{"id":823,"date":"2021-07-04T17:00:00","date_gmt":"2021-07-04T17:00:00","guid":{"rendered":"https:\/\/dev.nysmusic.com\/2021\/2021\/07\/04\/summer-reading-easy-listening-acid-trip-an-elevator-ride-through-60s-psychedelic-pop\/"},"modified":"2021-07-04T17:00:00","modified_gmt":"2021-07-04T17:00:00","slug":"summer-reading-easy-listening-acid-trip-an-elevator-ride-through-60s-psychedelic-pop","status":"publish","type":"post","link":"https:\/\/dev.nysmusic.com\/2021\/2021\/07\/04\/summer-reading-easy-listening-acid-trip-an-elevator-ride-through-60s-psychedelic-pop\/","title":{"rendered":"Summer Reading- Easy-Listening Acid Trip: An Elevator Ride Through \u201860s Psychedelic Pop"},"content":{"rendered":"\n<p>With his 2004 book,\u00a0<a href=\"https:\/\/www.amazon.com\/Elevator-Music-Easy-Listening-Moodsong-Expanded\/dp\/0472089420?tag=askcom05deals-20\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Elevator Music<\/em><\/a>,\u00a0<a href=\"https:\/\/www.amazon.com\/Joseph-Lanza\/e\/B000APIUHU\/ref=dp_byline_cont_pop_book_1\" target=\"_blank\" rel=\"noreferrer noopener\">Joseph Lanza<\/a>\u00a0laid out a lovingly comprehensive history of the much-maligned, mood-altering musical genre also known as Easy-Listening.\u00a0 Lanza\u2019s treatise was ballsy in that it made the entirely logical connection between the background music pumped into shopping malls, restaurants and, yes, elevators, and the soothing experiments of ambient artists like Brian Eno and The Orb.\u00a0Now with\u00a0<a href=\"https:\/\/feralhouse.com\/easy-listening-acid-trip\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Easy-Listening Acid Trip<\/em><\/a>, Lanza is digging deeper into a very specific niche of moodsong. He is showing how the psychedelia-informed hits of <a href=\"https:\/\/nysmusic.com\/site\/tag\/the-beatles\">The Beatles<\/a>, Donovan, The Rolling Stones, The Doors, Procol Harum, Jefferson Airplane and others inspired easy-listening arrangers to reinterpret them as instrumentals that were sometimes more surreal than the originals.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2021\/07\/lanzaSOCIAL-original-2400-1411-768x451.jpg\" alt=\"easy-listening acid trip\" class=\"wp-image-376034\"\/><\/figure><\/div>\n\n\n\n<p>But first, a quick primer on easy-listening music. Easy-Listening was a style most popular in the \u201850s \u2013 \u201870s, when large orchestras recorded lush instrumental versions of the vocal standards of the \u201830s and \u201840s and, ultimately, the hits of the day. The most obvious trademark was their soaring string sections.&nbsp; It was something that gave name to some of the idiom\u2019s most popular artists, like the 101 Strings and the Percy Faith Strings, which also launched one of the most popular formats on FM radio.&nbsp;<\/p>\n\n\n\n<p>Easy-Listening was an outgrowth of\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Muzak\" target=\"_blank\" rel=\"noreferrer noopener\">Muzak<\/a>\u00a9, a patented brand of scientifically modeled background music that originated in 1934. The Muzak Corporation created thousands of hours of music that was deployed into offices, shops and the like to alter mood \u2013 to either increase the pace and productivity of workers\/shoppers or, as with NASA astronauts and bored suburban housewives, to calm and reduce stress.\u00a0 The music was programmed into playlists designed to \u201clift\u201d the spirit of the listener (hence, the term Elevator Music). And though these works were designed to be lightweight, inobtrusive sonic wallpaper, it\u2019s important to remember that they were crafted by many of the best arrangers, conductors, engineers and session musicians in the business.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"History Of Muzak: Video Essay\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/sIW1JyZtsNE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Lanza\u2019s&nbsp;<em>Easy-Listening Acid Trip<\/em>&nbsp;is a journey through the countless reimagings of psychedelic pop standards by the swamis of orchestral schmaltz \u2013 from Mantovani and Henry Mancini to Ray Coniff and Jackie Gleason (yes, the mucho excitable guy from&nbsp;<em>The Honeymooners<\/em>&nbsp;TV show).<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2021\/07\/Rajput.jpg\" alt=\"easy-listening acid trip\" class=\"wp-image-376035\"\/><\/figure><\/div>\n\n\n\n<p>Lanza kicks-off with a chapter providing a pocket history of easy-listening and a delineation between the two types of psychedelic music: the concise whimsical, effects-laden pop songs (ones which ready-made for good moodsong remakes) and the aggressive, jamming of bands like the Grateful Dead (that were not).&nbsp; The author then dedicates individual chapters to the different psych tentpole that arrangers took to reimagining. This includes&nbsp;<em>St. Pepper\u2019s Lonely Hearts Club Band<\/em>, \u201cA Whiter Shade of Pale,\u201d \u201cLight My Fire,\u201d The Lemon Piper\u2019s \u201cGreen Tambourine,\u201d Donovan\u2019s slew of mystic hits and the musical&nbsp;<em>Hair<\/em>.&nbsp; There\u2019s also a chapter dedicated to that brief shining moment in 1968 when easy-listening artists like Paul Mauriat and Mason Williams scored chart-topping hits with their own originals, \u201cLove Is Blue\u201d and \u201cClassical Gas.\u201d&nbsp; Lanza also shows how the exotica instruments and arrangements of easy-listening&nbsp; ultimately infiltrated original rock on string heavy offerings like Love\u2019s orch-pop masterpiece,&nbsp;<em>Forever Changes<\/em>, and The Left Banke\u2019s \u201cbaroque pop\u201d hit \u201cWalk Away Renee.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"01 Magical Mystery Tour - The Hollyridge Strings\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/hcjuzpkYduk?list=PL8axAz9AzHsku8ivXSxclg8rHOlzxhSw6\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Lanza spends a good deal of time on the Hollyridge Strings, Capitol Records\u2019 own studio orchestra. They waxed well over a dozen \u201cSongbook\u201d albums smoothing out the hits of their psych-minded label mates, The Beatles and The Beach Boys, which included haunting versions of \u201cStrawberry Fields Forever,\u201d \u201cI am The Walrus\u201d and \u201cGood Vibrations\u201d to name a few. He also tells how the otherwise hard rocking Lemon Pipers came to record psych-pop\u2019s most confectious song, \u201cGreen Tambourine,\u201d and the saga behind 13 easy-listening versions, from the likes of Trombones Unlimited, Mariano and the Unbelievables and even Lawrence Welk.\u00a0 <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Hollyridge Strings - Good Vibrations\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/F7DiKJ62e4A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Read (and YouTube your ears through) 16 elevator-informed versions of \u201cLight My Fire,\u201d most of which took the lead from the bossa nova flavored cover by guitarist\/singer Jose Feliciano rather than the original.\u00a0 Lanza also details the 21 lush interpretations of Scott McKenzie\u2019s \u201cSan Francisco (Be Sure to Wear Flowers in Your Hair)\u201d by 101 Strings, Big Ben Hawaiian (cool steel guitar on this one!), Italy\u2019s Caravelli and his Magnificent Strings, Living Guitars and more.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2021\/07\/aldrich.jpg\" alt=\"easy-listening acid trip\" class=\"wp-image-376036\"\/><\/figure><\/div>\n\n\n\n<p>My favorite chapter is \u201cA Wail of Illusion.\u201d This explores how the sitar\/raga fad came to hugely color easy-listening. This started right after Beatle George introduced the Indian stringed instrument into pop with the 1965 recording of \u201cNorwegian Wood (The Bird Has Flown).\u201d&nbsp;<\/p>\n\n\n\n<p>Two men, English session guitarist Big Jim Sullivan and American Vinnie Bell, were responsible for the finest (and I mean that!) sitar-driven covers around.&nbsp; Big Jim left a lucrative recording and TV gig with crooner Tom Jones to record the album&nbsp;<em>Sitar Beat<\/em>&nbsp;(1967), then coronate himself&nbsp;<em>Lord Sitar<\/em>&nbsp;on the self-titled follow-up.&nbsp; On them, Sullivan adds an Eastern twang to covers of psychedelic pop stands like \u201cA Whiter Shade of Pale,\u201d Donovan\u2019s \u201cSunshine Superman,\u201d \u201cI am the Walrus\u201d and \u201cEleanor Rigby.\u201d&nbsp;&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/dev.nysmusic.com\/wp-content\/uploads\/2021\/07\/1290005373_530eb3ae8bab1.jpg\" alt=\"\" class=\"wp-image-376037\"\/><\/figure><\/div>\n\n\n\n<p>Brooklyn-born\u00a0<a href=\"https:\/\/uniqueguitar.blogspot.com\/2019\/12\/vinnie-bell-one-of-most-heard.html\" target=\"_blank\" rel=\"noreferrer noopener\">Vinnie Bell<\/a>\u00a0was not only a monster session guitarist but an inventor, who played an important role in the creation of the Danelectro 12-string electric and the Coral Electric Sitar, still the choice of prog musicians like Yes\u2019 Steve Howe.\u00a0 His 1967 album,\u00a0<em>Pop Goes the Electric Sitar<\/em>\u00a0also covers \u201cEleanor Rigby\u201d and Bell would also lend his sitar talents to other artists\u2019 covers of \u201cLucy in the Sky with Diamonds\u201d and \u201cWithin You, Without You.\u201d\u00a0 More widely known are his sitar star turns on chart-toppers hits\u00a0The Lemon Pipers\u2019 \u201cGreen Tambourine,\u201d B.J. Thomas\u2019 \u201cHooked on a Feeling,\u201d Redbone\u2019s \u201cCome and Get Your Love,\u201d Freda Payne\u2019s \u201cBand of Gold\u201d and The Box Tops \u201cCry Like a Baby\u201d.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Big Jim Sullivan {Instrumental cover with Sitar playing} A Whiter Shade Of Pale  1968\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/9x8Q2quDd6k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Lanza also serves up numerous hilarious anecdotes. One regards how just weeks after the Strawberry Alarm Clock released their hit, \u201cIncense and Peppermints,\u201d Muzak recorded an instrumental version by Charles Grean and His Orchestra, one that kept the electric guitar but re-contoured the tune with harps, horns, flutes, a tambourine, and other effects for offices, supermarkets, and of course, elevators.\u00a0 My favorite tale may be from 1989.\u00a0 This is when gonzo rocker Ted Nugent made an offer\/publicity stunt to buy Muzak for $10 million, with a promise to wipe out its entire library of master tapes. Muzak responded by recording an odiously fey version of his psychedelic whirlwind, \u201cJourney to the Center of Your Mind,\u201d with woodwinds and a sonic meadow of strings replacing his screaming guitar.\u00a0 Point and set, Muzak!<\/p>\n\n\n\n<p>If you are a musician who wants to learn more, especially about arranging, you should check out this genre, with Lanza\u2019s two great books serving as your guide.&nbsp;<\/p>\n\n\n\n<p>You think easy-listening is not worth your time?&nbsp;<\/p>\n\n\n\n<p>Maybe John Lennon can change your mind.&nbsp;<\/p>\n\n\n\n<p>In the early \u201870s, Lennon disparagingly called his partner Paul McCartney\u2019s solo work \u201cMuzak.\u201d But by 1980, in one of his final interviews, he was humming a different tune.&nbsp;<\/p>\n\n\n\n<p>When asked about his favorite listening choices at the time, Lennon said: \u201cMuzak or classical. I don\u2019t purchase records.&nbsp; When I was a housewife, I just had Muzak on, background music, because it relaxes you.\u201d&nbsp;<\/p>\n\n\n\n<p>If it\u2019s good enough for him, it should be good enough for you.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Easy-Listening Acid Trip\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/3AolfVOnGnLxl7hfgn3Owa?si=ff8c98a4ec964703&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>With his 2004 book,\u00a0Elevator Music,\u00a0Joseph Lanza\u00a0laid out a lovingly comprehensive history of the much-maligned, mood-altering musical genre also known as Easy-Listening.\u00a0 Lanza\u2019s treatise was ballsy in that it made the entirely logical connection between the background music pumped into shopping malls, restaurants and, yes, elevators, and the soothing experiments of ambient artists like Brian Eno [&hellip;]<\/p>\n","protected":false},"author":402,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[608,4,2,109,53,36],"tags":[2252,2253,2254],"class_list":["post-823","post","type-post","status-publish","format-standard","hentry","category-book-reviews","category-features","category-genres","category-pop","category-reviews","category-rock","tag-elevator-music","tag-henry-mancini","tag-muzak"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Summer Reading- Easy-Listening Acid Trip: An Elevator Ride Through \u201860s Psychedelic Pop - NYS Music 202\u200b1<\/title>\n<meta name=\"description\" content=\"Now with Easy-Listening Acid Trip, Lanza is digging deeper into a very specific niche of moodsong. 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