Category: Media

  • “Grapplin’ Greg”, new Documentary About Albany-Area Promoter Greg Bell To be Released Fall 2022 from Mirth Films

    Albany promoter Greg Bell, of Guthrie/Bell Productions, has been a staple in the Albany music community for more than three decades. Starting in the early 90s, he began a journey that led him to give countless new and rising bands from the Capital Region a stage to play on.

    For bands touring from across the country, Bell has made Albany a stop to look forward to, and always with the support and enthusiasm you might find from a fan, rather than a promoter.

    greg bell

    Grapplin’ Greg” is an upcoming full-length film slated for release in late fall 2022. The film is shot, edited and produced by Frankie Cavone of Mirth Films, and co-produced by Kim Neaton of Guthrie/Bell Productions.

    The story told in ‘Grapplin’ Greg‘ will share how Bell fell in love with live music, then began booking a couple small bar shows for friends, and later events at venues like The Palace Theatre, Albany Armory and beyond. Greg Bell doesn’t just book shows, he has helped nurture a music scene that truly feels like a community.

    To tell the story, Mirth Films is in the process of speaking with musicians, venue owners, fans, promoters, family and friends that help to piece together this three-decade legacy. Shot at venues including The Hollow in downtown Albany and the Palace Theatre with those that know him best, the interviews have proven to be full of stories both heartfelt and hilarious.

    The title of the documentary derives from the Eastbound Jesus song, for whom Bell serves as manager, of the same name. The song tells a tale of Bell as a wrestler, defeating a bear that attempts to start a drum circle at his legendary festival, Bellstock. Perhaps he never went toe to toe with a bear, but from being a star wrestler to threatening to burn drums, much of the tale is true. The song, like his life, is an entertaining ride.

  • Brooklyn Band Endearments Share Video For Coldplay-Inspired “Delicate”

    Brooklyn synth-pop project Endearments have released a Coldplay-inspired music video for their original song “Delicate,” off their debut EP Father of Wands.

    Endearments and the video for “Delicate.”

    The video for “Delicate” is directly influenced by Coldplay’s video for their song “Yellow.” Speaking of the video, singer Kevin Marksson spoke about the influence.

    When we decided to make a music video for ‘Delicate’ I knew immediately that I wanted it to be an homage to Coldplay’s ‘Yellow’ video. It’s one of my all-time favorite music videos: beautiful, earnest, simple. Thematically ‘Delicate’ is really the opposite of ‘Yellow’ though. It’s a song about walking away from a bad relationship, so setting the video on an idyllic beach didn’t feel right. Filming on the street in Bushwick felt like the perfect way to pay tribute to the original while still being true to this song.

    Kevin Marksson, Endearments.

    Marksson recently began writing and composing for himself for the first time in over a decade, after his previous band ended. He chose the name for this project because he wanted to convey a sense of affection, though the music he makes is sad.

    Father of Wands uses brilliant basslines and dream-pop aesthetics to tell the story of Marksson’s own heartbreak and healing. The title of the EP comes from tarot cards, as the Father (or King) is the ultimate card in the suit of Wands, which lets Marksson be guided to a place of healing.

    endearments delicate
    Endearments.

    Endearment’s Coldplay-inspired video for the new song “Delicate” is out now. Descrived as “irresistible and gratifyingly groovy” by Bands Do Brooklyn, your ears will transcend to a place of wonder.

  • Interview: Snake Anthony and the Wood Brothers Shed Across New York State

    The Wood Brothers started 2022 in the Empire State with dates in Rochester’s Kodak Hall at Eastman Theater, Albany’s Palace Theater and Plattsburgh’s Strand Center for the Arts. It marks the Wood Brothers first time at Kodak since Feb 2020, and bassist Chris Wood took some time after the gig for a quick chat with NYS Music.

    chris wood

    Matthew Romano: Good to have the Wood Brothers back at Kodak Theater for the first time since Feb 2020. Eastman School of Music Steve Gadd’s quote comes to mind from your performance. “When you get it musically to a level where everyone on the bandstand is having fun and can hear each other and you can trust the audience is hearing it the way you are it gets to a spiritual level. In Japan or wherever you are. That’s the goal.” How did last night’s energy feel at Kodak?

    Chris Wood: Yea last night was the first show we had since the holiday break. Combination of excitement to be back and playing with band mates and touring with our crew we love. But also the feeling of being a little bit rusty. Got to get my sound right. Ya know?

    MR: Well the vibe you guys gave off on the bandstand looked like a lot of fun. The dynamics alone. You jumping from the Hofner to the stand up. Jano jumping from the kit to shitar. Handheld keyboards. Oliver switched acoustic and electric with rip snorting slide guitar. 

    CW: We want sonic variety. As well as musical variety and of course dynamics.  Some songs are like a rock band and then some stripped down. For us that’s what makes the show interesting. It’s not just one thing all night. There’s a real shape to the set. Different moments that have a completely different vibe.  The tone pallet ya know?

    chris wood

    MR: Well your going back to The Palace Theater in Albany where MMW in December 2000 had Trey Anastasio come sit in for an improvisational Partido Alto. Then a “We are rolling” second set jam. Any memories of that pallet?

    CW:  Trey has sat in with us a bunch. I didn’t realize that it was in Albany too. Before we knew Phish was when we were in our downtown New York City music scene. We had no concept of the jam band scene. We lived in a different musical universe. Phish started playing us during their set breaks and then their fans showed up almost overnight in our crowd . But as far as musical memories that go back to 2000…I had no idea that tape was out there (laughter)

    MR: MMW’s “Your Name is Snake Anthony” has helped coin the term for the Capital Region for cats on the road, “Shedding up and down the Hudson River” 

    CW: Well you can thank Col. Bruce Hampton for that. 

    MR: That was the Colonel?

    CW:  That’s Bruce. Yea we just sent that track to him and we’re like do something over this and he just improvised that over it. Right. Like “we lived in a shed.” That’s all Bruce.

    MR: Seeing “Atlas” get played differently again last night keeps that song with a fun on the road vibe, stopping on a dime. What’s behind the scenes on “Atlas” that keeps it fresh?

    CW: It was on our first wood bros record. It was a song that existed before the wood bros in Oliver’s band King Johnson. He wrote it for them in the 90s. The live arrangement is always morphing. It’s gotten really fast and sometimes it’s stripped down with the Rix on shitar and then electric loud and rocking. That’s what’s fun. A song like that can arrange it in completely different ways. Real, versatile and playful. 

    MR: Hopefully “Snake Anthony” will help you realize that you’re the best on the road in 2022.

    Photo Gallery by Brian Ferguson: The Wood Brothers, Richie Stearns and Aaron Lipp from Kodak Hall at Eastman Theatre, Tuesday, January 25, 2022.

  • This Week’s EQXposure Features Adequate Phil, Joe DeFelice, grape juice! And More

    Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into EQX this Sunday night to hear new music from Adequate Phil, Joe DeFelice, grape juice! and many more!

    Adequate Phil

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    Adequate Phil

    Psychedelic folk band Adequate Phil has released a double single, “Baby Leeches/Vessel,” featured on EQX this week. Both sides are experimental pieces, especially “Vessel,” which is more of an audio atmosphere than a traditional song. “Baby Leeches” almost follows in its footsteps, until vocals and a recurring melody jump in at the halfway part. With its background whispers about spirit guides and crystal caves, “Vessel” feels like a window to another world. The Troy freak-folk group’s Spotify bio cites Animal Collective, The Beatles, Unknown Mortal Orchestra and Radiohead as major influences.

    Joe DeFelice

    Singer-songwriter Joe DeFelice has released his debut EP, Outside Looking In. Originally from New Hampshire, DeFelice has been a live music fixture ever since relocating to the upstate New York area. The penultimate song on Outside Looking In, “We Fell Apart,” is upbeat and anthemic despite its bittersweet lyrics:

    grape juice!

    Albany alt-rock band grape juice! is back with another song, “Goodbyes Suck.” Like their previous single, “Sad Songs,” its title is deceptive: the narrator sounds more than happy to be moving on with his life after a breakup.

  • Jake Scott Performs at MHOW for First New York Headline Show

    On January 25th, 2022, Jake Scott performed his first headline New York show at the Music Hall of Williamsburg and he did not disappoint. Opener Josie Dunne, was accompanied by Will Honaker. Born and raised near Chicago, Josie always gravitated towards music, starting with YouTube videos and eventually signing with Atlantic Records while just in high school. Now 23 years old, her energy is contagious and she knows how to own a stage.

    Singing, playing the keyboard, and even the trumpet, she got the audience jumping up and down. Her one goal of the night? For the audience to remember her name. After almost every song, she would ask the audience, “what’s my name?” and the audience screamed it right back, “JOSIE DUNNE.” She interacted with the audience on both ends of the stage and put on a great show. Her voice was absolutely beautiful as well.

    After another 30 minutes, Jake Scott took the stage, opening up with one his most popular songs, “Like No One Does.” Song after song, the audience sang loudly with him. Josie Dunne even came back to join Jake in singing “CWJBHN.”

    jake scott
    photo by Ambika Verma

    After about an hour and 15 minutes on stage, Jake left the stage and then came back for an encore with two final songs, “Tuesday” and “Favorite T-Shirt.” It was a great headline show and many fans eagerly waiting for Jake to return next.

    Josie Dunn Setlist: Theme, Love, Sorry, Ugly, Dancing Queen/Same, Santa Cruz, Dumb, Strangers, Sunday Morning, Cooped Up

    Jake Scott Setlist: Like No One Does, Overthinking, We Haven’t Looked at Our Phones, I Don’t Miss You, Otherwise, I Don’t Want to Be Friends, Lie, Working for You, Yours, Goldenboy, CWJBHN, Like This, Anymore, Meet my Shadow, Off, She,

    Encore: Tuesdays, Favorite T-Shirt

  • Laurel Canyon release debut EP “Victim”

    Laurel Canyon released their debut EP, Victim, on January 14, featuring two brand new singles “Shove” and “Sade.” The album was produced by Bryce Goggin (Pavement, Hello Mary) at Trout Recording in Brooklyn. Along with this, the artist Savage Pencil, who has worked with Big Black and Sonic Youth, created the artwork for the EP. 

    Laurel Canyon EP “Victim”
    Cover artwork by Savage Pencil (Big Black, Sonic Youth).

    Laurel Canyon is a grunge band originally from Pennsylvania, however, they record their music and perform in Brooklyn. Nicholas Gillespie and Serg Cereja are the creators of this iconic band. To sum up, they met two years ago through a mutual friend in their hometown of Allentown. After that, through shared interests and collaboration, the two began writing and recording songs. Above all, creating the punk-rock band known today as Laurel Canyon.

    Photo of Laurel Canyon by @pielmelosa on Instagram
    Photo by @pielmelosa on Instagram

    Victim embodies the sounds of original 90s grunge/pun music. Likewise, along with its melodic vocals, the album creates a unique tone. In songs like “Daddy’s Honey,” the two yell repeatedly “off her broken plates” together. Similarly, the song’s lyrics are said to be inspired by the band’s “real-life experiences in a troubled home” (Thomas Gallo).

    Photo of Laurel Canyon by Alex Hall
    Photo by Alex Hall

    There’s no denying that this album has gained popularity online for its 90s-sound, with “Eczema” and “Daddy’s Honey” are featured in the Spotify playlists “All New Rock” and “Smells Like Stream Spirit.” 

    In October of 2020, Nick and Serg shared the song, “Two Times Emptiness,” released on May 1st, 2021. Both artists said they contributed equally to the music and the lyrics, thus creating a song neither could have written alone. 

    Photo by Nikola Burnett
    Photo by Nikola Burnett

    The band quickly found themselves with a lot of material to work with and established a relationship with producer, Bryce Goggin (Pavement, Hello Mary). With the help of bassist Dylan Loccarini and Chip Williams, in July and November of 2021 the group recorded the 5-track EP Victim

     Victim can be found on Spotify and Bandcamp.

    https://open.spotify.com/track/6ciEiH4RBAUYDRQkPS4GBR?si=f0048ac2d65f4345 https://linktr.ee/Laurel_Canyon
  • In Focus: TR3, with Tim Reynolds at the Strand Theatre Hudson Falls

    This past Saturday TR3, with Tim Reynolds, rolled through Hudson Falls to perform for a sold out Strand Theatre crowd. Most of you likely know Tim, and have seen him on stage with Dave Matthews Band. While TR3 and DMB are two very different bands, Tim’s playing is a constant. He has a special knack for tailoring moods, creating ambience, and shredding tastefully. These abilities were on display from the start of the show when TR3 opened with “On This Mountain Born in the Clouds,” from their newest album “Wild in the Sky.” The song featured a dreamy, and persistent guitar section that built in intensity over Dan’s driving backbeat.

    TR3

    After “On This Mountain Born in the Clouds” put the crowd into a trance-like state, TR3 broke them out of it with more tracks from the new album. “A Bone to Pick” changed up the tone and had The Strand Theatre rocking. “Galloping Sun Dogs” and “Poet” were the final tracks played from TR3’s new album before they transitioned into some older songs with “Sweet Spot.” Each song was as unique as the last and featured Tim’s ability to create melodies that feel familiar from the first run through.

    TR3 took a break from playing original songs when they played “Song for Sonny Liston,” a Mark Knopfler tune that featured Mick’s vocals. The covers did not stop there, and the band played more songs by Peter Gabriel, The Angels, The Doors, and David Bowie. Riders on the Storm was a real surprise, and was unlike any other cover of the song. Tim played Ray Manzarek’s famous rainfall keyboard intro as though it was written for guitar. TR3 then closed out their chunk of covers with Bowie’s “Rebel Rebel” that took the energy of the room to a whole new level.

    TR3

    TR3 then transitioned back to playing original tunes as the show wound down, unbeknownst to the fans. The show would finally come to an end with a one song encore. “Golden Flower” was beautifully intricate, was the perfect bookend to the night’s atmospheric opener. TR3 slowly brought the room’s energy back down to Earth as Tim set a loop before leaving the stage. Mick and Dan followed one by one, but not before Dan could slowly play himself out, leaving only the loop Tim had set. Then, for just a moment, there was a feeling of complete peace. Until the track cut out, and the fans realized the show had come to its final end.

    TR3

    TR3 and Tim Reynolds will be on tour for a few more weeks, and you can find dates and tickets on Tim’s website. The trio will be heading out to Ohio and Illinois before returning to the East Coast to play shows in New York, Massachusetts, and Connecticut. You can also purchase some merch or CDs on Tim’s shop page.

    Setlist: On This Mountain Born in the Clouds, A Bone to Pick, Galloping Sun Dogs, Poet, Sweet Spot, Grania, The Left Hand of Darkness, Song for Sonny Liston (Mark Knopfler), Mercy Street (Peter Gabriel), Who Rings the Bell (The Angels), Riders on the Storm (The Doors), Rebel Rebel (David Bowie), Ley Lines, Victory Express, Burning Season

    Encore: Golden Flower

  • In Focus: Death Kings Shred through Late Night at Empire Underground

    Following Umphrey’s McGee’s show at the Palace Theatre on Saturday, January 22, bassist Ryan “Little King” Stasik, World’s Okayest Bass Player, joined with a trio of Buffalonians for a heavy post show at Empire Underground as Death Kings. Aqueous guitarist Uncle Mike “Muerto” Gantzer, former Turkuaz drummer Michelangelo “Ox” Carubba, and guitarist Brett Fernway channeled metal and alternative from the 1990s at their fourth show as a band.

    In a venue that Stefon would rave about – “Albany’s hottest coldest place for hardcore fusions jams is Empire Underground. They’ve got everything – an entrance down a parking garage ramp, cement walls, PBR for days, and look in the corner, is that a wook? No, those are Gremlins, and not the Gizmo kind.” Yes, Empire Underground was the place to be post-Umphrey’s McGee.

    Opening with Harvey Danger’s 90’s anthem “Flagpole Sitta” gave the audience a taste of what was to come, with deep shredding metal, especially on the original “Suicide Tuesday.” Stasik noted that even though it was their fourth show as a band, it “feels better every time.” Death Kings is the post show of choice if your prog metal needs aren’t met. Ween’s “It’s Gonna Be a Long Night” stood out among an original filled setlist, as the band pushed past 3am and into the cold of Sunday morning.

    death kings

    Setlist: March, 86, Flagpole Sitta, Dead Memories, Cyco, Flom, Welcome 2 Hell, It’s Gonna be a Long Nite, Suicide Tuesday, Easgles, Territorial Pissings, Burn Enemy, Fuck Authority, Bad Mouth, Disembodied
    Encore: Breed, Blackout, Fight

    Photos by Zak Radick

  • Umphrey’s McGee Covers Ween, Shreds Through Top Notch Show at The Palace Theatre in Albany

    Having performed in the Capital District 11 times since 2003, Umphrey’s McGee performed their most cohesive show in the region to date, a dialed in performance at the Palace Theatre in Albany on Saturday, January 22 that brought out the heavy hitters, a few bust outs and an audience that was immensely appreciative.

    If opening the show with “Cemetery Walk” didn’t set a tone for the evening, the 14+ minute “Booth Love” that followed certainly did. “Make it Right” and the relatively new “Suxity” followed, segueing nicely into a classic version of “The Floor.” From there, the piano stylings of Joel Cummins were front and center for “Salamander Strut,” a tune that has not been played this decade, let alone this century – the last performance coming in 1999, a gap of more than 2400 shows.

    And if a 23 year bust-out didn’t get your attention, a rare cover over Ween’s “Even If You Don’t” followed, marking the second time the band has played it, and third overall if you count the Godboner set from Summer Camp 2015. “Anchor Drops” -> “Mulche’s Odyssey” rounded out a cohesive 66 minute set, leaving the audience cheering for more.

    And more they would get. Opening up the second set with pure rock anthem “Attachments, with a high energy shredding jam to follow that segued into “Glory.” “The Crooked One” featured a tease of The Police’s “Wrapped Around Your Finger,” transitioning seamlessly into “It Doesn’t Matter,” each song clocking in at over 12 minutes a piece.

    “The Silent Type” followed, with a low key tribute to Albany’s roots in “The Fussy Dutchman,” followed by a patiently built “JaJunk” which built into an all time great thumping dance session. For the encore, the companion to the opener, “Cemetery Walk II” featured guitarist Brendan Bayliss joining Cummins on keys, a rare treat that put an exclamation point on the Umphrey’s best show in nearly two decades worth of Capital Region performances.

    Setlist via Allthings.Umphreys.com. Download or stream the show on Nugs.net.

    Umphrey’s McGee – Palace Theatre, Albany – January 22, 2022

    Set 1: Cemetery Walk > Booth Love > Make It Right, Suxity > The Floor, Salamander Strut > Even If You Don’t, Anchor Drops > Mulche’s Odyssey

    Set 2: Attachments > Glory > The Crooked One[1]-> It Doesn’t Matter > The Silent Type, The Fussy Dutchman, JaJunk

    Encore: Cemetery Walk II
    [1] with Wrapped Around Your Finger (The Police) tease

    Photos by Zak Radick

  • In Focus: Chris Pierce, Live at Caffe Lena

    This past Friday, Chris Pierce stopped by Caffe Lena and put on a passionate show for a small, but excited Saratoga crowd. The singer/songwriter recently released his latest album titled ‘American Silence,’ from which he performed a number of songs. Chris opened his set with the title track of his new album, and this set the tone for the evening. He sang soulfully, shared personal stories, and welcomed the crowd in to his world for over an hour and a half.

    Chris Pierce

    Chris also played the song ‘It’s Been Burning For a While.’ The song perfectly highlights his abilities as a musician and a lyricist. Chris put his vocal control on display all night, ranging from pained whispers to powerful roars. Chris even told a story of a childhood vocal coach who would, kindly, hit students in the stomach while attempting to hold out a note. The emotion and tone of his voice were allowed to breath all night, as Chris accompanied his voice only with his guitar, and on occasion a harmonica.

    Chris Pierce heads to the West Coast next, and you can see all his future tour dates on his website.

    Setlist: American Silence, The Bridge of John, Chain Gang Fourth of July, Sound All the Bells, Static Trampoline, Let Me Be Your Sunshine, Young Black and Beautiful, We Can Always Come Back to This, Stand By Me (Ben E. King), Are Your Beautiful, Invisible People, Residential School, It’s Been Burning for a While, Call it a Day