Category: Features

  • The Babe Rainbow Throws a Party at Photo City Music Hall

    The stage curtain was closed. Behind it, a party was being devised. Or more likely it wasn’t, but once it opened and revealed Australia’s The Babe Rainbow on stage, a party was started nonetheless.

    The band had just released their new album, The Organic Band, three days prior, so there was plenty worth celebrating. They appropriately opened their set with the album’s first track, “Inner Space,” though from there it was a healthy mix of new and old, actually skewing toward the old. But it didn’t really matter what was played, every last song exuded dance party vibes. There wasn’t a face without a smile or an ass without a shaking in the comfortably crowded venue. With all due respect to Disney, on Monday October 17, Photo City Music Hall in Rochester was the happiest place on Earth.

    The stage sat mere inches off the dance floor which provided ample opportunity for the band and crowd to converge in revelry. Early in the show, lead singer Angus Darling was off the stage dancing and singing from the crowd. “Good dance moves, let’s keep it up!” “Planet Junior” with Jack Crowther’s slinky guitar and unavoidable groove did indeed keep it up, as did “Supermoon,” which had drummer Miles Myjavec bouncing in his seat as he laid down another badass beat.

    While there are elements of surf in the music, though not much in there to inspire crowd surfing, but that didn’t stop one woman from cruising above the crowd during the loungy “Peace Blossom Boogy.” More appropriate to the vibe, a dance circle broke out during “Monky Disco,” individuals showing off their moves to the encouraging onlookers while Elliot O’Reilly facilitated with some brilliant bass work.

    The party was on stage, in the audience, and backstage. Tour mates seventies tuberide would frequently pop out onto the stage to join in the fun, throwing bananas or paper towels into the crowd (not in a natural-disaster-photo-op kind of way, but more of a this-is-the-most-festive-stuff-we-have-on-hand kind of way), and even, the more usual collaboration of playing together. On “Eureka,” announced as The Babe Rainbow theme song, the bass player and drummer came out to add percussion and extra stage energy, jumping all over the stage. There would be more percussion accompaniment added from members of Maybird as well during the encore performance of Blondie’s “Heart of Glass.”

    Local psychedelic band Maybird opened the show. They’ve been a bit quiet lately, even though they put out a new album earlier this year, a trippy song cycle based on Alice in Wonderland. Their set included a few selections from that, like the psych-disco “Lost in Wonderland” with it’s swelling keys, and the ethereal “I’ll Miss You When I Wake Up.” Maybird’s music improves as it thickens, each added layer adds exponential possibilities. For this set, the core trio of Josh and Adam Netsky and Overhand Sam were joined by Cian (sax) and Shane McCarthy (bass) from Mikaela Davis’s band, Sam Hirsh on keys and Greg Maslyn on percussion. They flexed their collective muscle immediately with the set-opening take on “Maybird,” the usual hectic ending going extra heavy and deep with the added power. The set continued to excite with more classic Maybird material like “Don’t Keep Me Around,” “Gonna Lose Your Mind,” and “Turning Into Water,” each benefiting and sounding spectacular with the extra contributions. We can only hope that a quiet 2022 begets a more active year ahead for the band.

    California trio seventies tuberide, also touring with a just out new album, played a slow motion punk grunge. Their tube was riding through a river drenched in reverb. Three-part harmonies, guitars, bass and drums all blended into one singular force. Their songs and band name are all intentionally listed in lower case, which perfectly matches their style. “favorite year love letter” and “skin, hair oil” typified their downbeat punk, while a pre-recorded track and sit-ins from Jack Crowther and Miles Myjavec added a little oomph to “completely dry.” Their short 20 minute set closed with Crowther continuing on in support of “sunday,” which had a nice slow and groovy “Walk On the Wild Side“-esque bass line.

    The Babe Rainbow at Photo City Music Hall was just about as much fun as could be had on a Monday night. Let’s do it again next week!

  • Alan Robert ‘Arrested’ in Brooklyn

    Spoiler NYC frontman, Life of Agony bassist, and graphic artist Alan Robert was recently caught on video being arrested with his bandmates from Spoiler at Brooklyn’s Lucky 13 Saloon.

    Well, not really. The group’s music video for “Banned in 38 States,” released this past Thursday, October 18, showed the band being carried out of the heavy metal-themed bar in handcuffs and performing from behind bars in a skit-like approach.

    Produced by Ken Lewis, a producer whose repertoire includes work with the Wu-Tang Clan, Eminem, and countless other hip-hop icons, it’s a quick, pounding punk rock track which just crosses the two minute mark. Robert proclaims the band’s infamy as inciters of punk-infused chaos, yelling on the first verse, “no where left to play, lots of hell to raise, pour me another bourbon, whiskey or wine.”

    “Banned in 38 States” is one of two new tracks from their August-released album of the same name. It’s a 15th anniversary edition of their debut album Grease Fire in Hell’s Kitchen, featuring remastered versions of the record’s original 12 songs.

    Spoiler NYC band members from left to right: Chris “Junkyard” Silletti (guitar), Alan Robert (lead vocals/bass), Tommy “The Kid” Clayton (drums).

    The other new addition is the slower, more melodic “Damaged Goods,” an ode to Robert’s tumultuous upbringing with an abusive father. “People say I will never amount to nothing, and then they’ll wait ’till I kill myself or something, then they’ll say ‘oh what a shame, he was damaged goods,” he sings on the chorus.

    The song received a Taxi Driver-themed music video back in August when the remastered album dropped.

    Spoiler NYC is also promoting Banned in 38 States with three upcoming shows: one in November in a return to the Lucky 13 Saloon, and two in December, with appearances at Coney Island USA and Bowery Electric.

    Information regarding tickets, Banned in 38 States’ limited vinyl release on Halloween, and more can be found on the Spoiler NYC website.

    Dates:

    Friday, 11/18/22: Lucky 13 Saloon, Brooklyn, NY. Spoiler NYC ‘Record Release Show’

    Sunday, 12/11/22: Coney Island USA, 1208 Surf Ave. Brooklyn, NY. Matinee.

    Sunday, 12/18/22: The Bowery Electric, NYC. All ages matinee.

  • This Week’s EQXposure Features Another Sexless Weekend, Sara Devoe, and More

    Each Sunday evening from 7-9 p.m. you’ll find EQXposure on WEQX, featuring two hours of local music from up-and-coming artists.

    Tune into WEQX.com this Sunday night to hear new music from Another Sexless Weekend, Sara Devoe, and Reese Fulmer.

    Tune into WEQX.com this Sunday night to hear new music from Another Sexless Weekend, Sara Devoe, and Reese Fulmer.

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    Another Sexless Weekend – “Beautiful Strange”

    Another Sexless Weekend is from Burlington, VT. The project is the brainchild of Julian Foster and Andrew Poitras. Their song “Beautiful Strange” was released on Sept. 25 and will be played on EQXposure on sunday night.

    Sara Devoe – “Bella”

    Sara Devoe is an emerging singer/songwriter from Albany. She takes most of her inspiration from artists like Phoebe Bridgers, Haley Heynderickx, Field Medic, and Grimes. Her song “Bella” will be played on EQXposure on Sunday.

    Reese Fulmer – “Leaving a dream”

    Reese Fulmer and his Carriage House Band are quickly rising stars in the Capital Region. Fulmer is a bit of an old soul, and his music is reminiscent of Justin Townes Earle, Jeffrey Foucault, John Prine, and Iron & Wine. His song “Leaving a dream” will be played on EQXposure Sunday night.

  • ‘High Line’ from Kids That Fly is Dedicated to NYC

    For a college band from University of Connecticut, making it to the point where you can finally move to NYC is cause for celebration — and what better way to celebrate than with a new single dedicated to the whole experience. “High Line,” released today, October 21, is Kids That Fly doing just that. “High Line” is a song for the proud transplant: listen to it on your first couple Subway rides, blast it with windows open when you first drive over the Brooklyn Bridge. “You made it,” the song promises, “you’re really here.” 

    Kids That Fly is a pop band bridging on indie, composed of four friends from college: Nick Smeriglio on vocals and guitar, Blake Henry on guitar and synth, Braden Frandino on bass and Ryan Hendry on drums. The four started out just playing live shows in and around their school in Connecticut, but soon started commuting in and out of New York for gigs. Finally, the band’s front man, Smeriglio, moved into the city, prompting their optimistic new single. 

    Kids That Fly, High Life

    The song evokes a more technical The 1975, a less sad Backseat Lovers. It’s pop with enticing guitar chords and a synth that fits right in. 

    For the older crowd, the synth keyboard conjures 80’s nostalgia, to neon-soaked teenage years. But for the younger generation, Kids That Fly’s newest feels nostalgic, too, for different reasons. Because it’s so much like The 1975, the synth-y beat and fast drums brought me back immediately to the yearning that defined being a teenage girl between 2013-2016. I remembered how I spent hours on my computer scrolling Pinterest and Tumblr, daydreaming about NYC, imagining my apartment, the parties I’d go to, the friends I’d make, even romanticizing my morning commute. It’s a universal phase for the American teen, the day dream about moving to the city, the bright days, the long nights. “High Line,” captures all that fantasy and its long-awaited fruition in one clean sweep. 

    Though the song calls out the High Line, a revamped New York Central Railroad track that was turned into an elevated park to overlook the westside of Manhattan, the “High Line” music video is filmed deep in the ground, in Subway stations and even on the train. Complete with vintage filter overlays the video sees the foursome walk into the station, set up their drums, guitars, mics and bass and play the single, while tourists watch from the MTA machines; you can almost hear them thinking: “Only in New York.” Listen to the song here, and see the video below.

  • DIE the Monk Thrives in Grim Detail on New Album “Nailed to a Star”

    Brooklyn artist Sebastien Carnot isn’t new to what he does. Known by the musical alias DIE the Monk, his experience is on full display with his fourth album Nailed to a Star.

    The record follows up 2020’s The Beauty Complex, and maintains the brevity signature to DIE the Monk as the fourth consecutive album under 30 minutes. Its cross between industrial music, hip-hop and synth pop makes for a moody, abrasive record about inner turmoil.

    Album art for “NAILED TO A STAR.”

    The subdued minute-long intro track “Shapeless” sets the tone with Carnot musing, “what if I’m an unlucky person making many bad decisions,” before launching into the pacing, catchy “Underbite.”

    On “Underbite,” the album’s lead single, forboding bass pulsates like an alarm clock as he yells about hidden anguish with lines such as “where do you go, a life they see is a life they know, not a life disguised.” The track also introduces the record’s unconventional song structure, shelving a normal verse-chorus pattern for a wave of noise that bursts into a psychedelic outro with melodic synths.

    While Carnot’s voice competes to not be drowned out by the volume of his blasting musical backdrop on this record, like a Steve Albini-made album during hardcore’s heyday, there’s something intentional about his distortion-drenched vocals being pit against Carnot’s digital overdrive production.

    The same can be said for the following song “Recollect,” with autotuned delivery that reminisces of premier hip-hop experimentalists Injury Reserve that builds an overwhelming environment of metallic drums and wailing horns into a reverb-tinged, gloomy conclusion.

    Carnot’s flexibility in approach to noise music remains apparent on songs like the metal-adjacent “Honor” with its rolling drums and dramatic synth melody and the hardcore rap infused “Commander” with sci-fi-esque sound effects in a track that only gains speed.

    The interludes on Nailed to a Star assist the flow of the album as well. The lush synths on “Lost” well suit a phone call to friend from a stressed but stable Carnot asking for a ride home, and the melodica-driven “Stars Talk” well articulates his anxiety.

    Underneath the chaos, Carnot shows great capacity for writing engaging melodies, and such is the case on the cloud rap oriented second single “Bless Up.” Playful rapping and synth lines make this a brighter song than the rest, even if the subject matter keeps dark with lyrics like “all my fears turn to problems” keeping consistent with the album’s tone.

    This loud album ends things rather quietly on “A Boy Untrained.” It stays consistent with the record’s persistent themes of self-doubt and gloom, as tribal drums and mystical synths lay foreground for lines such as “trying to understand why you won’t go, I must be nasty.”

    While Carnot doesn’t change up song structure much on Nailed to a Star, he shows plenty of creativity and versatility for different angles of noise music. While short, this is an explorative and intense project that gets personal in an intimate way for DIE The Monk.

    Key Tracks: Underbite, Bless Up, A Boy Untrained

  • Jeff Beck and Johnny Depp take on UPAC

    On Thursday, October 13, Jeff Beck and Johnny Depp brought their collective talents to the Ulster Performing Arts Center.  Musical compadres dating back to 2017, this stop was part of a North American tour offering support for their recently released collaborative album, 18

    Johnny depp Jeff beck
    Rhonda Smith, Jeff Beck, Anika Nilles

    Even though this event was promoted as Beck/Depp, the night belonged to the guitar mastery of Jeff Beck.  At 78, this fifty-year musical veteran backed his Rolling Stone magazine ranking of fifth in the list of the “100 Greatest Guitarists of All Time” with his performance.

    The multiplicity of tones poured freely from Beck’s guitar.  Was it with a whammy bar, created by a hammer on, maybe the use of a slide?  It did not matter.  Each style illuminated this master’s extraordinary style and ability.  

    Johnny depp Jeff beck
    Jeff Beck, Johnny Depp

    Supporting Jeff in the rhythm section were bassist Rhonda Smith and drummer Anika Nilles.  The power behind their playing could be felt as it hit you in your seats.  Keyboardist Robert Stevenson added accents to the music in all the right places and completed the trio behind Beck.  

    Approximately two thirds of the way into the show, Jeff Beck turn to the side of the stage, put his hands in the air, and started bowing.  Out from the shadows strutted Johnny Depp.  With his rock ‘n roll swagger and electric guitar strapped on you knew he was ready to rock.

    Johnny depp Jeff beck
    Johnny Depp

    With Beck being  rooted in instrumentals, Depp’s vocals added another dimension to finish out the night. The two collaborated on a mix of tunes including covers of the Beatles and The Velvet Underground.  The night wrapped up with a powerful rendition of Killing Joke’s “The Death and Resurrection Show.”

    Johnny depp Jeff beck
    Jeff Beck
    https://www.youtube.com/watch?v=g6TzDhO0Fd8
  • Broken Social Scene Wrap Up Tour at Webster Hall with Surprise Guests Tracey Ullman and Meryl Streep

    Canadian indie rock collective Broken Social Scene closed out their 2022 North American tour with two sold out nights at Webster Hall in New York City. Near the end of the final show, the band surprised fans by inviting Tracey Ullman and Meryl Streep on stage to sing “Anthems for a Seventeen Year-Old Girl.” The show was a huge hit with fans both nights, and the last-minute addition was the cherry on top.

    Broken Social Scene tracey ullman meryl streep webster hall
    photograph by David Reichmann

    Jasmyn opened both nights with soothing yet passionate beats and vocals.

    Jasmyn Performing at Webster Hall, photograph by David Reichmann

    From the moment Broken Social Scene walked onstage until the last moment of the show, the floor was shaking and fans were gleefully sweating and screaming through to the end. The band’s fan interactions are always a treat, and bandmate Kevin Drew took some time to snap a few selfies on a fan’s phone each night.

    Broken Social Scene tracey ullman meryl streep webster hall
    photograph by David Reichmann

    Their US tour has concluded, but you can listen to Broken Social Scene here and Jasmyn here.

    Kevin Drew Takes a Selfie on Fan’s Phone, photograph by David Reichmann

    View our photo gallery below.

    Tracy Ullman and Meryl Streep join Broken Social Scene on stage, video courtesy of user High for This on Youtube.
  • moe. partners with American Cancer Society for ‘Real Men Wear Pink’ Campaign

    This October, moe. is once again supporting The American Cancer Society (ACS) in its “Real Men Wear Pink” campaign. The messaging is designed to engage more male community leaders and influencers in the Society’s mission to eliminate breast cancer. In addition to selling limited edition pink merchandise through the band’s online store (coming soon), the band is offering fans a variety of donation opportunities for unique experiences.

    moe pink

    These range from a round of golf with percussionist Jim Loughlin to a custom song written by guitarist Al Schnier. moe. is even offering high level donors the opportunity to “join the band for the day,” including hanging with the members during soundcheck, collaborating on the setlist, and sitting in during the show. All proceeds will be donated to ACS, the nation’s largest nonprofit source of cancer research funding. Also, a donation of any amount enters fans for a chance to win VIP tickets to Summer Camp in 2023. For more information and a full list of donation options, visit the donation page here.

    The issue hits close to home for moe., with bassist Rob Derhak himself a recent cancer survivor. “The American Cancer Society offered help with so many avenues that I didn’t know existed which made me realize how important the organization is,” said Derhak. “They offer support for people who may not have that team in their corner.”

    ACS provides innovative research, patient services, health equity, and education around screenings and risk reduction. Since its inception, this annual program has raised more than $40 million towards the fight against breast cancer.

    We are grateful to moe. and their community for making an impact in the lives of cancer patients and their families. We are proud to partner with them to ensure everyone has a fair and just opportunity to prevent, detect, treat, and survive cancer.”  

    ~ Barb Romeu, Director, American Cancer Society

    moe. is gearing up for a three-night run at the Fox Theatre in Boulder, CO from November 4-6, as they continue to navigate through the recovery of guitarist Chuck Garvey, who suffered a stroke last year. Michael “Suke” Cerulo from Schleigho will be subbing in for Chuck, alongside keyboardist Nate Wilson from Percy Hill and Assembly of Dust. The shows will also be available to watch via livestream. For more information and to purchase tickets visit the band’s website.

  • Mother Mother Come Back to Buffalo to Wreck Obsatcles

    Alt-rock group Mother Mother returns to an even bigger crowd in Buffalo on October 15, with Buffalo Riverworks packed with both new and old fans.

    Mother Mother buffalo
    Photo Credit: Maddie McCafferty

    The well-known “out-of-box” foursome Transviolet opened up the show. This pop-rock band consists of Sarah McTaggart, Mike Panek, Jon Garcia, and Judah McCarthy. All of which are all too familiar with working alongside various musicians. They easily got the crowd hyped up with McTaggart’s chilling vocals and infectious energy. 

    Mother Mother buffalo
    Photo Credit: Maddie McCafferty

    The viral indie-rock band Vundabar followed up Transviolet. The trio of Brandon Hagen, Drew McDonald, and Zack Abramo managed to keep the fun alive. This was especially so when they played their hit “Alien Blues.” 

    Mother Mother buffalo
    Photo Credit: Maddie McCafferty

    Earlier in 2022, Mother Mother performed at the Town Ballroom. Buffalo fanbase is so extremely loyal to this group that they made a return only 9 months later. This seemingly rapid growing band is composed of Ryan Guldemond (vocals, guitar), Molly Guldemond (vocals, synth), Jasmin Parkin (vocals, keys), Ali Siadat (drums), and Mike Young (bass). 

    Immediately when the group encapsulated the stage and aura washed over the venue. This band is able to bring theatrical and ethereal qualities. They opened up their performance with their songs “Verbatim” and “O My Heart.” The way Ryan, Molly, and Jasmin are able to move across stage and layer their vocals over one another creates an eeriness. 

    Mother Mother buffalo
    Photo Credit: Maddie McCafferty

    The dark lighting and build up from one song to the next helped set the mood in Riverworks. The mystic vocals of Molly had the crowd in awe when she covered Radiohead’s “Creep,” which was especially impressive. Mother Mother is a constant reminder of what it means to never give up on your dreams. Ryan shared how the band originally started by him writing songs alone in his bedroom. He then told everyone in the crowd that despite what anyone else might think, “if you have a dream, keep chasing it and wreck any obstacles that stand in the way.” He shared that’s what gave him inspiration for their song “Wrecking Ball.”

    Mother Mother then closed out their show in Buffalo with their songs “Hayloft II” and “Ghosting.” Both of which are fan favorites and left everyone screaming the lyrics. 

    Mother Mother buffalo
    Photo credit: Maddie McCafferty

    Make sure to keep up to date with upcoming shows at Buffalo Riverworks. I Prevail and Pierce the Veil perform November 20.  

    Setlist: Verbatim, O My Heart, Bit by Bit, Infinitesimal, Body of Years, Creep (Radiohead cover), The Stand, Back in School, Burning Pile, Problems, Sick of the Silence, It’s Alright, Arms Tonite, Body, Wrecking Ball, Oh Ana, Hayloft/ Girl Alone, Hayloft II

    Encore: Ghosting 

    All Photos by Maddie McCafferty

  • Erie County-based bands perform at annually-held Rockin’ the Commons Event in Fredonia

    Several Western New York musical groups performed on the main stage at Barker Commons park in Fredonia on Saturday, September 24 for a yearly event hosted by Fredonia Radio Systems, Rockin’ the Commons. A line-up of local bands including BP & the Oil Spills, Capo II, as well as SUNY Fredonia-based musical groups, such as the all-female acapella group, Some Like It Hot, participated in the day of music.

    Rockin the Commons fredonia
    Rockin’ the Commons flyer

    Some Like It Hot, also dubbed “the Hotties”, feature rock, pop, and hip hop songs, coordinated by either a former or current group member, sung in their performances. The acapella perform at many schools across New York during the academic semester.

    Rockin the Commons fredonia
    Some Like It Hot acapella group at Rockin’ the Commons

    Another group who took the stage at Rockin’ the Commons was duo, Capo II. Hailing from Buffalo, Augie Bates and Andrew Anable deliver a spectrum of prototypical pieces, consisting of vocalized harmonies, a broad range of instrumentals, tap dance percussion and pedals (sustained notes played and typically held in bass, which serve as a dissonance from the other notes).

    Capo II members, Augie Bates and Andrew Anable

    Started up in Kaisertown, other Buffalo-based band, BP and the Oil Spills, is comprised of members, song-writer Nathan Kohler, drummer Alex Gennaro, bass Charlie DeRose, and founder Blaise Przybyla.

    The group commonly performs at various venues in Buffalo, and has performed at Fredonia for several shows, throughout the past few years. Their most recent singles, “Carpe Diem” and “Unrequited” hold thoughtful lyrics and contain elements of a multitude of genres, spanning from pop, prog, and blues to punk, grunge, and funk, and more.

    Rockin the Commons fredonia
    Cover for BP & the Oil Spills’ single, “Carpe Diem”

    The line-up at Rockin’ the Commons also included a few more Buffalo-based bands, Johnny and the Man Kids, Marquee Grand, as well as musicians based in Fredonia, Hals and Pals and all-male acapella group, Much More Chill.