Tag: jorma kaukonen

  • Rita Ryan of WVKR Marks 300th Episode of LocalMotion

    Ever since übermanager Albert Grossman and his top client Bob Dylan moved up to Woodstock in the Sixties, the Hudson Valley has been a hot bed of popular music-making. It’s been the longtime residence of many of the best-known names in rock, folk and jazz and the site of a multitude of legendary recording studios where they waxed their classic albums. It’s also been home to an ever-changing array of clubs and tiny bars where the stars who call the area home can be found sharing their world class talent with intimate audiences.

    Since 2015, Rita Ryan has been passionately profiling this ever-evolving scene on LocalMotion, a weekly two-hour, free-form broadcast on Vassar’s non-commercial radio station, WVKR, 91.3 FM. 

    WVKR Rita Ryan

    Unlike some area shows that claim to be dedicated to “homegrown” talent (but are too often peppered with musicians from Austin, Nashville, Brooklyn and more in my listening!), Rita has kept her focus 100% local.

    The second hour of her weekly Wednesday broadcast traditionally features interviews with many of extraordinary music-makers who call the Hudson Valley their home.  Her guests have included Lovin’ Spoonful songsmith John Sebastian, jazz great Jack DeJohnette, dobro master Cindy Cashdollar, roots music maven Amy Helm, bass masters Tony Levin (King Crimson, Peter Gabriel) and Gail Ann Dorsey (David Bowie) and Stevie Wonder producer/electronic music pioneer the late Malcolm Cecil, to name just a few.  Rita also interviews stars who swing through so frequently for performances that they seem like locals, like the six-time interviewed Jefferson Airplane/Hot Tuna guitarist Jorma Kaukonen. 

    Ryan has also explored the local scene in interviews with club owners like Neil Howard of Colony Woodstock, Lizzie Vann of The Bearsville Theater and the late Tony Falco of Live at the Falcon.  She’s also talked with music producers/recording engineers like Jerry Marotta of Dreamland Studios, David Baron (The Lumineers, Lenny Kravitz) and Scott Petito (The Band, The Fugs, Mercury Rev).  And every week, she clues her audience in on the best live music coming to area venues, shows that she will often be frequenting herself.

    The first hour of LocalMotion is dedicated to spinning a truly diverse selection of new sounds from local musicians.  Her playlist spans rock, blues, folk, Americana, rockabilly, jazz and even the occasional electronic and experimental offering.

    Earlier this month, Rita celebrated her 300th episode with a return interview with her first guests, Larry Campbell and his partner Teresa Williams.   Here is a look at the past and what’s ahead for Rita and LocalMotion.  

    WVKR Rita Ryan

    Sal Cataldi: To begin, what is your connection to the Hudson Valley?

    Rita Ryan:  I consider myself a native to the area. I moved to Tivoli in Dutchess County in 1972 while in elementary school. I was born in Long Island and then my family moved to Germany, where I went to school through 2nd grade. My mom was from Germany as are most of my entire family, and for the exception of one cousin, they all still live there.

    My interest in music started with my mother. There was always music on in the house. She listened to classical and German music and I remember Engelbert Humperdinck, Frank Sinatra, Glen Campbell and others being played on either albums or cassettes.  As a young teenager, I would spend my weekly allowance by going to Caldor in Kingston on a Friday night to buy vinyl or a book.  The first album I bought was Tapestry by Carole King.

    SC:  How did you connect with WVKR?

    RR:  I began working at a commercial radio station in 2010 doing advertising sales.  I had no intention or ever thought of being on air.  At one point, the station where I was working was holding a contest.  We planned on doing a one-hour live broadcast at a remote store location to announce the winner.  No DJ was available to go do the broadcast, so the owner of the station suggested I go do this live remote!  I laughed at him saying, other than voicing commercials, I have never been on air!  He told me to go try it anyway,  So I did. My client, the store where the live broadcast was to be at, also encouraged me.  So, there I was (laughs). My first broadcast was a live one, for one hour.  I immediately felt very comfortable being on air.  It just felt natural.  Of course, I was nervous at first, but not for more than a few minutes. It really was easy and fun!

    Not long after, the station where I was working offered me a show, while I also held down my sales job. I took them up on the offer and was able to pre-record my shows.  For a while, I was the weeknight evening show host. Soon, that became too much for me with my regular job so I hosted a show on Saturday afternoons. I did this for several years before I left that job.

    When I left, I knew I was going to miss hosting a radio show.  A few months into a new job, an acquaintance called me and said he missed hearing me on air.  He asked if I ever heard of WVKR and that I should try contacting them.  I thought about it for a few days and decided to make the call – I mean I had nothing to lose, right?  I called WVKR in June 2015 and the General Manager called me back immediately. I had given him my background and my idea of starting a show focused on music in the area, the local scene. I wanted to start hosting interviews with musicians that live here and those coming to the area to perform in our venues.   They said they were actually looking for someone to host such as show, so the rest is history (laughs).

    SC: What is the format of LocalMotion and how has it changed over the years?

    RR:  The greatest aspect of WVKR is that it’s a college radio station, at Vassar College, so it’s completely free-form, like in the good old days.  It’s run by a Student Executive Board that has help from Vassar’s staff.  It’s a non-commercial station. No advertising. So, all DJ’s format their own shows to their liking.

    At first, in 2015, it began as a one-hour show. It pretty quickly moved into a weekly two-hour block, Wednesdays, from 4 – 6 pm. The format really hasn’t changed since the show began.

    I always spend one of the hours hosting an interview and the second hour promoting musicians who will be playing in the area and new releases from local musicians. I also host a segment called “Musical Happenings” where I give info from venues as to who will be playing there. I’m a huge supporter of the local live music scene. I typically go out at least once per week to enjoy live music, if not more.  

    SC: Unlike some radio shows in the Hudson Valley that claim to be local, yours truly is, 100% in my opinion.  It seems to be all about musicians who live in their area or the big names who pass through regularly, like Jorma Kaukonen, who almost seem like locals.  Is it a hard to promise to always deliver a full slate of local music?

    RR:  It’s not hard at all to keep my show truly local because we have such an incredible and diverse scene of music in the area.  There’s always someone coming to perform at an area venue to interview and many of those live right in the area. I do interview national and internationally renowned musicians but only because/when they perform in our area.  There’s never a shortage. I typically book my guests 6 to 8 weeks in advance!

    SC:  So, what are some of your favorite venues in the area, old and new?

    RR:  I don’t think it would be fair of me to say what my favorite area venues are as there are so many! I say to people, go support music at all local venues and see which you like best and keep going to support the music!

    SC: How has the Hudson Valley music scene evolved over the years and where is it headed?

    RR: Well, it’s definitely evolved over the decades and, I believe, we’re in a time now when it is truly exploding in the area.  For example, look at Woodstock. The newly renovated and restored Bearsville Theatre is back in full swing, Levon Helm Studios (home of the legendary Midnight Ramble shows), The Colony (also renovated and restored), Station Bar, Pearl Moon and the Woodstock Playhouse are all top-notch live music spots.  We’re also in an area where there are world class recording studios which brings many musicians here from all around the globe.

    I believe the music and arts scene will continue to grow in this area. We are incredibly lucky to live not just in a visually beautiful area, but also an area filled with culture of every stripe.

    SC: Now that you’ve celebrated your 300th show, can you let us know who some of your favorite guests has been?

    RR:  This is another question that’s difficult to answer about favorite guests because there are really too many to say. I typically respond to that question by saying it’s the last guest I had on the show (laughs)!

    Since 2015, I’ve hosted over 290 interviews as most every episode has a guest.  I was most nervous for my first ever interview. I remember it like it was yesterday. I began the show in July 2015. I remember when I first conceptualized the show and sharing my idea with Larry Campbell at shows when I’d see him perform. He would say to me: “Rita, when you get that show, let me know. I’ll be happy to be your first guest.” Well, I got the show and Larry held true to his word. My first guests on LocalMotion on 91.3 WVKR were Larry Campbell and Teresa Williams.  I prepared for over 5 hours for my first interview. I was so nervous but it went so well. 

    Since LocalMotion airs live, so I don’t have the luxury of edits. The next time I saw Larry in person after our interview, he told me it was one of the best radio interviews he’s ever done in his career.  That to me was the highest honor I could be given.  

    I haven’t been too nervous interviewing since my first show.  I get excited with anticipation for each and every guest. I do lots of “homework” to prepare for my interviews and I absolutely have the time of my life doing them.

    SC:  As a listener, I know you give every genre of music a spin, from folk and Americana through to jazz and experimental.  So, do you have any personal favorites on the new local talent front?

    RR: I dislike giving out my favorites, just like I don’t do a “Top 10” end of year album release list any longer. I mean, after all, who am I to say! My favorites are just that, my favorites. Doesn’t mean anyone else would agree. I do play music I’m not particularly fond of, that isn’t really to my taste sometimes, because I only think it’s fair to promote all worthy musicians in the area.  

    SC:  Anyone who follows you on social media knows, your daughter is quite a serious musician. Tell us a little about her?

    RR:  Well, here I could go on and on! My daughter Caroline recently turned 21. I began introducing her to the arts when she was maybe 4 years old. Her first live theatre event was The Nutcracker at Bardavon Theatre in Poughkeepsie. We would go annually while she was young.  Shortly thereafter, I took her to NYC and we began seeing Broadway shows.  

    She began playing violin in 4th grade.  We rented her a violin because we weren’t sure how long she’d stick with the instrument. She stayed with it for one year then began playing cello. But she didn’t like playing the cello as much as the violin, so she went back to her violin.  We gave her private lessons immediately and she just loved her teacher. We also learned of an organization in Dutchess County called “Stringendo.” It was an orchestra school for students from 1st through 12th grade that met each Saturday during the school year. You had to audition to get in. There were numerous levels in the school and Caroline began in “Prelude.” She stayed in that school for 8 years throughout high school.  This school was invaluable to her. She would not be the musician she is today without having those years in that school. Also, her private lesson violin teacher, Kate Rymph, who taught her first lesson until she graduated high school was instrumental in transforming Caroline into the musician she is today.

    She will be graduating Ithaca College in December 2022 with a degree in Music Performance, a degree in Economics and a minor in Art History.  She recently performed her Senior Recital and it was inspiring to see how far she’s come as a violinist.  I could not possibly be prouder of my daughter. Not because of her talent as a musician, but because of the woman she’s become. I’m an incredibly lucky woman to be her mom. It’s the honor of my lifetime.

    SC: Any local musicians you still want to interview but haven’t?

    RR:  Funny you should ask that!  It just recently happened that I did interview two musicians who I’ve been wanting to interview the past 6 years! I had the great honor of interviewing John Sebastian and Jack DeJohnette. They had both been on my list and what an honor for me to have had the opportunity to talk with both of them. Both American icons.

    I’m looking forward to continuing LocalMotion. It’s a lot of work but when you’re passionate about something it’s worth it.  It’s a true honor to be hosting this weekly show.  I look forward to seeing the show grow further and keeping up with all the incredible new music that’s coming out. Please support live music – especially local live music!

    SC:  How can people listen to LocalMotion?

    RR:  Several ways! The old-fashioned way if you’re in the area on the radio dial at 91.3 FM, also online at wvkr.org or on the app TuneInRadio under WVKR. I also record and upload each interview on my YouTube channel. Please consider subscribing to the channel at “LocalMotion on 91.3 WVKR hosted by Rita Ryan.” All interviews are also uploaded as a podcast which you can listen to on several streaming platforms such as Spotify, Apple Music, etc.  You can even keep track on my Facebook page which features links to interviews, videos I shoot at local concerts and more. 

  • In Focus: Hot Tuna With The Midnight Ramble Band At The Egg

    The Egg was packed this past Wednesday, December 1st, for two legendary groups: The Midnight Ramble Band and Hot Tuna. Fans of both groups were present and full of energy from the moment The Ramble Band took the stage. Throughout the night, these concert-goers cheered on what proved to be a clinic in musicianship.

    hot tuna midnight ramble
    (Pictured left to right: Larry Campbell, Teresa Williams, Amy Helm, and Jim Weider)

    There’s a reason most bands have three to five members: because it’s really freakin’ hard to play in large groups. The Ramble Band’s ten members, however, made it look easy. This ensemble had no defined leader, and the crowd’s attention was masterfully directed all over the stage. It seemed as though each and every song featured a different band member taking over lead vocals, while different groups of instruments took the spotlight during breakdowns. 

    Larry and Jim led the way on guitar while Adam and Tony kept the groove going on bass and drums. Their parts were punctuated by the horn section, who left plenty of room for Amy and Teresa to steal the show with their powerful vocal performances. The crowd appreciated The Ramble Band’s high energy set that showcased each member’s raw talent.

    hot tuna midnight ramble
    (Pictured left to right: Brian Mitchell, Larry Campbell, Teresa WIlliams, Steven Bernstein, Erik Lawrence, Jay Collins, Amy Helm, Adam Minkoff, Jim Weider, and Tony Leone)

    The Midnight Ramble Band and its members can be seen performing at Levon Helm Studios – Woodstock, NY, and across the country. Check out their future shows here.

    hot tuna midnight ramble
    (Jack Casady: bass, Justin Guip: drums, Jorma Kaukonen: guitar/vocals)

    After The Midnight Ramble Band, Hot Tuna took the stage, and the blues rock trio picked up right where the big band left off. Jorma and Jack have been playing together since they were teenagers, and both went on to join Jefferson Airplane in 1965. This close connection was evident from the start of the set as the duo locked into their groove.

    The crowd peppered the show with shouts of “WOO!” and “HOT TUNA!” throughout the night as Jorma and Jack showed The Egg just how sharp they are. The duo played through their set with strong intention; Jack’s grooves were full of space, and Jorma’s licks followed suit. Their music seemed to breathe while notes were held, ringing out, allowing their tones to fully develop. By the end of the night there was no question about the fact that Hot Tuna and The Egg are a perfect match.

    hot tuna midnight ramble

    Hot Tuna are closing out the Northeast leg of their tour on Dec. 4 at The Capitol Theatre, then Dec. 5 at Count Basie Theatre in Red Bank, NJ, then finally on Dec. 7 at Carnegie of Homestead Music – Munhall, PA. For all dates, visit their website.

  • Dead and Friends Dazzle In Rochester: November 20, 1970

    The Grateful Dead’s first ever show in Rochester saw them bring a few friends along for the ride. Members of Jefferson Airplane joined them to cap off a mesmerizing night of music at The Palestra at University of Rochester. The late night gig allowed their fellow Californians, who played earlier that night at the War Memorial, a chance to get in on the fun. Jorma Kaukonen, and later Jack Casady, took full advantage, adding their unique styles to the psychedelic stew that serves as the second set. And the first one is essentially an entire Grateful Dead show crammed into a singular set, featuring more than 20 songs. All of this adds up to a simply unreachable bar for all future Dead shows in Rochester to reach.

    The show starts off innocently enough with a leisurely run through of “Cold Rain And Snow” whose ending is unfortunately cut off in the recording. “Me And My Uncle” then picks things up a bit, sung ably as always by guitarist Bob Weir. An attuned Pigpen even adds some inspired fills on the organ as the song progresses. This paves the way for him to take center stage and lead the band through a blues cover of “Next Time You See Me” that has the Palestra now fully engaged. Things then get decidedly more psychedelic, starting with a “China Cat Sunflower” that’s accentuated with an early, effortless guitar solo from Jerry Garcia that hits home. A rapid, near chaotic, jam then transpires before a silky smooth landing into “I Know You Rider” as the Dead show off one of their signature song pairings to the Rochester crowd’s delight.

    The Dead follow this up with a smoking take of “Sugar Magnolia,” a still relatively new song in their live repertoire at the time. Another furious Garcia solo and the drumming duo of Bill Kreutzmann and Mickey Hart fuel this one. The pace then slows back down again with the folksy pairing of “Friend Of The Devil” and “Mama Tried,” led by Garcia and Weir on vocals, respectively. An interesting little percussive jam then introduces “Good Lovin’” and the Dead are off and running again. Their cover of The Rascals’ hit song immediately goes deep, as the percussive vibe returns in a big way with a near immediate drum solo that doesn’t let up for several moments. It’s essentially the “Drums” portion of the show thrown right in the middle of “Good Lovin’.” Garcia eventually leads the rest of the band back into the fray and then he takes his turn exploring every aspect of the song in a jam that stretches out well past 20 minutes – a Type II “Good Lovin’” if there ever was one.

    The Palestra at University of Rochester

    A rowdy “Cumberland Blues” follows this, with the Palestra crowd clapping along joyously before an emotional and well harmonized “Candyman” that settles things back down once more. The first ever performance of “Truckin’” in Upstate New York comes next, as the Dead show off another new tune that will go on to become a classic. Although it doesn’t beget much of an extended jam, there’s some fun musical interplay between Garcia and Pigpen before another manic drum-heavy section that signals the beginning of “The Other One.” However, after an extended opening sequence, it’s a shortened “Other One” as the band quickly shifts gears and jumps into “Saint Stephen” after just one verse. Before “Stephen” is even finished, a noticeable “Not Fade Away”-like drum beat picks up, so it’s no surprise that they launch into that next. This kickstarts a truly vintage “Not Fade Away” > “Goin’ Down The Road Feeling Bad” > “Not Fade Away” sequence that has both the Dead and the Rochester crowd fully engaged.

    As if that weren’t enough already, the set goes on afterwards as a bluesy shuffle starts up, clearing the path for Pigpen, with harmonica in tow, to take center stage once more for “King Bee.” The marathon set then finally comes to a close with a rousing “Casey Jones.” The Dead are then able to get their comrades from Jefferson Airplane out for a second set that’s short on songs but long on blues-infused psychedelic improv. It begins with a cover of “All Over Now,” a song popularized by The Rolling Stones. Jorma Kaukonen, who plays the entire set, steps right up and delivers a jaw dropping guitar solo with what sounds like Garcia on the pedal steel guitar and Weir belting out the vocals. A fun, short little “tuning” jam takes place afterwards before they jump into another cover, this time a ripping take Chuck Berry’s “Around & Around.”

    Then the band just jams out for a while, with Koukanen and Garcia playfully trading guitar riffs back and forth. The rhythm section is locked in and it makes for one of the more enjoyable portions of this show as the West Coast-based musicians deliver their brand of psychedelic rock to an eager East Coast auditorium. It’s also probably one of the reasons that this sit-in has been dubbed one of the ten best ever with The Grateful Dead, per Rolling Stone.

    As the jam progresses, Jack Casady joins in on bass as the music begins to take some structure. The group then goes through two verses of “Darling Corey,” a traditional song that Pete Seeger, among others, have recorded. This is just quick thought though, as the structure quickly devolves and soon dies out completely. After some extended tuning, the ensemble launches into another extended jam, now with dueling basses to go along with three guitars. They bounce and move from one loose melody to another, never stopping for too long. At one point, a jam reminiscent of a souped up “Cumberland Blues” seems to take place. “Uncle John’s Band” then closes out a lengthy night of Grateful Dead in Rochester, highlighted by a monumental sit-in from members of Jefferson Airplane.

    View this and more Grateful Dead shows from across the years in New York State with our interactive map below!

    Grateful Dead The Palestra at University of Rochester – Rochester, NY 11/20/70

    Set 1: Cold Rain And Snow , Me And My Uncle, Next Time You See Me, China Cat Sunflower > I Know You Rider, Sugar Magnolia, Friend Of The Devil, Mama Tried, Good Lovin’ > Drums > Good Lovin’, Cumberland Blues, Candyman, Truckin’ > The Other One > Saint Stephen > Not Fade Away > Goin’ Down The Road Feeling Bad > Not Fade Away > I’m A King Bee, Casey Jones

    Set 2: It’s All Over Now, Instrumental > Spring Song Tuning > Around And Around, Jam > Darling Corey > Jam > Tuning > Space Jam, Uncle John’s Band

    Dead Rochester

  • The Capitol Sessions: Songs from a Rock Palace That Impacted the World, Announced for December 17 in Port Chester

    From the producers of the annual Love Rocks NYC benefit concert comes The Capitol Sessions: Songs from a Rock Palace That Impacted the World. Featuring Jackson Browne and Jorma Kaukonen leading an all-star jam benefiting HeadCount, the star-studded event will take place on Friday, December 17 at The Capitol Theatre in Port Chester.

    Also featured in the show will be Marco Benevento, James Casey, Lisa Fischer, Amy Helm, Connor Kennedy, Eric Krasno, Tony Leone, Grahame Lesh, Adam Minkoff, Karina Rykman, and TheWar and Treaty.

    The Capitol Sessions

    Curating the evening is legendary producer, arranger, songwriter, singer, and multi-instrumentalist Larry Campbell, alongside his musical partner and wife Teresa Williams. Universally respected by his peers and fans as a master of music, the three-time Grammy-winning producer/musical director for Levon Helm was a member of Bob Dylan’s Never Ending Tour band, as well as a session and touring musician for artists including Keith Richards, Jackson Browne, Phil Lesh and Bob Weir, Cyndi Lauper, Paul Simon and Emmylou Harris, and a recipient of the Americana Music Association’s Lifetime Achievement Award as Instrumentalist.

    The Capitol Sessions celebrates the groundbreaking songs played at The Capitol Theatre by rock royalty like Janis Joplin, the Grateful Dead, Bonnie Raitt, Jefferson Airplane, The Chambers Brothers, Mountain, Joe Cocker, the Rolling Stones, Traffic, and Eric Clapton.

    The Capitol Theatre is one of rock ‘n’ roll’s last remaining rock palaces. A place where many of rock’s most beloved legends performed — the Rolling Stones, the Grateful Dead, David Bowie, Janis Joplin, to name a few. We can’t wait to celebrate the iconic songs that have been played over the years at The Cap. It will be very cool for The Capitol Sessions to happen on the same stage where these songs were originally performed. It’s going to be an epic night!

    Peter Shapiro, DayGlo President and HeadCount board member

    The show benefits HeadCount, a non-partisan voter registration advocacy organization that stages voter registration drives at more than 1,000 live events each year and collaborates with cultural leaders to promote civic engagement on a national scale. Since 2004, HeadCount has signed up over 1,000,000 voters through its work with Ariana Grande, Dead & Company and Beyoncé, as well as events like Lollapalooza, Bonnaroo, Pride Festivals, and RuPaul’s DragCon.

    The Capitol Sessions is the latest in a lineup of standout events by RWE, the company founded by Greg Williamson and Nicole Rechter to bring people together around music, culture, and philanthropy. RWE has realized its vision through charity concerts such as Love Rocks NYC, the Play On CBS primetime TV special, and the annual Tipping Point concert for Tulane University and the city of New Orleans.  

    In addition to honoring some of the most influential artists who played the Capitol during its heyday, we’re proud to highlight the importance of voting rights and democracy. We’d like to extend our thanks to Peter Shapiro, Larry Campbell, and all of the talented artists who agreed to be a part of this benefit concert.

    RWE founder Greg Williamson

    Tickets go on sale Friday, November 19 at 12 p.m. EST at thecapitoltheatre.com. Fans are encouraged to make a donation to benefit voter registration and HeadCount. Tune in on Fans.Live on December 17.

  • Jorma Kaukonen Embarks on Northeastern Tour

    Psychedelic-rock legend Jorma Kaukonen is heading out on a carefully planned Northeastern road tour in an RV he calls the “Ultimate Mechanical Toy.”

    Jorma will embark on a solo tour in July celebrating the vinyl release of John Hurlbut and Jorma Kaukonen: The River Flows Volume Two, with John Hurlbut joining Jorma for a special set highlighting The River Flows.

    Recorded last summer along with Volume One, this album continues along the same path. “Guitar maestro Kaukonen shares top billing with singer/guitarist John Hurlbut in a downhome session of remarkable six-string storytelling” said Sterophile and No Depression revealed “Kaukonen and Hurlbut view music as a conversation … What we hear in this acoustic marvel is an intimate tête-à-tête celebrating 40 years of friendship.” The album releases on Record Store Day, July 17, 2021.

    June 13    The Mill Event Center, Lancaster, OH
    July  15    Jewish Community Center, Rochester, NY
    July  17    The Cabot, Beverly, MA
    July  18    Ridgefield Playhouse, Ridgefield, CT
    July  23 & 24 Concerts On The Green @Suneagles, Eatontown, NJ
    July  25    City Winery Hudson Valley, Montgomery, NY

    Jorma Kaukonen The Ultimate Mechanical Toy

    In May, Kaukonen and sound technician, Myron Hart, will headed out for three dates in the Northeast. An RV, which he calls the “Ultimate Mechanical Toy,” looks more like one of Willie’s buses than anything, provides a safety factor for the tour.

    In a career that has already spanned a half-century, guitarist and vocalist, Jorma Kaukonen has been one of the most highly respected interpreters of American roots music, blues, and americana, and at the forefront of popular rock-and-roll.

    Kaukonen is a founding member of two legendary rock bands, Hot Tuna and Jefferson Airplane, as well as a member of the Rock & Roll Hall of Fame and a Grammy recipient.

    Jorma Kaukonen’s repertoire goes far beyond his involvement in creating psychedelic rock; he is a legend and one of the finest singer-songwriters and master instrumentalists in music today. Jorma tours the world bringing his unique styling to old blues and writing new songs with insight and imagination.

    All of the venues on the tour are making amazing efforts to be safe and comfortable places while also adhering to social distancing guidelines. Each show will have limited seating, extra cleaning, and require attendees to wear masks and stay at their tables once they’re seated. Most of the shows will be held outdoors.

    Come out and enjoy the delight of spontaneous melodies and insightful songs peppered with Jorma’s wry sense of humour. When asked if he would hire a driver for the RV, Jorma said, “Absolutely not! This is the ultimate mechanical toy!”

    May 04 Vinoski Winery, Belle Vernon, PA
    May 06 Homer Center for the Arts Drive-in series, Homer, NY
    May 09 Tupelo Music Hall, Derry, NH Two shows: 1PM & 4PM

    You can find out more about Jorma Kaukonen, the “Ultimate Mechanical Toy,” and the Northeastern tour on his website and on Hot Tuna’s website.