Proclaiming the longevity of Shake Your Money Maker, The Black Crowes took to the road this year to celebrate its 31st anniversary. The Black Crowes tour, originally scheduled for 2020, included 37 dates across the U.S., culminating at Bethel Woods in Upstate NY.
Putting stories of infighting between Chris and Rich Robinson in the rear-view mirror, the two could be seen grinning from ear to ear during this final night of the tour. The show opened with The Texas Gentleman. Dirty Honey had been supporting the Crowes during the run. A switch was made for the closing date. The Dallas based band proved satisfactory as a warmup. With a Jim Carrey styled lead singer/keyboard player at the helm. Paying homage to the Woodstock music scene, they closed out with The Band’s “The Shape I’m In.”
Chris and Rich Robinson
To begin their part of the evening at Bethel Woods, the Black Crowes assembled at a what appeared to be a dive bar situated in the back corner of the stage. Separately, Chris Robinson sat on a drum riser in the dark, hidden by a large umbrella with the Black Crowes logo on it. A woman stepped out from the shadows and headed to an old-fashioned juke box located mid stage. Dropping a coin in and selecting a song, Elmore James’s “Shake Your Money Maker” filled the house and the show was on.
On cue, the band stepped forward, plugged in, and started with “Twice as Hard,” the opening track from Shake Your Money Maker, following the sequence of the album (“Jealous Again”, “Sister Luck”, etc.). At the midway mark, Chris called out praise for “The Big O” (Otis Reading) before the opening beats of “Hard to Handle” was heard.
Chris Robinson had his dancing shoes kicking his heels up and twirling with every number…
You could feel the energy from the band exceeding its limits as if the governor had been ripped off this rock and roll engine. Chris Robinson had his dancing shoes kicking his heels up and twirling with every number leaving no part of the stage untouched. Rich Robinson, offering a somewhat a stoic stance through the night, let his powerful guitar chops show this was not a one-man band
Guitarist Isaiah Mitchell stood out with power solos confirming his supporting role. Backup singers Mackenzie Adams and Leslie Grant along with keyboard player Joel Robinow helped add that little extra something to acknowledge the Money Maker milestone. With the completion of side two of Shake Your Money Maker, the band continued on. Pulling out tunes from their long career including “Thorn In My Side” and “Remedy.”
To close the night out, the encore gave praise to The Velvet Underground with a cover of their song “Rock & Roll.” Was this night a fairy tale? A happy ending for the brothers Robinson? One thing is for sure, it was not grim.
While I was driving up Route 17 to attend the Chris Stapleton “All American Road Show” at Bethel Woods, the rain was coming down like cats and dogs and squirrels and rabbits. With my windshield wipers on high, I started thinking of August 1969. Back then the heavens had opened up on a little music event at this same location. Maybe this was a good sign.
Chris Stapleton
The “Road Show “, which started in July, has been fluid with its opening acts. On this night Kendal Marvel, a gray bearded Honky Tonker, greeted the early attendees. He and his band delivered a short and driving set. “Low Down and Lonesome” had you moving your feet while “Gypsy Woman” took it down a notch reflecting on a transient love.
Kendal Marvel
Grammy nominated Margo Price followed. Price reached out to all in the house and took control of the stage. As she moved seamlessly between vocals, guitar, and percussion, Margo maneuvered from one end of the stage to the other in her knee-high black suede boots. Price’s set included “Tennessee Song” from Midwest Farmer’s Daughter and a cover of Leslie Gore’s “You Don’t Own Me.” Backed by a full band, including a three-guitar army and pedal steel, her execution was top notch reinforcing her well-deserved musical status.
Margo Price
Stepping out from the wings with a flashlight directing his path, Chris Stapleton centered himself on a dark stage. A man and his guitar. Then, a single spotlight illuminated him from behind setting the tone for his set. This was not about him, but about the music.
Stapleton opened with “Whiskey and You,” a raw look at the struggles of the heart. His full band then joined him on an elaborately constructed stage, which was not pretentious but built to enhance the journey. To his left and lending vocals, was Stapleton’s wife, Morgane. Randomly through the show, she would snuggle up close to Chris and caress the tall Kentuckian’s beard bringing about a joyful glow.
No BS. No fireworks. Just Chris Stapleton and his songs.
The two-hour set maneuvered through Stapleton’s catalog, and included songs from his 2020 Starting Over album.There was not a lot of banter from the singer songwriter enabling each song to resonate fully before the next began. Throughout the night a continuous flow of guitar changes and band configurations afforded each song the opportunity to shine brightly.
You could feel the depth of Chris’s deep, raspy timbre as he shared the challenges of the common man. With Stapleton’s encouragement, the house joined in on “Starting Over” giving this audience of sixteen thousand the opportunity to be one with the artist. At one point, Chris teased the crowd with a snippet of Skynyrd’s “Free Bird” before breaking into “The Devil Named Music.” Taking creative license with the iconic “Tennessee Whiskey”, Stapleton melodically introduced his band and brought the set to a close.
Chris Stapleton
The night concluded with a two-song encore. Beginning with the title cut from his debut album Traveler, citing “this was where it all began.” To close Stapleton chose “Outlaw State of Mind.” The song built up in intensity while performed. As it concluded, each musician with their instruments feeding back put them down on the stage floor and walked off. Sending the music into the ethos.
The deluge leading up to the show did not deter the sold-out audience. What they experienced was a well-constructed night of musical purpose. No BS. No fireworks. Just Chris Stapleton and his songs. Unadulterated for all to consume.
Imagine if you will, the Zac Brown Band’s “The Come Back Tour” as a Phoenix rising from the depths of musical silence. The 2021 tour, running from August to October, incorporates a host of rotating special guests to help reinvigorate those who had fallen into the abyss of the last year. The stop at Bethel Woods Center for the Arts in Upstate New York featured Ashland Craft opening and Teddy Swims in the middle spot with Zac Brown Band headlining
Ashland, inducted into CMT’s Next Women of Country Class of 2021, took to the stage with an “it’s time to party and let’s get it going” demeanor. In shorts and knee-high boots, Craft and band reinforced the vibe with “I Smoke Weed” and the classic rocker “American Woman.”
Teddy Swims opened his set strutting from one end of the stage to the other, deviating from a pure country sound to one with rap induce lyrics. He is a performer who can traverse many musical paths. At mid set, Karl Michael joined Swims on stage. The two performed their just released single “Liar.” From this point on, Swims’ vocal power became apparent. Closing with the powerful and emotional anthem “Bed on Fire,” Teddy solidified why he is part of the tour.
The Zac Brown Band
The Zac Brown Band offered the packed house a two-hour night of music that reached well beyond country. Throughout the night, Brown introduced tunes from his upcoming album release The Owl, most notably “Same Boat.” Classics such as “As She’s Walking Away” and “Whatever It Is” were standouts to his extensive catalog and not left by the wayside.
Zac appears like a warrior onstage: big, bold, and defiant with his guitar strapped to his barrel chest, ready to take on anyone who would challenge him. Mid-way through the night, he stripped down to a microphone for “Colder Weather.” That song found Brown opening himself up to the audience as if to expose his vulnerabilities. The sold-out crowd reciprocated back with big love for this genuine gesture that found Brown tapping his hand over his heart in humble appreciation.
To be clear, this is The Zac Brown Band and not Zac Brown supported by a group of musicians. Members of the band, affectionally called (musical) ninjas by Zac, stepped up front and center throughout the night sharing their musical abilities.
This was not a night devoted solely to country. Not at all. The set included the Beatles “Blackbird,” Adele’s “Rolling in the Deep” (performed with Teddy Swims), Metallica’s “Enter Sandman” to name a few, offering something for everyone and acknowledging the bands apperception for good music, no matter the groove. The encore proved entertaining starting with an eight-song medley (Black Betty / I Want You to Want Me / Two Tickets to Paradise / La Bamba / Come Together/ Jump Around / Love in an Elevator / What’s Up), followed by Elton John’s “Rocket Man.” Of course, no Zac Brown Band show could end without “Chicken Fried” filling the hall to take everyone home. At the end of a hot night on the hollowed grounds of Bethel Woods, the musical horizon was once again ablaze with music, sweet music.
While it may be Memorial Day Weekend, it’s also the ten-year anniversary of the one and only Phish run at the Bethel Woods Center for the Arts. In 2011, the band was still very much trying to gather its collective footing after reuniting only two years earlier. For some, these shows represent the first true “return to glory” moments for the band and fans alike. It’s only fitting that it took place on the hallowed grounds of Bethel, NY, the same ones that served as host for one the most influential music events of all time, Woodstock. Even though it was only Phish performing in Bethel this weekend, there were still plenty of magical moments to be had.
An argument can be made that some of the most passionate and inspired music of the entire weekend never even made its way to the public. On the night before the run was set to begin, Phish blessed their sound check with what many consider to be one of the best “Waves” of all time. It’s a version that stretches out to nearly a half hour, diving way beneath the surface without coming back up for air.
Night One – May 27, 2011
The first night of this memorable run also served as the 2011 summer tour opener. The only other show Phish had played this year to date was their 1/1/11 gig at Madison Square Garden to cap off the New Year’s run. Some rain leading up to this evening wreaked havoc on the fertile and lush grounds of Bethel Woods. But that certainly wasn’t going to deter anyone.
The rain had left some parts of the lower lawn in a treacherous state, to say the least. So boots, tarps and blankets were en vogue. But rather than play it safe and ease into the show, Phish instead opened night one of Bethel Woods with a raging “Tweezer” that caught everyone off guard, in a good way. Summer tour and the band’s third year since returning from a self-imposed breakup were now officially underway.
Considered tame by today’s standards, the show opening “Tweezer” doesn’t stray too far and elicits a mild jam. But the joy of it opening the show, and the tour, was never in doubt. Instead of stretching it out, they immediately transition into “My Friend, My Friend” and night one is off and running.
The rest of the first set is comprised of multiple covers that paint a clear picture of what influences Phish musically. First is their take on Ween’s “Roses Are Free,” a song forever immortalized in Todd Phillips’ Bittersweet Motel documentary. Next, keyboardist Page McConnell shines on his solo on Son Seals’ “Funky Bitch.” The first set also features a take on James Gang’s “Walk Away” that’s properly fueled by Trey Anastasio on guitar and it finishes with a splendid cover of Jimi Hendrix’s “Bold As Love.”
Aside from an earlier “Wolfman’s Brother,” some of the more exploratory work from the band in the first set came during “Stash.” A jam that starts from near ambience quickly picks up speed while never quite shaking the framework of the song. It provided a nostalgic glimpse of a song that used to be a first set powerhouse for a band still very much rounding into form.
With one set under their belt, Phish opens up the second with another rager, “Carini.” Those who called that and “Tweezer” both as set openers should be commended. Again, compared to modern day versions, this “Carini” doesn’t veer too far off the path, but rather sets the table nicely for the crescendo-building “Get Back On The Train” that succeeds it.
The second set also contains a “Waves” that has its moments but doesn’t come close to the majesty and weirdness offered up in the one from yesterday’s soundcheck. And, of course, more choice cover selections. This included the always popular “Boogie On Reggae Woman” (Stevie Wonder), with Mike Gordon and his signature bass line/effect leading the way. The set picks up in a major way, and possibly peaks, with a deep dive of the Talking Heads’ “Crosseyed and Painless.”
Once drummer Jon Fishman finishes leading the group through a funkified version of this cover, the rest of the set plays out in somewhat traditional fashion. “The Squirming Coil,” replete with an enchanting, set-ending piano solo from McConnell closes out the set before “Julius” and its infectious “don’t take another step” mantra closes the book on the first night of Bethel.
Phish – Bethel Woods Center For The Arts – Bethel, NY 5/27/11
Set 1: Tweezer > My Friend, My Friend, Poor Heart, Roses Are Free > Funky Bitch, Wolfman’s Brother -> Walk Away, Stash, Bouncing Around The Room, Kill Devil Falls, Bold As Love
Set 2: Carini >Back On The Train > Boogie On Reggae Woman > Waves > Prince Caspian > Crosseyed and Painless > Wading In The Velvet Sea > Possum, The Squirming Coil
Encore: Julius
Wolfman’s contained a Streets of Cairo tease from Trey. Before Stash, Trey teased The Fish (Schindleria Praematurus) by Yes.
Listen to the complete show on YouTube, or track-by-track at PhishTracks.
The second night of the Bethel Woods run began as so many Phish shows do, with people scurrying everywhere to secure their spots as notes from the opening song rain down. In this instance, the selection is “Theme From The Bottom” while plenty of viable spots on the lawn are still being secured.
Traditional first set stalwart “NICU” then follows, with McConnell wasting no time getting down to business on the Hammond organ. A super funked out take of another Talking Heads cover, “Cities,” then gives those on the lawn and everywhere else more than enough reason to get down and dance. The “outro” jam lasts well longer than it should and serves as a legitimate highlight of the weekend.
The rest of the night two’s first set is best encapsulated by a couple of song pairings. “Halley’s Comet” picks up on the experimental vibe and takes it the distance, fomenting a certifiable Type II jam momentarily. But before it can explore any further, the opening chords of “Runaway Jim” enter the fray, serving as the back end of a powerful two-song sequence whose jam gets the full on ‘Plinko’ treatment. The first set then later wraps up with another Phish staple, “Bathtub Gin” that gets a taste of “Manteca” and a distinct “Golden Age”-type jam midway through before rounding back into form.
Like most Phish shows, much of the heavy lifting takes place in the second set tonight. An explosive “Down With Disease” starts things off nicely, with Jon Fishman providing one intricate drum fill after another in a jam that comes to an early vigorous peak. Instead of returning to finish “Disease,” the jam meanders for a while until Anastasio signals for a wonderfully patient “Free” to begin.
As the second set progresses, Phish continues to show their mastery of juxtaposition. A zany “Makisupa Policeman” immediately goes off the rails, with mentions of spliff smoking and imaginary trips to Mike and Page’s respective “houses” that eventually sends the Bethel Woods crowd into an uproar, along with a healthy clav-driven, mini-funk jam. But instead of going to Fish’s “house” and carrying on with the silliness, the band turns on a dime and crafts an emotional “Harry Hood.”
The set later concludes with another Phish classic, “David Bowie.” And another longtime cover favorite, The Beatles’ “A Day In The Life” puts the finishing touches on night two in Bethel. With two nights now in the books, only the Sunday show remained. And, as the saying goes, those are not to be missed.
Phish – Bethel Woods Center For The Arts – Bethel, NY 5/28/11
Set 1: Theme From The Bottom, NICU, Cities, Halley’s Comet > Runaway Jim, Gumbo > Quinn The Eskimo > Limb by Limb, Horn, Bathtub Gin -> Manteca > Bathtub Gin
Set 2: Down With Disease > Free > Backwards Down The Number Line > Makisupa Policeman > Harry Hood > Cavern > David Bowie
Encore: A Day In The Life
Gin included a mash-up jam of Golden Age and Manteca and later closed with a Manteca quote from Trey. Disease was unfinished. BDTNL featured a DEG tease from Mike. Makisupa included lyrics referencing several band members’ houses (and Trey’s favorite show, House).
As to be expected, Phish closes out the Memorial Day Weekend in fine fashion. The “AC/DC Bag” opener “gets the show on the road” in a major way and Phish coasts from there. “Ocelot,” still a fairly new tune at the time, gets a surprisingly monstrous jam attached to it. The “Ya Mar” and “Timber” that follow serve as a nostalgic throwback of sorts, giving the set a temporary old school vibe.
“Suzy Greenberg” makes a first set appearance and then instantly morphs into a rowdy “46 Days.” And the quality cover selections continue as well, with Lynyrd Skynyrd’s “Ballad of Curtis Loew” getting the call tonight. Just like old times (again) the opening set then concludes with a “Run Like An Antelope” that does just that.
For their last Bethel set, Phish decides to maintain the traditional feel and opens it with a vintage “Mike’s Song” > “Simple” -> “Weekapaug Groove” trifecta. “Simple” yields an especially spacey, ambient-type jam before the rhythmic law firm of Fishman & Gordon kickstart the “Groove.” Afterwards, the band takes some time to reintroduce a certain dance some may have forgotten.
The second set later comes to a close with another powerhouse trio. “Also Sprach Zarathustra,” aka “2001,” offers one last definitive dose of funk for the weekend before giving way to the newly established jam vehicle that is “Light.” And “Slave to the Traffic Light,” with its customary soaring jam that evolves from near silence is the final emotional stamp.
By the end of the weekend, so much great music had transpired that it was hard to take inventory of everything. That’s why it came as a shock to many when, after “Loving Cup,” the distinct riff of “Tweezer Reprise” rang out, bringing the entire weekend full circle. It’s more than an ideal choice to close out the final chapter of music for the weekend, with the hopes that it won’t be the last one Phish writes here.
Phish – Bethel Woods Center For The Arts – Bethel, NY 5/29/11
Set 1: AC/DC Bag > Sample In A Jar, Rift, Ocelot, Ya Mar, Timber (Jerry) > The Oh Kee Pa Ceremony > Suzy Greenberg > 46 Days > Twenty Years Later, The Ballad of Curtis Loew, Run Like An Antelope
Set 2: Mike’s Song > Simple ->Weekapaug Groove, Meatstick > Fluffhead > Joy, Also Sprach Zarathustra > Light > Slave to the Traffic Light
Encore: Loving Cup > Tweezer Reprise
Ya Mar included Express Yourself (Charles Wright & the Watts 103rd Street Rhythm Band) teases from Mike. Antelope contained a Curtis Loew tease from Trey and Manteca teases from Trey and Page. Page teased Magilla in Simple.
The Black Crowes return this summer with rescheduled dates of their long-awaited Shake Your Money Maker 30th anniversary tour, joined by special guests, Dirty Honey. The Black Crowes long-time bass player Sven Pipien will be returning to the band as well for the tour.
With their hard rock sound, southern influences, and general nontertiary they plan on performing in over 30 cities. The Black Crowes have sold out shows around the world; had legendary guitarist Jimmy Page join as a member; got kicked off a tour with ZZ Top for insulting the sponsors; fought amongst themselves and against the rest of the world. In other words, they’ve done everything a legendary rock group should do.
The Robinson Brothers, Chris and Rich, will front their classic 90s band, making three stop in New York State: September 14 at Saratoga Performing Arts Center, September 17 at Jones Beach, and the tour closer at Bethel Woods PAC on September 25.
Tickets are on sale now at TheBlackCrowes.com. All fans who purchased tickets for the previously announced 2020 dates will be honored for the 2021 shows. All summer 2021 tour dates are below.
On your way to SPAC, don’t forget that Stewart’s Shops is your ice cream shop! With over 345 shops in 31 counties across New York and southern Vermont, the convenience store chain is known for their fresh &local dairy products. With dozens of choices at the cone counter, you’re bound to find something you love! Try a shake, sundae, or cone today, What’s Your Flavor?
SHAKE YOUR MONEYMAKER 2021 TOUR DATES
July 20 – Nashville, TN – Ascend Amphitheatre
July 21 – Nashville, TN – Ascend Amphitheatre
July 24 – Gilford, NH – Bank of New Hampshire Pavilion
July 25 –Hartford, CT – The XFINITY Theatre
July 28 – Burgettstown, PA – S&T Bank Music Park
July 29 – Detroit, MI – DTE Energy Music Theatre
July 31 – St Louis, MO – Hollywood Casino Amphitheatre
August 1 – Indianapolis, IN – Ruoff Home Mortgage Music Center
August 3 – Cincinnati, OH – Riverbend Music Center
August 4 – Cuyahoga Falls, OH – Blossom Amphitheatre
August 7 – Chicago, IL – Hollywood Casino Amphitheatre
August 8 – Milwaukee, WI – American Family Insurance Amphitheatre
August 10 – Rogers, AR – Walmart Amphitheatre
August 11 – Dallas, TX – Dos Equis Pavilion
August 14 – Houston, TX – Cynthia Mitchell Woods Pavilion
August 15 – Austin, TX – Germania Amphitheatre
August 18 – San Diego, CA – North Island Credit Union Amphitheatre
August 19 – Los Angeles, CA – The Forum
August 21 – Concord, CA – Concord Pavilion
August 22 – Mountain View, CA – Shoreline Amphitheatre
August 25 – Portland, OR – Sunlight Supply Amphitheatre
August 26 – Seattle, WA – White River Amphitheatre
August 29 – Denver, CO – Red Rocks Amphitheater
August 30 – Denver, CO – Red Rocks Amphitheater
September 4 – Atlanta, GA – Cellairis Amphitheatre at Lakewood
September 5 – Birmingham, AL – Oak Mountain Amphitheatre
September 7 – West Palm Beach, FL – Coral Sky Amphitheatre
September 8– Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
September 10 – Charlotte, NC – PNC Music Pavilion
September 11 – Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek
September 14 – Saratoga Springs, NY – Saratoga Performing Arts Center
It’s true, the Music Never Stopped, as Dead and Company will head out on the road this summer, their first shows since Playin in the Sand in January 2020. Dead and Company will embark on a 2021 Summer Tour, making four stops in New York State. Citi Field, Bethel Woods, Darien Lake and SPAC will all find multiple generations of Deadheads traversing the state this summer on a mission to get down.
The most recent New York appearance for Dead and Company was their Halloween run at Madison Square Garden in 2019. The Empire State will have an “Easy Wind” blowing across it later this summer, as Dead and Company comes to Citi Field on Friday, August 20, Bethel Woods Center for the Arts on Monday, August 23, Darien Lake Amphitheater on Wednesday, August 25, and Saratoga Performing Arts Center on Friday, August 27.
The Capital Region served as the foundation for Dead and Company’s start with their first performance at Times Union Center in Albany on October 29, 2015. John Mayer and Oteil Burbridge joined the band beyond description for “Playing in the Band” as the first tune to start their journey.
To ensure fans get tickets in their hands directly, Fan Registration is now available here until Sunday, May 16 at 10PM PDT, through Ticketmaster’s Verified Fan program. The Verified Fan Presale begins Wednesday, May 19th at 10 AM local through Thursday, May 20 at 10 PM local venue time. Supplies are limited.
Tickets will go on sale to the general public beginning Friday, May 21 at Noon local venue time through Ticketmaster.
A rainbow over SPAC, June 2019
Dead & Company will continue their work with longtime sustainability partner REVERB. This summer the band has committed to a comprehensive carbon offset program via Reverb’s unCHANGEit Climate Campaign, covering all projected emissions from this year’s tour – including fan travel to and from shows. These Dead & Company tour offsets will immediately fund important projects around the world and here at home that directly fight climate change and greenhouse gas emissions.
Dead and Company Summer 2021 Tour will offer a variety of enhanced experience packages that range in amenities from Loose Lucy’s Lounge access and early venue entry to branded lawn chairs and limited-edition screen-printed posters, paired with premium concert tickets. Travel Packages that bundle concert tickets with local accommodations will also be available. All enhanced offerings and travel packages go on sale May 19 at 10AM local venue time. For full details, visit here.
Jerry Garcia’s words and music get to carry another Summer and Fall Tour across the country. This cast certainly knows how to honor his historic improvisational ability while expressing their own voices on it. They have been given the seal of approval from original crew members and fans a like. Six years later it remains the Dead’s biggest revival. Oteil Burbridge doesn’t feel like a stranger for another tour. “When Bill Walton says you’re good, you quit worrying.”
On your way to SPAC, don’t forget that Stewart’s Shops is your ice cream shop! With over 345 shops in 31 counties across New York and southern Vermont, the convenience store chain is known for their fresh &local dairy products. With dozens of choices at the cone counter, you’re bound to find something you love! Try a shake, sundae, or cone today, What’s Your Flavor?
Dead & Company 2021 Tour
Mon-Aug-16 Raleigh, NC – Coastal Credit Union Music Park
Wed-Aug-18 Bristow, VA – Jiffy Lube Live
Fri-Aug-20 – New York, NY – Citi Field
Sat-Aug-21 Philadelphia, PA – Citizens Bank Park
Mon-Aug-23 Bethel, NY – Bethel Woods Center for the Arts
Wed-Aug-25 Darien, NY – Darien Lake Amphitheater
Fri-Aug-27 Saratoga Springs, NY – Saratoga Performing Arts Center
Sat-Aug-28 Hershey, PA – Hersheypark Stadium
Thu-Sep-02 Mansfield, MA – Xfinity Center
Fri-Sep-03 Mansfield, MA – Xfinity Center
Sun-Sep-05 Hartford, CT – The Xfinity Theatre
Tue-Sep-07 Cuyahoga Falls, OH – Blossom Music Center
Fri-Sep-10 Clarkston, MI – DTE Energy Music Theatre
Sat-Sep-11 Cincinnati, OH – Riverbend Music Center
Mon-Sep-13 Maryland Heights, MO – Hollywood Casino Amphitheatre STL
Wed-Sep-15 Noblesville, IN – Ruoff Music Center
Sep 17-18 Chicago, IL – Wrigley Field
Wed-Oct-06 West Palm Beach, FL – iTHINK Financial Amphitheatre
Thu-Oct-07 Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
Mon-Oct-11 Charlotte, NC – PNC Music Pavilion
Tue-Oct-12 – Atlanta, GA – Cellairis Amphitheatre at Lakewood
