show started.

    The start of the show was delayed 15 minutes due to the amount of people still in line. There were various sections for fans to watch the show from. Front of stage area, marked seats by the soundboard, lower bowl and general admission seats. Fans were allowed to bring in lawn chairs to sit and watch the whole show. That helped a-lot as the average age in attendance seemed to be around 60 years old.

    Gates opened at 6pm and the opener went on at around 6:30pm. This was not a typical opening band. The Brass Machine wondered their way around the crowd instead of playing on the stage. Fans seemed to enjoy this as they could directly interact with the band. The Brass Machine (formerly the Buffalo Brass Machine) is the one of the premiere touring acts on the live music circuit today, laying down funky New Orleans-style street beats across the United States and Canada. Formed in 2014 at the University at Buffalo, The Brass Machine provides a unique blend of hip hop, funk, and R&B, all in an infectious and energetic package.

    Three original members of Earth Wind and Fire. photo credit- Mike Miller

    Earth Wind and Fire took the stage at 8:15pm and played for about an hour and 45 minutes. There are only three original members left in the band. Phillip Bailey on lead vocals, Verdine White on bas and Ralph Johnson on percussion and backup vocals. They have been making music since 1972, celebrating 50 years in 2022. The rest of the band is comprised of Myron McKinley on keyboard, John Paris on drums, Phillip Bailey Jr. doing backup vocals and percussion, Morris O’Connor on lead guitar, Serg Dimitrjevic on rhythm guitar and B. David Whitworth on percussion and backup vocals.

    photo credit- Mike Miller

    They played all of their hits and then some, including “Shining Star,” “Boogie Wonderland,” “Let’s Groove” and “September.” You could not ask for better weather for an outdoor concert. The sun setting over Artpark gave fans a great backdrop to the concert with the Niagara River and lower gorge behind the stage. Many fans of the band were seen outside of the venue sitting in their chairs along the road into the Village of Lewiston as the concert could be heard from that far away. Beside the normal heavy concert traffic for an event like this, many fans enjoyed the show.

    photo credit- Mike Miller

    Earth Wind and Fire – Artpark, Lewiston, NY – Sunday, July 31, 2022

    Setlist: Shining Star, Let Your Feelings Show, Mighty Mighty/Celebrate, Gataway, Saturday Night, Serpentine Fire, Sing a Song, Got to Get You Into My Life, Sing a Message to You, Keep Your Head to the Sky, Devotion, Reasons, That’s the Way of the World, After the Love Has Gone, Rock That, Fantasy, Boogie Wonderland, Let’s Groove, September, In the Stone

  • In Focus: Phish Return to Merriweather Post Pavilion

    Phish continued their Summer 2022 tour as they rolled into Columbia, Maryland for a weekend run at Merriweather Post Pavilion (MPP)

    Fans got their first look at the venues upgrades from the renovations in 2018. The raised canopy and improved sound system is a major upgrade if you’re on the lawn, the sightlines in the pavillion have also improved. They have also added a “Skylawn” if you’re looking for an almost pavilion like lawn experience, if you can manage to get in there early. The one thing they forgot to improve were the bathrooms, as the wait could take a good 30 minutes.

    Phish MPP

    A bit light on the improv, Phish leaned on a mix of classics along with some surprises deep from their catalog for the first night of the run on a beautiful, but hot, Maryland summer night. The night started off with “Sand” to get things cooking. Next was an always welcomed “If I Could”, before throwing things back into high gear for the heart of the set with “Buried Alive”, “Set Your Soul Free” and “Llama”. Next Page took over with a “Halfway to the Moon” as the sun set. The song featured some improv for the first time in the song’s history as the jam melted into “Shafty.”

    Afterwards was a take on The Brothers Johnson classic “Strawberry Letter 23”, which again, the band took the song out for an extended spin for the very first time. They made the perfect call to end the set with a Lizards, and not a person in the building disagreed with it.

    Phish MPP

    The second set started out focusing more on the songs before loosening into a slippier fourth quarter. “First Tube” started the set off and had the venue pumping. Next up was a “Fuego” that included some of the better improv of the night. After was a solid combo of “Sigma Oasis” and “Prince Caspian.” The peak of the show was next with “Waves,” “Meastick” > “Simple. “

    “Waves” was the another fantastic jam, and the “Meatstick” was one of the better versions they have played in some time. The band linked up like a funk Voltron and it felt like we were back in 1998. “Meatstick” oozed into a ‘Simple” that was sublime. Simple turned into “The Oh Kee Pa Ceremony,” which turned into a rocking “Suzy Greenberg” to wrap the set up. The encore started with a fun “Alumni Blues” > “Letter to Jimmy Page” > “Alumni Blues” and ended with a rocking “Character Zero.”

    Knowing not to miss a Sunday show, Phish fans returned to MPP for a show with on-again, off-again rain throughout the day, best described as “alternately annoying, refreshing, fun, beautiful, obnoxious, baptizing, cleansing, cold, healing, and joyous” by phan @ZZBenz.

    Set one began and ended with 15 minutes versions of “A Wave of Hope” and “Ghost,” respectively. Prior to “Ghost,” Mike Gordon Band’s “Mull” took a surprise turn as a jam vehicle, stretching out farther than many expected, and segued neatly into the Junta composition, “Foam.”

    Prior to playing a Set two opening “Halley’s Comet,” Trey and Mike briefly teased “Those Were the Days” (All in the Family theme). A long-awaited “Tweezer” featured a jam on “All Along the Watchtower” before delving into a unique final seven minutes of improvisation. After a jump to “Wingsuit,” a little bit more “Tweezer” was played before working into “Birds of a Feather.” A rare second set “Taste” gave way to “What’s the Use?” which had Trey ‘holding the note’ in a “Divided Sky” manner. A combo of “The Howling” and “Say It To Me S.A.N.T.O.S.” closed the set, with a three song encore of “Show of Life,” “Loving Cup” and “Tweezer Reprise” to wrap up another Sunday show at MPP.

    Phish keep the tour moving to the beautiful Blossom Music Center in Cuyahoga Falls, Ohio, then Clarkston, MI at Pine Knob Music Center, before returning to the East Coast for three nights in Atlantic City over August 5-7.

    Phish – Merriweather Post Pavilion, Columbia, MD – Saturday, July 30, 2022

    Soundcheck: My Soul, Fluffhead

    Set 1: Sand, If I Could, Buried Alive > Set Your Soul Free > Llama, Halfway to the Moon -> Shafty, Strawberry Letter 23 -> The Lizards

    Set 2: First Tube > Fuego > Sigma Oasis > Prince Caspian > Waves > Meatstick -> Simple > The Oh Kee Pa Ceremony > Suzy Greenberg

    Encore: Alumni Blues > Letter to Jimmy Page > Alumni Blues > Character Zero

    The jam out of Halfway to the Moon contained Shafty lyrics from Trey and Page and teases from Trey and Mike. Mike teased Miss You (Rolling Stones) in Strawberry Letter 23 and Flash Light in Character Zero.

    https://www.youtube.com/watch?v=dA-N7BMMrjI

    Phish – Merriweather Post Pavilion, Columbia, MD – Sunday, July 31, 2022

    Set 1: A Wave of Hope, Dogs Stole Things, AC/DC Bag > Sparkle > Back on the Train, Mull > Foam, Ghost

    Set 2: Halley’s Comet > Tweezer > Wingsuit > Tweezer > Birds of a Feather, Joy > Taste > What’s the Use?, The Howling > Say It To Me S.A.N.T.O.S.

    Encore: Show of Life, Loving Cup > Tweezer Reprise

    Mike teased Twenty Years Later in Ghost. Mike and Trey teased Those Were the Days before Halley’s Comet.

  • Caribou Returns to NYC for Fiery SummerStage Show

    Dan Snaith, a.k.a. Caribou, returned to New York City on Thursday, July 28th for a show at City Parks Foundation SummerStage in Central Park. The show was free, and drew a capacity crowd on a hot and sweaty night in the city. The night filled out with DJ sets from Toribio as well as a performance from experimental electronic artist Ela Minus. Check out the full photo gallery below from Caribou’s set.

    caribou summerstage
    Caribou, Central Park SummerStage, 7/28/22. Photo by Joseph Buscarello

    Caribou was in NYC last November for a three show run at Brooklyn Steel; those shows being rescheduled from an earlier COVID-induced postponement. For these shows, Caribou is joined by three band members who relentlessly flush out Caribou’s live sound. Dan joins in as a second drummer for various songs, including the lengthy jam during fan-favorite song “Sun”, creating a dense layer of percussions behind the electronic elements.

    caribou summerstage
    Caribou, Central Park SummerStage, 7/28/22. Photo by Joseph Buscarello

    Caribou’s tour continues through August and September with shows across Europe before returning to California at the end of September, including a show at The Hollywood Bowl in support of Jamie XX. The lengthy tour schedule over the past ten months has all been in support of Caribou’s excellent fifth LP Suddenly; released back in 2020 on Merge Records. The album sees Caribou at his most proficient, especially in the live presentation. Head over to their website to see the full tour details.

  • Mindy Davey and Her Inspirational Story Behind Single “Destiny”

    Buffalo-based recording artist Mindy Davey released her newest pop and hip-hop single, “Destiny,” earlier this summer which grew out of her story of addiction and eventual recovery. The artist and full-time mom hopes her music inspires people to find purpose and brings about more awareness.

    Davey began playing music before the age of 10. Her love of the craft helped her through some of the toughest times, including her four-year battle with opiates and arrest for possession in 2012. The singer-songwriter found out she was pregnant with her daughter while in rehabilitation. This experience pushed her forward, led her back to music, and she now dedicates her time to helping others. In a few short months, Davey will celebrate 10 years of sobriety.

    Mindy Davey and her daughter, who saved her life. Photo Courtesy of Mindy Davey

    Davey began writing the energizing and inspirational track “Destiny” with producer and vocal coach Mama Jan. The duo worked on the piece with weekly video calls until the track was ready to be recorded and finalized in Atlanta, Georgia, at Jan Smith Studios. Jesse Owen Astin also contributed to production on the track.

    Davey in 2012 after her arrest. Photo Courtesy of Mindy Davey

    Davey graciously took the time to answer some questions about her music and her story, via email. Here are some of her thoughts.

    Abigail Baughan: What advice do you give to those maybe going through tough times or struggling with addiction? 

    Mindy Davey: Honestly, the biggest thing for me was getting rid of anyone or anything that triggered me to use or brought me down in any way. When we’re going through tough times the last thing we want is toxic people or an environment to make things even worse. So finding that positive outlet, surrounding yourself with good people, and a good environment that will inspire, keep you grounded and bring you up is key to happiness and change within your life. 

    AB: How has music contributed to your healing process and the way you view the world?

    MD: It was everything to my healing process. If I had any urge to use at all I’d pick my guitar up and write about it. I’d just sing and use music to really take away those urges. So music is truly everything to me and I firmly believe music can heal the world.

    AB: What do you hope audiences take away from listening to the track?

    MD: I really hope people feel happy and inspired in some way. I wrote it about everything that’s happened along the way from my addiction, recovery, my daughter, and just who I am as a person. I hope when people listen to it, it helps them find their own destiny and understand their own path and journey to what they’re meant to be.

    Davey in the recording studio. Photo Courtesy of Mindy Davey

    To listen to more of Mindy Davey’s music, and keep up with her story, follow her on Facebook and Instagram. She is currently working on her upcoming album, Destiny, out later this year, and planning a show at Lost Music Studios in Jamestown for September 17. Audiences can expect a performance of new music, covers, and celebration.

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