Harlem-based rapper Princess Nokia performed a vibrant set at Irving Plaza in New York City on October 24th for one of the last domestic stops on her tour. Known for her high-energy performances and colorful stage design, Princess Nokia lived up to her reputation by giving the crowd exactly that.
As one of the more prominent female rappers in today’s pop landscape, Princess Nokia had no shortage of hits to run through, from old favorites like “Tomboy” off the 2016 project 1992 Deluxe, to the extremely popular “I Like Him” off the 2020 project Everything Sucks. Backed up by some stage dancers, she exemplified why these songs have been popular for so long, moving the crowd to the rapid rhythm and maintaining a breakneck pace.
Princess Nokia oozed charisma and charm on the stage, always interacting with fans between songs and making jokes. Between the rapid-fire rapping, dancing, banter, and screaming crowd, this concert was an absolute spectacle. The spectators were one hundred percent into her the whole time and before the concert even started, she peaked her head out on the balcony and the crowd screamed with delight. There was no shortage of electricity the whole set.
Princess Nokia’s tour has one more stop in Boston at Paradise Rock Club on Wednesday, October 27 before hopping overseas to Europe. You can see the rest of the tour dates here. Be sure to check out the full photo gallery below!
The Struts played Irving Plaza on Friday, October 8, part of a huge U.S. tour that started in August and takes them across the U.S. until mid-November. They were as tight as you’d expect from a band that’s been on tour for months, rocking thru a long set that included many new songs from their last record, Strange Days. It was written and recorded during the pandemic lockdown, and the title song’s chorus is an apt description of that time…
Oh these are strange days, In many strange ways, Science fiction I believe, Has become reality, Oh these are strange times, Lost in our minds, We don’t know, it’s unclear, Where we’ll be this time next year
the Struts
Thankfully the next year finds them onstage, where they belong. Their recorded music is made for packed shows with the crowd singing along, and Friday night was exactly that. From the second singer Luke Spiller swaggered onstage, the audience was singing and cheering at his command. Spiller is a natural performer, constantly moving and thriving on the audience’s feedback, never letting their set’s energy decrease.
the Struts
From the opening notes of “Primadonna Like Me” he controlled the entire show, engaging the crowd between every song by demanding more applause or encouraging them to do complicated sing alongs, reminiscent of Rob Halford of Judas Priest. He introduced every track with a description like ‘the next song is about my favorite thing’ before “Dirty Sexy Money” or ‘the last song was the foreplay and now we’re gonna turn down the lights, so get out your phones’ before the venue went dark and they played “Mary Go Round” by the light of the crowd’s phones.
the Struts
“Body Talks,” “One Night Only” and “Kiss This” are hit songs so it’s expected people joined in, but it was impressive how well the audience knew all the words to their new songs, including “I Hate How Much I Want You,” where they took over the part of the backing vocals sung on the album by Def Leppard’s Joe Elliott and Phil Collen. Other new songs played were “Wild Child,” (written with Tom Morello) that started with guitar player Adam Slack alone onstage in a spotlight for an extended introductory solo, and the sultry “Am I talking to the Champagne” that had Spiller singing at the piano.
the Struts
The last song was a long version of “I Do It So Well,” and Spiller introduced Slack, bass player Jed Elliott and drummer Gethin Davies, and then split the audience down the middle into Slack and Elliott’s sides, and pitted them against each other in a spirited cheering contest. After going back and forth for awhile Spiller said ‘fucking hell New York that was all right’ and then kept the song going, directing everyone to crouch down as they decreased the tempo and volume, and the place got hushed until Spiller told everyone to leap up and scream as loud as they could and the place went crazy. The song volumed soared and the crowd jumped up and down in unison, shaking the whole place. At the end they walked offstage leaving the audience chanting ‘one more song’ at the end of the set (which was selling the encore short because there were two songs left on the setlist.)
the Struts
Spiller came out alone and began “Strange Days” at the piano and the place went silent, appreciating his playing and impressive vocal range. They ended their show, unsurprisingly, with their smash hit “Could Have Been Me,” leading the crowd in one last sing along before taking a sweaty bow. It’s pretty common to find the Struts opening for the world’s biggest rock acts or playing festivals, so it was special to see them in a smaller venue like Irving Plaza.
the Struts
The Starbenders, from Atlanta, were the opening band. The crowd was mostly full and enjoyed their set, their moody stage lighting and sound were reminiscent of My Bloody Valentine or The Jesus and Mary Chain. They are playing several other dates on this Struts tour.
The Struts – Irving Plaza – October 8, 2021
Setlist: Primadonna Like Me, Body Talks, Kiss This, Hate How Much I Want You, Fire, One Night Only, Dirty Sexy Money, Low Key in Love, Mary Go Round (acoustic), Put Your Money on Me, Medley, Champagne, Wild Child, I Did it so Well Encore: Strange Days, Could Have Been Me
Irving Plaza reopened on Saturday, June 12 with a performance by The Strokes in front of a fully vaccinated crowd, in support of Maya Wiley’s campaign for Mayor of New York City.
John Mulaney started the night with a stand-up, not far from his run of sold-out City Winery show. Wiley and Congresswoman Alexandria Ocasio-Cortez both spoke from the stage prior to The Strokes set.
photo via The Strokes Twitter
Guitarist Nick Valensi was unable to make the show, and had Longwave’s Steve Schlitz fill in for the night. Dev Hynes from Blood Orange joined The Strokes for âOne Way Trigger” amid a 16-song setlist that spanned the group’s discography. Check out videos from the night below.
photo via The Strokes Twitter
photo via Maya Wiley Twitter
The Strokes – Irving Plaza, NYC – June 12, 2021
Setlist: Juicebox Someday, The Adults Are Talking, One Way Trigger (w/ Blood Orange), You Only Live Once, Hard to Explain, Ize of the World, The Modern Age, 12:51, Is This It, Bad Decisions, Take It or Leave It
Encore: Automatic Stop, Last Nite, Ode to the Mets, Reptilia
Continuing NYS Music’s look at the venues of New York State, we are now more than a year since music venues were forced to shut down, and signs of life are visible everywhere this spring.
While venues await relief from the Small Business Administration (SBA), who administer Shuttered Venue Operators Grant to eligible entities, there are some venues that have returned to live music. Restrictions are lifting, allowing for greater capacity at venues, as well as Drive-In shows and socially distanced concerts continuing well into August.
Once New York State has 70% of the population receiving one dose of a COVID-19 vaccine, most remaining restrictions will be lifted, based on a statement from Gov. Cuomo last week.
Our March installment of ‘This Darkness Has Got to Give’ showed venues across New York State that started to come back to life with socially distanced shows. Now in June, we have crowds returning to venues, a summer of live music ahead in various arrays and a brighter 2021 in the making.
Irving Plaza will reopen after a multi-million dollar renovation by Live Nation, with an upcoming series of over 40 concerts.
Photo by Monique Sowinski of Irving Plaza.
Irving Plaza is one of New York City’s most treasured venues, originally opening back on July 14, 1978. It closed in 2019 for renovations by Live Nation which had focused those renovations on enhancing the overall concert experience throughout the venue for both artists and fans while maintaining the venue’s 19th century charm. The venue has hosted performances over the years from big names like Sir Paul McCartney, The Foo Fighters, U2, Green Day, Ariana Grande, The Ramones, Nine Inch Nails, Childish Gambino, Katy Perry, Eminem, Nas, and many others.
Some of the new renovations include an addition of an upscale VIP Lounge with private bar and balcony level boxes that offer unobstructed views of the stage enabling fans the best seats in the house. To ensure the artist’s experience is just as premium as the fans, two fully renovated balcony level artist dressing rooms feature direct stage access and an adjacent green room with a private bathroom and amenities.
They also have an expanded lobby and bar area providing a new space for multifunctional use, including artist merchandise, meet and greets, or for individually curated events. The venue will now also host next-generation Cisco Wifi 6 for faster and more reliable social connectivity for fans who want to share their experience with their friends and followers during a performance.
Irving Plaza
Irving Plaza can now adjust its configuration from a 1,200 standing-room only experience to an intimate 400-seat theatre to accommodate a wide-variety of performances. It will also feature a colorful array of distinctive private event spaces for hosting corporate events, filmings, product launches, fundraisers, and more.
To kick things off right, over 40 shows are confirmed as part of the venue’s grand reopening. Ashley McBryde will be the first artist to perform on Tuesday, August 17. Tickets will start going on sale on May 20 at 10 AM EST.
A full list of performers are available on the venue’s website and tickets for all shows will be available at IrvingPlaza.com and LiveNation.com. For more information visit on the renovations and upcoming shows visit Irving Plaza’s website.
Upcoming shows at Irving Plaza
Aug. 17 – Ashley McBryde Sept. 10 – Guided By Voices Sept. 12 – Ben Folds Sept. 11 – Colter Wall Sept. 16 – J.I. Sept. 20 – Middle Kids Oct. 3 – Andy Mineo Oct. 8 – The Struts Oct. 10 – The Black Dahlia Murder Oct. 15 – Lotus Oct. 17 -Toadies & Rev Horton Heat Oct. 19 – Kevin Gates Oct. 21 – State Champs Oct. 24 – Princess Nokia (Governors Ball Presents) Oct. 25 – The Record Company Oct. 30 – City Morgue Nov. 5 – Armor for Sleep Nov. 6 – JP Saxe Nov. 10 – Ruston Kelly Nov. 11 – Elder Island Nov. 13 – Pouya Nov. 15 – Jesse McCartney Nov. 19 – Jelly Roll Nov. 21 – Envy On The Coast Nov. 23 – The Lemonheads Dec. 1 – lovelytheband & Sir Sly Dec. 10 – Juice Dec. 18 – The Slackers Dec. 19 – Lagwagon Dec. 30 and Dec. 31 – Ripe
2022
Feb. 2 – Mother Mother Feb. 17 – K. Flay Feb. 25 – The Jungle Giants March 10 – INHALER March 11 – Knuckle Puck March 18 – Relient K April 2 – Moonchild May 10 – Haken & Symphony X May 21 – The Dead South
It’s been over a year since music venues had to shut down, and signs of life are starting to be seen this spring. With the passage of the COVID relief bill, which provides $15 billion for music venues across the country, small businesses are able to breathe a sigh of relief. Warm weather allows outdoor venues, both new and old, to utilize space to accommodate socially distanced shows while we wait for the country to get vaccinated and infection rates to subside
photo by Joseph Buscarello
Looking back on the February installment of this photo series, we can see the seasons changing and venues coming to life, if not getting a facelift. By the time we bring you the next edition, we hope to see fans in the crowd and venues back to business, with a greener summer to come.
A list has been circulating on Facebook recently, one well worth sharing. As you check out the current state of venues across New York State, courtesy of NYS Music’s photography team, consider these rules moving forward for the post-pandemic live music scenes across New York and the country.
RULE #1: No guest list. Don’t ask. Not now. Not ever. Everyone in the live music industry has been out of work for 13 months and we all need your support now more than ever. Buy the damn ticket.
Rochester – photos by Corinne Cummings
RULE #2: Support local. Before you buy that high priced ticket to see that big name artist at that big corporate venue, consider putting that money back into your own community. This is the best way to ensure that a thriving arts & culture scene will return to cities across America.
RULE #3: Wear a damn mask. If you’re going to a show, tiny cloth go over mouth & nose. Period. Vaccinated? Don’t care. Already had it? Don’t care. Rona is a hoax? Also don’t care. We only get one shot at restarting this machine. Please don’t be the one that messes it up.
RULE #4: We are not babysitters. We get it. Social distancing sucks. Masks suck. You’re tired of washing your hands. After more than a year of isolation, all you wanna do is lean in close and spew your spittle on friends and strangers alike. But it’s been 13 months. You know the rules by now — please follow them.
RULE #7: Support the scene. Can’t make the show? No problem. It costs $0.00 to support us in other ways. Share the posts. Listen to the music. Invite your friends to the event page. In order for this to work, we need all hands on deck.
RULE #8: Be kind. Look — it’s been awhile. We’re gonna be a little rusty. Plus, so much of what needs to happen in order to bring back live music safely is new for all of us — fans, venues, promoters and artists alike. There will be hiccups. There will be lines. There will be unforeseen circumstances. Be nice anyway.
Plattsburgh – photos by Jerry Cadieux
RULE #9: Go to the merch table. Support the artists. Buy the t-shirt. Buy a sticker.
RULE #10: Have fun. You’ve been waiting for this moment for more than -fully. Come out early. Stay out late. Dance. Laugh. Make a new friend. Discover a new band.
Albany photographer Zach Culver went on a road trip this month and shares his photos of venues in Denver, CO and Las Vegas, NV.