Celebrating Martin Luther King Day on January 17, the Harlem Gospel Choir will perform a matinee concert at Sony Hall.
The Harlem Gospel Choir perform contemporary gospel with a touch of jazz and blues, and have become synonymous with power vocals, glorious sound and infectious energy. For over two decades they have been America’s premier gospel choir and have toured the globe, sharing the inspirational power of black gospel music.
Deeply rooted in the history of the African-American slave trade, black gospel music can be traced back to the 1700s when African slaves brought their unique African musical heritage to America and combined it with their new faith – Christianity. Out of the hardship and the trials of slavery, this unique musical tradition came to be, and forever changed music as we know it. Blues, Soul, and Rock-and-Roll…they all have origins in black gospel music. Harlem Gospel Choir presents modern gospel classics as performed in the black churches of Harlem today.
Born out of an MLK Jr. day celebration in 1986, the world-famous Harlem Gospel Choir is an enchanting display of only the finest choir singers and musicians from Black churches around New York’s Harlem. With 40 members, the group has solidified themselves as one of the most prominent gospel choirs in the United States, having performed on Good Morning America, The Late Show with Stephen Colbert and even for figures like Pope John Paul II and President Obama.
Join the Harlem Gospel Choir for a special matinee performance to celebrate Martin Luther King Jr. at Sony Hall on January 17th, with doors at 11am and the show beginning at 12:30pm. Tickets are $25 Advance / $30 Day of Show. For more info, visit the event page.
Michael Lang, Woodstock Music and Arts Festival co-founder, and promoter of the 1994 and 1999 editions, has died at age 77, at Sloan Kettering in New York City. The cause of death was a rare form of Non-Hodgkin’s lymphoma, according to family spokesperson Michael Pagnotta.
Michael Lang at Woodstock 1969. Photo by Henry Diltz
Michael Lang was raised in Brooklyn and attended college at New York University and University of Tampa before eventually moved to Coconut Grove, Florida where he opened a head shop, which was, as Lang noted in his autobiography, “the hub of the Miami underground.” Lang would shift into concert promotion in the late 1960s, producing the Miami Pop Festival in 1968, which featured a lineup that included Chuck Berry, The Mothers of Invention, and Jimi Hendrix, among others.
Speaking of Miami Pop Festival, Lang told Ellen Sanders’ for the 1973 book Trips: Rock Life in the Sixties, “The climate is perfect, people are into a stimulating variety of artistic things and there was no place for them to get together.” The seeds of next year’s Woodstock Festival in Bethel, NY can be found in Lang’s mindset.
Miami Pop Festival 1968 Poster
Lang partnered up with Artie Kornfeld, a Bensonhurst, Queens native, who was then East Coast Director of Contemporary Entertainment at Capitol Records. The two hit if off after their initial meeting, one that was set up by Lang playing to Kornfeld’s roots, saying he was ‘from the neighborhood’. Lang would move in with Kornfeld and his wife Linda in New York City, and their all-night conversations would be the genesis of the Woodstock Festival, both the event and the cultural impact still felt today.
Lang and Kornfeld would connect with business partners Joel Rosenman and John Roberts while working with the band Train, and ultimately form Woodstock Ventures Incorporated in March 1969, named for the town Bob Dylan was living in at the time. Lang wrote in The Road to Woodstock “I thought it was time to head to back to New York. Ninety miles north of the city, Woodstock had become a magnet for musicians. I remembered its small-town, artsy vibe from when we used to visit there in the fifties. The town had a history of attracting artists and bohemians. My girlfriend Sonya and I decided to check it out for ourselves.”
Roberts and Rosenman brought the money and financial experience, while Lang and Kornfeld brought their own knowledge of rock music culture and production skills to pull off the event. Lang and Kornfeld had proposed building a recording studio in Woodstock, as a means to encourage local residents Bob Dylan, Jimi Hendrix and The Band to record at, but the idea was scrapped in favor of an outdoor music festival.
Meeting in February 1969, Lang recalled an early interactions with Roberts and Rosenman:
We met with them in their apartment on 83rd Street in a high-rise. They were kind of preppy. Today, I guess they’d be yuppies. They were wearing suits. Artie did most of the talking, because I think they seemed puzzled by me. They were curious about the counterculture, and they were somewhat interested in the project. They wanted a written proposal, which we had but we didn’t bring with us. We told them that we would meet again with a budget for the festival.
Michael Lang
By the second time they met, a budget of $500,000 was discussed, with a potential attendance of 100,000. Ultimately, Woodstock would have a pricetag of more than $2.4 million (nearly $18 million in 2022 dollars), and would be billed as “Three Days of Peace and Music.” But the location for the festival would prove to be a challenge for Lang and company.
When he was younger, Lang spent summers attending camps in Sullivan County, home to Bethel, where he would later produce Woodstock and cement his name in music history. Initially looking into the town of Woodstock, the partners would settle on Wallkill in Orange County, While at first, the town and location were hospitable to the event, soon the residents turned on Woodstock Ventures, essentially pulling the plug for the festival on July 2, 1969.
The news caught the attention of a young Elliot Tiber, who was working at his family’s El Monaco Hotel in White Lake, and he alerted Lang to the location, just outside of Bethel. Lang later told the New York Times, “Elliot was part of the magic of Woodstock. Without his phone call bringing me to Bethel, Woodstock might never have happened, and for that I am eternally grateful.”
While the El Monaco Hotel would not be able to host the event as Tiber envisioned (it did serve as Woodstock Ventures headquarters over the next month), he did offer a suggestion to check out his friend Max Yasgur’s farm, located on Happy Ave in Bethel. Upon meeting Yasgur and securing the property, as well as agreeing to return the farm to its original condition post-festival, Lang made the move with a month to go before Woodstock was set to kick off. Lang was later portrayed by Jonathan Groff in Ang Lee’s 2009 film Taking Woodstock, based on Tiber’s memoir.
Yasgur’s Farm – during Woodstock Music Festival 1969, and today
The Upstate New York festival would draw more than 400,000 people to Yasgur’s farm, becoming a signature moment for the counterculture movement, at the end of one of the most tumultuous decades in American history. Musicians including The Who, Jimi Hendrix, Carlos Santana, the Grateful Dead, Jefferson Airplane, John Sebastian, Richie Havens, Sly and the Family Stone, Joe Cocker, Crosby, Stills, Nash and Young all performed, among many other music legends.
Lang would later have a hand in the 25th anniversary Woodstock Festival, held in 1994 at Winston Farm in Saugerties, which would bring the Woodstock spirit and history to a new generation, catering to Generation X with artists including Nine Inch Nails, Green Day, Blues Traveler, Sheryl Crow, The Roots, Salt-n-Pepa, as well as bringing back artists from the original Woodstock, among them Country Joe McDonald, Crosby Stills and Nash, Joe Cocker and Santana.
photo by Steve Malinski
The ill-fated Woodstock 99 festival also saw Lang at the helm, this edition being held in Rome, NY on Griffiss Air Force and featuring a lineup that melded genres in a way that was both similar and dissimilar to previous Woodstock festivals. While the lineup provided a little something for everyone, subsequent price gouging, lack of basic infrastructure (water, bathrooms and shade among them) and intense heat culminated in an angst-filled riot that saw fires set as the Red Hot Chili Peppers closed out the festival. Lang would tell Syracuse.com in a 2019 interview:
In the end, it was partially my fault, partially the fault of the fans of Insane Clown Posse who were running amok all weekend. But at the end of the show, the Chili Peppers were on stage closing the festival. They had been given permission to hand out candles, and that was a mistake. [People] started to set things on fire, and it started to grow. It was a very different show, and a very different time musically. But overall, people had an amazing weekend.
Michael Lang on Woodstock 99
Lang made efforts to throw Woodstock 50 in 2019, but could not pull the event off due to local opposition as well as limited ticket sales, despite star-studded lineups and locations that included Watkins Glen International and Vernon Downs in Vernon, NY. The year-long effort to pull off a 50th anniversary event on par with the original was not in the cards, although there was a celebration at Bethel Woods Center for the Arts over the weekend of August 15-16, 2019.
When something pushes back as hard as this did, you have to get the sense that maybe there is a reason behind it.
Life is full of experiences, and not everything works out. But you keep trying or nothing works out… That’s always been my attitude.
Lang, speaking to Pollstar, reflecting on Woodstock 50
Michael Lang at the Long Island Music Hall of Fame induction ceremony 11/7/2018
I think if Mr. Ali were here with us today, he might rhyme that only together and with love, can we change this world for the better. But we have to earn it, we have to show up and fight for the issues we believe in, the way Ali would.
The fight against global warming as we near that point of no return… Sensible gun control, Immigration reform, Whatever your opinions, I know Muhammad Ali would tell you to make your voices heard and encourage everyone to get out and vote this year AND in 2020.
Michael Lang
Michael Lang is survived by his wife Tamara, their sons Harry and Laszlo, and daughters LariAnn, Shala and Molly.
The Palace Theatre in Albany has announced a Black History Step Show featuring HYP3st Dance Competition, for Sunday, February 20 at 5pm. Dates for the recently postponed Dark Star Orchestra shows have also been announced for April.
The Price Chopper Black History Month Step Show features some of the best step teams from the Capital Region and beyond, for an afternoon of high energy dance performances. The Step Show is one of the most anticipated annual events in the area.
Stepping is truly something that needs to be seen to be fully appreciated, the quick moves and split-second changes showcase just how much time and energy is put into the choreography. Beyond entertainment value, the event is also highly educational as it relates to the concepts and themes of identity, culture, environment and society and their role in why these organizations came about and why they still exist today. The entertainment grabs your attention and draws you into wanting to learn more about these organizations and their history. This program and others like it offer participants not only a creative outlet, but also a chance to be a part of something bigger than themselves.
Tickets are $25 for adults and $20 for students and are now on sale via Ticketmaster. Tickets are also available for purchaseat the Palace Theatre Box Office located at 19 Clinton Ave in Albany.
Dark Star Orchestra
Grateful Dead tribute band Dark Star Orchestra have reschedule their postponed December 31, 2021 and January 1, 2022 shows at the Palace Theatre for April 1 and 2, 2022. Tickets for the original dates WILL be valid for the new April dates. Tickets for December 31 are valid for April 1 and tickets for January 1 are valid for April 2.
If you are unable to attend the new dates, refunds will be available by request until January 27, 2022. To obtain a refund: If you purchased your tickets through Ticketmaster, contact Ticketmaster through your account to request a refund. If you purchased your tickets at the Palace Theatre Box Office, call the Box Office during regular business hours at 518-465-4663 to request a refund. If you have any questions, feel free to reply directly to this email.
Tickets for Dark Star Orchestra at the Palace Theatre are available here.
Albany’s Jim Gaudet is a folksinger, but mostly he’s a straight forward story teller, whether singing about a baseball hero, a favorite soup or a childhood love. With the Railroad Boys, Gaudet will release Hillbilly Rock n’ Roll on Saturday, January 15 with a performance at the Madison Theater in Albany.
The first single from the album, “New Girl Now,” tells a story that brings hope, for regardless of how dark and hopeless things may seem, things can change just as quickly for the better.
The journey for Gaudet began around 1988 when he went to open mics at Caffe Lena and Albany’s Eight Step Coffeehouse. Soon, covers made way for originals, among them, “The Basement of Willett Street” paying tribute to the latter’s stage crew. In time, Gaudet has become a regional favorite with a refreshing sound that resonates with listeners the first time they hear them.
Jim Gaudet and the Railroad Boys combine together for a superb harmony in their vocals and pure musicianship throughout, leading to an up-tempo experience. The band features Jim Gaudet (guitar), Bobby Ristau (bass), Sten Isachsen (mandolin), Sara Milonovich (fiddle) and Tucker Callander (fiddle).
Their unique brand of “Hillbilly Rock and Roll” has a way that makes you feel as though you’ve stepped back in time into a Texas roadhouse.
I feel that I have not succeeded if I walk off the stage and we haven’t connected. I love playing the songs and I love that it is my music that we are playing.
Jim Gaudet
The band has performed at the bluegrass festivals across the country, including Wintergrass (Seattle), High Mountain Bluegrass Festival (Colorado) and Music City Roots (Nashville) as well as 6 appearances at Grey Fox.
Stay up to date with Jim Gaudet and the Railroad Boys via their Website and Facebook.
Jim Gaudet and The Railroad Boys Winter 2022 Dates
1/09/2022 Pawling, NY – Daryl’s House Club (FREE) 1/15/2022 Albany, NY – Madison Theater (Album release show) 2/07/2022 Albany, NY – McGeary’s Irish Pub (FREE) 2/20/2022 Pawling, NY – Daryl’s House Club (FREE) 3/05/2022 Saratoga Springs, NY – Caffe Lena 3/07/2022 Albany, NY – McGeary’s Irish Pub (FREE)
Rob Derhak, bassist for moe. on Tuesday released a surprise solo album titled Songs For Other People, on Bandcamp. A project that came together over the pandemic while touring was paused, the eight track LP includes compositions commissioned by fans.
Album art and design by Becca Childs Derhak
Performing all vocals, as well as guitars, bass, keyboards and drum programming, Derhak is joined only by his daughter Emma, who performs backing vocals on “Beautiful Mess.” Emma recently joined moe. on stage at The Capitol Theatre on December 11.
Rob Derhak shared the following about Songs For Other People:
This album is a collection of songs that I wrote and recorded during moe.’s time off the road during the pandemic. It was an experiment in song writing for me. They were commissioned pieces, in which fans provided the initial catalyst, and subject matter. I put some of the proceeds in my pocket, and the rest into a fund that was set up for our road crew. I learned a ton doing this, and found out that I enjoyed writing in a “Tin Pan Alley” style. I also found that writing and recording everything by myself is an insane amount of work, and in the the end, because I’m a perfectionist, I found that I probably made about 5 or 6 bucks an hour. I found that the feeling I got from writing and recording in my little studio space was beyond satisfaction. I seriously hope you appreciate the album, as much as I do. It is a departure from the music I write for moe. and is not a collection of jams or serious instrumental pieces. These are all fairly simple songs that are written from the heart, for other folks. They’re a combo of mine, and their experiences, and processed through my weird brain. Enjoy.
Rob Derhak
Listen to Songs For Other People below and pick it up on Bandcamp.
On Friday, March 25 and Saturday March 26, the music of the legendary Allman Brothers Band will be celebrated at New York City’s Beacon Theatre, honoring the 50th anniversary of Eat A Peach, which was released on February 12, 1972 and stands as one of the greatest albums of all time.
The Beacon Theatre has been home to more than 250 Allman Brothers Band shows throughout their storied career, and March 25th will mark the debut of Trouble No More, a group including Brandon “Taz” Niederaurer (guitar, vocals), Daniel Donato (guitar, vocals), Dylan Niederauer (bass), Jack Ryan (drums), Lamar Williams Jr. (vocals), Nikki Glaspie (drums), Peter Levin (keys) and Roosevelt Collier (pedal steel guitar).
A portion of the proceeds to benefit the Big House Foundation in the Allman Brothers Band’s hometown of Macon, GA. The primary mission of the Big House Foundation is to preserve and promote the rich musical heritage and inclusive diverse culture of the Allman Brothers Band through programs revolving around education and exhibition.
Composed of five white hippies and one African American, the Allman Brothers Band made quite a social impact in their home base and communal hub in Macon (and the current home of the Allman Brothers Band Museum), the Allman Brothers Band spread a message of peace, love and acceptance.
Due to overwhelming demand, Trouble No More will perform on Saturday, March 26 as well. Pre-sale tickets for the 50th anniversary celebration of Eat A Peach are now on sale, with ticket on sale set for Friday, January 21 at 10 AM EST.
It’s almost time for an annual North Country tradition as Saranac Lake Winter Carnival gets ready for the 2022 edition. The Upstate winter fest has been held since 1897, making 2022 the 125th annual celebration, with a theme of “Totally ’80s.”
Saranac Lake Winter Carnival features a great deal of events, including a Royal Court, arctic golf, ski and snowshoe races, curling and woodsman exhibitions, parades, fireworks and the annual highlight, the Ice Palace.
As always, the Waterhole will be the center for live music during Saranac Lake’s Winter Carnival 2022. Appearing over seven nights are 14 bands from both national and regional touring artists.
Full week VIP passes for Winter Carnival at the Waterhole are available for $80, which grants entrance to every show of Winter Carnival from Feb 4th to Feb. 13th, 2022. The lineup can be found below, with tickets available here.
To start 2022, let’s jump back 75 years years to a jazzy New Year’s Day concert at New York City’s Town Hall. The show was both a celebration of Mezz Mezzrow’s then recently published book Really The Blues, and also served as a benefit for the American Committee for Yugoslav Relief.
Thanks to Jazz Lives, we are able to revisit this show, packed with jazz musicians including Muggsy Spanier, Sandy Williams, Sidney Bechet, Mezz Mezzrow, Sammy Price or Art Hodes, Wellman Braud, and Baby Dodds. Later in the evening Bob Wilber’s Wildcats (who were also on Mezzrow’s King Jazz Label) were added, which included Johnny Glasel, Ed Hubble, Bob Wilber, Dick Wellstood, Charlie Traeger, Eddie Phyfe. Jazz Lives notes Coot Grant and Kid Sox Wilson also performed on a playful version of their song “You Can’t Do That To Me”
The concert was recorded on 12-inch acetates on two machines and 10 performances were issued on LP (Jazz Archives JA-39), although this recording was not. It seems Mezzrow was one of jazz music’s most interesting characters, and was responsible for putting together many great jazz sessions in his time.
This particular concert from New Year’s Day 1947 celebrated the release of Mezzrow’s autobiography, Really The Blues, and he brought in a who’s-who of traditional jazz musicians, most notably Sidney Bechet on soprano sax and Muggsy Spanier on cornet. Sammy Price joined on piano, Sandy Williams on trombone, Wellan Braud on bass and Baby Dodds on drums rounded out the band.
Recordings like this offer insight into the post-war era in New York City, a return to normalcy if you will. Featured below is “When You’re Smiling” by Johnny Windhurst, along with Bechet and Wellstood. Jazz Lives compared Windhurst to Hot Lips Page in his prime, energetically lit from within, and radiantly taking another chorus just when you think he might have had or done enough. To the jazz aficionado, you’ll hear “an exultant hymn of praise to Louis Armstrong.”
A full recording of the performance is available here. The track listing includes: Darktown Strutters Ball, The Blues, Muskrat Ramble, Sammy’s Boogie Woogie Blues, You Can’t Do That To Me, There’ll Be Some Changes Made, Friar’s Point Shuffle, Really The Blues, Really The Blues (Extension), and High Society
Read and listen to more from Jazz Lives on a 1952 performance at Town Hall, featuring Bill Davison, Bobby Hackett and many more.