Tag: LGBT

  • Queer Pop and Melodic Chaos: Arthur Moon Releases Newest Single “Chaos! Chaos! Chaos!”

    Standing at only a mere 4 days old, “Chaos! Chaos! Chaos!” the new single from Arthur Moon has already amassed thousands of streams and landed on playlists alongside huge artists like The Japanese House, Sufjan Stevens, and St. Vincent. Before the mark of their one year anniversary, they earned themselves an NPR Music Tiny Desk Concert.

    It’s clear this band is praised for their excellence, and their new single hits the mark the very same. 

    The Brooklyn avant-pop group, led by composer and singer Lora-Faye Åshuvud with collaborators Cale Hawkins, Martin D. Fowler, Dave Palazola and Aviva Jaye, released the single while announcing their new album to be released in the fall under the same name: “Chaos! Chaos! Chaos!

    And that’s just what the single is: a beautiful and haunting chaotic musical masterpiece. Boarding on the genres of indie and electropop with elements from jazz and a choral influence, Arthur Moon is able to seamlessly meld these opposing musical soundscapes in a captivating and genius way. 

    “Avant-pop group Arthur Moon are more than happy to deconstruct the conventions of typical pop music”

    -Billboard Music

    Not a single time during my first time listening through to the single did I know where the next note would land. Against dissonant to resolving vocals and piano vamping that explored multiple keys sometimes within the same measures, there was a sense of peace in the chaos. The droning electronic sounds complimented rather than clashed with the more organic instruments.

    The vocals evolved from melodic singing to speak-singing with a metallic overlay, creating chaos in the mix. But never did the chaos not resolve, paving the way for a beautiful jazz piano solo overtop the synth drone. 

    arthur moon

    Rather than staying in the confines of one genre, Arthur Moon seems to reconceptualize boxing artists into one genre over another. They explore so many different soundscapes that at one point, I scrapped the idea of attempting to label them as alt or pop, instead praising their ability to operate outside of anything I’ve ever heard before. 

    “Dump the heteronormativity and get on Arthur Moon’s wavelength instead”

    -Refinery 29

    “Chaos! Chaos! Chaos!,” sung by lead Ashuvud who identifies as queer, was released for Pride Month. The music video captures two queer women dancing alone together in the purple light, expressing themselves and their love unequivocally. Their music shows the same queering of pop, electronic, and experimental music. Ashuvud is not afraid to defy traditionalism, bringing a unique approach to timbre, melody, and rhythm throughout all of her pieces.

    The unpredictable nature of Arthur Moon’s music alludes to a rejection of heteronormativity within music and a huge step towards the acceptance of queer music which is so very crucially important, particularly in a month honoring our LBGTQIA ancestors. Following the accolades from monumental influences in the music industry, including Billboard and NPR Music, it’s clear Arthur Moon is on the verge of blowing up. If you want to secure bragging rights of knowing their name and following their music before they’re the household name they’re bound to become, stream their new song asap! 

  • Happy Birthday, Cyndi Lauper!

    Today, talented singer, songwriter, actress and LGBT+ activist, and pioneer in music Cynthia (Cyndi) Ann Stephanie Lauper celebrates her 69th birthday. From her residence in New York’s Upper West Side to childhood in Ozone Park, Cyndi Lauper is a true New Yorker through and through.

    Cyndi lauper birthday

    The perpetually campy orange haired princess of pop like her image in “Girls Just Want to Have Fun“, Lauper is underrated as a master across genres. With one of the greatest rock voices of her generation, she described her struggle even to emerge as the pop artist she was labeled as.

    Cyndi lauper birthday
    Cyndi Lauper in Girls Just Wanna Have Fun/ credit: MEDIAPUNCH

    Despite misogynistic barriers that initially barred her from entry into the industry, Lauper’s album She’s So Unusual was the first debut album by a female artist to achieve four top-five hits on the Billboard Top 100s, earning her a Best New Artist Grammy award in 1985. 

    Iconoclast who revolutionized the role of women in rock and roll

    Songwriters Hall of Fame

    Lauper’s discography spans across genres, movie soundtracks like The Goonies, and even Broadway numbers like Kinky Boots, earning her Grammys, Emmys, Tonys, MTV Video Music Awards, Billboard Awards, and American Music Awards. She’s one of the few singers to have earned 3 out of the 4 EGOT (Emmy, Grammy, Oscar, Tony) and was inducted into the Songwriters Hall of Fame.

    Throughout her entire career, Lauper has consistently taken on serious topics including racism, homophobia, spousal abuse and AIDS. Her sincere advocacy for gay and transgender rights even earned her an invitation as a special guest to attend President Barack Obama’s second-term inauguration. As the co-founder of True Colorshttp://Nysmusic.com/tag/LGBTQ United, Lauper sought to eliminate youth homelessness among LGBTQ+ young people and even uses her iconic song True Colors to raise awareness for issues among the gay community. A true humanitarian, she was even presented the High Note Global Prize in 2019 by United Nations Human Rights. 

    As we all wish Cyndi Lauper a happy birthday, let us not forget all her contributions to the music industry and human rights alike!

  • New York Series: Guy Carawan ‘We Shall Overcome’

    Some songs are written with such great embodiment of the human spirit that they become far bigger than a simple, melodic hook you whistle in the shower. They are the songs that represent a period in time for a group of oppressed people and epitomize the challenges they faced on a daily basis. Unlike other songs that come and go as life drifts on, these anthems leave such an impact that they are still read about in history books years later. For the Civil Rights Movement in the 1960s, the protest song “We Shall Overcome” was sang far and wide in tribute to peaceful protest. While the song was influential to many groups in the 1960s, its significance in the LGBT movement came after the Stonewall riots of New York in 1969.

    Most people know that Pride Month is in June, however, many don’t realize that’s because on June 28, 1969, the catalyst for the LGBT movement occurred in riot form at the Stonewall Inn in Greenwich Village. The Stonewall Inn was a well-known, mafia-run gay night club which hosted an array of illegal activities from an absent liquor license and prostitution to dealing drugs. While the bar owners were normally tipped off about police raids, on the night of the 1969 riot, they weren’t told anything would be happening. The police barricaded the 200+ patrons and employees in the bar and began to arrest all the transvestites they could find.

    As the cops were arresting patrons, to their surprise, bystanders began to push back against the heavy police presence in the form of verbal taunts and thrown bottles. At that point, raids on gay bars were becoming routine and, for the LGBT community, the raid on the Stonewall Inn was the last straw. As police were dragging people into their paddy wagon, the crowd began to boil and violence soon erupted. Bricks and bottles were being thrown at the cops as more people from around the neighborhood began to join in on the protest, forcing the police into a rare retreat. While some of the crowd turned violent, many others committed to nonviolence in the form of jokes, kick-lines and songs.

    As an unstable riot occurred all around, the protest hymn “We Shall Overcome” echoed through the streets long into the night. For days following the Stonewall riot, more protests, mostly nonviolent, began to pop up all around the city. A gay community began to form and within six months two gay activist organizations were established in New York. The movement was given legs, and by June 28 of the following year, the first gay pride marches took place in New York, Chicago, Los Angeles and San Francisco to commemorate the anniversary of the riots. “We Shall Overcome” was a vital tool used to demonstrate nonviolence throughout each protest.

    Originally written as a hymn titled “I’ll Overcome Someday” by Charles Albert Tindley in 1900, the song was warped multiple times throughout history before it became the protest anthem we know today. It was sang by tobacco workers, vagabond travelers, and eventually political activists. It became associated with the Civil Rights Movement in 1959 when Guy Carawan sang his and Pete Seeger’s version of the song at a nonviolent civil rights protest. From there, other artists began using it as a protest tool, playing it at rallies, folk festivals and other demonstrations to make it clear to the world that oppression will not be tolerated.

    ‘We Shall Overcome’ Lyrics:

    We shall overcome
    We shall overcome

    We shall overcome some day

    CHORUS:
    Oh, deep in my heart
    I do believe
    We shall overcome some day
    We’ll walk hand in hand
    We’ll walk hand in hand
    We’ll walk hand in hand some day
    CHORUS
    We shall all be free
    We shall all be free
    We shall all be free some day
    CHORUS
    We are not afraid
    We are not afraid
    We are not afraid some day
    CHORUS
    We are not alone
    We are not alone
    We are not alone some day
    CHORUS
    The whole wide world around
    The whole wide world around
    The whole wide world around some day
    CHORUS
    We shall overcome
    We shall overcome
    We shall overcome some day
    CHORUS