Lomotif has announced the creation of ‘You’ve Been Scouted’, a global talent competition. The grand prize winner will receive an exclusive record label contract and producing commitment. ‘You’ve Been Scouted’ will open on July 12, 2021 on the official You’ve Been Scouted channel on the Lomotif app.
The competition will last for nine weeks and features Lomotif’s partnership with Grammy® Award winning producer, singer and lyricist Teddy Riley. Teddy Riley is known for his work with iconic artists such as Michael Jackson, Lady Gaga, Pharrell, and BTS. The grand prize winner of the contest will actually be chosen by Lomotif users using the Lomotif app.
Lomotif is the leading video-sharing social networking platform that is democratizing video creation. It has been granted three technology patents uniquely focused on empowering creators to share and watch short videos with ease through remix and collaboration. It’s an up and coming platform being chosen by Snapchat for a bi-directional integration for posting stories between the two platforms as one of only five partners.
Teddy Riley spoke on the compotinon saying, “I’ve already been on Lomo every day starting the scouting process…. You never know when you could be Scouted. So get ready for life to change.” The ‘competition will try to copy the feeling of singing in a club and having a scout seek you out on a more modern platform. People interested in getting scouted can sign up on the app, giving their best performance.
The first three weeks of the competition potential contestants will upload their audition clip on the official ‘You’ve Been Scouted’ Channel on the Lomotif app. The contest allows those who aren’t participating to nominate and elect upcoming artists by tagging them in the comments section of their video with the hashtag #scoutedbylomo. With users, their friends, and fans voting for them in the coming weeks, these participants can garner more votes via the Super Like button available for Lomotif users. By performing a set of in-app actions, the Super Like button shall present with 10 likes (votes) instead of one.
This competition could be a great way for up and coming musicians in the New York region to prompt themselves and gain recognition and possibly even an exclusive record label contract and producing commitment.
For more information on the contest visit Lomotif’s website.
The “Never Forget Concert,” a night of live music to honor and commemorate the 20th anniversary of 9/11, will be held at the Northwell Health Center at Jones Beach Theater on Saturday, August 21 at 7 p.m.
(Credit: Beth A. Keiser / AP)
Hosted by the Tunnel to Towers Foundation, proceeds from the “Never Forget Concert” will help provide mortgage-free homes to catastrophically injured veterans and first responders, Gold Star and Fallen First Responder families with young children.
The concert will feature performances by Journey, The Chainsmokers, and the Steve Miller Band with special guests Jesse Colin Young, John Fogerty, Ann Wilson of Heart, Lee Brice, Wyclef Jean, Gavin DeGraw, We McDonald, Flo Rida, Danny Rodriguez, and Jax. Guitarist G.E. Smith is serving as musical director.
New York, NY, September 13, 2001 — Clean up of the wreckage at the World Trade Center continues. (Credit: Andrea Booher/ FEMA News Photo)
The “Never Forget Concert” will also include special appearances by Q104.3’s Ken Dashow, Jim Kerr and Shelli Sonstein, host of the 9/11 Stories Podcast.
We are grateful to the artists and our partners who support our mission and have made this special tribute possible.
Frank Siller (Chairman and CEO of the Tunnel to Towers Foundation)
Tunnel to Towers Foundation will donate tickets to first responders, military personnel, and Gold Star families. Additional tickets will be made available on Friday, July 9 at 10 a.m. at LiveNation.com. Ticket presale begins Tuesday, July 6 through Citi Bank Entertainment. For complete presale details, visit the Citi Entertainment website.
On Saturday July 6, 1974, Rich Stadium in Orchard Park, NY held the first ever concert in its history. Eric Clapton and his band would serve as headliners, with The Band serving as a warm up for Slowhand. Tickets for the show were $8.50 each ($46 in 2021 dollars) and caught one of rock’s biggest legends upon the release of his classic 461 Ocean Boulevard.
The show was held one year after opening as the new home of the Buffalo Bills, going 9-5 in their inaugural season. More affectionately known as ‘The Ralph’ in the late 90s, the Buffalo-based multi-national food company Rich Products gave the stadium its original name, signing a 25-year, $1.5 million dollar deal, one of the first sales of naming rights in American sports.
Following a sellout show at Three Rivers Stadium in Pittsburgh the night before, the Buffalo show would not be Clapton’s finest hour by any means. July 5 was Robbie Robertson’s 31st birthday, and with The Band guitarist on the road with the hard-partying Eric Clapton, its possible that Clapton indulged too much the night prior, affecting his performance the next day. Clapton reportedly said “It’s Robbie’s birthday today and … there’s gonna be some bovver tonight.”
Not much is known about The Band’s set beyond their final song, which may have been the most pivotal part of the evening. Joining the opening band for a song is not unnatural for a headliner, but rarer still, as the impact of the main act’s arrival is lessened. When Clapton joined The Band on July 6 for an encore of “Chest Fever” in the support slot, the performance was disjointed and led to the drunken Clapton needing to be carried off stage.
photo by Watt Casey, Jr.
The Band setlist via Setlist.FM
Hard Times the Slop (Noble “Thin Man” Watts cover), Just Another Whistle Stop, Stage Fright, The Weight, The Shape I’m In, The Night They Drove Old Dixie Down, Across the Great Divide, Endless Highway, Up on Cripple Creek, The Unfaithful Servant, Smoke Signal, The Genetic Method, Chest Fever (with Eric Clapton)
Clapton’s band included George Terry (guitar), Dicks Sims (keyboards), Carl Radle (bass), Jamie Oldaker (drums), and Yvonne Elliman (backing vocals). Also joining the lineup was Freddie King, who was flown in specially for these shows.
Geetarz shares insight on Clapton’s performance, which is widely reported as the worst show of the 1974 tour, and a low point for sure. Eric was reportedly massively, incoherently drunk, and unintelligible at times. As the show begins with Clapton giving an outro to emcee “Legs” Larry Smith, a member of the crowd would shout “Clean Up Yer Act!,” a sign of the times indeed.
photo by Watt Casey, Jr.
Drunk and stoned, Clapton would start playing songs without getting the band on the same page, starting the show with a rambling “Last Train to Brownsville”, where he seemed to start engaging with the audience who had apparently been throwing fireworks at the Clapton, saying “To be serious … one more of them, I’ll tell you, and you’re out of here! One more of them silly fucking fireworks and you are out of here! Behavior!”
After “Let it Grow,” Clapton shouted “I am drunk and I am ready for fuckin’ trouble!,” and then brought up Freddie King, but Eric was far from ready and was outshone by King. Clapton even gave a drunken intro for King: “He’s strapping on his guitar, moving to the guest spot, and if you haven’t heard of him, you don’t fucking deserve him! His name is Freddy.”
photo by Watt Casey, Jr.
You would think that bringing on stage a blues guitarist he looked up to would keep Clapton on his toes, but he was outshined in Buffalo and reportedly unable to keep up during this performance of “Have You Ever Loved a Woman?” Doubling down, when King sang the line ‘It’s a shame and a sin’, Clapton weighed in unnecessarily: “Don’t believe them! There’s no shame, there’s no sin…” a revealing moment for Clapton who was at the time secretly in love with Patti Boyd, then married to his friend George Harrison.
Capping off the show with “Little Queenie,” Clapton was now more incoherent and ready to end the night. Rambling during the Chuck Berry song, and apparently triggered by the repeat mentions of the Queen, Clapton said “Meanwhile, in Birmingham …. England, that is, not here, in Alabama …. they’re making Persian carpets … at 19,000 quid apiece … there’s only 10 Pakistanis here! They can’t be bad – who am I?”
photo by Watt Casey, Jr.
The next night in Jersey City was reportedly a somewhat better show for Eric Clapton, and likely The Band as well, with a recording available below that offers an idea of what the July 6 show sounded like. Rich Stadium has seen many more shows over the years, with Clapton setting the bar low for all to exceed in the years that followed.
Going To Brownsville*, Smile, Let It Grow, Hideaway**, Have You Ever Loved A Woman**, Tell The Truth, Willie And The Hand Jive, Get Ready, Steam Rollin’ Man, Little Wing, Blues Power, Presence of The Lord, Little Queenie, Crossroads * with Legs Larry Smith ** with Freddie King
Photos below are by Watt Casey Jr., who was working for Showco, this being his first show.
New York City’s Blue Note Jazz Club has announced the return of Grammy Award-winning master trumpeter and composer Chris Botti to the Blue Note stage for his 17th annual holiday residency.
From Dec 6 to Jan 2, Botti will perform two shows a night at 8 pm and 10:30 pm ET. The schedule includes performances on Christmas and New Year’s Eve, ringing in 2022, and rounding out Blue Note’s historic 40th anniversary celebration.
Since 1981, Blue Note Jazz Club has been a cultural institution in New York City. Fans have anxiously awaited Botti’s return to Blue Note Jazz Club since his last holiday residency in 2019. Previous concert-goers have seen the jazz-pop powerhouse’s usual Gold and Platinum albums, paired with Blue Note’s usual surprise drop-ins and celebrity cameos, including Sting, John Mayer, Caroline Campbell, and Veronica Swift. Following the jazz club’s 15-month closure due to the pandemic, this year promises even more surprises and star power.
Speaking not only for myself, but for my band as well, it’s the gig we look forward to all year long,” said Botti. “Blue Note is the best jazz club in the world, in the best city, at the best time of the year. We’ve been doing it for 17 years, and to come to such an incredible environment with fans from all over the world, many who have seen us in various cities throughout the world earlier that year, and who then come to our gig at the Blue Note is a very special feeling. We hope it never ends.
Chris Botti
In addition to the main acts that feature the likes of Robert Glasper, Pat Metheny, Christain McBride, Joshua Redman, Ron Carter, and Chris Botti, Blue Note regularly showcases up-and-coming jazz, soul, hip-hop, R&B, and funk artists.
Special Guests include:
Andy Snitzer (Saxophone) Dec 6 – 19 & Dec 27 – Jan 2
Chad Lefkowitz-Brown (Saxophone) Dec 20 – 26
Caroline Campbell (Violin) Dec 6-14
Erin Schreiber (Violin) Dec 15-22
Anastasia Mazurok (Violin) Dec 23 – Jan 2
Sy Smith (Vocals) Dec 6-19 & Dec 30-31
Shayna Steele (Vocals) Dec 20-23 & Dec 26 – 29 & Jan 1 – 2
Veronica Swift (Vocals) Dec 6-29 & Jan 1-2
Jonathan Johnson (Vocals) Dec 31
The Chris Botti holiday residency at the Blue Note has become an iconic tradition in New York City. We are so happy to be able to announce the return of this month-long celebration which also coincides with our 40th anniversary.
Steven Bensusan, CEO of Blue Note Entertainment Group
New York based cover song reinventors, TRAGEDY, are to release heavy metal interpretations of disco, soft-rock, and pop favorites on their remastered “best-of” album, Disco Balls To The Wall, including new single “Sweet Caroline”. The album will be out July 30 via Napalm Records.
TRAGEDY’s interpretation of the Neil Diamond anthem includes heavy riffs and organ, but their music video follows the band deep into the woods of horror.
On the video’s meaning, TRAGEDY said, “This is the true story of when we went into the woods to shoot a music video, then things turned all Blair Witch and True Blood on us. An unlikely scenario, for sure. But no more unlikely than a metal tribute to the Bee Gees doing a King Neil Diamond song. The chilling tale of when “sweet” Caroline and her creatures set their sights on a group of innocent, handsome, muscular musicians, luring them to their untimely undeaths.”
The band’s first offering with Napalm Records will include TRAGEDY’s unique twist on hits from Abba, Toto, Bonnie Tyler, and Adele, just to name a few. These fearsome brothers drop the perfect selection of all-time favorite disco, soft-rock, and pop favorites – completely reimagining them as glorious, red-hot heavy metal treatments.
“Disco Balls to the Wall is the biggest, sexiest collection of hits we’ve ever released.” TRAGEDY added, “It’s as if the Bee Gees turned into werewolves, ate some teens, then bred with the local dog population; thus creating the world’s most beastly recordings of disco and soft-rock songs ever made. Sharing this album with your friends and lovers will make you 500% more desirable.”
The band have covered The Bee Gee’s “How Deep Is Your Love”, “Stayin’ Alive” and “Tragedy”, the tunes of Slayer in “Raining Blood”, and “It’s Raining Men” from American duo The Weather Girls, to form an absolutely never heard before album. Disco Balls to the Wall is finally topped by a smashing live version of Donna Summer’s fabulous “Hot Stuff”, featuring Alex Skolnick of Testament on lead guitar.
Disco Balls to the Wall Tracklisting:
1. Gimme! Gimme! Gimme! (A Man After Midnight) 2. You’re The One That I Want 3. Evil / Baker Street 4. Stayin’ Alive 5. Sweet Caroline 6. Raining Blood / It’s Raining Men 7. How Deep Is Your Love 8. Aquarius / Let the Sunshine In 9. Africa 10. Total Eclipse Of The Heart 11. Tragedy 12. Dancing Queen 13. Skyfall 14. Hot Stuff
Disco Balls to the Wall will be available in three formats: a 2-LP Gatefold (Orange transparent) that is strictly limited to 300 copies worldwide, a 1-CD Digipack, and a digital album.
Watch the Cinematic Music Videoof when TRAGEDY met “Sweet Caroline” here.
Flushing Town Hall Announces a virtual tribute to the American Melting Pot on Wednesday, July 14, 2021 at 7PM EST. The event will be focusing on and celebrating diverse music and musicians in celebration of the national holiday.
Flushing Town Hall is known as being a Smithsonian affiliate and presents multi-disciplinary global arts that engage and educate the global communities of Queens and New York City in general. The venue has been around since 1979 and is known for supporting local, immigrant, national, and international artists. Flushing Town Hall aims to serve and represent diverse communities in the world and strive to uphold the legacy of inclusiveness that has defined our community since the Flushing Remonstrance of 1657.
This Flushing Town Hall celebration of the American Melting Pot is being supported by the Louis Armstrong Educational Foundation, the monthly Jazz Jams have been led since 2016 by Astoria resident Carol Sudhalter. House band members include illustrious musicians Joe Vincent Tranchina, Scott Neumann, and Eric Lemon.
Carol Sudhalter, Flushing Town Hall’s Jazz Band leader spoke on this upcoming celebration saying, “From Latin Jazz to Miles Davis’ Sketches of Spain, music from practically every culture eventually finds its way into the jazz idiom, enriching its array of colors and sounds. In July we look forward to seeing how each participant contributes their own creative corner of the picture!”
In the past 15 months, streams by Flushing Town Hall have hosted over 200 musicians. The upcoming American Melting Pot celebration will host even more musicians adding to the numbers. Musicians who performed in 2020 are now welcome to return to perform in the upcoming performance. Each month, up to five returning musicians and up to 15 new musicians can participate. Selection is on a first-come, first-served basis.
Musicians interested in participating on July 14 should email education@flushingtownhall.org with the suggested three- to four-minute tune they intend to play in line with this month’s theme. The performance can be live or a pre-recorded audio or video (but not a professional, edited recording such as a CD or YouTube video).
Viewers can tune in to Flushing Town Hall’s Facebook page or Zoom on Wednesday, July 14 at 7:00 PM (EST) to join the live event for free, without registration.
For more information on the Flushing Town Hall’s tribute the American Melting Pot visit their website here.
Inspectah Deck, born Jason Richard Hunter on July 6, 1970, and an infamous member of the groups Wu-Tang Clan and Czarface, celebrates his birthday today.
Photo Credit: Coup d’Oreille on flickr
As a rapper and producer, Inspectah Deck has developed the sound for many Wu-Tang tracks and members, his own solo endeavors, and movie soundtracks. Throughout his career audiences have known him for his intricate lyricism and his verses on many of the group’s most revered songs.
Born and raised in Staten Island, Inspectah Deck routinely mentions the Park Hill Projects in Clifton, Staten Island, where he grew up and went to school with the future Method Man, Raekwon, Ghostface Killah, and Remedy.
His on stage persona of being laid-back, quiet, and low-key, was a counterbalance to the antics of Method Man, Ol’ Dirty Bastard, and RZA. Apparently, that also translated to his day to day personality as well, as that is what fellow members of the Wu-Tang Clan know him for.
Wu-Tang Clan
Photo: Jonathan Weiner
2014
For RS1223 Story
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As the second most featured member on Wu-Tang’s debut album Enter the Wu-Tang (36 Chambers), Deck provided highly acclaimed verses for the singles “C.R.E.A.M.,” “Protect Ya Neck,” “Wu-Tang Clan Ain’t Nuthing ta Fuck Wit,” and “Da Mystery of Chessboxin’.”
On Wu-Tang’s second group album, Wu-Tang Forever, which debuted atop the Billboard 200 and was nominated for Best Rap Album at the 1998 Grammy Awards, Deck produced the track “Visionz” and contributed a solo track, “The City”, as well as writing one of the most critically acclaimed verses in hip-hop on the group’s hit single “Triumph”.
Inbetween contributing to the later albums of the Wu-Tang Clan, including The W, Iron Flag, 8 Diagrams, and A Better Tomorrow; Deck worked on several other projects.
Along with features on fellow Wu members’ solo projects, including Method Man’s Tical, Raekwon’s Only Built 4 Cuban Linx…, GZA’s Liquid Swords, and Ghostface Killah’s Ironman; Deck also provided production for Method Man, RZA, and GZA throughout the years.
In 2013, Deck formed Czarface with Boston duo 7L & Esoteric. Their debut album featuring the legendary DJ Premier was called Czarface. The group has collaborated with names like MF Doom and Ghostface Killah. With albums including Every Hero Needs a Villain, which was released in 2015, and A Fistful of Peril in 2016.
Deck’s work in film has included composing for movies such as Meet Dave, The Wackness, and Nerve.
Deck’s debut solo album Uncontrolled Substance was initially set to release in 1997, however, due to a flood in producer RZA’s basement studio, which destroyed over one hundred beats, including all of the instrumentals made for the album, it was finally released in 1999 and featured more of Deck’s own production.
In 2003, Inspectah Deck released his second studio album, The Movement, which he later stated did not live up to his expectations despite having popular songs like “City High” on the tracklisting. Three years later, in 2006 he released The Resident Patient, which was intended as a prequel to The Movement. The mixtape turned album was a slight divergence from Deck’s previous discography due to its cinematic themes and homages.
In 2010, Inspectah Deck released his third solo album Manifesto, which features guest-appearances from Raekwon, Cormega, Termanology, Planet Asia, Cappadonna, Kurupt, and M.O.P.’s Billy Danze.
The album Chamber No. 9, which was released in 2019 will reportedly be his final album as a solo artist. Whatever the future holds in store for Inspectah Deck we’ll all be waiting to hear and enjoy. Happy birthday, Inspectah Deck!
Freedom Park in Scotia will once again host a free outdoor summer concert series. Located across the street from Collins Park and right next to Jumpin’ Jack’s in the Village of Scotia (just over the Mohawk River from Schenectady), the Summer Concert Series will be offering free concerts highlighting performers from all over the Capital Region and beyond.
All shows will start at 7:00 pm. Audience members are encouraged to bring a chair or blanket. The Park will also be streaming each show through Facebook Live for anyone who can’t make the performance in person.
Freedom Park 2021 Summer Concerts
Wed 7/7 Big Fez & the Surfmatics
Sat 7/10 Carmen & Life’s Guilty Pleasures (jazz)
Mon 7/12 Rattail Jimmy (rock)
Wed 7/14 Donnie P & Celebration Family (polka)
Sat 7/17 Watch Reggie Run (kids music)
Sun 7/18 Grand Central Station (party rock)
Wed 7/21 The Lustre Kings (rockabilly)
7/24 Heard (world music)
Mon 7/26 Get Up Jack (Irish)
Wed 7/28 Brian Patneaude Quintet (jazz)
Sat 7/31 Ratboy Jr. (kids music)
AUGUST
Wed 8/4 Annie & the Hedonists (blues/folk/swing)
Sat 8/7 Mia Scirocco Trio (jazz/soul)
Sun 8/8 Alex Torres & His Latin Orchestra
Wed 8/11 The Rhythm Pilots (dance party)
Sat 8/14 Ellen Sinopoli Dance Company
Mon 8/16 The Refrigerators
Wed 8/18 The Legendary Characters (50’s & 60’s)
Sat 8/21 Rusticator (acoustic Americana)
Wed 8/25 SIRSY (alt rock)
Sat 8/28 The Rogues (60’s & 70’s)
While the performances are free Freedom Park Scotia accepts support through donations either through Venmo, PayPal, or Mail Check/Money Order to Freedom Park Foundation PO Box 2040 Scotia, NY 12302.
To stay up to date on the up coming shows visit the Freedom Park website and follow their social media, Facebook and Instagram.
Robert Walter shares “Or Else” and “Franklin,” the first two songs from his Better Feathers series, in which the acclaimed keyboardist rolls out six new “digital 45s” via Royal Potato Family. Each release will feature two singles for a total of 12 tracks to be issued from now through October.
Rather than making the more obvious quiet, introspective music, the focus instead turned to my nostalgia for sweaty bars and crowded dance floors. Somewhere during the process, tracks began floating back and forth to friends like Stanton Moore (Galactic), Craig Brodhead (Turkuaz), Chris Stillwell (The Greyboy Allstars), Jake Najor, John Kimock and Mike Gordon (Phish) to add their own parts remotely.
Robert Walter
Written and recorded entirely from home during quarantine in 2020 and 2021, Robert immersed himself in the writing and recording process as a way to remain creative and fend off boredom while faced with a year of no live shows. According to Walter, the title Better Feathers comes from the idea of birds molting — shedding their old, worn-out feathers for new, better ones.
“Or Else,” is the first of the two tracks released in the series. The song features Robert Walter‘s frequent collaborator, New Orleans drummer Stanton Moore and Turkuaz guitarist Craig Brodhead. “It was influenced by early ’80s dance records by artists like Grace Jones and Chic,” says Walter. The clean melody is inspired by dub melodica explorations and the breakthrough work of Augustus Pablo to create “pure topical funk and summer vibes.” The tune was the first track Walter wrote and curated for the sessions.
Robert Walter – Photo by Julia Mordaunt
It was time to shift gears and think of the situation as a positive and not a negative; an unexpected abundance of time to emerge with something of value… The music is influenced by the methods. In the absence of working with a group, the focus turned to overdubbing layers of sound. Inspirations were found by digging into late 70s NYC dance music, dub reggae, archaic blues, Krautrock, jazz, and funk.
Robert Walter on his creative process during COVID-19 quarantining
The “b-side” is “Franklin” named after Walter‘s elementary school alongside memories of his younger self. Once again, Stanton Moore joins on drums, adding an especially spare and funky beat.
Photo by Rene Huemer via robertwalter.com
There was a certain time during the mid-’70s where it seemed like everything in pop culture was funky. Saturday morning cartoons, television commercials, and most of the music on the radio had absorbed (and sometimes bastardized) the sounds of James Brown, Sly Stone, and the Jackson 5
Robert Walker
Robert Walter’s BetterFeathers Digital 45 Release Schedule
The Better Feathers series continues in late July with the release of “Saucerman” featuring Phish bassist Mike Gordon and “Devices of Similar Size” with Stanton Moore once again on drums. Find the schedule below:
"Saucermen" (w/ Mike Gordon)
"Devices Of Similar Size" (w/ Stanton Moore)
Release Date: July 21, 2021
"Bloodstar" (w/ Craig Brodhead)
"Better Feathers" (w/ Stanton Moore)
Release Date: August 18, 2021
"Security" (w/ John Kimock)
"It's Not What's"
Release Date: September 1, 2021
"Wet From The Press" (w/ Jake Najor)
"Feeder, Doctor, Talker" (w/ Jake Najor & Chris Stillwell)
Release Date: September 22, 2021
"Hellhound" (w/ Chris Stillwell)
"Loomis"
Release Date: October 27, 2021
Until then, isten to and share “Franklin” and “Or Else” below on his Spotify as well as other streaming services accessible HERE
This summer Hardeman Orchards will host an array of artists during their series “Music in the Barn”, including many local New York performers.
Located in Red Hook, NY, Hardeman Orchards Event Barn is a unique intimate venue in an 1870s Dutch style barn on a working family farm. Food and drinks are available and dancing is encouraged.
The shows kick off July 10with Alex Torres and his Latin Orchestra. Alex has performed both nationally and internationally and appeared on tv and in movies.
July 11: Grammy award-winning band Asleep At The Wheel stop by during their 50th anniversary tour. Ray and the band are the torch bearers of western swing.
July 17: the music continues with The Big Takeover fronted by singer Nee Nee Rushie. The band is steeped in Jamaican rhythms, reggae, and ska.
July 23: Gratefully Yours performs the best of the Grateful Dead.
Aug 6: the Dr. Lo Band arrives with Lo Faber at the helm. Lo will perform from his new release Claiborne Avenue as well as songs from his days with God Street Wine.
Aug 7: brings Professor Louie and the Crowmatix with The Woodstock Horns. Louie as well as being a performer is a producer and worked with The Band for many years.
Aug 15: AJ Lee and Blue Summit appear. AJ has won the Northern California Bluegrass female vocalist award 10 times and was the 2019 IBMA momentum female vocalist winner.
Aug 20: The Big Shoe takes the stage with their funky high energy sounds.
Aug 21: The Little Creek Band will do their original songs and country music.
This is just the first round of announcements from Hardeman Orchards’ for their summer shows with more on the way in the near future.
Hardeman Orchards “Music in the Barn” Summer 2021 Music Lineup
July 10 – Alex Torres and his Latin Orchestra
July 11 – Asleep At The Wheel
July 17 – The Big Takeover
July 23 – Gratefully Yours
Aug 6 – Dr. Lo Band
Aug 7 – Professor Louie and the Crowmatix with The Woodstock Horns
