Dead & Company played a scorching night of music at the Xfinity Theater in Hartford, CT on Tuesday, July 5. What was looking out to be a wet evening proved to be a most enjoyable experience, with official Dead and Company Hartford posters selling out quickly in all concession stands.
The band opened with a rocking “Music Never Stopped”. Highlights included “Alabama Getaway”, “Iko Iko”, and Bobby’s performance on “Cassidy” to close out the set.
The second set was opened up with “Jack Straw” and included a well played “Scarlet Begonias” > “Viola Lee Blues” > “Fire on the Mountain” section, an electric “The Other One,” a masterful “The Wheel,” a somber “Black Peter” and a sunshine daydream filled “Sugar Magnolia” to close out the show, without an encore.
The Saratoga Springs show was cancelled the following day. Many had already traveled to Saratoga Springs when they found out about the cancellation. Some decided to go home but some stayed and partied at the legendary Lee’s Campground. Music and good times were not far behind.
Dead and Company – Xfinity Center, Hartford, CT – Tuesday, July 6, 2022
Set 1: The Music Never Stopped,Liberty,They Love Each Other,Loser,Alabama Getaway,Iko Iko,High Time,Cassidy Set 2: Jack Straw,Scarlet Begonias > Viola Lee Blues > Fire on the Mountain > The Other One > Drums > Space > The Wheel > The Other One > Black Peter > Sugar Magnolia
Entire show with Jay Lane on drums filling in for Bill Kreutzmann
The 10th anniversary of Peach Music Festival took place at Montage Mountain in Scranton, PA over July 4th weekend. The festival began in 2012 by the Allman Brothers and Live Nation. Throughout the years, the music of the Allman Brothers has remained a focus with the evolving cast of musicians. The Montage Mountain Ski resort transforms into a water park in the summer months, and the Pavilion hosts concerts. The water park is a unique aspect to a music festival that makes this festival appealing to a wide range of guests.
Day 1: Billy Strings Closes Out the Opening Day
While some people began arriving on Wednesday, most guests arrived on Thursday, June 30. It was a beautiful day to set up camp and get ready for the music to begin in the late afternoon. Billy Strings, Keller Williams, Samantha Fish, Midnight North, Yam-Yam, Consider the Source were among the acts kicking off the festival.
There was a noticeable air of excitement for Billy Strings, with a consistently long line at his merch tent. Keller Williams delivered a late afternoon set full of classics with the aid of an array of pedals, but mostly just his trusty acoustic. Samantha Fish was a delightful surprise. Beginning the day unaware of her music, her set filled with powerful vocals, rocking guitars, and a striking stage presence. I became a fan. The evening headliner, Billy Strings, played to a packed pavilion and lawn. A full day of anticipation exploded into a sea of fans swaying and singing along to his blend of Bluegrass and Jam. Speaking with fans over the course of the weekend, Billy’s set was constantly a fan favorite. Consider the Source, the New York City trio, closed out the Grove Stage for Thursday with their unique blend of Sci-Fi Fusion. Steeped in Middle Eastern influences, their cosmic sound set the perfect tone to bookend a truly great day of music.
Day 2: Weather Doesn’t Dampen Spirits
Friday, day two of the festival, included another full day of music and enjoying the venue. Before the music began, the fans enjoyed the art displays in the lodge and utilized the water park. A sober group of music fans also held their morning meeting at the lodge, making the Peach Festival at Montage Mountain a welcome place for all fans.
Music began mid-day with Eggy, The Jauntee, Marco Benevento, Eric Krasno, The Kitchen Dwellers, The Motet, Jason Bonham’s Led Zeppelin Evening, Andy Frasco & The U.N., Joe Russo’s Almost Dead, and Pigeons Playing Ping Pong. The late afternoon sets were affected by a severe weather event that had fans sheltering under the spacious pavilion. The house speakers kept fans happy while heavy rains descended on the grounds. The event staff were extremely helpful and efficient about keeping people safe.
Once the all clear was given, Jason Bonham’s Led Zeppelin Evening brought fans to their feet transporting the crowd to another time and place. The blend of voices and instruments was eerily close to the CDs on which I grew up.
Andy Frasco & The U.N. put on one of the most kinetic performances I’ve ever witnessed. Frasco’s shows are legendary for the band’s energy and crowd interaction. Entering the stage with a baby carriage that was home to an opossum, and raising it to the crowd like Raffiki did with Simba set the wheels in motion for his memorable set. Performing a mix of songs from his new album, Wash, Rinse, Repeat, the crowd was singing along with their favorites. One of several highlights from this set was when Andy had the entire crowd doing the Horah dance with the crew quickly adding extensions to his microphone wire as he waded to the center of the whirling crowd.
Pigeons Playing Ping Pong closed out the night with a late night set to a packed pavilion. The rollicking set was cut short with another severe weather event that caused the festival to cancel the rest of their set, out of an abundance of caution for everyone’s safety.
Day 3: Trey Anastasio and Goose
Day three of the festival began with some residual rain, which quickly gave way to a perfectly sunny sky. Karina Rykman, Daniel Donato’s Cosmic Country, Jaimoe & Friends, Pixie & The Partygrass Boys, Neighbor, Rayland Baxter, Celisse, The Revivalists, Cordovas, Trey Anastasio Band, Brandon “Taz” Niederauer & Friends, and Goose filled the day with music.
A new artist known to those that attended the festival last year was Celisse. She played the festival on the Grove Stage in 2021 and had Trey Anastasio sit in with her. This year she owned the Peach Stage, belting out songs filled with power and emotion.
The Revivalists were up next on the main stage. David Shaw, the lead singer, brought his voice even closer to the crowd venturing off the stage to stand atop the large speakers. Singing directly to those lucky fans at the rail, Shaw sang crowd favorites with those in the pavilion singing along. As darkness descended on the festival grounds, light-up outfits, hula-hoops, and totems could be seen under the pavilion. The Trey Anastasio Band delivered a packed set which included several Phish covers including “Blaze On,” “Everything’s Right,” and “Gotta Jibboo.” One of the many highlights came towards the end when, in a twist of fortunes, Celisse sat in with Trey. Together they performed three songs: “The Moma Dance, “A Life Beyond The Dream,” and “Rise/Come Together.”
Brandon “Taz” Niederauer closed out the Mushroom Stage, while Cycles closed out the Grove Stage. Goose was the final act of the night with a special late night set. Anticipated all day by fans, Goose did not disappoint. With their ever upward trajectory, the band has amassed a following that is staggering when you consider their brief time together.
Day 4: Black Crowes Close Out Peach
Like all good things, even the Peach Music Festival must come to an end. The fourth day represented the last day of the 10th Anniversary of Peach Music Festival at Montage Mountain. The day began with a sense of melancholy, until the music started. Then fans rejoiced in the waning hours together.
Duane Betts, Daniel Donato & Friends, Maggie Rose, Dogs in a Pile, The Wailers, G. Love & The Juice, TAUK, and The Black Crowes were among the acts rounding out the weekend. Daniel Donato Brought a little county to the festival with Allman roots. At the Mushroom Stage, Dogs in a Pile are with fans enjoying their energetic set of psychedelic fusion. G. Love & The Juice, a band put together by Philly-based G. Love, and, as he describes them, the most exceptional musicians he’s played with. The hip-hop and blues influenced music was perfect companion to the jam-centric sets, which got fans to their feet.
Long Island-based TAUK brought their instrumental, EDM influenced beats to the Mushroom Stage. Their unique sound filled in a void of electronic funk music. The wordless instrumental music gave fans an opportunity to shake the cobwebs off of the weekend and become lost in the beats. To fill in your own emotions and experiences to a song is a special trait of instrumental music.
The final act of the Peach Festival was The Black Crowes. The Rock band fronted by Chris Robinson has been at it for over 30 years. They have continued to be a true rock band that fans flock to. They were a fitting bookend to a truly great weekend of music.
A Grateful Finale
At a special place, like the Peach Festival on Montage Mountain, you can look around at the sea of gyrating bodies, moving together and appreciate the collective experience you’ve just gone through. Smile at the friends that ventured to the festival with you, or the new ones made over the weekend. Having the space to be grateful for the music, the comradery, for all that awaits once we pack up and head home is an incredibly precious gift. As life becomes more entangled and busy, a music festival is truly just what the doctor ordered.
Alt rock band The Wrecks made a local stop on their Better Than Ever Tour tour in Buffalo on June 29. The Rec Room was flooding with people from front of the venue to back for the sold-out show. Openers Girlhouse and Mothe got an already pumped up crowd ready for the night.
Photo Credit: Maddie McCafferty
The Wrecks are LA-based, however, vocalist and producer Nick Anderson hails from Wellsville, NY, so this show in Buffalo reunited him with friends and family that were alongside him when he first starting building this dream. Nick started this band in the middle of nowhere just making demos on his laptop. He slowly started building an audience and from there connected with others on the internet. It’s from online interactions that Nick connected with future bassist Aaron Kelley. Later he moved out to California where he recruited lead guitarist Nick Schmidt and drummer Billy Nally. A few secret sneak-in sessions into the studio after and the rest is history.
Photo Credit: Maddie McCafferty
The show in Buffalo showed nothing short of this band’s high energy reputation. The Wrecks opened the night with their hit “Out Of Style,” off of their 2020 album Infinitely Ordinary. Nick’s engagement with the crowd opened up some mosh pits followed by some much needed water breaks. The rest of the band cleared out after a few songs as the lead vocalist shared some acoustic versions. They even brought the openers back out to join in.
The Wrecks latest album release Sonder has been what their fans have been most excited about. The crowd proved this when they screamed the lyrics to “Ugly Side,” and “Normal” from the June 10 release. However, nothing compared to the rage that started when the group closed out the night with their #1 single “Favorite Liar.” With Nick running into the audience, crowd surfers from front to back, and belting fans, it made for a finisher to remember.
Photo Credit: Maddie McCafferty
Follow up with The Wrecks latest stops on their tour. Also make sure to check out upcoming shows at Rec Room. Nonpoint performs July 10 and The Acacia Strain will be there July 13.
Setlist: Out Of Style, Figure This Out, I Love This Part, Feels So Nice, Freaking Out, Dystopia, This Life I Have, Ugly Side, Normal, Panic Vertigo, Sonder, Fvck Somebody, Where Are You Now, James Dean
Denver, Colorado’s Nathaniel Rateliff and the Night Sweats took the stage during Beak & Skiff’s Summer Concert Series in Lafayette on June 29, 2022, to a sold out crowd in support of their latest album, The Future, an 11-track record released in November 2021. Opening for Rateliff was the Brooklyn based band, Antibalas.
The evening started with Rateliff commenting, “I can’t believe you all came” and from there, the night was filled with numerous hits from the bands ever growing catalog which spans back to 2015 when The Night Sweats were formed and the thousands in attendance were captivated from start to finish.
As Nathaniel and his bandmates took the stage for the encore, those in attendance were treated to the end of the a fantastic evening with “I’ll Be Damned” and “S.O.B.”, the hit that launched them from the clubs of Denver to the national stage, and finishing the night with “Love Don’t.”
Nathaniel Rateliff & The Night Sweats – Beak and Skiff, Lafayette, NY – June 29, 2022
Setlist: The Future Falling (Fast), Look It Here, You Worry Me, I’m On Your Side, Say It Louder, Survivor, Baby I Lost My Way (But I’m Going Home) So Put Out, A Little Honey, Love Me Till I’m Gone. Face Down in the Moment, And It’s All Alright, Oh, I, Hey Mama, Coolin’ Out, I Need Never Get Old
Navigating relationships as a young adult is akin to walking a maze blindfolded, often never knowing where you truly stand. While the term “dating” remains a pseudonym for two people getting to know one another, Gen-Z has developed its own distorted relationship standing, where the two parties are neither “just friends,” nor committed, yet are dependent on one another. On the single “Breadcrumbs,” Piper Page brings transparency to a messy situation.
The song came right from a personal experience with my ‘ex-who-wasn’t-really-my-ex.’ We had an on-again, off-again relationship for several months and it inspired me to write about the concept of ‘breadcrumbing’ which I had just come to learn about.
Breadcrumbing is defined by Urban Dictionary as “the act of sending out flirtatious, but non-committal text messages in order to lure a sexual partner without expending much effort.” The song “Breadcrumbs,” is a soulful ballad that sees the 21-year-old Brooklyn native cleanse herself of her situation-ship. Remaining brutally honest about her standing within this cycle of ambiguity.
Piper Page’s songwriting paints a vivid picture as she recounts a common tale within the current social media based dating scene. While infidelity has alway played a part in relationships, Piper Page captures the essence far less desirable role of “best-friend, with a little romance and flirting in the DMs.”
The meanings are supposed to be completely obvious and relatable. Navigating dating is recognizing that at a certain point, you just have to say what you mean. Instead of always thinking someone is going to know what you mean.
The record is one in a slew of singles from the songstress in anticipation of her upcoming album, Based on True Events. Singles like “Do You Want Me Or Not?” and “Risk” follow similar themes of “experiences with dating and exploring relationships as a young adult for the first time.” Yet, Piper Page’s polished vocals gives each record a mature feel.
Mayan Warrior brought their immersive and otherworldly Art Car to The Brooklyn Navy Yard for two shows this past weekend on Friday June 24th and 25th. The legendary music collective has been a part of Burning Man for ten years now and has a long history of bringing the spectacle outside of The Playa for shows in cities across the United States.
These shows are the only chance to see the Art Car this year outside of the festival and also serve as a fundraiser for the collective’s ability to travel to Black Rock Desert and fund their charitable work. June saw the collective stop in Austin, TX as well as New York City and there are two more events in Los Angeles and San Francisco in the months following Burning Man.
Mayan Warrior at The Brooklyn Navy Yard, 6/24/2022. Photo by Tyler Alixx
The Mayan Warrior Art Car is one of the most unique music and art installations in the country. “The mutant sound system has attracted hundreds of thousands, blazing a trail of sonic creativity that celebrates the burgeoning underground Mexican electronic scene and pairs ancient art with modern technology.” The car itself is a large bus that has been stripped down and rebuilt with the goal of portraying ancient Mexican art and culture. The front of the bus adorns a large Mayan head and the entire production is laced with vivid lighting, pyro, and laser features. Even in such a large room, the production is mesmerizing no matter your perspective.
Mayan Warrior at The Brooklyn Navy Yard, 6/24/2022. Photo by Tyler Alixx
The music for the night came from the Mayan Warrior community and musical curators including Mandrake, Perel, Jenia Tarsol, Dramian, Asaf Samuel, Chaim Avital, Moscoman, Robin Scott, and Lovecraft. While you can not pin down the music to a particular genre, there is a strong deep house background but all of the performers brought unique and interesting elements to their sets. From live guitars, to vocalists, and deeply experimental tangents the music never stopped evolving throughout the weekend.
Mayan Warrior at The Brooklyn Navy Yard, 6/24/2022. Photo by Tyler Alixx
Stranger Than partners with Mayan Warrior to design a truly immersive experience around these shows. The Art Car itself is a dominant presence in the room, but there are also art installations, vendors selling jewelry and art, food vendors, and advocates. While the music is certainly a major proponent of the experience, it is far from the whole story. Fully costumed dancers and acrobats are seen dancing and engaging with the crowd. Two dancers on stilts put on a spectacle on the dance floor while fire breathers were seen blowing flames from the Art Car. The fans that Mayan Warrior attracts also contribute with costumes and wearable art of their own. Combined with the Pride celebration in NYC over the same weekend, the energy and atmosphere of these shows was unmatched.
Mayan Warrior at The Brooklyn Navy Yard, 6/24/2022. Photo by Tyler Alixx
Next up for Mayan Warrior is The Playa at Burning Man. After that, you can see the Art Car in Los Angeles in October and San Francisco in November. Check out a photo gallery below for more photos from Night 1 at The Brooklyn Navy Yard.
Queens native Action Bronson put on a free show for Summerstage at Flushing Meadows Corona Park on Saturday, June 25th. The show was part of Queens Live thrown by the City Parks Foundation and also featured Karen Y Los Remedios, Statik Selektah and host Ralph McDaniels. Queens Borough President Donovan Richards was also in attendance. Richards said “Queens Live! isn’t just back for a second year, but it’s coming back bigger and better. I couldn’t be more excited to partner with the Capital One City Parks Foundation SummerStage team to bring Queen’s own Action Bronson to his home borough in what should be a fantastic free afternoon of music.”
Action Bronson at Flushing Meadows Park
Ralph McDaniels is the founder and curator of Video Music Box, the first tv show to feature hip-hop videos primarily. McDaniels has also produced over 400 videos for some of the biggest names in hip-hop including Wu-Tang Clan, Nas and Roxanne Shante. He has also produced several documentaries.
Ralph McDaniels at Flushing Meadows Park
Karen Y Los Remedios is a group from Mexico and features singer Ana Karen Barajas, producer jiony and guitarist Z.am.pa. Their latest EP, Recuerdos de Expiacion was released last year and features the songs “Resistencia” and “Permanencia.” In an interview with katacult.com, Ana and jiony said “We have been working through a lot of years together making collaborations. However, when we started the project of “Karen y Los Remedios”, the idea of making music with Latin roots, especially cumbia was the main goal.”
Karen Y Los Remedios at Flushing Meadows Park
Chef, actor, tv host, artist and rapper Action Bronson headlined the concert and performed with pure energy. His setlist was mostly songs from his latest album Cocodrillo Turbo. Griselda producer Daringer was Action’s DJ. The two have also collaborated many times in the past as well. Special guests included Alchemist, Hologram and Yung Mehico on sax. Action’s 2 year old son even made an appearance during the last song “Actin Crazy.”
Seekers and travelers, both aquatic and avian, endured a nauseating sense of moral conflict while making their way to see Goose on June 24th and 25th for the sold out Radio City Music Hall shows. News of the Dobbs Supreme Court ruling was fresh; strong introspective notes of guilt and grieving rang in battle with the plans for a most jovial gathering. Hurdles of planning jumped for months to make those nights happen. Travel high jumps cleared in the last hour. All of this legwork to prepare for two nights when we thought we could finally be animals and move our abdominals for a night, instead receiving news that life for women just got a whole lot scarier.
Good news brought to you by Goose and Trey by Em Walis
Goose’s cover of “Mad World” from the South Farms Halloween show played on repeat the whole drive down. A song which leaned into the darkness in the throws of pod-era guilt stricken live music attendance. It also was a song Doom Flamingo played later that night with powerhouse feminist badass Kanika Moore appropriately addressing this particular moment of darkness.
During moments of self-preservation and protection, the mind for some went to a strange place where the value of innocuous thoughts skyrocketed. Distraction in the form of social anxiety, primal desire to hunt for big game in the form of a limited release poster, and theories of potential setlists and sit-ins began to swarm the mind, blocking out any space for all-out panic about women living in those states.
Empresses by Em Walis
SOS
Shock-driven imagination created a surreal mental image worthy of the “Weird Goose Dreams” facebook group. The line outside of Radio City before Connecticut Indie Groove band Goose played back to back sold out shows at Radio City Music Hall painted the sidewalks like the signs that once were held up only a few blocks away outside of MTVs TRL. Memories of pop-punk fandom long ago trailed while approaching. Opening conversations were mentally rehearsed. Would Dripfield have been hitting #1 on the hit music video countdown show if it were still airing today?
So ready by Em Walis
Why the rehearsals? The typical over-thinker would estimate that of the 6,000 guests, a core group of, say, 10% would be in attendance for every show. Another 20% will go to every run within a day’s driving distance. 30% will see every show where they can return home the same night. 20% could be first-timers and the remainder… It was complicated.
100% Sold by Em Walis
In a landscape of ever-changing risk, evolving life circumstance and financial whirlwinds, that percentage unaccounted for above could be dedicated fans, unable to attend for a solid chunk of time. Thankfully, they were able to continue to follow the band, only from the VIP view of the livestream and rode the rails of the coffee table with company of an active group chat. The poster line was more like reflexes with a Nintendo game, instead of the running of the bulls (or in this case, geese). The importance of a historic night for band and community might have inspired months of preparation in order to attend. The emotions of the prodigal children ran high.
The time they left Scarf the Redeemer in charge of the pit at RCMH – Georgiana Platt
Before crossing the street over to the line, all thoughts were immediately interrupted when a man standing with arms outstretched and body language that shouted, “Welcome!” and “I’m so glad you made it to the show!” Golden light poured over the massive Radio City Music Hall and line as far as the eye could see weaving behind. Scarf draped over the outstretched arms, the bit of fabric which has become a rock relic illuminated with vibrancy from the sun as it set behind.
The scarf danced and waved tirelessly during those early streams where the pods were spaced such that only two people from the crowd could be seen when Marta Goedde switched the cameras to the front of house viewpoint. A symbol of giving it all you’ve got to both thank the band for taking a risk during a dark time and to honor those that were not in a position to safely attend. A symbol of hope when we needed it most. A man whose outstretched arms and scarf draped, larger than life in front of the epic Radio City Music hall could only be described as “Scarf the Redeemer” washed away all doubts with a single hug. Radio City. Goose. Good News. Mood Boosted. Game on.
Start and end with glizzy sacrament by Em Walis
Seekers
Familiar faces full from streams and memes were assembled at the front of the line, taking part in the sacrament known as the eucharist of glizzies. Why show up so early when there are assigned seats? The group up front at Radio City absolutely wanted a poster, but more importantly, value the time waiting on line for doors as part of the community experience. Hours of sharing and connecting before as well as mutual experience up front for every show has created an unbreakable bond and ritual that could not be forgotten, even if their ticket put them somewhere up in the three Mezzanines.
Shine on by Em Walis
Stickers, baklava and pogs were passed around from arms draped in glistening sequin capes to ones with vibrant colors of one specific tie dye maker. Typically a sign on regional representation, these dyes transcend the regions and have been worn by community members hailing from an area much larger than their origins of Western New York.
The patterns on the dyes both thoughtful and ornate, evoked an unconscious mood boost because the coloring seemed to look exactly like the big looks from some most cherished moments from Goose shows past. The Blue Sky Dyes have been worn by members of Goose over the years which have been featured on streams played at home time and time again. Another mood boost.
Travel MVPs by Em Walis
Travelers
Seven missed flights, one broken truck and a marriage proposal later, one couple finally made it to Radio City for the show. Another seated monk figure had converted his van to follow Goose. Coast to coast, Midwest to Southeast. Representations from across the country were assembled together. The mood was cohesive and upbeat.
The Rockdale by Em Walis
Goin Down To The Rockdale
Arriving inside Radio City Music Hall felt like time travel. Lounges, not bathrooms, all had unique mirrored constructions. Water fountains made with artistry that could not look like anything further than the industrial robot fill stations of today. The merch line spiraled down an oval staircase. The surreal feeling seemed to never end as memories of the Resonance set from a few years ago kept appearing when chatter began to spread about what potential this band had. Familiar faces, big long hugs and selfies galore could be witnessed throughout the halls as thousands of people poured into the venue. This was a powerful feeling at a powerful time.
Peter remembering who is important by Em Walis
Gonna Lay It All Down For You
Before Goose began their first song during the biggest night of their careers, Peter took a moment to address the crowd about the devastating news. He stated the value for women’s rights among the band and tears were falling before the first note commenced.
Arms up, or not. You decide. By Em Walis
Leave Your Coat At The Hotel, We’ll Be Hanging In The Old Barroom
The atmosphere differed tremendously depending on location of seating. Each quadrant held a distinctive personality. Under typical circumstance, a Goose crowd would often resemble that of a high school cafeteria. Same people riding the front rails. Tamara, Crepes and Val on Trevor side, Phil, John and Noah in the middle. Binky between Rick and Peter alongside the Carusos forever dedicated to “Pete side, sweet side.” At Radio City Music Hall, everyone was scattered throughout. Some were able to experience the light show for the first time, despite countless shows attended.
Ryan Stasik believes in shenanigans by Em Walis
Orchestra: Elmegs and Empresses
In the Orchestra seating, there appeared to be a near checkerboard pattern of longtime family and friends mixed with first timers and socializers. Similarly dispersed were those that danced hard with those who would fall under a still, hypnotic trance. In the center of it all, fittingly, was the Goblin King. The “George Washington of hot guys in the jam scene,” according to Andy Frasco. Ryan Stasik was in attendance. “So hot right now,” someone whispered from nearby.
Escaped animal by Em Walis
First Level Mezzanine: Animals
The first mezzanine was a different story. These bunch of animals danced hard and could be called rowdy. The view of the stage from the back rows could have been better, but it didn’t matter. Every person of every age sang each word as if it were a church hymn. It was discovered here that amidst a tumultuous emotional experience, it can be extremely healing to let all of that angst out with dance and shouting the words. Catharsis comes in the form of the silly and leaving egos at the door. Appropriately, this quadrant of the venue went all out bananas when Animals came on. Little did they know the amount of banana jokes that would be made after the following night.
A game the animals played was called “Guess When Goedde is in Charge!” The critters up in mezz 1 would try to spot moments when the lights matched what was happening musically and participants in the game would try to guess what they thought Goedde would say through the monitors to the band like a circus ring leader. “Again!” was the most common guess.
Feed the creatures. They will grow. By Em Walis
Second Level Mezzanine: Creatures
The second level was where true entrancement happened. A sensory experience where holding a prism, balloon while adorning 3D Glasses was common ground. The visceral reactions and empathy held by all. The bigger meaning was felt here. The growth of the band and its fanbase. The creature which grows when nourished and loved. When Trey came on, all bets were off and everyone beamed with excitement in celebration of the good news we all finally needed. Conversations afterword consisted of repeatedly exchanging the question “what the actual f?” back and forth to each other for the remainder of the night.
Mezzanine 3: Red Birds
Perched up above, the full view of the light show was quietly enjoyed by those that dedicated their night to doing everything possible to appreciate the small moments of beauty in life. The colorful moments viewed from a safe distance created a space for the Red Birds to begin to heal. In the most heartfelt performance of the new song “Red Bird,” dedication to all of the women struggling with the supreme court ruling. Caring, judgement free words were sang to the Red Birds up in Mezz 3, reminding the rest of the crowd of Peter’s assertion at the start of the run. Attendee Tony Vasile put it best,
“Red Bird was a necessary anthem for women’s rights tonight.”
Leave your coat at the hotel by Em Walis
Going Down To The Rock Dale
All in all, the two night of Goose at Radio City Music Hall were memorable because of the good news it brought. Everyone seemed to get exactly what they needed out of it and left feeling better than when they arrived. For good reason. Fans both streaming from home and in attendance were able to witness their favorite band live out their childhood fantasy. It does not get more proud mother goose than that. One proud parent in the crowd recalled an early rendition of Goose practicing every Friday night for three hours over the course of seven years before they all left for college. With the occasional Saturday and Sunday jam session peppered in, it is remarkable to see the result of dedication as well as a coming of age tale converging during two beautiful nights.
Media team and long time friends Adam Berta and Bryan Murphy perched by Em Walis
One Life To Live For
The spirit of the night was impactful for more than just bands and fans. The crew behind the scenes have all been friends with Goose for years. The amount of tears shed could fill buckets. It was not only a dream come true for the band to collaborate with Trey, or play this venue. Aspiring audio engineers, lighting designers and photographers dream of working Radio City Music Hall. To ice the cake with both musical and photographic heroes sent it over the edge into something that could once only be joked about as a “Weird Goose Dream” facebook group fantasy.
Not The First Time by Em Walis
And The Sun Will Be Rising Soon
Beneath the brightly illuminated city lights and glowing marquee reading the words “Sold Out” and “Goose” common ground established between birds of a feather and fish in the sea. It turns out, they were all just animals. It was phenomenal. Finding an exit path through the boisterous carnival and second consumption of the eucharist of glizzies outside Radio City Music Hall, chirps of praise volleyed between friends old and new.
Glancing upward, the bright white points of St. Patricks cathedral glowed brightly as they peeked out from behind Rockefeller center. Like a scene from a movie, it all clicked. We have been here before. The face tingling sensation from Arcadia was felt this intensely only one other time during the Goosemas livestream performed atop Rockefeller Center amidst the throes of shutdown.
Its a new light creeping out…
This band seems to have made it a habit of there for us when we need it most.
Goose – Friday, June 24 – Radio City Music Hall, NYC
Set One: California Magic, Elizabeth, Jack-a-Roe (1), Turned Clouds, This Old Sea, All I Need
Set Two: Tumble, Borne, The Whales, A Western Sun, Pancakes
Set Three: Madhuvan, Hot Tea (2), Arrow (2)
Encore: Animal
(1) Grateful Dead cover, Goose debut (2) Studio arrangement with Stuart Bogie on saxophone, D. James Goodwin on guitar, Dave Nelson on Trombone
Goose – Saturday, June 25 – Radio City Music Hall, NYC
Set 1: Atlas Dogs, Moonrise, Wake Up(1), Atlantic City(2), Flowdown, Elmeg the Wise
Set 2: Rockdale, Seekers On the Ridge (Part 1)>Seekers on the Ridge (Part 2), Redbird >I’m Writing a Novel(3), Creatures
Set 3: Silver Rising, Hungersite (4), Arcadia(4), Dripfield(4)>Loose Ends(4), Empress of Organos (4)
Encore: Tomorrow Never Knows(5)
(1) “Wake Up” by Arcade Fire (2) “Atlantic City” by The Boss (3) “I’m Writing a Novel” by Father John Misty WITH FATHER JOHN MISTY!!!!! (4) Trey Anastasio Playing with the boys! (5) Jeff on Guitar w/FJM on Drums, Trey has returned) “Tomorrow Never Knows” by The Beatles
The Grateful Dead played SPAC only four times in their career and today marks the anniversary of the third show which, for better or worse, may be the most memorable one of them all. Unfortunately, the show is remembered more for being responsible for getting the Dead banned from SPAC for the next three years. Reportedly, more than 40,000 fans attended this show, with Deadheads traveling from all over, creating Woodstock-like traffic conditions in Upstate New York and the Saratoga area.
This crowd size might be suitable for a stadium show, but instead created a venue that was 17,000 people over capacity, producing a chain reaction of safety issues that could have easily endangered the massive crowd. The SPAC balcony for this show was a veritable zoo, packed beyond belief as a result of people rushing in and passes reportedly being dropped down from above. Things are so out of hand a first set PSA urging people to stop hanging from there needs to be done. The band would serve its time and return in grand fashion three years later, but not before one more rowdy show that features a bevy of live Dead standards and traditional blues covers.
The show kicks off in a rather atypical fashion with a cover of the recently revived “In The Midnight Hour.” The Dead had dusted off this Wilson Pickett cover and refashioned it into an opener for a brief span in 1985. After some quick vocal sparring between Bob Weir and Brent Mydland, the band quickly launches into a much more familiar first set sight in “Bertha.” Jerry Garcia rips off the first of many effortless guitar solos and SPAC is officially all systems go.
“Little Red Rooster” follows and produces a sturdy blues jam, this time with Mydland going back and forth with Garcia on organ and guitar, respectively, that does a nice slow build in intensity. Afterwards, both Weir and bassist Phil Lesh essentially stop the show to admonish some fans who are hanging from the balcony railings and urge them to get back into their seats. Fittingly, the Dead then waste no time and jump right into a cover about an outlaw of another kind in “Stagger Lee.”
A pristine “El Paso” with some truly dulcet tones provided from Mydland’s electric piano then follows before Garcia begins to strum the opening chords to “Crazy Fingers.” A spirited Jerry powers through the vocals and delivers a string of delicate runs on the guitar with even more blissful background soundscapes emanating from Mydland’s rig. After a brief, exploratory jam the music then finds itself turning into a full-fledged “Supplication” jam, although no lyrics are ever sung. For some reason, the song was no longer paired with its traditional tag-team partner in “Lazy Lightnin’,” which the band stopped playing in 1984, and would only be a played a handful of times more in their career. The jam eventually loses steam and eventually dissolves seamlessly into “High Time.”
The Dead then wrap up the first set at SPAC with one of their newer live staples in a rousing “Hell In A Bucket” replete with more aggressive guitar play from Garcia and the boisterous vocal stylings of Bob Weir. The set then closes with a cover from way back when in a short and sweet “Don’t Ease Me In.”
The second set starts on a high note right from the gates and literally doesn’t come to a stop with a set full of nothing but segues. It begins with a “Feel Like A Stranger” that produces a riveting jam that seems to be picking up steam before Garcia seems to shift gears a little quicker than the rest of the band and steers it right into the beginning of “Eyes Of The World.” This lays down the foundation for another series of instrumental jams, spearheaded by Garcia’s frenetic runs up and down the fretboard.
The music then somehow finds its way to an early second set “Goin’ Down The Road Feeling Bad” that’s supercharged and seemingly played at a quicker than normal pace. After some brief indecision, and a possible nudge into “Not Fade Away,” the Dead instead veer into the ever prescient “Women Are Smarter.”
The band then yields the floor to the Rhythm Devils, drummers Bill Kreutzmann and Mickey Hart, for some percussive and psychedelic relief with the traditional “Drums” > “Space” sequence. From the depths of “Space,” some familiar chords begin to emerge and the Dead launch into a “Truckin’” with the “New York’s got the ways and means line” getting a serious round of applause from the SPAC faithful. Instead of stretching this out a bit, the night’s ongoing theme of blues covers then carries on with a take of Howlin’ Wolf’s “Spoonful” with Weir ably manning the vocals.
The short, bluesy jam lends itself perfectly to the intro to “Black Peter” as the Grateful Dead keep the second set’s train of songs going without nary a stop. The Dead then unleash the last three covers from their musical holster to wrap up the evening’s festivities, starting with a set closing “Turn On Your Lovelight” that produces one more brief, boisterous jam with Weir singing the vocals that the legendary Pigpen used to make his own in a different time.
The encore selections could very well serve as a subliminal message to the overflowing crowd that helped make this the last Grateful Dead show at SPAC for three years as well as a nod to the upcoming ban. Chuck Berry’s “Johnny B. Goode” was the first choice, perhaps an indirect message for the Dead faithful to respect the rules and capacity figures for venues going forward. A fitting closer in Bob Dylan’s “It’s All Over Now, Baby Blue” then closes out this show and begins the three-year wait for the Dead’s return to Saratoga.
Grateful Dead Saratoga Performing Arts Center – Saratoga, NY 6/27/85
Set 1: In The Midnight Hour, Bertha, Little Red Rooster, Stagger Lee, El Paso, Crazy Fingers > Supplication Jam > High Time, Hell In A Bucket > Don’t Ease Me In
Set 2: Feel Like A Stranger > Eyes Of The World > Goin’ Down The Road Feeling Bad > Man Smart (Woman Smarter) > Drums > Space > Truckin’ > Spoonful > Black Peter > Turn On Your Lovelight
On Friday, June 24th, a rock themed night kicked off with Battleaxxx and closed out with cover band Black Sabbitch at Empire Live.
Battleaxxx is an all female rock band originally from the Capital Region. They are a fairly new band emerging from the Capital Region. They have played a few shows in and around Albany, including at The Lost & Found on August 28th, 20221. This show, however, was their first time performing at Empire Live. They released their debut album Adequate in March of 2021. Battleaxxx has upcoming show at Rare Form Brewing Company in Troy on July 5th.
Keeping on theme with women-lead rock, Black Sabbitch is an all female cover band from Los Angeles. They have been doing covers of Black Sabbith songs since 2011. To validate this band position as the Black Sabbith cover band, they were hand picked by Ozzy and Sharon Osbourne to open Ozzfest. Black Sabbitch was originally supposed to perform at Empire Live back in January 2022. Due to COVID surge, that show was postponed; and their next show in May was postponed due to a band member getting COVID ironically. The road to get to Albany was long, but they made it. Their summer tour ends in NYC on June 25th at the Iridium.
Battleaxxx kicked off the show with a growing crowd of about 30-40 people. Their opening song did not grab the attention of the audience, but their song “Slut,” did bring smiles and laughter. If the song was meant to be funny, it was, as people of varying ages applauded the band for calling their mom a slut. The lights did go out during their last song, but it did not stop the music. Battleaxxx’s set lasted for about 30 minutes and they received a warm applause as they left the stage.
The crowd did fill up to maybe about 100 or so people by the time Black Sabbitch took the stage. The audience was filled with a lot of seemingly empty nesters who were probably trying to relive the songs of their youth. A mosh pit of about 3 people did break out at a point, but did not last very long. During the guitar solos, you could see many people in the crowd reach up and out; banging their fist to the beat, resignating which each cord that was struck. A fire alarm did interrupt the set for about 20 mins, as well as a flood both in the dressing room and in the pit to stage left. They came back on stage, brought the crowd down low with Changes, and left on high with the Black Sabbith hit, “Sabbra Cadabra.”
Black Sabbitch did come back out for a one song encore after pump faking an exit with the dressing room door. If you are not able to catch Black Sabbitch in NYC, you can see them at the Psycho Las Vegas Festival on August 20th before they leave the states for their UK tour.
Battleaxxx Set List: Aqua, Eyes, Sex Boys, Biz, Slut, Holy, Oh Yeah, SWTB, Head, Discharge, Top Shelf
Black Sabbitch Set List: War, The Wizard, N.I.B., Sweet Leaf, Tomorrow’s Dream, Lord of the World, Solitude, Supernaut, Into the Void, Cornucopia, Wheels of Confusion, Changes, Snowblind, Sabbra Cadabra; Encore Song: Children of the Grave
