The immersive NYC event Undercurrent has been announced featuring installations from Bon Iver, Grimes, Jorja Smith, Khruangbin, Miguel, and The 1975. The event will take place on September 9, 2021 and will use creativity to try to spark conversations and expose new perspectives about the critical issues shaping people’s lives beginning with the Climate Crisis.
Undercurrent is going to be a new type of event for art and music that will work to engage the audiences in immersive experiences that have been created by some of the most influential musicians and cultural figures of the moment. The event will feature 60,000 square feet in NYC of original audiovisual art installations, music, and much more.
The installations include work from well known musicians including Bon Iver, Grimes, Jorja Smith, Khruangbin, Miguel, The 1975, Actress, Aluna, Jayda G, Mount Kimbie and Nosaj Thing. The event will bring together musicians, artists, creatives, and climate experts to present their reactions to the Climate Crisis through new interactive multimedia installations.
Each of the artists involved in Undercurrent’s inaugural event will be creating their own individual immersive experiences that drive attention to one of three nonprofits: Kiss the Ground, Ocean Conservancy, and Global Forest Generation, all within the Undercurrent space.
The co-founders Steve Milton and Brett Volker of the event spoke,“It’s an exciting time to be working and experimenting in the music space, with technology rapidly changing the way that we create and consume art. We’re thrilled to be offering music fans new ways to experience work by the artists they love and we hope they leave feeling inspired to take action around the climate crisis in the process.”
Tickets are now on sale for its first event and for dates throughout the month can be purchased here.
For more information on Undercurrent visit their website.
American rapper, songwriter, actress, model, and reality TV personality Lil’ Kim (Kimberly Denise Jones) celebrates her 47th birthday today. Happy birthday to an icon who changed the female rap game!
Lil’ Kim went through many hardships in her early life. She grew up in Brooklyn, NY, and during high school, she was kicked out of her father’s home and had to live on the streets. When she bet Biggie Smalls as a teenager, her life changed forever. He quickly became her mentor as well as her lover, and he got her into the Brooklyn-based rap group, Junior M.A.F.I.A. which jumpstarted her musical career. Lil’ Kim’s popularity heightened as a member of Junior M.A.F.I.A., and after their first album was released, she began working on her solo material.
A year before Biggie Small’s tragic death, she released her debut studio album, Hard Core, in 1996. Hard Core was certified double platinum and sold more than six million copies worldwide. The album’s debut was the most successful for a female rapper at that time. “No Time” was the leading single on the album, reaching the number one spot on the Billboard Hot Rap Tracks chart.
Her second and third albums, The Notorious K.I.M. (2000) and La Bella Mafia (2003) were also certified platinum. Soon after The Notorious K.I.M. was released, she worked with Christina Aguilera, Pink, and Mya to create the hit single, “Lady Marmalade” for the Moulin Rouge! film soundtrack. The track was number one on the Billboard charts for five weeks straight. This song was out of Lil’ Kim’s comfort zone, and it led her to gain admiration from other fanbases, excelling her rap/R&B career even further. “Lady Marmalade” also won Lil’ Kim her first Grammy award.
La Bella Mafia included collaborations with Missy Elliott and 50 Cent, and was produced with help from Timbaland and Kanye West. At the time of its release, Missy Elliott was the only other female rapper with three platinum albums.
In 2005, Lil’ Kim was sentenced to a year and a day in jail, along with a $50,000 fine for perjury and conspiracy for lying to a federal grand jury after getting herself into a sticky situation involving her rival, Foxy Brown. Her time in jail was spent writing new music, and her fourth studio album, The Naked Truth, was released when she was still behind bars. Since she had no way of promoting her album, it did not sell quite as well as her first three albums, however critics know this vulnerable and hard-hitting album as the best female rap album to exist. It was also the first female rap album to receive a 5 mic rating from The Source.
After serving her time, Lil’ Kim decided to break off from Atlantic Records to release her music independently. She made appearances on Dancing With the Stars and produced two mixtapes, Ms. G.O.A.T. (2008) and Black Friday (2011). More recently, in 2019, Lil’ Kim released 9, a full-length studio album. During the first week of its release, it charted on the hip hop/R&B and rap album sales. It features artists such as City Girls, Rick Ross, O.T. Genesis, and Rich the Kid.
Lil’ Kim has earned her title of the Queen of Rap. Her aggressive lyrics have been transformative for the rap world as well as for inspiring all females to empower themselves and one another. Although she is now 47 years old, her career is far from over. She has said recently that she is continuing collaboration with artists such as Missy Elliott, City Girls, and Paris Hilton. The public can only imagine what epic content will come from her as she ages and gains knowledge and wisdom. Happy birthday to an incredibly important musician, Lil’ Kim!
The latest effort from Brooklyn rapper Skyzoo is now available for consumption. Released under Mello Music Group (which has released albums with the likes of: Ghostface Killah, Joel Ortiz, Pete Rock & Apollo Brown), the 14-track, 56-minute album is a reflection of the socio-economic impacts of modern-day gentrification within inner-city neighborhoods.
Skyzoo, born Gregory Skyler Taylor, brings a full-circle perspective to the listener. Growing up during one of the peaks for crime in New York City, he can reference the good and bad between the two eras. From the lawlessness and the heightened sense of self that the 1990’s brought, the changing of the guard in the mid-aughts where being “gangster” gave way to “backpack rap” and being openly nerdy, to present-day, where the culmination of the previous epochs have helped shape our current social-political climate.
My music has always been a combination of a few things: storytelling, motive, and reflection. I tell stories that speak on the motives of those I grew up with and why they’re such, and then reflect on how those things impacted us all, both my inner circle and subconsciously, the listener.
A long-serving and accomplished artist, Skyzoo has been releasing music since the early 2000s. Gaining notoriety for his solo work as well as collaborations with the likes of: 9th Wonder, Wale, Ghostface Killah, Pharoahe Monche, Black Thought, Dr. Dre, Spike Lee, amongst others. He gained further recognition after being featured on the soundtracks for basketball videos games NBA 2K11 and NBA 2K12.
Dr, Dre (Left) Skyzoo (Right)
All The Brilliant Things is the veteran emcee’s first project since his 2020 EP Milestones and his first album since 2019’s Retropolitan, but has been in the works for over three years.
The idea was to truly try and tackle the realities of gentrification, and this new era of cultural appropriation, commonly known as ‘culture vulturing.’ The way they intertwine with one another, parallel at times, and how us as the residents of our long standing homes and creatures of these cultures have been stripped of it, or at times let it happen, and even in some cases sadly helped it happen, all for what we assumed was our best interest. The irony of it all is, despite how it all makes us feel in hindsight, one would have to admit that the orchestration of it was truly brilliant. Brutal, and heinous, but somehow pretty brilliant. Hence the title of the album.
You can now purchase, add and favorite Skyzoo’s All The Brilliant Thingsat your preferred DSP.
Brooklyn-based electronic dream-pop duo Corbu has released their Lost & Found EP. The EP reimagines the title track with five new remixes, along with the original version.
Corbu, comprised of Amanda Corbu and Jonathan Graves, focuses on bringing an ethereal, even other-worldly sound to their psychedelic and ambient pop tracks. They have previously toured with Bloc Party, performed with Goldfrapp and played both Austin City Limits and Electric Forest festivals. Last year, Corfu released their debut album Crayon Soul, featuring mixing by Tame Impala and MGMT collaborator Dave Friedman.
[Corbu is] trying to lure their audience deeper into their own subconscious while giving them something to sing along to.
Corbu
On the original single version of “Lost & Found”, Corbu collaborated with Doves frontman Jimi Goodwin. Goodwin produced the track and added reggae and electronic flares, creating a laid-back yet energized soundscape.
The EP features “Lost & Found” redone five times over and explores new genres and sounds. On the “Seaside Version”, the track goes vintage and utilizes upbeat 80s synth to create a sound that could easily fit into an episode of Stranger Things. On the “JKriv Remix”, Brooklyn DJ JKriv remixed the track to fit a more booming club sound evocative of traditional house music and drum loops. The EP as a whole is perfect for the summertime.
Electronic music star Deadmau5 will be playing across the country this July on an exciting summer tour.
Deadmau5, also known as Joel Zimmerman, has been an iconic figure in the electronic music and production song for over fifteen years. He has seven critically acclaimed albums as well as multiple Juno awards and Grammy nominations.
Deadmau5 will be making 12 stops on this tour, including two nights at the Brooklyn Mirage on July 10 and 11. He will be showcasing his latest popular track releases at each show, including “Hypnocurrency” with REZZ, “Channel 43” with Wolfgang Gartner, “Bridged By A Lightwave” with Kiesza and “Pomegranate” with The Neptunes. He will, of course, also perform more fan favorites from his extensive catalogue.
All tour dates are listed on the poster above. Tickets are currently on sale and can be accessed here.
The FMs have released two new singles highlighting the stigmas and ignorance in society’s gender experience. The double feature of “Song X” and “Bad Girl” dropped on April 30, 2021.
The FMs are an up and coming duo hailing originally from Brooklyn and are now Ithaca based. The duo is made up of Matte Namer (they/them) and Frankie Rex (they/them, he/him) and started officially making music together back in 2017. The two have been friends since high school and their music tackles topics such as sexuality, gender, and politics.
The FMs are not making music just for entertainment’s sake, but to call on society to change its historical ignorance. Music can be used as a foghorn for their unwavering support of anyone who remains steadfast in their truth and identity. They embrace androgyny and amplify the voices of “the other” through their music and their very existence is a statement and they are not backing down.
The single “Song X” dropped with an accompanying video that featured both Namer and Rex. The song speaks to the confines of gender in society between it’s lyrics and visuals the release pulls the stereotypes and expectations of gender apart. The song stresses that gender should not be a box, but an act of self-expression.
“Bad Girl” was also released at the same time as “Song X” as a double-feature project. The track is funk-inspired with a sample beat from “It’s Raining Men” accompanied by the FMS signature brand of rock flare and covers similar topics about gender and gender expression that “Song X” does.
The duo also released merchandise that is available in conjunction with the release with all profits being donated to the Black Trans Travel Fund. For more information on The FMs visit their website.
Mondo.NYC announces that 11 new showcase artists will perform at their Music, Arts and Technology Conference and Showcase Festival, from different places all over the world.
For a few years, Mondo.NYC has been around to combine tech and live music in a conference to unite musicians, fans and tech disruptors. This year marks the six year anniversary of the festival and despite the changes that COVID-19 has brought about for both industries, the goal remains the same. Rather than being an in person event, it will be an interactive virtual event that can be streamed all around the world. Mondo 2021 focuses on the experiences and changes everyone has faced during the past year and looks toward solutions for the future. The conferences have panels revolving around post-covid financial wellness and survival, music supervision, music tech, racial and gender equality in the music industry and a number of others.
The Music, Arts and Technology Conference and Showcase Festival occurs from October 12 through October 15. Tickets for the four-day event are available on Mondo.NYC’s website, with an early bird sale up to 37% off the original prices.
Brooklyn-based rock group Toshio Band has released their new single “The Devil Is Chatting In My Ear,” leading their second EP Lock Your Doors.
Photo Credit: Sivan Miller
Consisting of frontman Tim Lavigne on the vocals and bass, Daniel Imana on drums, Nick Valle on guitar, Ben Deixler on keyboards and Brandon Garcia on percussion, all members of Toshio Band contribute vocally with a style reminiscent of alt-rock from the 90s and early 2000s. Their central themes come from ominous and dream-like films and literature. The band is influenced by legendary rock artists David Bowie, Tom Waits, Charles Mingus and Roy Orbison.
The new track “The Devil Is Chatting In My Ear” is the lead single from their second and forthcoming EP, Lock Your Doors. The EP has a neo-noir concept exploring a hero’s journey through hysteria and gloom in an unforgiving world. It presents themes of an anti-hero, prevalent in cinematic works from Quentin Tarantino, Jim Jarmusch and William Blake and with musical influences coming from The Pixies and Tom Waits. Lock Your Doors was mostly written and recorded during the pandemic and is a continuation of their debut EP A Splash of Blood that was released in 2019.
Toshio Band dives into temptation and dwells in devilish places in “The Devil Is Chatting In My Ear.” The song starts with distorted guitar sounds, immediately creating a feeling of chaos and getting into trouble. The line “The devil is chatting in my ear” is anaphoric and straight-forward, every time you hear it, you can imagine reaching a point of giving into doing something you shouldn’t. The guitars settle and the beat becomes whimsical as Lavigne sings the line “What hath the night to do with sleep?” from the poem Comusby John Milton, which he added in to get a quote from the devil himself and to keep consistent the theme of mixing literature into the music. Then returning to chaos, the track leads you further into disturbance until it ironically ends back on the whimsical sound.
“The Devil Is Chatting In My Ear” will be self-released by the band on Friday, April 30. This is the first of many forthcoming releases for the band this year. Their second single “Cassandra” releases on June 4 by the label Spirit Charity. Lock Your Doors will be another self-release, coming out on June 25.
Live music returns to The Sultan Room in Brooklyn, who will host a series of outdoor concerts titled “Sultan Room Under the Stars” and a series of Sunday day parties, “Sultan Sundays.”
Photo credit: Jeff Brown
The Sultan Room music venue opened in 2019, and along with The Turks Inn and Doner Kebab, the venue is owned by Varun Kataria and Tyler Erickson. Since COVID-19 halted live in person performances, the Sultan Room’s doors have been closed. However, it is reopening this Spring with several outdoor performances on the Turks Inn rooftop, Kismet Garden.
“Sultan Room Under the Stars” has several upcoming concerts beginning on April 21 with Native Sun. Other performers for the series’ lineup include Jachary, Ron Gallo, TOTH, Melanie Charles, Daddy Long Legs and more. Most of the show dates feature two performances from each artist and doors opening at both 6 p.m. and 8:30 p.m. All shows will be seated and following CDC’s guidelines with masks and face shields worn by both performers and the audience.
“Sultan Sundays’ ‘ begins this Sunday, April 18 also taking place on the Turk Inn’s Rooftop. Every event starts from 3 p.m and will end at 9 p.m. featuring a rotation of local DJs and party promoters. This weekend’s event is “The Sultan Room Presents: Discosis”. Upcoming “Sultan Sundays” include Sailor Boom, Mickey Perez + Toribio + Jimmy Perez, a Mariah Carey Party and more.
With the venue slowly reopening, they host a variety of entertainment. They are hosting a new drag show called “Gigs” with Bushwig’s co-founder Horrorchata as the host. The Sultan Room also will have a comedy event, and even more shows with local and national artists, Lespecial, HNRY FLWRand Sophia Rei’s album release show. Their new cafe will present smaller events and concerts. The Sultan Room’s website has more information and ticket sales.
Upcoming shows at The Sultan Room
April 21 – Native Sun April 28 – Jachary May 5 – Ron Gallo May 12 – Toth May 19 – Toth May 26 – Melanie Charles June 2 – Daddy Long Legs June 9 – Adeline June 16 – Araya June 23 – Garcia Peoples June 30 – Mirah
It has been four years since the members of Melt came together as a band. Co-founders Veronica Stewart-Frommer (Vocals) and Eric Gabriel (Vocals, Keys) both NYC natives, started playing music together in High School. They and some of their friends entered a local battle of the bands competition and won. They took the prize money from that competition and used it to produce the band’s first song“Sour Candy” which was released as a single in 2017.
Melt is a septet, which is comprised of an additional five members: Marlo Shankweiler (Guitar), Josh Greenzeig (Drums), Coulou (Trumpet), Lucas Saur (Bass), and Nick Sare (Saxophone). Melt’s successful debut single propelled the band into the limelight with the strategic utilization of social media and substantial exposure on various internet streaming services. “Sour Candy” holds the distinction of having over 5 million streams on Spotify since it’s initial release. Between this heavy exposure and the band’s high energy live performances, Melt has been successful in establishing themselves securely in the rough and tumble NYC music scene.
Melt has a reached another important milestone with the February release of their Debut EP West Side Highway, which includes six tracks of previously unreleased music. Recorded at the Bunker Studio in Brooklyn, West Side Highway reflects a new level of maturity that Melt has been successful in developing as a band. “Coming into the studio with the goal of creating a longer work, we thought more intently on how each track worked with one another and used the opportunity to weave together the wide set of influences helping to shape a seven-person band,” said Josh Greenzeig (Drums).
“We used the EP format to create a snapshot of what that moment in time was for us, cementing elements of our sound that we love and finding new ones worth exploring.”
West Side Highway starts out with opening track “Don’t Want Me,” a moody number that details a love affair that has gone bad and is still painfully lingering in it’s final death throes. The masterful guitar instrumentation by Shankweiler and the melancholic vocal by Stewart-Frommer both work in concert to create a setting of sad desperation with a longing to be released. It was a great way to start the record and one that was interesting in it’s selection. It set the meditative tone of the EP which is soothing, comforting, and introspective in it’s entirety. This on going theme is again illustrated with third track, the EP’s title track, “West Side Highway,” which can be considered a love letter to pandemic ravaged NYC. This thought evoking number features a wonderfully muted trumpet solo by Coulou that is enhanced with Gabriel’s creative keyboard playing. his type of musical craftmanship results in another gem of a track on the record.
We were able to get some time with Melt co-founders Veronica Stewart-Frommer (Vocals) and Eric Gabriel (Vocals, Keys) in order to discuss the band and it’s debute EP – West Side Highway.
Tim Bopp: How did the band Melt form and what were the circumstances that caused the genesis of the band.
Eric Gabriel: Veronica and I went to High School together and towards the end of high school we had some more time to kind of start playing with people around the city and that was really the first iteration.
Veronica Stewart-Frommer: The first call we made was Marlo who is our guitar player.
TB: How did you come up with the band name Melt?
VS-F: The funny thing about that is that we actually had the song even before we had the name for the band. Suddenly we were sitting with this single and we were like, “Alright and we kind of want to put this out there but we don’t have a name.” So we went down this very long list of random names. The night before we were going to release “Sour Candy” we actually made a Facebook page called Big Deli Chain. We were like, “That is it! That is the name! We are going to be Big Deli Chain (laughing).” At some point between 2AM and 4AM that night I was just like this band can’t be named Big Deli Chain and we changed it to Melt. It was so random.
TB: How has the Pandemic Affected the band and the new EP West Side Highway?
VS-F: The EP really is a product of the Pandemic. In a lot of ways, it feels like an entirely new Melt. This was such a unique time for us. Something that is interesting about us is that during the year we are all either doing our day jobs or even in school. A lot of us are still in college. So we do this kind of funky long distance band thing where we unite for these crazy weekend shows and then go our separate ways. In a lot of ways due to the Pandemic, if we wanted to work, we had to live together for multiple weeks in order to justify moving anywhere. It was kind of the first time since four years ago when the band started that we were able to settle down and really be together for weeks on end and write and hang out. We are such a live band that our songs are usually tested over months and years at live shows and they are based on what the audience reacts to and how we are feeling at the show but there was none of that this time.
EG: We have mostly been thought of as a live band. On most of our singles we typically try to document that energy that we all love about playing together at a live show. This EP we kind of wanted to go into a different direction. I think it is much more chilled out and doesn’t really have as much of that live band sound. The individual tracks we kind of wanted to take a different approach in the crafting of the songs.
TB: What are some of your musical influences?
VS-F: Part of what makes up the Melt sound is that we are seven people and some of us went to school for Jazz music and some of us studied political science and were raised on the Beatles and Bob Dylan. A lot of us have been into the Jam scene. That is actually how I met Marlo, through Phish and the Grateful Dead. I think we are kind of all over the map on that. Obviously as a singer I really adore a lot of artists like Aretha Franklin, Etta James, Otis Redding. That is where I fell in love with that genre and that type of singing. We are really all over the place. Right now a lot of us are into Phoebe Bridgers and the more Indie scene. I think that comes through on this EP.
EG: I grew up with a ton of Bruce Springsteen. More recently I listen to more folk music like Adrianne Lenker and also bands like the National. That kind of music.
TB: So, are you two the predominant the songwriters for Melt?
VS-F: Typically, that is how it has been. In the past, Eric and I usually write the lyrics to the songs that we sing, but we edit with each other and with other members of the band. Usually, it will either be one of the two of us will start a song and then bring it to the band. It evolves into a completely different direction from there. For this EP, since we were all together and couldn’t perform live, we wound up focusing a lot more on the production side of things as a band. Our bass player Lucas is really skilled at recording and in engineering production. He played a huge role in creating the foundation for the songs on the EP. We experimented a lot on this record this time around.
EG: This time around we started with Josh the drummer literally laying down songs, sometime just on his own. Then we would add the bass track and then that leads us into the guitar and usually vocals at the end. We really just build it up.
VS-F: We don’t know which way we like better. Maybe in the future we will go back in and play everything as if we are playing live. I think part of the beauty of Melt is that we are so young, so we don’t feel tied to any of our ways and we like to try out new things and see how it goes.
TB: How long did it take a band like Melt to complete the West Side Highway EP?
VS-F: Start to finish it was like two months. We were really lucky to be able to record the EP at the Bunker Studios in Brooklyn. We had a really wonderful producer and engineer named Aaron Nevezie who mixed some of the tracks as well.
EG: Some songs were written earlier, like Hours I wrote about a year ago.
TB: What does the future have in store for Melt?
Eric: We cannot wait to start playing shows again. We are really looking forward to playing out. The last real show Melt played was at the Sinclair in Cambridge last February. It felt like that at that show we all came together and we were fully on it. Our trumpet player Aaron even stage dived at the end of the “Sour Candy” solo that night.
VS-F: That show was awesome. It wasn’t the biggest room we have played, but just the layout of the place was great. It went straight back so you could see everyone and there was great energy that night. I also think the Knitting Factory show we played in Brooklyn. That was the first time we played “Waves.” Before a show we are always saying to the band don’t go too fast let’s keep the energy contained. Once we get out there it is just like an explosion and we are always playing at 100%. We don’t have many moments during a set where we just drop back and take a moment to breathe. In the bridge in “Waves” there is a moment where everyone drops out and it is just me and Eric. That was really a special moment. I always think about that moment when I picture live music coming back. It was the first time that we had ever played the song and I think the audience was psyched to hear a new song and it was kind of a sentimental little moment. It was really cool.
Key Tracks: Don’t Want Me, West Side Highway, Waves
