Guitar extraordinaire Marcus Rezak and Umphrey’s McGee drummer Kris Myers have combned forces once more to release a brand new collaborative track called “Kyoto Cocktail” that’s now available for download. Produced by Eddie Roberts of The New Mastersounds, this NYC fusion-inspired single also features Chris Duffy from The Magic Beans on bass and Tyler Adams of The Jauntee on keyboards. It comes ahead of a co-headlining show between Rezak’s original Truth in Sound band featuring Myers on drums and Myers’ original fusion project Kick the Cat at Cervantes’ Other Side in Denver, CO on Friday, March 4th, 2022.
“Kyoto Cocktail” is an attempt to capture the energy and sonic grit of a live performance at a New York City dive bar. On a recent trip to said dive bar, Rezak and Myers discussed their mutual love for fusion music emanating from NYC in the ’80s and ’90s – an era renowned for its combination of raw power and commercial catchiness. They attempt to capture this mood with the help of tastefully expressive guitar work and Myers’ syncopated and sophisticated drumming style. Throw in some soaring organ fills and a sturdy bottom end behind some rich melodies and you’ve got yourself a “Kyoto Cocktail,” the latest effort from a collaboration that goes back 15 years now.
Myers is currently on tour with Umphrey’s McGee, having just completed a string of shows in the Northeast, while Rezak is currently embarking on a fully loaded winter tour with his high-octane Grateful Dead tribute group, Shred is Dead, and his original Truth in Sound band to promote his latest release Truth in Sound which features Russ Lawton, Ray Paczkowski, and the late Tony Markellis of Trey Anastasio Band.
“Kyoto Cocktail” is now available for download through Color Red’s website. And tickets for the upcoming show at Cervantes’ can be purchased here.
On Friday, Manhattan-based pop artist MuMu released “Brooklyn Tonight [Unplugged],” a stripped-down, acoustic version of a single that she released last year.
MuMu
As can be deducted, queerness, women’s rights, and other themes relating to gender and sexuality are imperative to MuMu’s persona. In fact, you may already know the NYC-based artist from her viral song “Free the Nip,” which features the artist doing just that on the streets of the Big Apple. The music video has since racked up over a million streams on YouTube and counting.
‘Brooklyn Tonight Unplugged’ was initially inspired by a friend asking me to write a song about being the only queer person in the room. Then my love brain took over and it turned into a queer lady love song because, well, we need more of those. This is an acoustic version of the original for those queer lady slow jammers.
MuMu
Growing up in Manhattan’s Upper West Side, MuMu has been surrounded by the arts her whole life. At an early age, she attended a performing art high school studying Musical Theatre. She then went on to continue her studies at NYU.
MuMu
Since then, the artist has appeared in plays, movies, and television shows such as Nurse Jackie and Law and Order SVU. MuMu also makes sure to stay loyal to New York during her tours, having a history of performing in Rockwood Music Hall, Arlene’s Grocery, The Bitter End, and Bowery Electric.
Today marks the anniversary of the heralded moe. Tsunami Benefit show at Roseland Ballroom in New York City, which gathered a host of notable to musicians to raise money for a good cause. A terrible earthquake and a resulting tsunami devastated the area near Sumatra, Indonesia as the year 2004 came to a close. moe. decided to do what they do best in order to lend assistance and brought some friends along for the ride. Together with a matching donation from Dave Matthews, nearly $150,000 was raised for the relief cause. Those in attendance this evening certainly got their money’s worth with a show featuring some traditional moe. songs, a whole lot of covers, and a mesmerizing 35-minute jam that nearly brought the house down.
Bassist Rob Derhak greets the crowd at the start of the show and thanks them all for “supporting a great cause.” And then instantly, the familiar pre-“Rebubula” noodling ensues and moe. opens the Roseland show with one of their signature songs, setting a lively tone early. No special guests needed for this one. Those begin with John Medeski and violinist Sam Bush coming out for a spirited take on “Mexico.” Medeski, ever the keys virtuoso, helps drive the pace of this one through the roof with some triumphant fills on organ that helps build a steadily escalating and emotional jam. Bush then exits and Medeski remains on for “Plane Crash,” again providing some extra rich sonic texture to another moe. staple before taking lead on the jam that ensues.
With three standout moe. songs now out of the way, the cover parade begins with a take on the legendary blues song “Got My Mojo Working,” popularized by the great Muddy Waters in the late ’50s. Guitarist Al Schnier deftly replaces “Louisiana” in the lyrics with “New York City” which does not go unnoticed by the crowd. Despite an uptempo, jazzy start the “Mojo” jam quickly devolves into a harrowing, psychedelic journey with Medeski again helping forge the path forward before the song rounds back into form.
Sam Bush then reemerges with a mandolin and has the Roseland stage to himself for a cover of the Lowell George-penned “Sailing Shoes,” a song he recently got to play with Little Feat in Jamaica according to him. By song’s end, he’s got most of the crowd engaged in a back-and-forth singalong. Bush then offers his thanks to both the crowd and moe. before the latter rejoins him on stage for one of his own songs, “Same Old River.” It’s a perky, bluegrass-y number that would fit perfectly in any stringed band show, with Bush ripping off a fierce mandolin solo in the middle.
One more special guest, “who needs no introduction” per Al, enters the first set fray and Trey Anastasio joins everyone on stage for an electric cover of “Crossroads” with both he and Bush handling vocals. An already tight jam doubles in speed about midway through as the first set comes to a rousing finish.
The second set picks up right where the last one left off, except Bush is now replaced by Jennifer Hartswick on vocals and Ray Paczkowski on keys with moe. serving as the backing band for “Night Speaks To A Woman,” an early Trey Anastasio Band staple with which both newcomers are very familiar. There’s not much lost with this version with Trey throwing down a scintillating solo in a jam that starts fiercely, breaks down into some loose improv, and then steadily builds back up to a joyous peak.
Derhak then takes another moment to thank tonight’s patrons and mentions that Dave Matthews has offered to match whatever amount of money is raised this evening. Then it’s back to the moe. catalog with “Spine Of A Dog” with the crowd ably assisting on the opening lyrics. The “Dog” jam then meshes incredibly seamlessly into the opening of “Buster” and moe. and friends take off with another longtime fan favorite.
This opening 1-2 punch gets a well deserved roar of approval from the Roseland crowd before moe. yields the floor for another cover. This time it’s “Boogie On Reggae Woman,” the Stevie Wonder song that is no stranger to a live Phish show with Anastasio handling lead vocals accordingly. Another lively jam ensues, this time with Paczkowski eagerly showing off his chops that helps drive the momentum. Towards the end, the music gets very percussion-heavy before falling out into full fledged “Drums” section, giving Jim Loughlin and drummer Vinnie Amico a chance to do the same.
Afterwards, Trey then reemerges with only himself and an acoustic guitar for a pair of Phish tunes. For Phish heads, this must have been like an oasis in the desert with the band’s forgettable “final” shows at Coventry having taken place about six months earlier and it being years before they would reunite again. The crowd has no problem at all assisting on the “can I live while I’m young” lyric to “Chalkdust Torture” before adding their collective voice to the traditional opening of “Wilson.”
The second set then comes to a gigantic finish with one last banger in “meat.” that sees Medeski, Bush and Trey all lend a hand. What results is a 35-minute plus monster jam where everyone gets a chance to solo and shine. The jam starts out in traditional metal-esque fashion, before breaking down into a definitive bluegrass sequence with Bush leading the charge, before passing the baton to Medeski who helps steer it in another direction entirely. It eventually winds down into a near-ambient section with Loughlin chiming in on vibes and a plethora of effects emanating from Medeski’s rig. It’s a whirlwind cavalcade of sound that serves as the crux of the second set, if not the show itself, and is well worth a listen.
One last pair of covers serves as the encore for this benefit show, starting with Frank Zappa’s “Peaches En Regalia,” another song that’s no stranger to a Phish show with Loughlin on vibes giving this one a proper feel. Anastasio and Hartswick then team up one last time on vocals for “After Midnight.” Extra special attention is given to the “gonna let it all hang out” which moe. and friends certainly did this evening, and for a noble cause no less.
You can listen to and relive this memorable gig here or see below.
moe. Tsunami Relief Benefit Show Roseland Ballroom – New York, NY 2/10/05
Set 1: Rebubula, Mexico*, Plane Crash^, Got My Mojo Working^, Sailing Shoes**, Same Old River^^, Crossroads#
Set 2: Night Speaks To A Woman$%, Spine Of A Dog$ > Buster$, Boogie On Reggae Woman$%>Drums, Chalkdust Torture$$, Wilson$$, meat.*$
E: Peaches En Regalia*$>After Midnight*$%
* with John Medeski on keys, Sam Bush on Violin ^ with John Medeski on keys ** Sam Bush solo ^^ with Sam Bush on mandolin # with Sam Bush on mandolin, Trey Anastasio on guitar $ with Trey Anastasio on guitar $$ Trey Anastasio solo acoustic % with Jennifer Hartswick and Ray Paczowski keyboard most of SET II
The mercurial Robert Fripp and his ever-changing band of prog-fathers will be the subject of In the Court of the Crimson King, a new documentary by director Toby Amies premiering at the 2022 SXSW film fest.
Named after King Crimson’s earthshaking 1969 debut disc, the 86-minute documentary aims to be the definitive celluloid document on the band’s 50-year history – charting the many ensembles and evolutions in style via interviews with Fripp and collaborators like Adrian Belew, Bill Bruford, Mel Collins, Ian McDonald, Woodstock’s own Tony Levin and many more. Amies produced the documentary by following the band on its recent 50th anniversary tour and securing the rights to some wonderful and rarely-seen archival footage.
photo by Tony Levin
According to notes provided by filmmaker Amies:
“What began as a traditional documentary about the legendary band King Crimson as it turned 50 mutated into an exploration of time, death, family and the transcendent power of music to change lives.
In the Court of the Crimson King is a dark, comic film for anyone who wonders whether it is worth sacrificing everything for just a single moment of transcendence. It explores the unique creative environment of King Crimson, one in which freedom and responsibility conspire to place extraordinary demands on the band’s members – only alleviated by the applause of an audience whose adoration threatens to make their lives even harder. It’s a rewarding and perilous space in which the extraordinary is possible, nothing is certain, and not everyone survives intact.”
photo by Tony Levin
Amies’ documentary comes on the heels of a successful summer 2021 tour by Fripp and his latest (and perhaps last according to the prog grapevine?) iteration of this legendary band. This especially powerful music is featured on the new 2 CD live set, Music Is Our Friend, one capturing the band’s final performances in Washington D.C. and at The Egg in Albany.
The Covid-19 Quarantine gave the ever-intense and oft misunderstood Fripp the chance to reveal his lighter side in a weekly series of “Sunday Lunch” videos made with his singer wife Toya Wilcox. The couple first took to YouTube on Easter Sunday 2020 to share some sonic cheer and comedy. In these vids, they don costumes to perform spirited and sometimes very goofy covers of tunes like “Rudolph the Red Nosed Reindeer,” “Blitzkrieg Bop,” “Goldfinger,” “Sharp-Dressed Man,” “Smells Like Teen Spirit” and the like. More than 60 videos can be found here.
At over 600 pages of very small type, it has everything a fan could ever want – interviews with all the key players, critiques of their many albums and recaps of every gig the band performed, from its 1969 debut through 2003. The book was originally published in 2001 and out of print for many years, until it was updated and republished in 2019. When it comes to all things prog and Crimson, Smith is a true expert. He’s an intimate who has worked directly with the band in recent years, and a freelance writer whose articles are regularly featured in Record Collector, Prog, Uncut, Classic Rock, BBC Music and many others.
In anticipation of the premiere, Amies has released a trailer that can be seen below.
Albany promoter Greg Bell, of Guthrie/Bell Productions, has been a staple in the Albany music community for more than three decades. Starting in the early 90s, he began a journey that led him to give countless new and rising bands from the Capital Region a stage to play on.
For bands touring from across the country, Bell has made Albany a stop to look forward to, and always with the support and enthusiasm you might find from a fan, rather than a promoter.
“Grapplin’ Greg” is an upcoming full-length film slated for release in late fall 2022. The film is shot, edited and produced by Frankie Cavone of Mirth Films, and co-produced by Kim Neaton of Guthrie/Bell Productions.
The story told in ‘Grapplin’ Greg‘ will share how Bell fell in love with live music, then began booking a couple small bar shows for friends, and later events at venues like The Palace Theatre, Albany Armory and beyond. Greg Bell doesn’t just book shows, he has helped nurture a music scene that truly feels like a community.
To tell the story, Mirth Films is in the process of speaking with musicians, venue owners, fans, promoters, family and friends that help to piece together this three-decade legacy. Shot at venues including The Hollow in downtown Albany and the Palace Theatre with those that know him best, the interviews have proven to be full of stories both heartfelt and hilarious.
photos by Frankie Cavone
The title of the documentary derives from the Eastbound Jesus song, for whom Bell serves as manager, of the same name. The song tells a tale of Bell as a wrestler, defeating a bear that attempts to start a drum circle at his legendary festival, Bellstock. Perhaps he never went toe to toe with a bear, but from being a star wrestler to threatening to burn drums, much of the tale is true. The song, like his life, is an entertaining ride.
Brooklyn synth-pop project Endearments have released a Coldplay-inspired music video for their original song “Delicate,” off their debut EP Father of Wands.
Endearments and the video for “Delicate.”
The video for “Delicate” is directly influenced by Coldplay’s video for their song “Yellow.” Speaking of the video, singer Kevin Marksson spoke about the influence.
When we decided to make a music video for ‘Delicate’ I knew immediately that I wanted it to be an homage to Coldplay’s ‘Yellow’ video. It’s one of my all-time favorite music videos: beautiful, earnest, simple. Thematically ‘Delicate’ is really the opposite of ‘Yellow’ though. It’s a song about walking away from a bad relationship, so setting the video on an idyllic beach didn’t feel right. Filming on the street in Bushwick felt like the perfect way to pay tribute to the original while still being true to this song.
Kevin Marksson, Endearments.
Marksson recently began writing and composing for himself for the first time in over a decade, after his previous band ended. He chose the name for this project because he wanted to convey a sense of affection, though the music he makes is sad.
Father of Wands uses brilliant basslines and dream-pop aesthetics to tell the story of Marksson’s own heartbreak and healing. The title of the EP comes from tarot cards, as the Father (or King) is the ultimate card in the suit of Wands, which lets Marksson be guided to a place of healing.
Endearments.
Endearment’s Coldplay-inspired video for the new song “Delicate” is out now. Descrived as “irresistible and gratifyingly groovy” by Bands Do Brooklyn, your ears will transcend to a place of wonder.
Umphrey’s McGee came to Syracuse’s Landmark Theatre on Friday, January 21 for a special evening, as the date marked their first gig as a band 24 years ago. The band told the crowd about their first gig where “the power went out,” but tonight the electricity was synchronicity in Syracuse.
They came full circle and treated their fans from their Midwest home in Chicago to the frigid Syracuse Landmark, playing their first album Local Band Does OK, in its entirety, and notably included a nod to the start of their tour with “The Empire State.” The excitement shared during soundcheck brought this night to life, as the Landmark was filled with ambient tones and occasional Eddie Van Halen riffs from Jake Cinninger, who also played a Duane Allman-esque slide guitar during “Partyin’ Peeps” before heading to the encore of “Slacker.”
Actor Vince Vaughn once celebrated John Lennon’s birthday at the Hotel Syracuse, just around the corner from the Landmark, where Lennon held his 31st birthday with guests including Ringo Starr. Whether Umphrey’s knew this fact or not, they version of “Ringo” evoked a younger image of Vaughn in his Rudy character, with a full set of pads and gold helmet in the crowd at the Landmark, whose gold walls resonated the vibe as well. With the band hailing from South Bend, IN, Umphrey’s has offered no let up for nearly a quarter century – “It’s the last practice of the year and these guys are playing like it’s the Super Bowl!”
Umphrey’s McGee – Landmark Theatre, Syracuse – January 21, 2022
Thursday, January 20 marked the return of Greensky Bluegrass and The Infamous Stringdusters to the Capital District, with a performance at the Palace Theatre that kept the audience warm and cozy from the frigid temperatures outside.
Greensky Bluegrass returned nearly two years after their last Albany performance, that time at The Egg with Ghost Light, and after a bit of a wait, they were back to kick off their Winter Tour ahead of the release of their new album, Stress Dreams.
photo by Zak Radick
Opening up the show were The Infamous Stringdusters, recently nominated for a Grammy for their Bill Monroe tribute album. They kicked off the show with “Rise Sun” off their 2019 album of the same name, and negotiated a very brief power outage, never missing a beat. The band took a few opportunities to comment on how long it’s been since they’ve seen each other, how good it feels playing live, and how much fun they were having.
Dobro player Andy Hall, a native of Binghamton spoke to Forbes this past week, recalling his view of his hometown:
The Binghamton area is beautiful — rolling hills, forests and lots of medium-size towns. Not a lot is happening there, but there are lots of colleges in the area, it was a great place to grow up and there were awesome down-to-earth people. I used to have a somewhat negative view of my hometown, but I think that just went along with the urge to escape and see the world. I went back recently to receive a distinguished alumni award from my high school and was really impressed with what they have going on with music and theater. It changed my view of my old high school for the better!
Andy Hall
The nearly hour-long set from Stringdusters included covers of the Grateful Dead’s “Touch of Grey” and The Police’s “Walking on the Moon,” as well as “Colorado” and “Sirens,” with the appreciative Albany crowd grooving along. Earlier in the day, the band released “I Didn’t Know” off their upcoming album, The Fray. Listen to the full show below:
Setlist: Rise Sun*. Colorado, Sirens, Touch of Grey^, Fire, Back Home Again, Walking on the Moon%, Vertigo, If You’re Gonna Love Someone, Fork in the Road
* Power outage on stage ^ Grateful Dead cover % The Police cover
Returning to the Palace Theatre stage for the third time, Greensky Bluegrass celebrated the pending release of Stress Dreams, which was released 30 minutes after the band took their final bows. Songs from the album, included the catchy “New and Improved,” “Monument” and “Worry For You,” which had its live debut this evening. Greensky Mandolinist Paul Hoffman noted early in the first set, “We made a plan to play this show a long time ago with the Infamous Stringdusters, and so far the plan is working.”
A rarer tune, “Bont’s Breakdown” was performed for only the fourth time in the last 12 years, with fan favorites “Go it Alone” and “Living Over” closing out the first set with a 1-2 punch.
photo by Zak Culver
A new arrangement of “Old Barns” led to one of the top jams of the night, with the visually explosive light show from Andrew Lincoln offering the perfect dose of psychedelic luminescence to layer over the band. “Take Cover” and “Tarpology” both left plenty of room for improvisation, entrancing the audience as they filled every minute. The show concluded with another Stress Dreams track, “Until I Sing,” with the audience praising the band one last time before heading out into the bitter winter night, a little warmer thanks to The Infamous Stringdusters and Greensky Bluegrass. Stream the show via Archive.org.
Set 1: Jaywalking, New and Improved, Do Harm, Train Junkie, Worry For You*, Bont’s Breakdown, Do It Alone, Living Over Set 2: Monument, Beauty and Pain, Old Barns^, Kerosene+, Take Cover, Against the Days, Tarpology, Windshield Encore: Until I Sing * debut ^ new arrangement + “Let it Grow” (Grateful Dead) tease
Jess Novak and The Jess Novak Band are gearing up for a big year with the release of their new music video, “The Key.” Written and recorded by The Jess Novak Band at Hobin Studios, the second track off of their 2021 album release, “A Thousand Lives,” seeks to inspire listeners everywhere.
In its lyricism and upbeat instrumentation, “The Key” tackles themes such as baggage, trauma, and moving on. Lyrics like “If the ground keeps crumbling, then get some wings/You gotta rise to survive this thing” metaphorically express how the world may be a cruel and unfair place, however, we have the power to let go of the things weighing us down and reach our goals.
This song is all about choosing to let go of the things holding you back and to embrace your own power. It’s a declaration that “you can do it” – and you can. Whatever IT is, I hope 2022 is your year to make it happen.
Jess Novak
The video itself, recorded and produced by Lights on Fayette, features brilliant color in up to 4k resolution. Novak has previously worked with the studio while filming her music video for “The Joke.”
“The Joke” – The Jess Novak Band
Alongside this release, Jess Novak has announced February show dates throughout upstate New York, where you can catch her solo or duo performances live.
Thursday, February 3 – Twitch – twitch.tv/jessnovakmusic – 9:30 a.m. – SOLO Thursday, February 3 – The Village Tavern – Marcellus, NY – 8 p.m. – DUO Friday, February 4 – Bellevue Country Club – Syracuse, NY – 7 p.m. – SOLO Saturday, February 5 – Stinger’s – Manlius, NY – 6 p.m. – SOLO Sunday, February 6 – Hops Spot – Syracuse, NY – 11 a.m. – DUO Thursday, February 10 – Twitch – twitch.tv/jessnovakmusic – 9:30 a.m. – SOLO Thursday, February 10 – Steamers – Oswego, NY – 6 p.m. – DUO Friday, February 11 – TK Tavern – Camillus, NY – 7 p.m. – DUO Saturday, February 12 – Battle Island – Fulton, NY – 11 a.m. – DUO Saturday, February 12 – DiPrinzio’s – Clayton, NY – 7 p.m. – SOLO Sunday, February 13 – Brian’s Landing – Jamesville, NY – 11:30 a.m. – DUO Monday, February 14 – Hops Spot – Clayton, NY – 6 p.m. – SOLO Thursday, February 17 – Twitch – twitch.tv/jessnovakmusic – 9:30 a.m. – SOLO Thursday, February 17 – Al’s Wine and Whiskey – Syracuse, NY – 10 p.m. – JNB Friday, February 18 – Piggy Pat’s – New Hartford, NY – 7 p.m. – DUO Saturday, February 19 – The Sting – Oswego, NY – 9 p.m. – SOLO Sunday, February 20 – Brian’s Landing – Jamesville, NY – 11:30 a.m. – DUO Thursday, February 24 – Twitch – twitch.tv/jessnovakmusic – 9:30 a.m. – SOLO Thursday, February 24 – Bluewater Grill – Skaneateles – 7 p.m. – SOLO Friday, February 25 – Gibby’s – Oswego, NY – 8 p.m. – DUO Saturday, February 26 – Lukin’s – Utica, NY – 10 p.m. – JNB Sunday, February 27 – Skaneateles Brewery – Skaneateles, NY – 2 p.m. – SOLO Tuesday, March 1 – The Finish Line – Brewerton, NY – 6 p.m. – SOLO
For more information on music and shows click here.
You can also catch Jess Novak live every Thursday at 9:30 AM EST on her Twitch channel.
For the first episode of 2022, SNL welcomed Ariana Debose to host, along with Jack Antonoff’s Bleachers as musical guest. Debose won a Golden Globe earlier this week for her performance as Anita in Steven Spielberg’s “West Side Story” and gained additional honors as the 200th woman since 1975 to host the NBC variety show.
During her monologue, Debose was joined by veteran cast member Kate McKinnon for a medley of “West Side Story” numbers, including “Tonight,” “Something’s Coming” and “America;” during “I Feel Pretty” the pair fist bumped following the famous line “I feel pretty and witty and gay!”
https://www.youtube.com/watch?v=tLOEKEwjGKk
The show began with “Message from the President” and featured new cast member James Austin Johnson as President Joe Biden blaming the spread of the omicron variant of COVID-19 on too many people seeing “Spiderman: No Way Home.” Biden at one point wondered if there were other President Biden’s in the multiverse, leading Pete Davidson to arrive as a Biden variant from another universe.
Local business commercials in the New York Metro area were spoofed by Davidson and Chloe Fineman, who advertised their shop for prom and formal wear in “Formal Emporium,” with featured player Andrew Dismukes as their nerdy son.
https://www.youtube.com/watch?v=4QoH_oYaN6M
Chris Redd made his debut as new New York City Mayor Eric Adams, in a NY1 press conference sketch where Adams made his arrival to the podium with Mase’s “Feel So Good”as walk on music. Adams bragged about the swag he brings to the office and gave stark comparison to the predecessor, who was never parodied on SNL in his eight prior years in office.
https://www.youtube.com/watch?v=d7igRfDC1YQ
Jack Antonoff’s NYC-based indie-pop group Bleachers performed an energetic “How Dare You Want More,” off 2021’s Take the Sadness Out of Saturday Night, and was performed on The Tonight Show with Jimmy Fallon last year.Mark ‘Rat’ Ratner Antonoff was joined by singer-songwriter Blu DeTiger on bass, Claud on keys and Rick Antonoff, Jack’s dad, on guitar.
https://www.youtube.com/watch?v=Gnn-pBhmUX4
The Sound of Music has been a regular musical sketch number on SNL, appearing in sketches twice in the last four years. Debose’s Broadway chops were on display in “Governess” where a widower, Kenan Thompson, hired DeBose to teach his children, who sang a take on “Do-Re-Mi.”
For Bleachers’ second song, Antonoff’s 2020 collaboration with Bruce Springsteen, “Chinatown,” was featured, with Claud shifting to guitar. Antonoff recently confirmed that he will release a new Bleachers album, the group’s fourth, by the end of the year.
https://www.youtube.com/watch?v=l3hEhMMfUJo
Rapper Roddy Ricch was originally scheduled as musical guest this evening but had to withdraw due to members of his team being exposed to COVID-19. SNL returns on January 22 with host Will Forte and musical guest Måneskin.
One sketch that was cut for time, “All On Me,” features a rapper (Chris Redd) performs a song with his entourage (Ariana DeBose, rapper Freddie Gibbs, Kenan Thompson) after signing a major deal.
