Spoiler NYC frontman, Life of Agony bassist, and graphic artist Alan Robert was recently caught on video being arrested with his bandmates from Spoiler at Brooklyn’s Lucky 13 Saloon.
Well, not really. The group’s music video for “Banned in 38 States,” released this past Thursday, October 18, showed the band being carried out of the heavy metal-themed bar in handcuffs and performing from behind bars in a skit-like approach.
Produced by Ken Lewis, a producer whose repertoire includes work with the Wu-Tang Clan, Eminem, and countless other hip-hop icons, it’s a quick, pounding punk rock track which just crosses the two minute mark. Robert proclaims the band’s infamy as inciters of punk-infused chaos, yelling on the first verse, “no where left to play, lots of hell to raise, pour me another bourbon, whiskey or wine.”
“Banned in 38 States” is one of two new tracks from their August-released album of the same name. It’s a 15th anniversary edition of their debut album Grease Fire in Hell’s Kitchen, featuring remastered versions of the record’s original 12 songs.
Spoiler NYC band members from left to right: Chris “Junkyard” Silletti (guitar), Alan Robert (lead vocals/bass), Tommy “The Kid” Clayton (drums).
The other new addition is the slower, more melodic “Damaged Goods,” an ode to Robert’s tumultuous upbringing with an abusive father. “People say I will never amount to nothing, and then they’ll wait ’till I kill myself or something, then they’ll say ‘oh what a shame, he was damaged goods,” he sings on the chorus.
The song received a Taxi Driver-themed music video back in August when the remastered album dropped.
Spoiler NYC is also promoting Banned in 38 States with three upcoming shows: one in November in a return to the Lucky 13 Saloon, and two in December, with appearances at Coney Island USA and Bowery Electric.
Information regarding tickets, Banned in 38 States’ limited vinyl release on Halloween, and more can be found on the Spoiler NYC website.
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Another Sexless Weekend – “Beautiful Strange”
Another Sexless Weekend is from Burlington, VT. The project is the brainchild of Julian Foster and Andrew Poitras. Their song “Beautiful Strange” was released on Sept. 25 and will be played on EQXposure on sunday night.
Sara Devoe – “Bella”
Sara Devoe is an emerging singer/songwriter from Albany. She takes most of her inspiration from artists like Phoebe Bridgers, Haley Heynderickx, Field Medic, and Grimes. Her song “Bella” will be played on EQXposure on Sunday.
Reese Fulmer – “Leaving a dream”
Reese Fulmer and his Carriage House Band are quickly rising stars in the Capital Region. Fulmer is a bit of an old soul, and his music is reminiscent of Justin Townes Earle, Jeffrey Foucault, John Prine, and Iron & Wine. His song “Leaving a dream” will be played on EQXposure Sunday night.
This October, moe. is once again supporting The American Cancer Society (ACS) in its “Real Men Wear Pink” campaign. The messaging is designed to engage more male community leaders and influencers in the Society’s mission to eliminate breast cancer. In addition to selling limited edition pink merchandise through the band’s online store (coming soon), the band is offering fans a variety of donation opportunities for unique experiences.
These range from a round of golf with percussionist Jim Loughlin to a custom song written by guitarist Al Schnier. moe. is even offering high level donors the opportunity to “join the band for the day,” including hanging with the members during soundcheck, collaborating on the setlist, and sitting in during the show. All proceeds will be donated to ACS, the nation’s largest nonprofit source of cancer research funding. Also, a donation of any amount enters fans for a chance to win VIP tickets to Summer Camp in 2023. For more information and a full list of donation options, visit the donation page here.
The issue hits close to home for moe., with bassist Rob Derhak himself a recent cancer survivor. “The American Cancer Society offered help with so many avenues that I didn’t know existed which made me realize how important the organization is,” said Derhak. “They offer support for people who may not have that team in their corner.”
ACS provides innovative research, patient services, health equity, and education around screenings and risk reduction. Since its inception, this annual program has raised more than $40 million towards the fight against breast cancer.
We are grateful to moe. and their community for making an impact in the lives of cancer patients and their families. We are proud to partner with them to ensure everyone has a fair and just opportunity to prevent, detect, treat, and survive cancer.”
~ Barb Romeu, Director, American Cancer Society
moe. is gearing up for a three-night run at the Fox Theatre in Boulder, CO from November 4-6, as they continue to navigate through the recovery of guitarist Chuck Garvey, who suffered a stroke last year. Michael “Suke” Cerulo from Schleigho will be subbing in for Chuck, alongside keyboardist Nate Wilson from Percy Hill and Assembly of Dust. The shows will also be available to watch via livestream. For more information and to purchase tickets visit the band’s website.
Alt-rock group Mother Mother returns to an even bigger crowd in Buffalo on October 15, with Buffalo Riverworks packed with both new and old fans.
Photo Credit: Maddie McCafferty
The well-known “out-of-box” foursome Transviolet opened up the show. This pop-rock band consists of Sarah McTaggart, Mike Panek, Jon Garcia, and Judah McCarthy. All of which are all too familiar with working alongside various musicians. They easily got the crowd hyped up with McTaggart’s chilling vocals and infectious energy.
Photo Credit: Maddie McCafferty
The viral indie-rock band Vundabar followed up Transviolet. The trio of Brandon Hagen, Drew McDonald, and Zack Abramo managed to keep the fun alive. This was especially so when they played their hit “Alien Blues.”
Photo Credit: Maddie McCafferty
Earlier in 2022, Mother Mother performed at the Town Ballroom. Buffalo fanbase is so extremely loyal to this group that they made a return only 9 months later. This seemingly rapid growing band is composed of Ryan Guldemond (vocals, guitar), Molly Guldemond (vocals, synth), Jasmin Parkin (vocals, keys), Ali Siadat (drums), and Mike Young (bass).
Immediately when the group encapsulated the stage and aura washed over the venue. This band is able to bring theatrical and ethereal qualities. They opened up their performance with their songs “Verbatim” and “O My Heart.” The way Ryan, Molly, and Jasmin are able to move across stage and layer their vocals over one another creates an eeriness.
Photo Credit: Maddie McCafferty
The dark lighting and build up from one song to the next helped set the mood in Riverworks. The mystic vocals of Molly had the crowd in awe when she covered Radiohead’s “Creep,” which was especially impressive. Mother Mother is a constant reminder of what it means to never give up on your dreams. Ryan shared how the band originally started by him writing songs alone in his bedroom. He then told everyone in the crowd that despite what anyone else might think, “if you have a dream, keep chasing it and wreck any obstacles that stand in the way.” He shared that’s what gave him inspiration for their song “Wrecking Ball.”
Mother Mother then closed out their show in Buffalo with their songs “Hayloft II” and “Ghosting.” Both of which are fan favorites and left everyone screaming the lyrics.
Photo credit: Maddie McCafferty
Make sure to keep up to date with upcoming shows at Buffalo Riverworks. I Prevail and Pierce the Veil perform November 20.
Setlist: Verbatim, O My Heart, Bit by Bit, Infinitesimal, Body of Years, Creep (Radiohead cover), The Stand, Back in School, Burning Pile, Problems, Sick of the Silence, It’s Alright, Arms Tonite, Body, Wrecking Ball, Oh Ana, Hayloft/ Girl Alone, Hayloft II
SG Lewis performed at The Westcott Theater on October 11 as their official fifth stop during their 2022 Tour. SG Lewis is a London-based singer and song writer; his music produces an electronic, dance-oriented groove and dedicates his music to club culture.
Lewis is originally from Reading, England and began his music career after many years experimenting as a teenager. It only began in 2014 for SG hopping from various bands as he moved in his own direction, Lewis’s first EP Shivers was released in 2015.
Mindchatter opened, with a similar electronic pop groove. Bryce opened with some of his top hits “I can change” and DJ mix “It’s been you”. It was the perfect way to rise the vibe before the crowd broke loose for well known SG Lewis. The Westcott Theater provided the perfect dance floor for the show last Tuesday evening. With a youthful crowd, fans were excited that SG was visiting Syracuse as one of his many stops.
The London performer sung top releases and collaborative songs featuring artists JP Cooper, Bruno Major, Frances, Clairo, LANY among others. Leaning over the barricade was a screaming SG, and the crowd blew up for the band. The set also featured songs “More Than A Woman” (Paradise edit featuring Bees Gees), hit release “One More” (feat. Nile Rodgers) and one more of many “Heartbreak on The Dance floor” (feat. Frances).
Overall, SG Lewis and the band seemed to have kicked off a good start to their tour. Lewis continues to inspire the music industry and welcome the crowd and thank his fans for support. SG Lewis has a great way of captivating his audience and giving the fans a good time and a memorable show.
This past Friday, October 14 ZZ Top brought 50 years of Rock to Albany’s The Palace Theatre for the first time.
Austin Meade from Austin, Texas opened for ZZ Top. Meade is an electric performer whose music has a very hard-rock feel. Known for his intensity on the drums and guitar, Meade currently has four rock albums. His latest effort — Abstract Art of an Unstable Mind — released on the day of the concert. Meade debuted a song off that album during his performance.
Meade opened up to a warm reception at promptly 8 o’clock. His guitarists seemed to want to grab the crowd’s attention, playing with extra vigor whenever Meade approached center stage. Meade performed for about 30 minutes before ending with his hit single, “Happier Alone.” In this performance, he added in lyrics from Dua Lipa’s, “Don’t Start Now,” to end the song, and ending his set.
An older crowd welcomed ZZ Top to Albany with a thunderous ovation. Everyone was on their feet as a new-look ZZ Top took the stage. Last year, lead bass player Dusty Hill died in his home in Houston at the age of 72. Before his passing, he wished for the band to go on. ZZ Top’s guitar tech, Elmwood Francis assumed the position. This was Albany’s first time seeing Francis rock out live on stage.
There was not any mention of Dusty Hill during their hour and 15-minute set. The vibes were positive as Billy Gibbons, ZZ Top’s lead vocalist and guitarist, repeatedly asked “are y’all having a good time?” They played of their greatest hits from the last 5 decades including “Give Me All Your Lovin,” “Sharp Dressed Man,” “Brown Sugar,” and “Pearl Necklace.”
ZZ Top had left the stage, but not a single person left the theatre. They returned quickly with sporting sparkling red jackets. They closed the show playing “La Grange” with fluffy white guitars and a barrage of bubbles.
The ZZ Top tour continues in Port Chester, NY on October 18th at The Capitol Theatre. If you cannot catch them there, they have a strip of shows in Las Vegas from December 3rd-10th at The Venetian.
Ripton, VT, artist Sarah King has recently just delivered a soulful new A/B sided release with “Always an Almost” and “You Were Wrong About Me.” There’s no arguing that King’s talents are being celebrated by some of the biggest names in music. Her music has a similar resemblance to artists like The Lumineers, Lana Del Rey, Lenny Kravitz, Michael Jackson, Shawn Mendes and more.
Sarah King A/B
Just off the heels of her most recent EP The Hour, Sarah King shows her newest releases exuding a clear contrast to her previous works. Most which were originally inspired by loss of loved ones, grief and the heavier feelings that she had carried with her for years. In her newest releases, each song can be both musically and lyrically versatility. King does this through dynamic vocal delivery and refreshing heart-on-sleeve storytelling.
Sarah King A/B
The track “Always an Almost” describes the sudden chances we thought we just missed, much like the relationships that didn’t last, and all of the dreams we struggle to let go of in order to make space for what is really meant for us. King sings heartfelt lyrics with tears streaming down her face, solidifying the fact that she had an undeniable hit in her hands.
“Almost thought I couldn’t let go, But the pain’s how you grow / It gets better I know, Always an almost” ~ Always An Almost
Followed by a fierce rock companion “You Were Wrong About Me,” this release offers a bit of modern rock n roll. This release looks back on the situations that didn’t work out from a place of strength, growth and confidence. Originally the song was written in about 10 minutes; the two-minute-long rocker was inspired by a music venue that rejected King to perform before even listening to her music. Thus, King has written one of her most simple, yet impactful tracks that musicians will be able to relate to.
“Don’t need your permission now, Didn’t want it anyhow / Live my life the way I please, You’ll never be the boss of me” ~ You Were Wrong About Me
Saturday Night Live‘s third show of the season featured a double threat with Megan Thee Stallion returning as both host and musical guest. Following Queen Latifah in 2004, this was only the second time a female rapper served as both host and musical guest on Saturday Night Live.
The show’s cold open featured a take on the January 6th Committee, with second-year player Sarah Sherman appearing as New York Senator Chuck Schumer negotiating for a pastrami sandwich delivery during the insurrection.
Megan’s monologue was brief and allowed her to share one success over the summer, Bachelor’s degree in Health Administration from Texas Southern University, an HBCU. Before her career took off, Megan Thee Stallion’s was enrolled at Prairie View A&M, leading the rapper to joke that while her fans know her as Tina Snow, Suga and Hot Girl Meg, she can now be known as “Megan Thee girl that needs some sleep.” Stallion continued by saying “I got my degree in health administration because I have always wanted to help the people in my community. I believe it’s important to have a sharp mind and a sharp body-ody-ody.”
Megan Thee Stallion also took a moment to plug the website she launched last month, called Bad Bitches Have Bad Days Too, which features mental health resources, crisis hotlines and directories of Black and LGBTQ therapists.
The first sketch of the night put her degree to good use with “Hot Girl Hospital” where, joined by nurses Ego Nwodim and Punkie Johnson, they were “three everyday heroes glow up the community one dusty chick at a time.” The trio were on point together, with Nwodim standing out as the new female lead cast member thus far in the season.
The first song of the evening, “Anxiety,” from her sophomore album Traumatize, had a Beauty Pageant vibe with Megan Thee Stallion and backup dancers all wearing formal dresses with sashes that read “Ms. Overlooked,” “Ms. Insecure,” “Ms. Overlooked,” “Ms. Underpaid,” and Megan wearing “Miss Anxiety.” Rapping about bad girls having bad days too, the emotional empowerment number struck a chord with fans online, and Megan, as she sang about the loss of her mother.
A medley of “NDA” and “Plan B” were featured in the second performance of the night, with Megan wearing a black corset and cutout jeans, with knee length hair and a Cuban link chain, all whiile backed by a full rock band.
Saturday Night Live is off this week and returns on October 29th for the annual Halloween show, with host and musical guest Jack Harlow, who previously was musical guest in 2021.
When you think of Westchester, you may not picture a thriving rap and hip hop scene; one local producer is looking to change that. John Darling aka Poncho is a producer turned entrepreneur, who highlights local artists on his Youtube show, the Encore Podcast.
Growing up in Cortlandt Manor, Poncho didn’t seriously start making beats until a sports injury in college prompted him to switch gears and make music. After dropping out of the University of Mississippi his sophomore year, he returned to his hometown and quickly learned how tough it was to make a career as a producer.
John Darling aka Poncho is a producer turned entrepreneur. With an eye for upcoming artists and an ear for beats, the Westchester native uses his talents daily on his Youtube show, the Encore Podcast.
“You got the industry route where you’re trying to get beats on an album and the internet route posting beats on Youtube, but it’s just so saturated,” he explained. “You can only get so far doing that.”
Rather than DMing artists with his beats and hoping for responses, Poncho wanted musicians to come to him. His solution was the Encore Podcast, where he envisioned himself interviewing up-and-coming rappers, producers and DJs. Poncho had a variety of music contacts from previous ventures hosting live shows and he hoped some of these connections would translate to people he could feature on the podcast. Poncho also believed Encore could serve to connect Westchester artists to one another, creating a community centered around music.
“There’s a lot of people who do music in Westchester, but everyone is just disconnected,” he said. “There’s no home base for people.”
Yet that community is clearly growing under Poncho’s guiding hand. While the podcast is still small – it has less than 1,000 subscribers on Youtube – the fan base is clearly dedicated. The show never appears to lack new voices, whether it be interviews with female rappers like the Yonkers based Prada Mama or big name producers like Mike Snell, who has worked with the likes of artists such as Kanye West and Timbaland.
The podcast is also big enough that Poncho said he only accepts around 15% of interview requests. And on episodes where he reviews new music, artists are now paying him to critique their songs.
Poncho making beats in the studio
Still, it took a while for Poncho to reach this stage. Over the course of hundreds of episodes and many years, the podcast has evolved from acoustic performance videos to music reviews and artist Q&As. Currently, Poncho says the primary focus is creating educational content for artists and producers.
“The interviews are really about creating teachable moments for artists,” he said. “A lot of artists don’t really know what they’re doing … so there’s an education gap that we’re trying to fill with our podcast.”
Indeed, the podcast excels particularly by providing both a platform for artists and their music while simultaneously serving as a learning tool for viewers hoping to make it in the industry. Perhaps no one knows this better than Westchester rapper Tim Schulze, who releases music under the moniker, Starkiller TmmyX.
TmmyX has been a featured guest on the podcast, working alongside Poncho to review artist submissions. TmmyX is also an avid viewer of the show and said the podcast provides knowledge he wished he had known when he was just starting out.
“Poncho goes through and he teaches all these little things and he gives you all these criticisms,” he said. “Some people might take it the wrong way, but these are things that I wish somebody was telling me earlier in my career.”
The burgeoning reach of Poncho’s podcast also contributed to TmmyX filming a music video with the artist Nyck Caution, a member of the hip hop collective Pro Era, which notably features Joey Bada$$ as one of its founding members. TmmyX and Caution had recently made a song together, although they never met in-person for the collab. TmmyX decided to preview the new single on the Encore Podcast, where it was met with rave reviews. Hundreds of people tagged Caution while Poncho himself gave a shoutout requesting the two meet and shoot a music video together … and it worked.
“Two weeks later, [Nick Caution] is with me and we’re in Brooklyn shooting the video because of Poncho’s podcast,” TmmyX said. “It’s things like that. He’s creating moments. Poncho has created each of these connections by putting his service out there.”
Another connection Poncho has made is with Bobby Lehday, a Westchester producer and now frequent guest of the Encore podcast. Lehday has worked with famous rappers like Lil Durk and serves as an in-house producer for other Westchester artists like TmmyX.
Like Poncho, Lehday has an eye for Westchester talent and sees the opportunity for a community to grow around the rap genre.
“I like to see people from my area win and if I can help them with that, I’ll do whatever I can,” Lehday said. “I love seeing people blossom and grow into artists. I feel like a farmer tending my garden.”
Bobby Lehday, Poncho and TmmyX doing music reviews on the podcast
For Lehday, sometimes helping others comes in the form of tough love, as evidenced by his sometimes critical music reviews on the Encore Podcast.
“I’ve been on the show myself and people have said I’ve been a little harsh, but honestly some people really need to hear that,” Lehday emphasized. “If you’re serious about music, you have to be willing to be humbled.”
As someone who has been humbled many times while making the podcast what it is today, Poncho said he agrees with this mindset.
“At the beginning I was ignorant and after a hundred and fifty podcasts, I learned that, ‘oh, I’m doing this wrong,’” he said. “Eventually after I’ve fixed two hundred things, now I have a good podcast.”
Still, Poncho doesn’t deny that sometimes ignorance is bliss.
“I was blessed because I didn’t know what the fuck I was doing,” he said. “If I had known how difficult this actually is, I might have not done it.”
But by all accounts, Poncho has done it. Through trial and error and sheer dedication, Darling has made the Encore Podcast his full-time job and his main source of income. He continues to grow the platform one new artist at a time.
“I’ve got no other option,” he said. “With the platform we’re trying to build, I only want people that have that hustle, because if you don’t have the hustle, you’re not going to make it.”
Astounding an intimate audience during their Lark Hall debut, the experimental progressive jazz-rock quartet Kick the Cat wasn’t pussyfooting around during their recent stop in Albany on October 7th. From heavy metal and beautiful blues-based rock, to complicated jazz compositions mixed with playful funk and all sorts of funky time signature changes, the enduring Chicago-based band unleashed an all-out assault of the senses by combining just about every style of music known to man and making it their own. Uncompromising and anything but commercial, those who dared to take a chance on this night were rewarded with a very special performance.
Kick the Cat performing at Lark Hall in Albany, NY 10/7/22
In a move that only further cements an already legendary status, veteran Capital Region concert promoter Greg Bell of Guthrie/Bell Productions announced just days before the show that it would be free-for-all. No cover charge, no hidden agenda. Why you ask? In a statement released on social media, Bell claimed “Because I feel people should see these two bands, I am making this a free show. No tickets needed, no admission fee, just great music.” Also making their Lark Hall debut on the evening was the Hudson Valley-based group NEQ. Made up of guitarist Todd Nelson, Kyle Esposito (bass) and Manuel Quintana (drums), the group was also joined by Ross Rice on keyboards. Playing mostly songs from their 2022 debut album ‘Nevertheless”, the band showcased a diverse set of influences ranging from classic and prog rock, to gospel, funk and even a splash of spaghetti western. Clearly having a good time on stage, the bands heartfelt approach immediately endeared themselves to the listener and set the bar incredibly high for what was soon to follow.
NEQ performing at Lark Hall in Albany, NY 10/7/22
Dressed like regular dudes, the members of Kick the Cat casually took to the Lark Hall stage around 9:30pm. Greeting the audience with gratitude and letting them know in advance things were about to get weird at times, but also groovy and beautiful at times too. Though the band might be new to some, they’ve actually been playing together for nearly twenty-five years. Consisting of front man Chris Siebold on guitar, Kris Myers (of Umphrey’s McGee) on drums, Chris Clemente on bass and Vijay Tellis-Nayak on keyboards, The Cats opened with the pummeling start/stop frenzy of “Ow! My Eye,” clearly letting you know you had to be punished before you were pleasured.
Kris Myers performing with Kick the Cat at Lark Hall in Albany, NY 10/7/22
Anchoring the controlled chaos, it was the powerful, confident and steady hands Kris Myers that demanded most of the attention early on. A strange sight to see the Umphrey’s McGee drummer without his percussion playing partner Andy Farag nearby, but casual fans may not realize Myers is one of Kick the Cat’s founding members. Myers, who started playing at age 8 and earned a master’s degree in jazz drumming from DePaul University, played on KTC’s first two studio albums before joining UM in 2003. It was here in this type of setting that his undeniable talent and dexterity could truly be appreciated. All evening long you could hear and see people whispering to each other about just how good he really is.
Kick the Cat performing at Lark Hall in Albany, NY 10/7/22
After working their way through a series of complex, percussion-heavy compositions like “Alt De Facto,” “Harebrained,” and “Hope Against Hope,” front man Chris Siebold took to the mic while changing out guitars, saying “We just bludgeoned your bodies, but now we’re about to bathe you in relaxation.” What initially came off as a “cool down” song for Myers effortlessly became a showcase of guitar playing virtuosity for Siebold. Landing somewhere between the luscious and dreamy tones of greats like David Gilmour and Jeff Beck combined with the chop-busting inspiration from bands like The Weather Report, King Crimson and Return To Forever, it was at this point in the evening that Chris stole the spotlight from Kris and let everyone know he was an absolute force behind the frets. After a beautifully bluesy rendition of “Two Down” from their 2002 album Weirdo another show highlight came in the form of “Camel Toe Vs. Snaggle Tooth,” which at its climax, forced even those sitting to rise up in appreciation.
Chris Siebold of Kick the Cat performing at Lark Hall in Albany, NY 10/7/22
After working their way through much of 2021’s Gurgle, Kick the Cat’s first studio release in over a decade, another clear sign of approval came when promoter Greg Bell approached the front of the stage and presumably asked the band to play little longer. Happy to oblige, Siebold joked “Another set? Sure, hell we’ll play till sunrise if someone wants to offer us another $30,000, which of course would be donated to charity. Any takers?” he asked. “No? Ok, we’ll play a little longer anyway, but if we start noticing the place is clearing out, just give us a sign.”
While Kick the Cat didn’t quite play till sunrise, they did perhaps play longer than any other band at the recently renovated Lark Hall. Fans who stuck around until the end were treated to ambitious songs like “Ramsey (All In)”, “Waz Up” and “That Stuff That’s Tough” before eventually bringing things to a close with the song “Squirt.” An evening filled with heady-yet-approachable grooves and other worldly soundscapes, angular melodies, fuzz-filled tones and all-out rock n roll, the level of musicianship KTC brought to Albany was unapparelled. While progressive jazz-rock fusion may not often be thought of as “cool” these days, Kick the Cat is and seeing them live is a thrilling experience you’re not likely to forget.
Kick the Cat performing at Lark Hall in Albany, NY 10/7/22
Kick the Cat | Lark Hall | Albany, NY | October 7, 2022
Setlist: Ow! My Eye, Alt De Facto, Harebrained, Hope Against Hope, Adolpho’s Dilemma, Visogoth’s Overture>Breakfast with the Visogoth’s, Two Down, Camel Toe Vs. Snaggle Tooth, Ramsay( All In), Waz Up, That Stuff That’s Tough, Squirt
