Tag: new music

  • We Are Scientists Get A Contact High On Seventh LP “Huffy”

    We Are Scientists have just released their seventh studio LP, Huffy, via Masterswan Records. Their first effort in three years shows the NYC based band continuing to hone their distinct brand of catchy, guitar driven indie rock. Soaked with anthemic hooks and dance floor guitar grooves, the album is an extraordinary consistent addition to the band’s catalog that will instantly win over the hearts of their long held fanbase.

    We Are Scientists Huffy
    Huffy Cover Art Variations

    Listening through the album is meant to evoke feelings of pure fun. Much needed in our lives these days, an approach to an album like this is a welcomed change of pace. While some of the songs detail crazy scenarios (and gory endings), the delivery and presentation is all about joy and individuality. Fans who ordered physical copies of the album receive a bare cover complete with sheets of stickers featuring We Are Scientists and Huffy, plus an assortment of characters and shapes to arrange on the cover however they please. Not to mention, the vinyl edition comes in your choice of 10 colors including “earth scoop,” “seafoam spritz,” or “dog tongue.”

    “You’ve Lost Your Shit” by We Are Scientists, via YouTube

    The fourth (and last) single previewed from the record is lead track “You’ve Lost Your Shit.” Accompanying the song is a music video showing lead singer Keith Murray waking up in a bathtub after having some organs stolen from his body. The song opens with a driving punk guitar riff surrounded by Keith’s soaring hooks and punchy vocal style. Much of the album continues in the same fashion, including personal highlight “Fault Lines,” which consists of an infectious guitar track and easily the catchiest hook on the record. “Bought Myself a Grave” features a somewhat country vibe both in guitar style and storytelling. The records closes with another indie sing along “Behavior Unbecoming,” solidifying the record’s prominent place in the catalog.

    We Are Scientists Huffy
    We Are Scientists at Elsewhere, 8/10/21. Photo by Buscar Photo

    We Are Scientists ended a tour back in December of 2019, right before the world would abruptly change due to the pandemic. It turns out, that the songs for Huffy were already largely written and the guys would use the time in quarantine to focus on all the other aspects of producing a final product.

    All of the songs for our new album, Huffy, had been written and production for the record had begun just before COVID brought the world to a quarantined standstill. Fortunately for us, that little head start meant that the record largely avoided manifesting any of the sense of gloom or claustrophobia that might have infused the music, had it been fully written and recorded under lockdown. If anything, the fact that there was nothing else we could possibly be doing beside watching full seasons of old TV shows meant that we were able to pour even more attention into the making of the record. It became a refuge, for the first few months of lockdown — escaping to our little studio sanctuary became a relief, rather than a chore. We tend to hate the tedium of the recording process — messing with microphone placement, testing out every possible snare drum tuning, etc. — but that kind of thing became somewhat more appealing in quarantine. I think it made us a little more playful in our production approach, and the result, to me, is perhaps our liveliest, most exuberant record, to date.

    We Are Scientists

    Once concerts started to make a comeback in New York City, We Are Scientists announced a warmup show on Elsewhere’s rooftop. Unfortunately, the show never took place as a severe thunderstorm right as doors were opening forced the show to be postponed to September. However, fans that night were treated to an excellent surprise; never allowed on the roof to begin with, the people who showed up early were told to shuffle into the empty main hall and await an appearance from the guys. A bartender came in to open the bar, and shortly after We Are Scientists came out onto an empty stage armed with an acoustic guitar, a snare drum, and three voices.

    We Are Scientists Huffy
    We Are Scientists at Elsewhere, 8/10/21. Photo by Buscar Photo

    Neither the audience, or We Are Scientists for that matter, knew what to expect from this moment, but the guys performed acoustic versions (with a chorus of backup vocalists from the half-filled room) of several of their hits as well as a couple tracks of the yet to be released Huffy. For a last-minute, impromptu performance, the fans who were there that night witnessed a truly memorable show from one of their favorite artists. The rooftop concert would eventually be made up in September, with a full blown performance, but the 20 minute show inside the empty Elsewhere Hall will stick in those fan’s minds for a long time.

    We Are Scientists Huffy
    We Are Scientists at Elsewhere, 8/10/21. Photo by Buscar Photo

    We Are Scientists is about to kick off a lengthy European tour, beginning this Saturday in the UK. The first leg runs through early December with a second leg throughout April 2022. Check out all the tour dates HERE, along with links to order the highly customizable record as well as a slew of colorful merch. More photos from the impromptu acoustic show in the gallery below.

    Key Tracks: “Fault Lines,” “Contact High,” “You’ve Lost Your Shit”

  • Togs Come Alive with Debut EP “More of Your Favorites”

    Togs, a new band formed in Brooklyn, are self-releasing their debut EP More of Your Favorites today. Set to a groove-laced indie rock jam, a cyclist out for a cruise gets mugged and chases his attackers into a twisted disco nightmare. The release is accompanied by the adventurous music video for lead single “Disco Ball Shoes”.

    “Disco Ball Shoes” via YouTube

    After first coming together in 2018, Togs found a new stride while living through the pandemic by playing socially-distant shows from their stoop in Bedford-Stuyvesant. The stoop was upgraded to an outdoor, backyard venue where full-day shows became regular programming.  Back in May, Togs headlined a party for a full-house and played the final version of More of Your Favorites for the first time. The band has natural chemistry and were noticeably “at-home” playing in front of friends, family, and strangers who heard the music from the street.

    togs
    More of Your Favorites Cover Art, Designed by Graci Mills

    Specializing in “angular music suitable for aqua-aerobics, wave simulation, and so much more,” the original 4-piece lineup consists of Graci Mills on guitar and keys, Colin Vallee on guitar and vocals, Abbie Krinsky on drums and vocals, and Justin Birmingham on bass and vocals. New member Tony Catalano joined the group in 2021 to round out the live show on guitar and effects.

    You can see Togs this Friday, July 16th, headlining a release party at Gold Sounds in Bushwick with support from Night Coast and Plastic Hag. You can find the EP on their BandCamp or Spotify pages.

    togs
    Togs Headlining the Doomyard, 5/22/2021 – Photo By: Buscar Photo

    Check out more photos from May’s Doomyard show below and keep your eyes peeled for more shows to come this summer.

  • EVVAN Shares New Single, Personal Essay for Non-Binary Day

    Alt-folk singer/songwriter EVVAN is marking this year’s International Non-Binary Day (July 14) with a personal essay about her journey to come out, as well as a live video for a previously unreleased song, “Falling Into You.”

    EVVAN

    The Long Island native is known for her distinctive voice, textured melodies and layered harmonies. She is inspired by the works of Fleetwood Mac, Foy Vance, and Brandi Carlile. She evokes a nostalgic spirit through her use of delicate guitars and ethereal vocal lines.

    Released today, “Falling Into You” is the first song of her series written about the phases of a relationship.

    This song is about falling completely into the person you’re pursuing and all that goes with that, the good, the bad, and everything in between. For me, part of what I perceived as ‘bad’ was my inability to understand who I was at that point.

    EVVAN on “Falling Into You”

    The second part of the series is “Falling Over You,” featured on EVVAN’s April 2021 EP, Home, which explores the experiences of dealing with unrequited love and the inability to let go of the feelings expressed in “Falling Into You.”

    EVVAN

    EVVAN’s Home EP reflects a period of personal awakening during which she used to revamp her writing style and artistic identity. The lyrics discuss themes of sexuality and gender, self-discovery and acceptance, and relationships both beginning and ending.

    When I look at myself, I see someone lighter, someone who can act how she wants and dress how she wants, and not care about whatever pushback comes along with it. I finally found myself and instead of wearing countless masks, as I have in the past, I can just be simply me.

    EVVAN

    The heartfelt and airy sounds of “Falling Into You” is sure to strike an emotional chord, beautifully expressing the frustrations of finding oneself and moving forward. Although growing from misfortune is difficult, EVVAN’s signature folky-voice reassures listeners that good comes from change.

    My journey coming out as non-binary was a long one and it was full of worry that I’d never live a life without judgment, mainly judgment of myself. Over a year after writing this song and coming out, we filmed a live performance and just watching it fills me with courage.

    EVVAN on coming out

    Read more about EVVAN’s journey through her self-reflective essay “Taking the Mask Off” here. A live performance of “Falling Into You” is available to watch on YouTube.

    EVVAN has also announced her return to live performances with a show at the Rockwood Music Hall (Stage 3) on July 28. More information can be found here.

  • Pencildive Debut Gloomy Post-Punk LP “Grown-Ups”

    Pencildive, an indie rock band that has been aptly described by fans as “a post-punk visual nightmare” is gearing up to release their debut full-length record, Grown-Ups, out May 28th via Albany startup, Paintbox Records.

    Pencildive

    Pencildive is a name that may ring familiar to Capital Region music fans. The band has been active since 2018, releasing their debut EP When I Go Outside, in 2019, which was recently reissued by Paintbox Records this past April. Pencildive released a short video to accompany the release of their song “Cricket Man,” which was awarded an Eddies nomination for the best music video category in 2019.

    Gina De Nardo, the songwriter of the group, graces the mic with her haunting vocals and a lyrical focus centered around losing love, sleepless nights, and the overall human condition, all composed into the group’s wild, electric arrangements in an eclectic frenzy of gloomy post-punk.

    Pencildive

    Since the first EP we’ve all become more comfortable with the recording and production process which I think shows in Grown-Ups. Creating a full-length also gave more of an opportunity to tell a story through the songs and explore sounds more conceptually.

    Gina De Nardo on the Grown-Ups recording process

    Grown-Ups was written by De Nardo over the course of a decade, the first full-length album the Upstate rocker has written on her own and that sense of growth is felt throughout the entirety of the project. Grown-Ups was safely recorded in October 2020 in a cabin in the Adirondacks. The ten-track album features strings, noise improvisations, and haunting cries from the insides of a vintage Leslie speaker.

    Save Grown-Ups now on Spotify and on Bandcamp

  • Brooklyn Rapper Jellz Looks to Put a Scare in the Rap Game With “Ghost”

    The drill music scene has a certain connotation attached to it. The kind the public is accustomed to is violence laden, with expectations of braggadocious laced money talk. It’s been that way from the beginning and while we have seen success stories, there have been far more casualties of the antagonizing and deadly sub-genre. 

    Enter Jellz, the Brooklyn-bred emcee who embarked on his musical journey just over a year ago. 

    I don’t think drill has to be just violence. There’s a different part of the streets that isn’t tied to violence and that’s fast money. That’s more my speed. I think that it may deter some people, but not everyone. As an artist, I’m just trying to get the fans that like my style and aren’t looking for me to be someone else. Plus, I wouldn’t even consider myself a drill artist, I have so many vibes that I’m waiting to show, drill is just the outlet.

    Shot while on vacation in Los Santos, Colombia, the music video for “Ghost (Freestyle)” sees the up-and-coming rapper bring much more flair than the drill scene is accustomed to. Drill rap music videos are often shot on location, in the neighborhoods where the artists have familiarized themselves with. Of course, many of those records are diss tracks or namedrop gangs who operate out of those areas. With no such ties, the Bedstuy-bred Jellz sees this as an opportunity to showcase his own vision as an artist. 

    I think that like everything else, anything that’s over done [or] repetitive gets boring. So, I wanted to switch up the scenery. How many up-and-coming artists are traveling on vacations to rollout a single  and make videos there? Not too many. In order to separate yourself, you have to be a little different.

    The “Bulls**t” rapper presents himself with a Jefe-like persona, as he spends the music video surrounded by local women in bathing suits and ski masks, insinuating promiscuity and danger. Jellz then proceeds to list the avenues in which he makes money, possibly making history as the first drill record where the artist admits to having worked a job. 

    jellz

    Stuff like 20 in a box, did a like 30 on the stocks, don’t forget I had a job, if I make a M off rap I’m movin’ wock.

    He accentuates his fast-money style of drill rap several times during the 1:48 video, rapping,

    I really get to the money but hang with some demons, lurking, scheming, searching, fiending, they’ll do you for no reason.

    And 

    We ain’t gotta hug a block, we ain’t gotta touch a rock.

    jellz

    If Jellz’s style of rap doesn’t put him at an advantage, his quality of work and transparency might just do the trick. 

    For the videos I shot in Colombia, I actually just went on a trip and decided to record a video there honestly. I just needed a vacation at that point, and I wanted to mix business and fun, so I did 2 videos out there. I don’t think it puts me at a crazy advantage, but visuals are important , so I do want to give the best quality that I can.

    As much as violence and warfare sell, so too do tales of frivolous expenditures, when mixed with Jellz’s showmanship and earnestness, it may result in a very promising future. 

  • Girl Blue goes to “Heaven” with her Newest Single

    The latest single from the Capital Region songstress Girl Blue, “Heaven” was released today, the second single off her uupcoming full length album, slated for release in Fall 2021. The warm, uplifting single is well timed for spring, with a late 80’s indie-pop feel, and follows “Just a Dream,” the first single, released in February.

    girl blue heaven

    “Heaven” was written and produced by Girl Blue and recorded at White Lake Studios in Albany. Girl Blue is joined on the track by Albany’s Dark Honey – Jimi Woodul (electric guitar), Dan Dekalb (piano), Ben Woodul (bass) and Josh Morris (acoustic drums). 

    The light, grooving, harmony-drenched pop track is juxtaposed by lyrics that are dark, introspective and sometimes scathing about cellphone addiction. Making a statement about how our relationship with technology has come to replace our deep connection with spirituality, other people, the earth, and ourselves, the song will have you singing along and bobbing your head with ease.

    Arielle O’Keefe (Girl Blue) satirically celebrates the fact that “No one can stop me from hating myself, nothing can make me forget it,” and deems herself “the queen of my cellphone” in an angelic, serene tone of voice that only hints ever so slightly at the loneliness inherent in those statements. 

    Listen below or on various platforms, and visit Girl Blue’s Bandcamp for more music.

  • Long Island’s Card Reader Takes First Place at Interstate Music Awards

    Long Island pop-punk band Card Reader won first place at the Interstate Music Awards, an underground artist competition created by the CEO of Interstate Music, Jeff Peterson.

    card reader
    Long Island Pop-Punk Band Card Reader

    Card Reader, won the Interstate Music Awards out of hundreds of submissions. Their first place prized earned them $5000 in gift cards, as well as the opportunity to perform live on the Interstate Music stage in Wisconsin later this year. 

    In a year of uncertainty and lockdown, Card Reader continued to put out music, their bright sound illuminating days spent inside. This spring they will be releasing an acoustic EP set to release on Friday, March 26th. It will contain new versions of previously released tracks, stripped down and engineered by their very own Matt Sullivan. They will also be recording their sophomore EP this April with veteran producer, Nik Bruzzese, at Gradwell House in Haddon Heights, New Jersey. 

    Guitarist and vocalist, Tom Petito, spoke about Card Reader’s big win and the road ahead. “We’re fired up right now. Starting 2021 off on the right foot is crucial for any band. I think we did just that. We received a big wave of support in this competition and winning it all has been an unreal experience. Our family, friends, & fans had our back in a big way.

    We’ll use this momentum to help fuel the fire as we prepare to record our new EP in the spring. Nik reached out to us after the contest win and expressed his desire to take our sound to the next level. We couldn’t agree more. It’s our move now and our opportunity to show the music world that Card Reader is for real.

    Stream their music on Spotify, Apple Music, or Bandcamp and find Card Reader on Twitter, Instagram or Facebook.

    Watch their studio documentary for their 2020 EP Mental Scars here.

  • Upcoming Indie Band Yo Kinky Release new single “Resistance,” video for “Wire”

    Alternative duo Yo Kinky is in its nascent stage, with members Tom Unish and Laura Wight meeting in early 2020. The duo immediately felt a musical bond, and started crafting songs together.

    Yo Kinky
    Laura Wight and Tom Unish of Yo Kinky

    Queens-based band Yo Kinky follows their first single “Somebody That I Used to Know,” with the second single, “Resistance.” The song is delicately created, yet exudes a confidence created by Tom Unish’s spaced-out guitar licks. The sonic landscape undulates with hypnotic layers of sound; the song yearns for the intimacy long lost by social isolation.

    Laura Wight sings “Love is all we breathe,” and “Swing me off my feet,” transporting the listener to a beautiful place where love is all-surrounding. “Resistance” is an ode to the sanity one has during this time by finding delight in the small things in life. 

    Resistance” follows their first single “Somebody That I Used to Know,” which, albeit its darker vocal passages, is playful, seductive and clever. It has received heavy play on WFMU’s radio station, as well as named as one of the best tracks of 2020 by Three Chord Monte. The band is beaming in their own path as they create and release more infectious music.

    Over 2020, Yo Kinky self-produced and are releasing their first, self-titled EP. This collection of songs addresses trust, communication, love, loneliness, freedom, identity, and expectation. The group combines drum machines and bright, buzzing synths and guitars that shimmer with reverb and delay.

    Yo Kinky’s music is reminiscent of Blondie, X, Mitksi, and Soccer Mommy, as they blend the pop and rock elements of indie into an incandescent artwork. When shows are possible again, Yo Kinky looks forward to playing locally, nationwide, and beyond.

    Yo Kinky’s debut EP is due out on February 26, 2021.