NYS Music 202​2

Author: Em Walis

  • Karina Rykman talks Seth Myers, Marco Benevento, Upstate NY and December Tour

    Karina Rykman is a name that is often brought up in conversations discussing everything from “who is next ” to “who is doing it best” with good reason. Growing up in New York City and never adhering to a single band or bending the knee to one musical subculture, Karina breaks down genre barriers naturally. Charismatic and upbeat, Karina’s live music experience provides a sense of togetherness during a time of intense isolation and separation. Karina Rykman’s music defies perceptions by providing a big sound with few bodies on the stage.

    Photo: Jesse Faatz

    Karina is currently hitting the road with her power trio featuring Adam November (Guitar/Looper/Effects) and Chris Corsico (Drums). Destinations will be throughout the Northeast and begin in Upstate New York. She’ll be performing at The Upstairs in Ithaca on November 30th and at Albany’s Lark Hall on December 1st. Karina’s live show provides nourishment for the brain with technical hypnotism while simultaneously allowing stress relief with an attitude heavily weighing on the side of fun.

    Photo By Em Walis

    Opening the night in Albany for Karina Rykman is Burlington, VT-based Quiltro, who bring a psychedelic sound reminiscent of Circles Around the Sun. Their 2020 debut record has been described as the soundtrack for a dystopian sci-fi film that has yet to be released. Featuring Mark Taylor (guitar/keys), JD Hoffmann (drums) and Mike McKinley (bass), their Lark Hall performance marks the first hometown show for the Albany-native McKinley. Get a taste of what’s in store with their performance of “Antilla,” filmed at Autochrome, a community studio space in the south end of Burlington. 

    Karina took time to chat with Em Walis about her upcoming tour, creative process, oysters and the metaverse. This conversation took place the week after filling in on Seth Meyers for the second time and before playing a few shows with Marco Benevento. Karina gave insight on how growing up in New York with parents in academia led to a mindset framework for discovery and integration.

    Em Walis: Where are you right now?

    Karina Rykman: I’m home actually. Unbelievably, I’m home. I will play with Marco tomorrow. It’s nice – a little hometown vibe then off to Connecticut followed by Massachusetts and then home on Sunday. Then Thanksgiving week, and then on to the next. We’re going to enjoy this time. It’s pretty crazy. Last week specifically I thought “oh my god, I have a weekend at home to dial everything in”. I’m really trying to prepare in a big way. 

    EW: And some recovering I’m sure.

    KR: Oh, definitely and in a super big way because my October was so slammed and just, just crazy. I spent two weeks on the road with Marco on the West Coast. And the first weekend of the month my band did a festival in Virginia, and a festival in Pennsylvania. It felt as though I was just on the road the entire time; flying, driving, planes, trains, automobiles. November was going to be chill, rehearsing with my band, and just one weekend with Marco, and then I get a call from my buddy Eric, who’s the producer on Late Night with Seth Meyers asking “Hey, are you around this week?” “Oh snap. Yes, I AM around!”

    EW: Stars aligning is awesome.

    Photo: Jesse Faatz

    KR: Crazy, crazy. And then I did last week and it was amazing. It was on guitar. The last time I publicly played guitar was last December at the Capitol Theater. I played two tunes on guitar for this Headcount benefit. It was with Larry Campbell and so many incredible players. In the past I played guitar on the Today Show, backing up Julia Michaels in 2017. So anyway, all I’m trying to say is there have been very few and far between guitar gigs. I got that call late Monday night, and they asked for me to come in on Wednesday and Thursday. That Tuesday was Election Day, so I was voting and then practicing, just trying to become a confident guitar player again. I just want to do such a good job and I don’t want to let anyone down, almost to a fault. I over prepare and over prepare.

    Photo By Em Walis

    EW: This can be good. Even if it’s just a visualization or something. I would be curious how you manage all of the hats that you wear? In switching head spaces from Marco mode to solo mode to, you know, selling guitars on the side. Haha

    KR: Great question. It definitely requires patience with yourself, as well as actively recognizing that you’re switching gears and shifting hats. When I work with Marco it’s really fun for me because I am a hired gun who’s not in charge of anything. 

    EW: And he’s really fun. 

    KR: Oh, he’s the most incredibly fun loving, hysterical, wonderful band leader and mad scientist. He’s just incredible. So all of that combined, results in not a lot of stress for me in the same way that my solo band is. The solo stuff is more pressure on me because it’s my band, it’s my name, I book the hotel rooms and rent the van and figure out all the logistics, and everything. It’s my music. So you’re kind of putting yourself out there in a big way

    Photo by Em Walis

    EW: On all sides of music, from every angle, it seems we all have this similar internal story going on or a question of how safe is this space for me? Just emotionally and with that, you know, there are different levels.  Sometimes it’s totally chill and at other times, as you said, which I think is great. Just a little more active noticing where am I?  What’s the actual thing that’s at stake here? Why is everybody here? Sometimes you’re in situations where you feel a little more pressure or more scrutinized. Depending on the venue or if it’s a festival with strangers.

    KR: Especially this TV gig, you know? Those nerves never quite go away. Working on a new thing, or taking a new gig, or launching into some sort of uncharted territory, I’m often thinking “I’m so nervous, why do I keep putting myself in these situations?” But honestly, those are the moments where you know you’re doing something cool as shit, because you feel that way. There’s something worth suffering over. And then you overcome it. You’re like, wow, learn from that. 

    Photo: Michael DiDonna

    EW: Absolutely. I’ve been curious about what brain scans of musicians might look as compared to extreme sports dudes. We are acclimated to these huge buckets of epinephrine and dopamine being poured all over us. It seems as though in those down moments, when we can remember that one time that you were home. We look at our laundry. It’s not all the excitement, tea cups are worth of satisfaction from that. I don’t know if that’s worth it.

    KR: It’s so funny. I find that especially in the last few years, having adjusted to no gigs for a minute there. Now, with them coming back, you’re in a constant state of readjustment – you’re either adjusting to tour life or adjusting to home life. And honestly, if you do it as much as I do it, you don’t have the time to be fully adjusted to either, but as soon as you do, you have to go home and then you are a total circus freak at home for a minute with this misplaced adrenaline that hits you at midnight when you’re supposed to go to sleep and you’re thinking, ‘Wait, where’s my show? Where’s the show? Where are the people? Where are my friends?’ 

    Photo By Em Walis

    EW: I was curious about your creative process and how you manage or if you have any recommendations for those that are newer in this back and forth.  Do you have anything that helps you get into it?

    KR: That’s a great question. I’m very lucky to have such a great producer and writing partner whose name is Gabe Monro, whom I’ve written almost all my tunes with. I can’t speak too much on this, but I have a whole record that’s going to see the light of day next year. I’m so much more of a social creator, if that makes sense. I don’t go into my bedroom and come out 12 hours later with the greatest song – I find that when I work with Gabe or I work with my band, we make the creative process sort of a communal thing and that elicits better results. For lyrics though, I do need to be alone. Gabe and I have this process where we basically write what we refer to as ‘seedlings’, which can be just an A section and a B section or whatever it might be, but it’s just a vibe. I bring that home with me and if I always know that, if we work in the studio all day and then I come home with a seedling that I’m so geeked on, it’s two in the morning and I HAVE to listen to it, you know that it’s worth developing and worth sticking to. But sometimes you have seedlings and then you listen back the next day, and you’re not inspired at all. So it goes.

    EW: We’re not seeing roots. We’re not seeing a little leaf pop out on that paper towel.

    KR: Totally. It’s amazing to have folders and folders of seedlings that maybe in a year or two I can go back through them and be like, ‘Oh my god, there was something here! This is an inspiring moment.” 

    Photo: Steph Port

    EW: What’s your view on the balance between a purist straight plugged in sound versus effects driven sound?

    KR: I am a big fan of both things in moderation. With my band specifically, I really love the fact that with Adam November on guitar, he’s so much more than just a classically ripping guitar player. He is a complete mad scientist over there with multiple loopers and effects and crazy stuff going on. I don’t even know what to call it or what it is, but I think that’s very specific to us. That is a big part of the sound.It’s obviously a trio, but we are larger than the sum of our parts. I don’t want you to come to my show and think that you’re seeing a measly three piece – you’re seeing a power trio. You’re coming to see a full, lush sonic experience.

    EW: I was wondering if you ever, in perhaps middle school years, had any particular musical identity commitments? 

    KR: You know, from the jump I had very diverse tastes, I had my metal friends, my jam friends, and beyond. I was a sponge. I never pledged allegiance to one style or genre. I would see Slayer on Saturday and Phish on Sunday.

    EW: I think sometimes it gets forgotten is that you can you can belong in multiple spaces and be welcomed into multiple spaces and your status or validity does not come from your commitment to one particular scene or your amount of shows on your spreadsheet or you know, which you know which special event with that special seat and you happen to be present for that. There’s so much more. 

    KR: I never pledged allegiance to one style or genre. I would be at Slayer on Saturday and Phish on Sunday.

    Photo By Em Walis

    EW: What was music the relationship with music in your house growing up? 

    KR: Well, my parents are both academics.They both teach at Columbia University. They are so supportive. They’re so thrilled, and can recite to you every lyric of every song I’ve ever written. They’re at every show that they possibly can be at, but there was very little music exposure in my house growing up. My dad would listen to Goldberg Variations (Bach) on CD while he was writing, but they didn’t show me the Beatles, The Stones or Led Zeppelin, or any normal stuff, and I’m super grateful honestly. I was able to form these absolutely insane bonds with the music I enjoy, and it was such a desire of my own and not a desire of somebody else’s. Those were all my own discoveries. I really appreciate them for that.

    EW: Beautiful. Correct me if I’m wrong, but it seems your parents provided a framework to pursue a curiosity and manifest a passion. Maybe there wasn’t literally music in the house, but there were many curiosities being pursued.

    Photo by Em Walis

    KR: In a big way. My dad writes books and gives lectures, he’s a philosopher, and for me growing up, I saw this guy wake up every day, sit on his yellow chair and write and write. And then he goes for a walk, and then he comes back from a walk and, you know, in his super jovial, hilarious manner, has all these thoughts that came to him on his walk, and he runs back to his yellow chair and writes them all down before he forgets them. And seeing his complete dedication and commitment and joy for what it is that he’s interested in, gave me the utmost permission to do the same, and it allowed me to explore the stuff that did it for me in that exact same way. 

    EW: Thank you again for taking the time. My last question is from Dogs In A Pile. They would like to know what your favorite gas station snack is while on tour?

    KR: Chex Mix Bold Party Blend. Thank you!

    Karina Rykman Late Fall 2022 Tour Dates

    NOV 30 The Upstairs Ithaca, NY TICKETS

    DEC 1 Lark Hall Albany, NY TICKETS

    DEC 2 Soundcheck Studios Pembroke, MA TICKETS

    DEC 3 Nectars Burlington, VT TICKETS

    DEC 7 The Press Room Portsmouth, NH TICKETS

    DEC 8 Sun Tiki Studios Portland, ME TICKETS

    DEC 9 Park City Music Hall Bridgeport, CT TICKETS

    DEC 10 Pearl Street Warehouse Washington, DC TICKETS

  • Midnight. Blue, Musical Mosaics, Perception Records: Adam Deitch Weighs In

    Midnight. Blue recently connected the lines between a diverse selection of shooting star quality musical talent working today in order to create the perfect constellation of sound in Perception Records‘ first album, Celebration of the Midnight. Blue album release and launch of Perception Records will be held September 1, 2022 at the Bluebird Theatre in Denver, Colorado. Drummer Adam Deitch took time with NYS Music contributor Em Walis to discuss what makes a good studio experience.

    Midnight Blue took musical ingredients from across the diverse offerings of the Denver music scene. Each componant melted into a record with a new take on Neo-Soul, R&B and funk. The sound of each artist is distinct, without overpowering the others. Like a good ensemble movie, plenty of space was provided in exactly the right places. The pristine execution which occurred between musicians friendly with each other outside of the studio allowed for an immersive listening experience.

    Breathe by Midnight. Blue

    Familiar Faces

    Musicians that contributed to the Midnight. Blue studio sessions include: Lyle Divinsky (vocals – formerly of The Motet), Eric Benny Bloom (trumpet – Lettuce), Josh Fairman – (bass – Sunsquabi), Adam Deitch (drums – Lettuce), Ian Gilley (keys – Recess), Jake Jay.Greens Leventhal (guitar – Perception Records), Halle Tomlinson (vocals – The Voice), and G. Finesse (vocals – Black Eagle Society).

    “We have a bond as musicians and as friends also.”

    Adam Deitch

    “It’s when you’re a musician, you do things called recording sessions, yeah. session or other people’s sessions for this thing or a session for a rapper sessions for a guitar player. So you know, I’m also a session musician, but it has to be with the right like minded people and good people, and you know, it’s gotta be worth it. It’s really not that often that I get called to do a session for somebody’s record, and I love doing it, especially if I like the music. This was a nice throwback to I guess, more, really the 70s and 80s early 90s.”

    Some members of Midnight. Blue once called the areas in and around New York home. Common ground in Education, cutting teeth in performing and culture surrounding music in a place as special as New York arguably provided an unconscious undercurrent for cohesion between the diverse styles of each artist.

    The trust in those enlisted to contribute went as far as songs by players being brought in for the record.

    “We’re really comfortable with Josh Pearman, the producer of the record. Jake knew that and and wascool enough to ask me to bring in some songs that I wrote, and not just play drums and that’s how that song Let Me In came about.”

    The creative trust in the group extended through the depths of songwriting and collaborative solutions in one instance of lost lyrics.

    That was something that I recorded myself played every instrument and wrote the lyrics and sang on it. So I had the demo, but I hate the sound of my singing voice. So I never played it for anybody, it just sits there. Then for some reason, I thought oh, this is a great song that I would love to have somebody that has a great voice sing, you know? [Lyle] sure does. He showed up, and I had lost the lyrics. The lyrics were gone. So we had to like pick out the lyrics from the demo. And I was mumbling on the demo. It’s hard.

    Lyle ended up having to write a bunch of lyrics that were lost in the recording. It ended up being a collaboration that I’m glad happened because Lyle added some lyrics that probably made better sense of what I had there first.

    Familiar Places

    Denver has been named current basecamp for the contributing artists. Recording close to home at a familiar studio created a comfortable atmosphere to produce creative work, without the typical distractions of a “home office” remote recording style many artists had to endure during shutdown.

    “We all did it in Denver. We did the recording session right by Red Rocks. It’s called Stanhope and it’s a really cool studio and we’ve all recorded there over the past 15 years. Jake was there he was very quiet and very, very humble and chill and Josh did most of the talking about what he needed for his track. They had already discussed what was needed and, so I just came in and over the course of two or three days, I’d knock out the record.”

    Adam Deitch

    Some members of Midnight. Blue once called the areas in and around New York home. Common ground in Education, cutting teeth in performing and culture surrounding music in a place as special as New York arguably provided an unconscious undercurrent for cohesion between the diverse styles of each artist.

    Feeling comfortable in the environment during creative work could be as important as the people involved.

    “Stanhope is one of the best studios in Denver. It’s small. It’s cool. It’s got a basketball hoop outside. I love that basketball. You know, it’s nice to take a break. There used to be an alpac farm. You can see some alpacas and that’s cool. I think I wrote a song called llamas next door. I didn’t even know that they were alpacas and not llamas. So that’s cool about that place and it’s been a family for a while and it’s not corporate at all. It’s owned by a friend of ours, Joel and so you feel really comfortable there. There are sort of no rules besides just make good music and have fun.”

    Mental Mosaic

    “Small colored pieces of hard materials such as stone, tile or glass. Display arranging together small colored pieces of heart. The walls and vaults are decorated by marble and Mosaic. Okay, so it’s different, different materials that create one, one piece.

    Yes. Definitely a collection of different musicians that that are from the Denver seeing that kick. Benny Blum and drew Sayers. Ian and and Josh, and a lot of great players that got together and even though we’re not in bands together. We’ve all played with each other, we all know each other. So, it just really happened and the sound of the band, even though it’s with a bunch of so called session, guys or whatever. It has that feel.”

    Midnight. Blue and the story behind its conception felt similar to that of a mosaic. Familiar faces. Familiar places. Trusting individuality. Thoughtful composition uniquely assembled with intention allowed for simultaneous awareness of the beauty of each part as well as the product as a whole. A mosaic’s journey could be thought of in a similar way to a record for a non touring collective. The action could be considered the process of creation and after the release has been celebrated, the legacy will reside in the company it provides to those in possession over a long period of time.

    Considerations were taken by contributors to the Midnight. Blue album in regards to what it meant to be a peice of a mosaic.

    “What I want to do is switch my mindset from what I want and what I think is perfect. Finding out what they want that’s the most important thing that you know, someone that is hiring you to perform on their record. He wants to give them what they what they want from you and a lot of the times they just want what you would do, you know, like give me that Deitch shit.”

    Perspective

    Excitement for records, especially in genres that define themselves through attendance of upcoming events might not give a record with only one show scheduled a chance. There might not initially feel like a ton of excitement in listening to something carefully constructed in a controlled space and lacking the fond memories of times with friend associated with a live recording. The tracks might not feel enticing because every time the song is visited, it will be the same version, lasting the same amount of time with the same features.

    “The collaboration. I love the vibe. It was so, fresh and what I think it’ll really open up how we kind of get pigeonholed when when you play a certain type of music of how how far the derivatives can go. It seems like this is just something that hopefully it’ll help be a little eye opening and broadening for some folks.”

    Uncertainty

    With uncertainty comes excitement. It could be asserted that there is more certainty, and therefore less excitement with an exclusive relationship with consuming exclusively live music. The notion of more certainty and less excitement goes for the culture which surrounds exclusive live music as well. The usual suspects will be riding the rail. Noah Ray will be doing something extremely nice for another fan, and each song will be a slightly different length with perhaps a slightly varying pace.

    “I love that kind of music and even though it’s like hardcore funk, hip hop, you know, like, yeah, so, you know, we’re not really like, get credit. We don’t we’re not really getting the neo soul scene”

    When keeping the musical company constant, suddenly a slew of new variables for experiences begin to present themselves. Not knowing how our relationship to the same songs and lyrics might change invites a leap of faith when connecting with certain tracks. The impactful nature music has on our entire executive function, memory and mood can create bridges to both wonderful and horrible places. Should we begin associating a record with a home, a person or a moment in time, the familiarity can instantly transport us back to the associations and feelings.

    Excitement in Unexpected Places

    Forming emotional bonds with a beautifully studio-tracked musical journey means not being able to discard live recordings of a favorite song because we were not there or distasteful experience on that certain day at that certain place. The one record is it and especially with a moody low-key feel like the one from Midnight. Blue, meaningful associations are bound to form. If a favorite song plays and desire to listen in the company of a certain someone start to form, it will be difficult to shift it to another person in the future. Hopefully that connection continues to reward with a warm uplift with every listen.

    Naming Purpose

    It might be interesting to consider the types of music consumed and what powers it could provide for us in the future.

    Try looking at live music like the medicine. The guaranteed silver lining. If we are feeling sad and need a boost from people we know we will see and songs we know we will dance to, perhaps we could put on a song from a live show we loved and buy tickets for something coming up.

    The studio record could be though of like the bit of artwork in our parent’s bathroom. It is consistent. It is in the same spot with the same colors. Some days we might notice the way it catches the light at a certain time of day and give it more attention. Other times, it is just there in the bathroom like always. The importance might only be realized when it is time to take that artwork down and all of the times it has kept us company in our most private moments, never judging if you forgot to brush your teeth or why you took solace by its side to cry in privacy.

    Potential In The Unknown

    A studio record like the one from Midnight. Blue holds a pleasant consistency yielding prosperous longevity. It could be put on when having a dashing new acquaintance over for dinner, or fill the space between turns in a boardgames played with friends or family. It is complex enough for a private meditative escape from reality. It might not provide the same high as pressing “confirm” for flights booked to attend that show in that cool place to hear that song played a new way and possibly with a record breaking length of jam. It will keep you company in the quiet times. It will yield no emotional rollercoasters due to permit revocations and festival postponements. Midnight. Blue will provide a positive stability and present its meaning as we make our way through this journey called life.

  • Goose and Trey Bring Good News During Dark Days At Sold Out Radio City Shows

    Seekers and travelers, both aquatic and avian, endured a nauseating sense of moral conflict while making their way to see Goose on June 24th and 25th for the sold out Radio City Music Hall shows. News of the Dobbs Supreme Court ruling was fresh; strong introspective notes of guilt and grieving rang in battle with the plans for a most jovial gathering. Hurdles of planning jumped for months to make those nights happen. Travel high jumps cleared in the last hour. All of this legwork to prepare for two nights when we thought we could finally be animals and move our abdominals for a night, instead receiving news that life for women just got a whole lot scarier.

    goose trey
    Good news brought to you by Goose and Trey by Em Walis

    Goose’s cover of “Mad World” from the South Farms Halloween show played on repeat the whole drive down. A song which leaned into the darkness in the throws of pod-era guilt stricken live music attendance. It also was a song Doom Flamingo played later that night with powerhouse feminist badass Kanika Moore appropriately addressing this particular moment of darkness.

    goose trey

    During moments of self-preservation and protection, the mind for some went to a strange place where the value of innocuous thoughts skyrocketed. Distraction in the form of social anxiety, primal desire to hunt for big game in the form of a limited release poster, and theories of potential setlists and sit-ins began to swarm the mind, blocking out any space for all-out panic about women living in those states.

    Empresses by Em Walis

    SOS

    Shock-driven imagination created a surreal mental image worthy of the “Weird Goose Dreams” facebook group. The line outside of Radio City before Connecticut Indie Groove band Goose played back to back sold out shows at Radio City Music Hall painted the sidewalks like the signs that once were held up only a few blocks away outside of MTVs TRL. Memories of pop-punk fandom long ago trailed while approaching. Opening conversations were mentally rehearsed. Would Dripfield have been hitting #1 on the hit music video countdown show if it were still airing today?

    goose trey
    So ready by Em Walis

    Why the rehearsals? The typical over-thinker would estimate that of the 6,000 guests, a core group of, say, 10% would be in attendance for every show. Another 20% will go to every run within a day’s driving distance. 30% will see every show where they can return home the same night. 20% could be first-timers and the remainder… It was complicated.

    100% Sold by Em Walis

    In a landscape of ever-changing risk, evolving life circumstance and financial whirlwinds, that percentage unaccounted for above could be dedicated fans, unable to attend for a solid chunk of time. Thankfully, they were able to continue to follow the band, only from the VIP view of the livestream and rode the rails of the coffee table with company of an active group chat. The poster line was more like reflexes with a Nintendo game, instead of the running of the bulls (or in this case, geese). The importance of a historic night for band and community might have inspired months of preparation in order to attend. The emotions of the prodigal children ran high.

    goose trey
    The time they left Scarf the Redeemer in charge of the pit at RCMH – Georgiana Platt

    Before crossing the street over to the line, all thoughts were immediately interrupted when a man standing with arms outstretched and body language that shouted, “Welcome!” and “I’m so glad you made it to the show!” Golden light poured over the massive Radio City Music Hall and line as far as the eye could see weaving behind. Scarf draped over the outstretched arms, the bit of fabric which has become a rock relic illuminated with vibrancy from the sun as it set behind.

    The scarf danced and waved tirelessly during those early streams where the pods were spaced such that only two people from the crowd could be seen when Marta Goedde switched the cameras to the front of house viewpoint. A symbol of giving it all you’ve got to both thank the band for taking a risk during a dark time and to honor those that were not in a position to safely attend. A symbol of hope when we needed it most. A man whose outstretched arms and scarf draped, larger than life in front of the epic Radio City Music hall could only be described as “Scarf the Redeemer” washed away all doubts with a single hug. Radio City. Goose. Good News. Mood Boosted. Game on.

    Start and end with glizzy sacrament by Em Walis

    Seekers

    Familiar faces full from streams and memes were assembled at the front of the line, taking part in the sacrament known as the eucharist of glizzies. Why show up so early when there are assigned seats? The group up front at Radio City absolutely wanted a poster, but more importantly, value the time waiting on line for doors as part of the community experience. Hours of sharing and connecting before as well as mutual experience up front for every show has created an unbreakable bond and ritual that could not be forgotten, even if their ticket put them somewhere up in the three Mezzanines.

    goose trey
    Shine on by Em Walis

    Stickers, baklava and pogs were passed around from arms draped in glistening sequin capes to ones with vibrant colors of one specific tie dye maker. Typically a sign on regional representation, these dyes transcend the regions and have been worn by community members hailing from an area much larger than their origins of Western New York.

    The patterns on the dyes both thoughtful and ornate, evoked an unconscious mood boost because the coloring seemed to look exactly like the big looks from some most cherished moments from Goose shows past. The Blue Sky Dyes have been worn by members of Goose over the years which have been featured on streams played at home time and time again. Another mood boost.

    Travel MVPs by Em Walis

    Travelers

    Seven missed flights, one broken truck and a marriage proposal later, one couple finally made it to Radio City for the show. Another seated monk figure had converted his van to follow Goose. Coast to coast, Midwest to Southeast. Representations from across the country were assembled together. The mood was cohesive and upbeat.

    goose trey
    The Rockdale by Em Walis

    Goin Down To The Rockdale

    Arriving inside Radio City Music Hall felt like time travel. Lounges, not bathrooms, all had unique mirrored constructions. Water fountains made with artistry that could not look like anything further than the industrial robot fill stations of today. The merch line spiraled down an oval staircase. The surreal feeling seemed to never end as memories of the Resonance set from a few years ago kept appearing when chatter began to spread about what potential this band had. Familiar faces, big long hugs and selfies galore could be witnessed throughout the halls as thousands of people poured into the venue. This was a powerful feeling at a powerful time.

    goose trey
    Peter remembering who is important by Em Walis

    Gonna Lay It All Down For You

    Before Goose began their first song during the biggest night of their careers, Peter took a moment to address the crowd about the devastating news. He stated the value for women’s rights among the band and tears were falling before the first note commenced.

    goose trey
    Arms up, or not. You decide. By Em Walis

    Leave Your Coat At The Hotel, We’ll Be Hanging In The Old Barroom

    The atmosphere differed tremendously depending on location of seating. Each quadrant held a distinctive personality. Under typical circumstance, a Goose crowd would often resemble that of a high school cafeteria. Same people riding the front rails. Tamara, Crepes and Val on Trevor side, Phil, John and Noah in the middle. Binky between Rick and Peter alongside the Carusos forever dedicated to “Pete side, sweet side.” At Radio City Music Hall, everyone was scattered throughout. Some were able to experience the light show for the first time, despite countless shows attended.

    Ryan Stasik believes in shenanigans by Em Walis

    Orchestra: Elmegs and Empresses

    In the Orchestra seating, there appeared to be a near checkerboard pattern of longtime family and friends mixed with first timers and socializers. Similarly dispersed were those that danced hard with those who would fall under a still, hypnotic trance. In the center of it all, fittingly, was the Goblin King. The “George Washington of hot guys in the jam scene,” according to Andy Frasco. Ryan Stasik was in attendance. “So hot right now,” someone whispered from nearby.

    Escaped animal by Em Walis

    First Level Mezzanine: Animals

    The first mezzanine was a different story. These bunch of animals danced hard and could be called rowdy. The view of the stage from the back rows could have been better, but it didn’t matter. Every person of every age sang each word as if it were a church hymn. It was discovered here that amidst a tumultuous emotional experience, it can be extremely healing to let all of that angst out with dance and shouting the words. Catharsis comes in the form of the silly and leaving egos at the door. Appropriately, this quadrant of the venue went all out bananas when Animals came on. Little did they know the amount of banana jokes that would be made after the following night.

    A game the animals played was called “Guess When Goedde is in Charge!” The critters up in mezz 1 would try to spot moments when the lights matched what was happening musically and participants in the game would try to guess what they thought Goedde would say through the monitors to the band like a circus ring leader. “Again!” was the most common guess.

    goose trey
    Feed the creatures. They will grow. By Em Walis

    Second Level Mezzanine: Creatures

    The second level was where true entrancement happened. A sensory experience where holding a prism, balloon while adorning 3D Glasses was common ground. The visceral reactions and empathy held by all. The bigger meaning was felt here. The growth of the band and its fanbase. The creature which grows when nourished and loved. When Trey came on, all bets were off and everyone beamed with excitement in celebration of the good news we all finally needed. Conversations afterword consisted of repeatedly exchanging the question “what the actual f?” back and forth to each other for the remainder of the night.

    Mezzanine 3: Red Birds

    Perched up above, the full view of the light show was quietly enjoyed by those that dedicated their night to doing everything possible to appreciate the small moments of beauty in life. The colorful moments viewed from a safe distance created a space for the Red Birds to begin to heal. In the most heartfelt performance of the new song “Red Bird,” dedication to all of the women struggling with the supreme court ruling. Caring, judgement free words were sang to the Red Birds up in Mezz 3, reminding the rest of the crowd of Peter’s assertion at the start of the run. Attendee Tony Vasile put it best,

    “Red Bird was a necessary anthem for women’s rights tonight.”

    goose trey
    Leave your coat at the hotel by Em Walis

    Going Down To The Rock Dale

    All in all, the two night of Goose at Radio City Music Hall were memorable because of the good news it brought. Everyone seemed to get exactly what they needed out of it and left feeling better than when they arrived. For good reason. Fans both streaming from home and in attendance were able to witness their favorite band live out their childhood fantasy. It does not get more proud mother goose than that. One proud parent in the crowd recalled an early rendition of Goose practicing every Friday night for three hours over the course of seven years before they all left for college. With the occasional Saturday and Sunday jam session peppered in, it is remarkable to see the result of dedication as well as a coming of age tale converging during two beautiful nights.

    goose trey
    Media team and long time friends Adam Berta and Bryan Murphy perched by Em Walis

    One Life To Live For

    The spirit of the night was impactful for more than just bands and fans. The crew behind the scenes have all been friends with Goose for years. The amount of tears shed could fill buckets. It was not only a dream come true for the band to collaborate with Trey, or play this venue. Aspiring audio engineers, lighting designers and photographers dream of working Radio City Music Hall. To ice the cake with both musical and photographic heroes sent it over the edge into something that could once only be joked about as a “Weird Goose Dream” facebook group fantasy.

    goose trey
    Not The First Time by Em Walis

    And The Sun Will Be Rising Soon

    Beneath the brightly illuminated city lights and glowing marquee reading the words “Sold Out” and “Goose” common ground established between birds of a feather and fish in the sea. It turns out, they were all just animals. It was phenomenal. Finding an exit path through the boisterous carnival and second consumption of the eucharist of glizzies outside Radio City Music Hall, chirps of praise volleyed between friends old and new.

    Glancing upward, the bright white points of St. Patricks cathedral glowed brightly as they peeked out from behind Rockefeller center. Like a scene from a movie, it all clicked. We have been here before. The face tingling sensation from Arcadia was felt this intensely only one other time during the Goosemas livestream performed atop Rockefeller Center amidst the throes of shutdown.

    Its a new light creeping out…

    This band seems to have made it a habit of there for us when we need it most.

    Goose – Friday, June 24 – Radio City Music Hall, NYC

    Set One: California Magic, Elizabeth, Jack-a-Roe (1), Turned Clouds, This Old Sea, All I Need

    Set Two: Tumble, Borne, The Whales, A Western Sun, Pancakes

    Set Three: Madhuvan, Hot Tea (2), Arrow (2)

    Encore: Animal

    (1) Grateful Dead cover, Goose debut (2) Studio arrangement with Stuart Bogie on saxophone, D. James Goodwin on guitar, Dave Nelson on Trombone

    Goose – Saturday, June 25 – Radio City Music Hall, NYC

    Set 1: Atlas Dogs, Moonrise, Wake Up(1), Atlantic City(2), Flowdown, Elmeg the Wise

    Set 2: Rockdale, Seekers On the Ridge (Part 1)>Seekers on the Ridge (Part 2), Redbird >I’m Writing a Novel(3), Creatures

    Set 3: Silver Rising, Hungersite (4), Arcadia(4), Dripfield(4)>Loose Ends(4), Empress of Organos (4)

    Encore: Tomorrow Never Knows(5)

    (1) “Wake Up” by Arcade Fire (2) “Atlantic City” by The Boss (3) “I’m Writing a Novel” by Father John Misty WITH FATHER JOHN MISTY!!!!! (4) Trey Anastasio Playing with the boys! (5) Jeff on Guitar w/FJM on Drums, Trey has returned) “Tomorrow Never Knows” by The Beatles

    Photo Gallery by Filip Zalewski

  • Follow the Arrow: Marco Benevento’s Celebration of The End Or The Beginning?

    Marco Benevento and family held applause for the positive at the cozy single day music festival Follow the Arrow, held at Arrowood Farms Micro Brewery and Distillery in Accord, NY. The full embrace of creative expression combined with an organized yet relaxed atmosphere made for an ideal pre-solstice celebration.

    follow the arrow accord
    Marco Benevento and Friends – photo by Em Walis

    Deciphering The Map

    The landscape for live music is changing. Many that have remained sheltered are beginning to emerge. Bigger festivals lure us in with extensive setlists at locations worthy of wanderlust. Despite the inviting notion of clear air and open spaces, logistics like shuttles and multiple stages converge with the perception of crowd density might all just be too much for some at this time. The push and pull of compulsory desire for experience, the reality of life circumstance and anchors which prevent last minute flights. The consolation prize of a livestream. Like many loves in life, our relationship with music we have had and what the evolution might look like can get complicated.

    follow the arrow accord
    So many rails, so little time – photo by Em Walis

    Which Way?

    Wouldn’t it be nice to have an oracle appear to gently guide in the direction towards a more positive relationship with live music? A figure that shares family values and the importance of grounding might be the answer. There has got to be some all-knowing upbeat individual that knows where to enjoy music that does not require a post-binge sense of shame for kicking responsibilities to the curb in order to experience that one night of euphoric, attention consumption of music; the paralysis of decision.

    Marco Benevento – photo by Em Walis

    This Way!

    Cue Marco Benevento: artist, musician, family man and Hudson Valley resident arriving like cavalry to the rescue on Saturday, June 18. His inaugural “Follow The Arrow” [FTA] festival could not have been more aptly named. Meaning in the name dives far beyond the venue being located at Accord’s Arrowood Farms. Those that followed the arrow were guided to an oasis filled with reminders of all that is valued.

    follow the arrow accord
    Hudson Valley Kid – photo by Em Walis

    Arrowood Farms provided a pseudo-lagoon in the form of a beautiful field filled with delicious beverages brewed and distilled on site. Attendees wearing merchandise featuring geese and goats blended perfectly with the actual chicken coup to the left of the stage quite well. Despite the production of intoxicants, the survival instinct never kicked in that anyone was behaving out of line or taking things too far. One stage, one corral. Security presented with an upbeat, passionate attitude without sacrificing professionalism or sense of safety provided. This presence combined with the ability to see the entire production within one field of view allowed for families to attend with young kids worry-free.

    Hudson Valley Serenity

    The weather happened to fall on what is jokingly referred to as one of the four days in the year where the Hudson Valley is the best place on earth to enjoy a day outside.

    follow the arrow accord
    Karina’s hair moving in rhythm with the trees – photo by Em Walis

    Karina Rykman brought the energy to the point where it seemed the breeze-swept trees behind the stage rocked out as hard as the crowd.

    Cheers for the sun – photo by Em Walis

    Dark clouds and afternoon sun mesmerizingly dipped in and out of the crowd at rhythms mimicking the swaying upbeat ambiance pulsing from the stage with Antibalas.

    follow the arrow accord
    Sunset bubbles – photo by Em Walis

    Nature’s light show built up to a colorful golden sunset during Marco’s set. Illuminated bubbles glowed as they floated gently during their precious and short lifespan. These micro crystal balls provided a reminder of how delicate these precious moments are, and those we experience them with can be.

    follow the arrow accord
    Coat game strong – photo by Em Walis

    Royal Potato Family

    The well-established culture surrounding FTA and the Royal Potato Family (RPF) record label lived in the details. Expressive up-cycled fashions worn; accessorized by jewelry that held a story. Excellent coats appeared as the temperatures dropped.

    follow the arrow accord
    Family values by Em Walis

    The Benevento family band hosted three generations. While The Slip played, the drummers son could be seen with drumsticks standing behind his dad, rocking out. Most importantly, as the day progressed, chosen family members made appearances on stage, as well as converged in the crowd.

    Hudson Valley Kids Pt. 2 – photo by Em Walis

    Quintessential “Hudson Valley kids” held a space in such a way that can only exist when New York City influences a worldview , outlook and attitude earlier than most. The atmosphere was family friendly without sacrifice of artistry or musicality. FTA was a place to celebrate values and emphasize the importance of self expression for generations to come.

    Happy to support by Em Walis

    Joyful Tokens

    Merchandise sold included records, CDs, cassette tapes. Shirts screen printed and produced at home by Marco’s wife were the big hit. The only top obviously showing Marco’s name is one that started boldly, “Who The Fuck Is Marco Benevento?” This spoke to the low key tip of the hat that will occur out in the world between those that know. In true pseudo-sibling satirical spirit, harpist Mikaela Davis proudly displayed her “Who the Pluck is Mikaela Davis?” shirt right next to Marco’s after her beautiful set entranced us all.

    One for my head – photo by Em Walis

    The love and support not only felt, but shown by attendees spoke volumes for the relationship RPF has with those involved. The merchandise was reasonably priced and attendees were cleaning house by acquiring three and four shirts at a time, returning for more later and after the show being sure to leave with a stack of records. It was clear that everyone not only wanted to support, but celebrate.

    A little helop from friends – photo by Em Walis

    Arrow Explorations

    Target identified. Aim set. Redirecting an arrow after it has been released would be a tall order. Non-negotiable direction. The relief that comes when deliberation ends and movement begins. Occasionally presenting as a cairn or colored dot on trees and stones, arrows act as trail markers and remind us that we are on the correct path. Arrows scribbled on top of class notes or in books provide emphasis on the important and worthy to be logged as memory. When arrows appear, a sense of calm washes over because scrutiny and sifting of all information can be skipped, time saved and getting to the point of it all arrives quickly.

    Moments in time by Em Walis

    Bubbles Filled With A Moment In Time

    Arguably, and in true RPF spirit, the bubble machine was the ultimate target of the arrow Marco had us follow. To take a moment and appreciate the child-like joy that emerged in attendees of all ages from such a simple sphere held the power to make all of the distress experienced over the last segment in time disappear with a single pop.

    Bring the light by Em Walis

    Marco Benevento Setlist: At The Show, Dropkick, At The End Or The Beginning, Send It On A Rocket, Intro: The Story Of Fred Short ->Seven Twenty Two ->Walking With Tyrone, The Shape I’m In (The Band), Such A Night, The Real Morning Party, Right Down The Line, The Catskills Stole My Heart, Limbs Of A Pine

    For More Check out Marco’s new album Benevento.

  • In-Depth Interview: Pigeons Playing Ping Pong Bassist Ben On Domefest, Rainbows and Perspective

    Pigeons Playing Ping Pong [PPPP] has experienced a momentous April and May in 2022 including the release of their latest album, Perspective. At the album release party at Brooklyn Steel, friends both on stage and off celebrated. This upcoming weekend marks the commencement of Domefest for the 12th year in production.

    Pigeons Playing Ping Pong
    Rainbows Outside, Rainbows Inside by Em Walis

    PPPP bassist Ben kept contact with Em Walis over the first two weeks in April about the creative process, rituals for wellness, farming, rainbows, Perspective, and their festival Domefest which is happening this weekend, May 19-21 at Legend Valley. Special commentary is provided by members of the PPPP fanbase affectionately nicknamed “The Flock” as well as Funky Dawgz saxophoinist Tommy Weeks and the gal changing the bass game, Karina Rykman.

    Framework

    Three conversations with bassist Ben Carrey coincided with three events. The first conversation occurred the week before the Perspective release. The second conversation happened two days after PPPP performed at Brooklyn Steel. The final chat happened the following week after PPPP played Brooklyn Bowl Nashville.


    Each interaction with both Ben and the PPPP community at large illuminated more and more understanding as to why so many people choose PPPP for priority declaration and lifestyle identity. Commentary and elaboration follows each conversation.

    Pigeons Playing Ping Pong
    At The Front Of The Flock. Perched on the rail. By Em Walis

    Commentary On The Quest For Perspective:

    Why this band? What is it about PPPP that compels someone to declare themselves a part of “The Flock”? How did this epiphany happen anecdotally for members of The Flock? These questions have no bias and could be asked to any dedicated fan in regards to any artist they plan their sacred and few vacation days around.

    The current landscape for music provides what feels like infinite options available for dedicating a lifestyle to. New flavors of musical genre fusions, coinciding side orders of artist side projects and mini super-band collaborations form on what feels like a daily occurrence. Smaller festivals catered specifically to citizens of that community have been popping up everywhere. Streams and communities allow some to participate without traveling outside of their county, let alone outside of the United States.

    PPPP Bassist Ben Carrey speaks by Em Walis

    Conversation 1: March 26 2022 Before The Shift | Pre Perspective Release

    Em Walis [EW]: Thank you for taking the time! Where are you right now?

    Ben [B]: No problem! I am on a walk to get coffee now at home in Maryland.

    EW: How do your routines differ from home versus being on the road?

    B: At home, my main focus is this small farm where my wife and I live.. There might be metaphorical cultivating to do on the road, but there is not much room for physical crops. Finding routine for being at home and while on the road are equally important. Not finding touring hacks for prosperity and longevity in what could be a detrimental hamster wheel lifestyle.

    EW: What are you growing?

    B: Right now we have kale, other wintered greens, potatoes , as well as both white and red clovers. Clover isn’t a harvest crop, just ground coner between rows. We are also working on composting. I love it.

    EW: What kind of advice do you have for someone that is either new to touring, or seasoned and seeking a better sense of existence?

    B It is extremely important to have healthy routines. I recommend that anyone on the road carve out 5 minutes of quiet breathing before a show and 10 minutes of stretching after. It is not a big commitment but can make all of the difference. Greg is known for his post show routine. He is always full of smiles after a show, takes a shower, cleans up his guitar, does office work then goes to bed. The most he will differ from this would be getting a slice of pizza.

    I recommend that anyone on the road carve out 5 minutes of quiet breathing before a show and 10 minutes of stretching after. It is not a big commitment but can make all of the difference.

    Ben

    EW: I can imagine that it can be easy to let certain aspects of your wellbeing go to the wayside amongst the constant motion that is being on tour.

    B: It is all about finding what you need. Each person has different needs and to find attainable ways to feed that. Things like yoga and meditation can be great for dealing with issues like addiction which runs rampant in music. We discuss many of these topics on the podcast I have with Luke Bemand from Lespecial called Back2Bassics.

    EW: Very cool. I hope you get to soak in your time at home before the upcoming excitement begins. Would you like tell me a little about what you have coming up?

    B: Our new album is about to come out, we have a really exciting release party planned for Brooklyn Steel. Our friends TAUK are opening. It should be a great time. After that, we go back on the road. May 19-21 willl be Domefest which has some of my favorite artist like Lotus and Spafford.

    EW: Excellent! Tim Palmieri has been doing such a great job with Lotus. I saw Karina Rykman is on the lineup. She is fabulous. How was touring with her?

    B: Karina was a complete pleasure to have on our last tour. She really brings that positive energy similar to Marco [Benevento’s]. You can listen to some of my conversation with her on the podcast.

    Bass Trifecta

    EW: What is something you love about Domefest?

    B: There are no overlaps in sets which means if you miss something, that’s on you. We aim to minimize the heartache here.

    EW: Speaking of heartache, the day is March 26 and it would feel dishonorable to not mention the untimely passing of Taylor Hawkins. I know the news is still very fresh, but would you like to comment on this?

    B: Taylor’s passing hit hard. The band actually comes pretty close to home for us. Jeremy’s dad was the was Dave Grohl’s orthopedic doctor while on tour. The Foo Fighters have had Jeremy’s dad up on stage to sit in for a song on multiple occasions. I’m sure you can find a video on youtube somehwere.


    EW: Wow. That is wild. I will look this up as soon as we get off the phone. Thank you for speaking on this and sharing that extremely fun fact. It seems it has hit hard for a lot of people and that there is something to be said about doing everything possible to have a positive impact on those around us.

    BI like to think that when great energy is released into the world, it becomes a better place.

    EW: Thank you. That is a really refreshing way to look at loss.

    Like father like son by Em Walis

    EW: Not to try to crack jokes in order to break up a sad moment, but what a beautiful Perspective you have. Not getting back on track, what does the recording process look like for PPPP? Was this one different in any way?

    B: Ha! I see what you did there. It is in fact, all about perspective. [Perspective] was tracked pretty quickly, though putting it all together definitely took some time. We put the drums down first and use the best take from that. We build off of those tracks and add layers. We could only get into the studio here and there. I am psyched on the song “Water.” It has a cool vibe with different sonic textures imbued throughout. “Elephante” features this Nashville brass band called Here Come The Mummies. We have a music video from that track.

    EW: Super cool! Well I know we did not have a whole lot of time today, but I wanted to thank you for the introduction and I look forward to talking to you after the album release party?

    B: Looking forward to it all!

    Commentary 1: Contemplating Cultivating Wintered Greens and Home Routines

    Greg shows up by Em Walis

    It appears that PPPP do a lot of work individually to help improve their chances for showing up for the band in their best possible form. Having mindful routines and practices cultivate creativity, open-mindedness and good communication.

    In dark times, it is all too easy to tend towards automatic negative reactions to any input. The desire to tune out or numb out. Letting the wind beneath our wings fall away can be normal, especially in the wake of such isolating times. It does not have to be this way.

    Perspective is readily available and we have the power to choose. How we think about a situation, the behaviors associated. Narratives we tell ourselves and others reinforce similar feedback loops. It might be difficult to molt old beliefs, but over time, new instinctual responses occur, and a better example can be set for others.

    Pigeons Playing Ping Pong
    PPPP Perspective Album Cover

    PPPP have taken the endless void of shutdown and created a space for practice, looking at the feelings that would have been directed towards despair as an opportunity in order to improve their own sense of self-care and wellbeing. The finite resource of mental bandwidth and physical energy typically poured into touring provided a magnified fountain for energetic resource in the studio. Ben provided a great reminder of how small practices, repeated over time can improve the way we show up creatively and for those that we care about.

    Karina Rykman flies with the flock by Em Walis

    Guest Commentary: Karina Rykman Weighs In

    When asked about her experience with Pigeons Playing Ping Pong, bass sorceress Karina Rykman had this to say:

    I will never forget how kind and welcoming PPPP was to my band and crew, and the lengths they went to to make our daily lives better while we spent a month on the road together.

    Karina Rykman

    “I will never forget how kind and welcoming PPPP was to my band and crew, and the lengths they went to to make our daily lives better while we spent a month on the road together. They truly went above and beyond at every turn – sharing greenrooms, having us sit in, giving us their hotel rooms in Crystal Bay when their bus was leaving for the night, etc etc. They are truly one of the nicest touring operations, with everyone on their crew being spectacular at their jobs and hilarious to hang out with, respectively. I had no idea what to expect, and I’ve walked away with huge admiration for those guys. They take their craft wildly seriously – rehearsing new material every soundcheck until the minute they have to be done, and then rehearsing more in their practice room. I’m thrilled to be a part of Domefest and I can’t wait for our crews to be reunited!”

    April 10 2022: Experiencing The Shift | Double Rainbow Album Release Party

    Dramatization: This double rainbow was not taken at Brooklyn Steel by Em Walis

    EW: How was your experience surriounding the album release party?

    B: It was a really good time. Good vibes. There was like a double rainbow over the venue before the show. I remember there have been a few rainbow shows summer camp when we played the secondary sIt was a really good time. Good vibes. There was like a double rainbow over the venue before the show. I remember there have been a few rainbow shows… for example, at summer camp when we played the secondary stage. Ten minutes before we were about to go on… It’s been super hot all day to the point where like, I’ve tried having a breakfast of some gravy egg hodgepodge or other and I was laying in the back of one of our rental cars since we’d flown in and we were staying at a hotel which was like 45 minutes away. We had gotten there for soundcheck at like noon after not much sleep and didn’t play till like six or seven or something and I’m just like laying in the back of my rental car with AC on while the sun is beating down just like nauseous as fuck. This. Fucking. Sucks. I started to feel better in the hour or two before our set and then right before we go on…

    Dramatization of Ben’s first rainbow show


    I looked up and thought this is totally rainbow weather. I pointed to a security guard and told him to keep an eye out in that direction (opposite the sun) and let me know when you see a rainbow.. it’s gonna happen. We are literally about to walk on stage after we are announced and he goes there it is! There’s the rainbow! We walked on stage and behind this giant crowd of like 5000 people, the biggest we’d played in front to that point, there was a gorgeous, multi-hued arc of some facet of the universe saying…. We Good.

    EW: That’s amazing. It was pretty magical. I was struck by the easygoing, fun atmosphere in the crowd. I had a blast that night and 3,000 frames were made without realizing. What is it about the The Flock that sets them apart from other music communities out there?

    B: Inclusivity: the idea that we’re all in it together. The idea that we are all a part of the experience, its just different. We have different roles. I’m the bass player. Jeremy’s the guitarist. The audience is the audience. We’re all part of it. No one’s just observing or spectating in the flock. You’re co-creating essentially.

    Moon Taxis’s Wes Bailey sitting in at Nashville show by Em Walis

    I think people get that vibe and feel fulfilled. You know, creation is one of our Maslow’s hierarchy of needs. The creativity aspect. I think attending our show scratches that itch for a lot of people. It allows them to just be like, genuinely nice and genuinely want to share it.

    We’ve worked hard and constantly over the years to help instill this mentality in the flock, from way back when we started the Facebook group ‘The Flock’ with the idea that our fans/friends are more than just a collection of people. We are an entity

    Big leaf energy by Em Walis

    EW: The negativity didn’t seem present at all.

    B: The idea is, we’re all worshipping music together… it’s about proselytizing the power of Love & Music & togetherness.

    Be kind Funky Dawgz by Em Walis

    EW: Would you say that PPPP has a defined set of core values with which it conducts itself and its community at large and do you think it has had an impact on the ways in which folks conduct themselves?

    B: The values of the band are obvious so those that are that are with you know why they’re with you. Two things we are certainly all about are valuing kindness and spreading positivity. Greg wore “be kind” on his [flocking] shirt on Saturday because… it’s not hard. We’re humans; we make mistakes. So just be kind to others, as well as to yourself. I think that shows through.

    EW: This is all great stuff. Thank you and I will be in touch!

    B: Anytime.

    Commentary 2: The Brave Little Roll of Toilet Paper

    Pigeons Playing Ping Pong
    Find a place safe to expose weaknesses by Em Walis

    At the album release party, there was a ritual performed that at its surface might seem pretty silly. With an open mind to a fresh perspective, unraveling an entire roll of toilet paper could represent much more than a tool for bathroom emergencies. The delicate paper with tiny ribbed areas for easy tearing was held up for quite some time by many fans. The way the white paper glowed with such vibrancy was striking. The vulnerability and willingness to expose our areas of weakness, allows for more joyous color to enter the room. The decision to remain all coiled up with hundreds of protective layers might mean a little more resistance to spilled beer, but it lacks the ability for personal growth, or in this case, length.

    Being at a PPPP show is all about mindset and how you show up. The experience is about showing up ready to have a good time, let loose and ecape from outside roles and responsibilities. What you wear, how you dance and who you are is accepted immediately. The crowd is welcoming and full of more smiles and fewer phones.

    Guest Commentary 2: Tommy of Funky Dawgz and Sophistafunk

    Taking care of each other with loving kindness is a practice that could help improve the overall landscape of live music. After sitting in with PPPP at the album release party, Funky Dawgz and Sophistafunk saxophonist Tommy Weeks shared his thoughts about how artists can help support each other better.

    “Artists supporting artists is a great way to make for a kinder music community. There is so much room for different styles of music and so many people consume music on such a wide spectrum. There should be no competition. Promote each other’s releases, videos, and successes. Musicians are in a spot now where everyone wants to go out and see shows. Promote each other. Also more importantly, educate younger musicians. We all had music teachers; I see it as a duty of professional musicians. Inspire young musicians like you were inspired, we all have stories of great music teachers that we remember from when we were younger. Give the kids some stories to tell about you.”

    Don’t know the Dargz? Now you do.

    Conversation 3: Many Hats and Many Wraps

    Pigeons Playing Ping Pong
    “These guys always put me in my happy place” – Uncle Kendall

    EW: Your touring photographer Kendall McCargo has been a real pleasure to shoot with. What is it like having someone like him on your team?

    B: Kendall is a hard worker and fantastic photographer. Everyone on the team works hard, but he works the hardest. Always going. Always helping us look and feel great.

    Pigeons Playing Ping Pong
    Many Hats by Em Walis

    EW: I have noticed that you are often wearing different hats throughout the show. This feels significant. Can you describe your relationship with “many hats” both physically and transcendently?

    B: I suppose the hat is a representation of the ego/of a hat that we take on as we are born into this world and by changing it so often I remind myself that I am simply the wearer a hat or of an experience of a body… I’m not the hatbody experience itself!

    Guest Commentary 3: Let’s Ask The Flock

    Pigeons Playing Ping Pong
    Flock dedication by Em Walis

    Gavin And His Fresh PPPP Tattoo Might Have Something To Say

    Flock member Gavin was happy to share his story about how PPPP took center stage in his life during a tough time. “So in 2019 I went to Peach Fest, and they played one set and I was like, Okay, this is it. This is cool. I kept going and go and go and go into shows and about 25 shows. I was like, this is everything. This is it. this is everything.

    I paid it back with my energy on the rail the best I could. I got right up front. You know, we needed it. They needed it.

    Gavin of “The Flock”

    Then COVID hit. I turned the streams on. They were my heavy jams. You know, the world’s still gonna be good one day just not today. We went for a drive-in show and I paid it back with my energy on the rail the best I could. I got right up front. You know, we needed it. They needed it. Crazy. So then I went to another drive in and then another so then I went to Domefest and got my poster signed. The Security guard went back and I was able to meet Ben and Jeremy and it meant the world to me“

    Coop shares his chair by Em Walis

    Coop

    One moment observed at the Perspective release party encompassed everything important to the world of PPPP. When an entire beer rained upon the crowd beneath the balcony at the Brooklyn Steel, a young man with a very broken leg put this belief into practice. Temporarily injured and grounded Flock member Coop was asked to recount what happened.

    “I forgot about that! I felt so bad for her! half a beer was spilled on this poor woman and just kept dripping on her from above and no one was doing anything about it. No one should have to put up with that especially if you are handicapped. I couldn’t just sit and watch that happen. It doesn’t matter that my leg was broken. I’m a young kid and my other leg works just fine! I offered up my seat and then went to make sure they cleaned it up. It was the least I could do. It took a while and I had to bug security a few times but they eventually got someone up there to mop it up.” – Coop of “The Flock”

    I couldn’t just sit and watch that happen. It doesn’t matter that my leg was broken.

    Coop of “The Flock”
    Vibrancy derrived from kindness by Em Walis

    After hearing the story of the raining beer, the obvious next thing to do was ask Coop about himself, his experience at the show and what his relationship with PPPP looked like.

    “I’m just a dude with an afro and a broken leg who is a fan of PPPP. my name is Coop and I am a marijuana extractor out in Colorado. The show was spectacular and the new album is awesome! My favorite song on it is probably water. The community as a whole is much like the deadhead crowd. Weird and wonderful and kind. I feel at home within the trippy scene. I can show a more authentic side of myself and have the freedom to be me. Good vibes all around. Loved yours! You can use whatever you want in your article. I would love to read it when its done!“– Coop

    I can show a more authentic side of myself and have the freedom to be me. Good vibes all around.

    Coop of “The Flock”
    Pigeons Playing Ping Pong
    Taking the TP metaphor to the limit by Em Walis

    Commentary 3: Wrapping It All Up… Wait, What?

    Without fully knowing about Here Come The Mummies,, or that they were based in Nashville, the idea about the toilet paper ritual had already formed. It was thus with complete shock and utter disbelief when, there it was, a group of people collaborating creatively while quite literally wearing what many use, toilet paper, for making mummy costumes!

    Repetition of words like “kindness’ and themes about improving the lives of those surrounding came up with every participant. The sampling of PPPP community members speaking of their values in similar terms provide evidence to infer the true strength and shared belief system among a larger population of fans and associated artists. While this may seem like a no-brainer, not all music communities have maintained synchronicity with this level of cohesion.

    Gavin’s story was striking because the proclamation story of shutdown and streams helped so many find their community in music. Livestreams truly helped know what day it way. Playing pretend festival during couch tour evoked a sense of normalcy and hope. Many friendships were formed on forums and online platforms. The story was not one that could only be applied to PPPP which indicates that despite difference in musical preference, common ground can be found among music fans that transcends genre.

    Some takeaways from this experience: Show up. Breathe for 5 minutes before you do something important. Don’t take life to seriously, at least for the few hours during the show. Trust that you will be welcomed with open arms. Take care of yourself, take care of others. Make it to Domefest if you can. Give Perspective a try by all meanings of the definition.

    The Flock by Em Walis

  • Goosemas to be held Saturday, February 26 at Mohegan Sun, Free Livestream announced

    No Shenanigans here – Goose have postponed their long-standing tradition of Goosemas until February 26 after a touring party member tested positive for COVID-19. The show will still be held at Mohegan Sun Arena in Uncasville, CA as well as PhanArt Presents: The Hometown Flodown.

    On Saturday, February 26th at 8 PM ET a free live stream of Goosemas, the annual concert presented by emergent Connecticut rock quintet Goose, will broadcast on The Relix Channel Exclusively on Twitch.  The band will take the stage at the Mohegan Sun Arena for the eighth annual iteration of their holiday show, a tradition that began with humble roots in the basement of a Connecticut recording studio. A defining achievement after years of explosive growth, Goose will celebrate their inaugural arena appearance with a massive three-set performance.

    The band has expressed devestation, but remains commited to the safety of fans and crew first.

    The Road Lies Ahead, So Tie Up Your Shoes

    Rather than dwell on the unfortunate circumstance, it would be far more Ted to check out and awesome cover of an appropriate song from one of the faithful Goose rail-queens:

    For those experiencing feelings,Tamara Sastow’s version of “Tumble” both soothes and uplifts while maintaining that Marta Goedde edit stlye.

    Tamara is a woman of talent and values. This multi-instrumentalist and music therapist sets a prime example of what it means to be a present and empathetic lover of music. She too, values the safety of others by always attending shows certified with narcan and also carries test strips.

    All in all, it seems that the reaction overall has been very understanding and fans are grateful for the Goosemas miracle that is the “Shenanigans Nite Club” virtual movie premiere.

    goose shenanigans
    Poster by James Flames

    Shenanigans Nite Club: The Movie

    This holiday season, Goose has done it again with their announcement of a Shenanigans Nite Club: The Movie 75-minute virtual premiere. The film, directed by Will Thresher creates a visual story inspired by Goose’s latest full length album of the same name. Shenanigans Night Club: The Movie pays homage to an iconic venue from the band’s hometown. Members of the band, and their nearest and dearest all contribute to create what looks like will be a time capsule within a time capsule.

    goose shenanigans
    Shenanigans night at Westville music bowl. Photo by @emwalis_glitznstone

    There once was a time where holiday plans were not a second thought. We knew who and when. Some might call it a lifetime ago, and a little fuzzy in the details. Our most recent holiday season was flavored with uncertainty and confusion. Consequences weighed, zoom invites sent and moments to grieve all previous years taken for granted. New York City looked like a shell of itself, protected by a second layer of white lights draped over those existing. Missing was the soulful and bustling crowds. Time and time again, Goose has gifted the people, seemingly out of nowhere, exactly what they needed at exactly the right time.

    Shenanigans night at Westville music bowl. Photo by @emwalis_glitznstone

    While many of us sat at home, missing our families at levels we did not know possible, Goose performed on top of the iconic Rockefeller center, continuing the ‘Goosemas’ tradition, but this ttime, reinvented. The message was clear. Goose was here to bring hope and light, possesing power to help people to climb out of the darkest of times. The production value entranced viewers with a crystal clear high definition view of New York City looking its best. The quality of sound while bradcasting live gave many a glimpse of what resliance could look like.

    goose shenanigans
    Shenanigans night at Westville music bowl. Photo by @emwalis_glitznstone

    More and more stories have emerged beginning with “Goose really helped me through…” It appears that in a lot of ways, the music, the culture and the beautiful personalities making up the community all embody the reprieve searched for throughout many of the songs. Goose resonantes because underneath the meticulously-crafted hooks and grooves, these songs have held true for many trying to nagivate life through hardship.

    Empress

    Sure, the outfits are fun. The cinametography looks to be top notch. There is more happening here than meets the eye. These 75 minutes could be the first 75 minutes that someone might not have to think about how their holiday will never be like it was before the pandemic. Goose could be the escape from work related dread. The forum post conversations could be the only time someone interacts with another about something they have in common. Or it could be their only interaction that day. At all. Some people out there might not say it, but they could literally have no one else checking in on them.

    goose shenanigans
    Shenanigans night at Westville music bowl. Photo by @emwalis_glitznstone

    Seekers

    When Marc C. puts out his memes, and Marc K. writes his reviews, we have someone reminding us that we are not alone. There are others that share this passion for more than the band. The willingness of Jon and Paige Caruso to put in endless hours developing the next edition of the El Goose Times, it is for the love of the community. When The Great Beyond podcast releases an episode, all of the positive emotions we get waiting on line, chatting with the person next to us about our favorite moments and which songs we would like to hear pour into our bloodstreams. The drive to work suddenly improved and we might walk in with brigher eyes and a little upturn in the corners of our mouthes resembling a smile.

    Shenanigans night at Westville music bowl. Photo by @emwalis_glitznstone

    Travelers

    Wearing our Knitting by Darian hats, Blue Sky Dyes by Phil and Orion Jewelry Design pendants by Val, we will all feel like we are a part of something when we tune in from December 23-26, 2021 on Flymachine.

    Elmeg

    Truth or Factory Fiction? Exclusive first look via Marc R. Chiavon at Memehuvan Entertainment

    The biggest question that seems to have risen out of the movie trailer was unexpected. Message boards are filled with theories and conspiracies. When will the loved-by-all El Goose facebook group moderator Bruce Robinson finally release his widely anticipated hip-hop ablum? With Billboard top 10 material tracks like “My Sketchers” being dangled above us like a bundle of mistletoe, we can only hope. Greg Knight has called the album one of his top choices for morning motivation. Fortunately for BRobs, the community has proven to be patient, and respects the creative process and will love him all the same if the album remains speculative.

    Shenanigans night at Westville music bowl. Photo by @emwalis_glitznstone

    All passes will have access to a virtual Q&A with the band and director on December 28. Viewers will be able to connect through interactive digital rooms and video chatting. Tickets are $9.99 per screening with passes available through the website below.

  • Billy Strings Capitol Theatre Deja Tu Experiment: Where The Spirits Go To Dance

    Billy Strings completed a four night run of sold out shows at The Capitol Theatre in Port Chester over February 3rd to 6th. This was the second year celebrating a telepathic experiment conducted by The Grateful Dead 51 years ago.

    Billy strings
    Billy Strings Capitol Theatre Night 4 by Em Walis

    Fans were asked to send images with their minds to selected celebrity participants while they sat at home for the duration of the concert, but without viewing it. After each show, Billy, Royal Masat (bass), Billy Failing (banjo), and Jarrod Walker (mandolin) interviewed participants via video call.

    Song selections throughout the weekend ranged from bluegrass standards to hot tracks off the latest album Renewal. Grateful Dead favorites were peppered in for good measure. 

    Spiritual Dance Party

    The Capitol Theatre has been a coveted venue for artists throughout the decades. A sense of importance could be felt. Perhaps a supernatural energy vibrated by those attuned to such mysteries. Security carried themselves with pride, as if they had answered a higher calling to protect the spirits as they arrived to dance.

    Attendees young and old accumulated mass as the general admission section filled the room. Stories were passed about the first show, or the most recent. The conclusion was always that the best show was the most recent attended.

    Left to Right: Jarrod Walker, Royal Masat, Billy Strings, Billy Failing by Em Walis

    Going To Church

    A man seeing Billy play for the first time questioned “is this Billy guy really as good as my buddy says he is?” A seasoned fan insisted Billy was about to take the new guy to church.

    Not far into “Pyramid Country,” the new guy propped an arm on his buddy’s shoulder and signaled satisfaction towards the seasoned fan. “Ole Slew-Foot” played soon after. A big hug was given to the new guy’s buddy, promptly followed by a Slew-Foot sized hug with the seasoned fan. Comments were made about the playing being unreal as well as the superior mixing by Sound Engineer Andy Lytle. Suddenly, the new guy vanished, and was replaced with a glowing, dancing, euphoric human. This believer was free of ego and self doubt. Replaced in his soul was a cup filled with gratitude and joy.

    Transformation

    Little did this believer know that the experience was about to enter a next level of intensity: “Wargasm.’  With help from Lighting Designer Roger Gant, the anthemic powerhouse sound converged with light to take form in a way one might only read about in a fantasy novel series.

    Shapes and colors woven harmoniously together with perfectly timed layers created a supernatural depth and texture.

    Experiencing Billy Strings by Em Walis

    Alive

    At last, the theater walls which have seen so much, were given a voice to share stories of dancing bears and grinding gears. The visceral journey shattered any preconceived notion about what music should feel like.

    As “Wargasm” built up in intensity, once again, the believer evolved. Transformation occurred during Billy’s guitar solo when the believer’s dancing slowed, eyes widened, palms with outstretched fingers rested over his temples and jaw slowly dropped. That is how a new disciple to the church of Billy was born. 

    Experimental

    It was very clear why people traveled from 48 states. Those sequined jacket gals glistened like the snowflakes of Colorado from which they hailed. Tie dye armies converged, their uniforms unique by region like a family’s plaid and crest. All gathered and communicated as one stomping, singing, boisterous ball of life.

    The people, all so different, blended together beautifully in a way that mimicked the pairing of projections on the walls and ceilings with the futuristic lights. Like the individuals in attendance, the music and the lights were on a journey all reflecting one another. Supernatural energy was conjured. 

    Life after experiencing a Billy Strings show by Em Walis

    Clairvoyance

    Lights paused, showing bright white lights in perfect timing with the return to the hook of the song. Spirits of the past materialized and could be seen all over the theatre.

    Through the haze, there was a young woman glowing in white overalls perched in the balcony. She danced with one specific person down on the GA floor who emanated sonic maternal energy. It appeared as if they had known each other for decades.

    Teleportation

    The great mother appeared on the balcony beside the woman in white. As if to acknowledge all the spiritual boogie happening that weekend, and to continue the dream-like reality of the Deja-Tu Experiment, Billy showed up in the balcony next to the great mother and her friend in white. Billy performed an epic solo duel with mandolinist Jarrod Walker who played from the opposite side.

    Each and every attendee  experienced at least one form of Deja Vu over the cold February weekend. One attendee recalled feeling like they were back to mom’s couch with the tape player and the big headphones where “China Doll” tapes were listened to over and over. Another noticed the variety of swagger bassist Royal Masat carried with ease. That person was immediately taken back to a fond memory of that Rolling Stones show 30 years ago. As the deep pink lights blanketed the audience during “In the Morning Light,” a young couple were together reminded of when they met and realized life was about to change for the better.

    Terrestrial

    Waking up on Monday morning, all in attendance faithfully checked instagram for last night’s photos while sipping their morning coffee. Receiving the grounding signal from Photographer Jesse Faatz provided closure and peace for all that had been experienced. Colorful imagery depicted emotions and encapsulated memories. These photos confirmed that the past few days were more than just the feeling of Deja Vu.

    Transmutation

    Billy Strings and The Capitol Theatre together created a healing fountain for people to connect, dance with spirits and feel alive again.

    Setlist February 3: You Don’t Know My Mind (Bluegrass Allstars), Pyramid Country, Ole Slew-Foot (Johnny Horton), Cold on the Shoulder (Gordon Lightfoot), West Dakota Rose (Chris Henry), Love & Regret, Wargasm, Along the Road (Dan Fogelberg), Streamline Cannonball (Roy Acuff), Ground Speed (Earl Scruggs), John Hardy (Traditional), Bronzeback, Secrets, Slipstream (Bela Fleck), Red Rocking Chair (Traditional), Pretty Daughter (Danny Barnes), Love Like Me, Away From the Mire, Long Forgotten Dream, Dire Wolf (Grateful Dead), Come Down the Mountain Katie Daly (traditional)

    Encore February 3: If You Hair’s Too Long (There’s Sin in Your Heart)

    Setlist February 4: Know It All, How Mountain Girls Can Love (The Stanley Brothers), Tipper (Tony Rice), Run Down (Jeff Austin), There Is A Time (The Dillards), Dust in a Baggie, Dealing Despair, Living Like an Animal, Me and My Uncle (John Phillips), Heartbeat of America, John Deere Tractor (Larry Sparks), On the Line, Freeborn Man (Keith Allison), Thunder (Robert Hunter), My Love Comes Rolling Down (The Doc Watson Family), Ernest T. Grass (The Dillards), Air Mail Special (Jim and Jesse), Show Me the Door, Oh Babe, It Ain’t No Lie (Elizabeth Cotten), Rosa Lee McFall (Charlie Monroe), Turmoil & Tinfoil

    Encore February 4: Roll On Buddy Roll On (Bill Monroe and the Bluegrass Boys)

    Setlist February 5: Red Daisy, Thirst Mutilator, A Good Woman’s Love (Bill Monroe), A Robin Built A Nest on Daddy’s Grave (The Stanley Brothers), While I’m Waiting Here, Home of the Red Fox (Bill Emerson), Little Maggie (Traditional), China Doll (Grateful Dead), I’m Still Here (John Hartford), Last Train to Clarksville (The Monkees), Everything’s the Same, Doin’ My Time (Lester Flatt & Earl Scruggs), Running, Ice Bridges, In the Morning Light, Meet Me at the Creek, Shady Grove (Traditional), Deal (Jerry Garcia)

    Encore February 5: Don’t Let Your Deal Go Down (Lester Flatt & Earl Scruggs)

    Setlist February 6: Fire on My Tongue, Must Be Seven, Hellbender, Fire Line, Reuben’s Train (traditional), End of the Rainbow (Frank Wakefield), Running the Route, Home, Highway Hypnosis, Taking Water, The Likes of Me (Jerry Reed), All Fall Down (John Hartford), Tennessee (Jimmy Martin), Nothing’s Working, Doin’ Things Right, Peggy-O (Traditional), Hide & Seek

    Encore February 6: U.S. Blues (Grateful Dead)