Author: Parker Alexander

  • Whitney Brings SPARK to New York City’s Webster Hall

    This past Sunday, Dec. 11, Whitney performed at New York City’s Webster Hall, bringing songs off their third album, SPARK, and many others. Expanding their touring lineup from the original two-piece, lead singer and drummer, Julien Ehrlich, and guitarist, Max Kakacek, were joined by a keyboard player, brass section, bass player, and additional drummer, evolving their sound (much like SPARK) and filling the music hall with their resonant melodies and R&B backbeats.

    Whitney, 2022 Photo by Parker Alexander

    Prior to the night’s headline act, the crowd was welcomed to Boston singer and songwriter Ella Williams, also known Squirrel Flower. She set the tone with songs off her debut album, I Was Born Swimming, and Sophomore album, Planet (i), which released last year.

    Squirrel Flower, 2022 Photo by Parker Alexander

    Whitney began their set with the group’s very first single, “No Matter Where We Go”, followed by Forever Turned Around‘s opener, “Giving Up”. The group seamlessly weaved through both new and old material, providing some with new instrumentals, most notably, “Kansas”, the original version of Forever Turned Around‘s title track.

    Whitney, 2022 Photo by Parker Alexander

    At one point, towards the end of the show, Julian exclaimed, “this has been the best New York show”, to much enthusiasm from the crowd, who had been singing along and raucously applauding after every song.

    Whitney, 2022 Photo by Parker Alexander

    A new, unreleased song, “Rolling Blackout” was performed. The band was joined on stage by Charlie Boss to play the song dating back to 2017.

    The tour has a few dates left, concluding in their hometown of Chicago at the end month.

  • Puma Blue and Hamond Levitate Brooklyn with Baby’s All Right Performance

    London-based, indie-jazz artist Puma Blue performed alongside Houston artist Hamond at Baby’s All Right on Oct. 15, headlining two performances after supporting Arlo Park’s Collapsed in Sunbeams Tour. Returning to the venue where they first performed in the US over 3 years ago, Puma Blue supplied the audience with lush, lo-fi jazz and R&B music for the hour-long set.

    puma blue
    Puma Blue, 2022 Photo By Parker Alexander

    The night began with a similarly moving performance by Hamond, whose album, Pirate Radio, released this past June. Alone with a guitar and MIDI keyboard controller, he filled the 280-capcity venue of soul-stirring melodies with every chord. Hamond performed songs off the aforementioned LP, dazzling the crowd early in the night and showcasing his musical finesse, backed by cinematic pop beats.

    puma blue
    Hamond, 2022 Photo by Parker Alexander

    After a short break between sets, Puma Blue came on stage. They traversed an intricate 15-song set, featuring songs from their debut album, In Praise of Shadows, and two EPs released in 2017 and 2019. Two new, unreleased songs were played.

    “Pretty”, was gentle and tranquil, reminiscent of “Only Trying 2 Tell You”. “Light That Is Gone” featured a riff with glimmers of Jeff Buckley’s “Dream Brother”, who Puma Blue’s singer, Jacob Allen, has cited as a central influence on his work (even playing a Fender Telecaster that Buckley had regularly performed with).

    puma blue
    Puma Blue, 2022 Photo by Parker Alexander

    The group’s newly released song “Hounds” also made an appearance during the show. The brooding bass line reverberated across the snare and into the crowd, a highlight of the night. Finishing off with “(She’s) Just A Phase” and an accompanying raucous applause, Puma Blue concluded their fall supporting and headlining show schedule.

    More music was teased to come (likely next year) and they undoubtedly will make a stop in New York.

    Puma Blue | Baby’s All Right | Brooklyn, NY | October 15, 2022

    Setlist: Midnight Blue, Soft Porn, Velvet Leaves, Already Falling, Snowflower, Lust, Oil Slick, Pretty, Bath House, Bruise Cruise, Light That Is Gone, Hounds, Moon Undah Water

    Encore: Want Me, (She’s) Just A Phase