Tag: leo kottke

  • Leo and Mike Tour Closer at The Strand: From the Cradle to the Grave

    The city of Plattsburgh, New York has an Icelandic glow on the shores of Lake Champlain. The Strand Center for the Arts in town hosted Leo Kottke & Mike Gordon’s tour closing show on Sunday December 19. Just across the Lake is Mike Gordon’s Gamehendge in the city of Burlington. It seemed as if it was his first time performing in Plattsburgh since Phish’s infamous Clifford Ball festival that drew 60,000 to Clinton County in 1996. However, Gordon was making the trip to Plattsburgh well before 1996.

    Leo and Mike
    Photo by Kyle Donoghue

    SUNY Plattsburgh alumnus and saxophonist Dave Grippo was voyaging from Burlington to Plattsburgh in the early 90s. Like Nectar’s across the lake, Plattsburgh has The Monopole around the corner from the Strand since the 1800’s. Owner of The Monopole, Cory Rosoff, remembers Mike playing in random band formations with Dave Grippo in Plattsburgh over the years. “I used to actually have his bands come in and play Homecoming Weekend being that he was alumni. He just played sax on a lot of their (Phish) albums.”

    Mike Gordon on Drums, Monopole, Plattsburgh

    The quiet majesty of the Strand Center allowed for great stories in between songs. Samuel Johnson kept the audio levels just right inside the old 1924 vaudeville room. Leo Kottke spoke on the origins of his 20 year relationship with Mike Gordon to the Plattsburgh crowd. He reflected about their first jam session at Trey’s barn in Burlington across the lake. It wasn’t until the last riff of the day that a groove was caught between the two and a blaze from one tiny spark was lit. Gordon reflected on how he sent Leo a tape of him adding bass to one of his tracks.

    Leo and Mike
    Photo by Kyle Donoghue

    After three months with no reply, Kottke responded to Gordon that a lot of people send him what he did over the years and that it usually comes off “cheesy.” However there was something different about this tape and it helped lead them to that first jam session in Burlington.

    mike and leo
    photo by Kyle Donoghue

    Pete Seeger once referred to Leo Kottke as the greatest 12 string guitar player in the world. The duo covered Pete Seegers “Living in the Country”, that made its notoriety live at New York City’s Bitter End club album. Freight train, freight train goin’ so fast, Please don’t tell them which train I’m on, So they won’t know which route I’ve gone. Leo and Mike played material from all three of their studio albums.

    Leo gave the historical origins of their record Sixty Six Steps which naturally is named after the Queens Staircase in the Bahamas that is 66 steps high. Mike stepped out front solo again for Hank Williams “Old Habits.” He also offered a tour debut on its last night by collaborating with Leo on his original “I am Random,” of which the studio version features Jon Fishman on drums.

    mike and leo
    photo by Kyle Donoghue

    The duo continued the tour’s tradition by playing through the encore so that we could all exit The Strand Center for the Arts at the same time. They landed on “From the Cradle to the Grave” from their most recent album Noon, singing, “Running for my life at every moment never have time to catch my breath, sometime I wish this crazy race were over, the thought of living scares me half to death. Everyday is the same… same old ways never change and were going to the cradle from the grave.”

    photo by Kyle Donoghue
  • Leo Kottke & Mike Gordon History Lesson at Troy Music Hall

    Leo Kottke and Mike Gordon brought their acoustic duo tour to Troy Savings Bank Music Hall on Wednesday December 15. The venue has been a sought after performance destination by various artists since the 20th century. The original padded wooden seats help absorb a layer of sound. Listeners in even the deepest seats hear the effect of the entire room. Leo & Mikes acoustic bass and guitars resonated just right into acoustic ear candy at the performance on the Hudson.

    Photo by Dave Decrescente

    The visual and historic appeal of the Hall must not be overlooked in any discussion of its acoustic character. The ear and the eye are inseparable in the concert-going experience in Troy. The room with equivalent acoustics could not sound as good without also being visually vibrant.

    Mike Gordon took note of the Hall’s history on his Instagram by saying

    Classical performers consider this room to have the best acoustics in the country. I can’t believe I get to share a chair with Leo Kottke to play in it tonight. Heavenly.

    Mike Gordon
    Photo by Dave Decrescente

    There is even a black and white shot of Leo on the Halls walls from 1996 along side all the other great performers to grace the stage. Leo took lead on alot of the numbers through out the evening. Mike had the best seat in the house next to Kottke as he listened with audience to his various tales coming off the band stand. Mike did jump in front for a cover of Hank Williams Jr “Old Habits”.

    I hope you don’t mind how lost I am. I’m just having a real good time up here.

    Leo Kottke
    Photo by Dave Decrescente

    Leo told the crowd of American modernist composer Charles Ives and his struggles to get his work out. Overtime he hired Burlesque dancers to enhance attention on his Concord Sinata 2. After becoming acknowledged for his work someone told Ives over time… “I can tell it’s good music but it doesn’t sound very good” Ive’s reply:

    Whats sound got to do with music?

    Charles Ives
    Troy Savings Bank Music Hall


    Leo also read a passage of Sunday Morning by Wallace Stevens to the Troy Music Hall crowd.

    All Pleasures and all Pains, remembering the bough of summer and the winter branch. These are the measures destined for her soul

    Wallace Stevens
    Photo by Dave Decrescente

    The duo covered a lot of material from their 2020 Album Noon. They also brought the crowd back to their first album collaboration Clone by performing “From Pizza Towers To Defeat” In true Leo fashion the duo sat through the encore so that “we could all leave the room at the same time” They finished with “Invisible” off their Sixty Six Steps album.

    The duo truly gave a history lesson on the shores of the Hudson. They split the bill down the middle in Troy for an evening of composition, and improvisation. The live performance that unfolds in front of you is credited it to the moment that we all can share in before leaving the room at the same time. The tour concludes in Plattsburgh’s Strand Theater on Sunday December 18 2021. The venue is 2.5 miles from where Mike performed at the Cilfford Ball in 1996.

    Leo Kottke & Mike Gordon, Troy Savings Bank Music Hall, December 15 2021:

    Set List: Rings, Living in the Country, Tiny Island, Old Habits, The Last Steam Engine Train, Airproofing, Ojo, You are My Flower, Twice, Flat Top, From Pizza Towers to Defeat, Invisible

  • Play it Leo! Leo Kottke Returns to Center for the Arts in Homer

    Play it Leo! Kottke that is. Leo Kottke returned to Homer Center for the Arts on Saturday, October 16. This solo acoustic performance, his last Upstate New York show since April 2018 at The Clayton Opera House comes ahead of the three dates scheduled with Mike Gordon of Phish in the Empire State this December. During 2020 the duo released their first record Noon in over fifteen years. So it was fitting for Leo to open the show with “From Pizza Towers to Defeat” at Homer Center for the Arts, a song written by the duo from their 2002 album Clone.

    John McConnell , Leo Kottke, Clayton Opera House April 2018

    You wouldn’t have seen a tour bus outside the Homer Center for the Arts on Saturday night. Leo Kottke’s solo tour traveling rig is simple, and very reminiscent of Chuck Berry when he showed up at the venue driving himself with two guitars and a steel slide in tow. Leo deals with venue staff directly and settles up on his own with no tour manager. Mike Gordon of Phish told Rolling Stone “Hes like this American treasure living in his own bubble. He’ll travel the country listening to Lone Ranger series from the 1950’s in its entirety in the car.”

    Leo Kottke, Center for the Arts Homer , October 2021

    Leo’s stories from traveling this great country were weaved in to his ninety minute set on the intimate Homer stage. Outside the venue was a local haunted attraction in its 39th year that gave the performance a vibe of Phish’s interpretation of Disney’s Chilling, Thrilling, Sounds of the Haunted House.

    Although Leo didn’t tell the crowd about his most recent studio release with Phish’s bassist, instead he told them about the first drummer he has ever collaborated with in 60 years:

    I’m having a ball doing this with David King of the band Bad Plus. It’s a nice cocktail kit, he doesn’t come in with this Keith Moon suicide drowning thing. We go in the studio and start making shit up, the only thing Dave doesn’t like is when I stop. It’s a great attitude to be around, a little dangerous as I will demonstrate now.

    Leo Kottke

    He told the crowd of American modernist composer Charles Ives and his struggles to get his work out. Overtime he hired Burlesque dancers to enhance attention on his Concord Sinata 2. After becoming acknowledged for his work someone told Ives over time, “I can tell its good music but it doesn’t sound very good” to which Ives replied “What,s sound got to do with music?”

    Leo’s point on it was that its a privilege to be able to play and if you have a chance to play. You don’t get to pick where you play and if you want people to hear what your doing and can’t find a crowd hire a burlesque orchestra to get some clout. “I mean its a privilege all around that it ever even happens in any faint way for you…but if there are people that want to listen your stuck with a privilege beyond luck, it becomes a thing itself”

    The audience chuckled as Kottke told them that he has played prisons, hospitals, schools and claimed they are all the same. For Kottke, The Center for the Arts in Homer counts as a 150 year old church gig. Leo admitted to playing a library opening in the past five years to a fellow musician friend due to his complaining that he has been subject to pizza parlor gigs. Defeat the pizza towers, “Play Anywhere,” Kottke told the crowd.

    You also won’t find a setlist after Leo’s performance either. The same fashion in which he entered he chose to exit and play through the encore “So we could all leave at the same time.” He finished the show with the classic piece “Corrina,” walking off the stage with both guitars in hand. New York’s legendary Pete Seeger called Kottke “The Best 12 string player in the world.”

    In December when Kottke returns to New York State with jamband giant Mike Gordon, expect the same kind of sharpness at the performance. Even though Leo has seen Phish on New Years Eve at Madison Square Garden, Mike Gordon recalled a tale from the road during their last tour when he put on a Grateful Dead jam to listen to in which Leo replied “OK, that’ll be enough of that.”

    Leo Kottke and Mike Gordon December 2021 Tour Dates

    December 8 – Munhall, PA – Carnegie of Homestead Music Hall
    December 9 – Washington, DC – Sixth & I
    December 10 – Tarrytown, NY – Tarrytown Music Hall
    December 12 – Beverly, MA – The Cabot
    December 13 – Lebanon, NH – Lebanon Opera House *
    December 15 – Troy, NY – Troy Savings Bank Music Hall
    December 16 – Norwalk, CT – Wall Street Theater
    December 17 – York, PA – Appell Center for the Performing Arts
    December 19 – Plattsburgh, NY – Strand Center for the Arts

  • Leo Kottke and Mike Gordon to Play Tarrytown, Troy and Plattsburgh this December

    For the first time in 16 years, guitarist Leo Kottke and bassist Mike Gordon will tour together, in an eagerly awaited series of dates in December.

    leo kottke mike gordon

    Acoustic guitar legend Leo Kottke and Phish bassist Mike Gordon first linked up in 2002 for Clone, and followed by 2005’s Sixty Six Steps. The upcoming tour will celebrate last year’s release of the first new Kottke/Gordon album in 15 years, Noon, hailed by Rolling Stone as “full of lilting grooves that go on wild musical tangents.”

    Read past interviews with Mike Gordon from 2013 and 2016.

    The pair also today premiered a 4-song mini set, including performances of the Kottke song “Sheets” and “How Many People Are You,” which has found a spot in the rotation both with Phish and Mike Gordon Band. Both tracks are found on Noon, with Phish drummer Jon Fishman appearing on “How Many People Are You.” The set is rounded out with the Kottke classic “Rings,” and “Disco” from the duo’s 2002 release, Clone.

    Leo Kottke and Mike Gordon December 2021 Tour Dates

    December 8 – Munhall, PA – Carnegie of Homestead Music Hall
    December 9 – Washington, DC – Sixth & I
    December 10 – Tarrytown, NY – Tarrytown Music Hall
    December 12 – Beverly, MA – The Cabot
    December 13 – Lebanon, NH – Lebanon Opera House *
    December 15 – Troy, NY – Troy Savings Bank Music Hall
    December 16 – Norwalk, CT – Wall Street Theater
    December 17 – York, PA – Appell Center for the Performing Arts
    December 19 – Plattsburgh, NY – Strand Center for the Arts

    All Dates go on sale Friday, October 8 at 10 am ET, except for Lebanon Opera House, which goes on sale at 12pm on Friday. More info can be found here.