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  • Denise Parent Finds Joy In Jamming on First Solo Release “The Songs In My Heart”

    Denise Parent, the beloved Hudson Valley guitarist known for her work with Grateful Dead cover band The Deadbeats and Brown Eyed Women, has released her first album of original music, The Songs In My Heart. 

    Though Parent has been a songwriter and guitar player for the majority of her life, picking up a guitar for the first time at six years old, this is her first solo release. Parent wrote all songs herself.

    denise parent

    All of the tracks capture the warm, full quality of a live album. Parent’s historic career of jamming with The Deadbeats and Brown Eyed Woman is apparent in her light style. Every instrument is apparent in its own uniqueness; the boxiness of the drums, the strummed acoustic guitar in comparison to soaring electric riffs. All of these songs beg to be heard in a smokey venue, where one can experience what decades of practice and natural talent look like. 

    Deadbeats band members Mike Johnson and Dan Gerken contributed to the album as well; Gerken engineered the project. Gerken also contributed guitars, bass guitar and keyboards, while Johnson played guitar on “Morning Sun” and “Get Over It”, songs the band have been playing together live for years. 

    Much of Parent’s music reflects on her own emotions, and the ways in which music has helped her speak to them. These really do feel like songs that live in her heart, little reminders of how to stay hopeful and loving through life’s many seasons. On the poignant and bluesy “Morning Sun,” Parent sings: “It’s so hard to feel it all the time/To wait it out just for a little shine.” The jaunty tempo sets the perfect tone for the mournful lyrics. Ultimately, as hard as it gets, the tune encourages one to just keep trucking along. 

    The album sends the message that for Parent, that shine has been music, and shine is something she’s keen on sharing. On “Hey Darlin,” a chugging minor-key groove, Parent seeks to bring love and happiness to the titular character. As a song that seeks to make someone move, the insane electric guitar breakdowns throughout surely help. 

    On album opener “Shangri-La,” Denise Parent tells the story of a family growing together over time, finding their own version of happiness and paradise together. The song echoes a statement by Parent from her press release: “I thank my musical mothers and fathers and brothers and sisters for inspiring me to create and to sing and to play my heart out. I thank every artist and thinker who ever made me think twice about something, and who opened my mind and my heart.” These musical family members allowed her to make that journey, complicated and never quite complete, to her own musical Shangri-La.

    A musician who has made her career performing covers, Parent’s solo music reflects the way the simple art of music has allowed her expression for a wide range of deep emotions. From the joyful freedom and peace of “Shangri-La” to the jauntily mournful “Morning Sun,” to the it-gets-better anthem “Get Over It,” all the songs have a message of making it through. Things will get better, happiness will come again, and if you listen in, Parent’s music just may help guide you there. 

    Key Tracks: Shangri La, Morning Sun, Hey Darlin

  • Live Music Society Announces Third Round of Grants for Small Venues Nationwide

    Live Music Society, a nonprofit philanthropic organization has announced a third round of grants to be awarded this fall to live music venues across the United States. These grants benefit small venues with a maximum sellable capacity of 300, and has supported venues including Bowery Electric, Caffe Lena and Levon Helm’s Barn, among others.

    live music society

    Founded in 2020, Live Music Society is committed to awarding $1,000,000 dollars per year in grants to venues that promote and preserve the live music experience in intimate settings. These small venues allow artists of all levels and all genres to get their start, connect with their audiences and maintain their careers as performers. Individual grants range from $10,000-$50,000, and over the two initial rounds of grants, Live Music Society has awarded thirty-six venues in twenty-nine cities grants totaling over $1.2 million.

    Small, live music venues throughout the U.S. are owned and operated by music-lovers who are tirelessly devoted to their community, their staff, and their artists. Without small music clubs, so many of our most promising artists wouldn’t have a place to share their work, hone their craft, and build their audiences. Throughout the Covid-19 pandemic, many of these clubs have been fighting to keep their doors open. Live Music Society is focused on making sure these wonderful spaces stay solvent and independent. It is time to acknowledge and support the great efforts that these venues have made to keep our communities connected and vibrant through the gift of live music.

    Live Music Society founder Pete Muller

    Live Music Society encourages small venues with 50-300 sellable seats prior to COVID-19, established on or prior to July 1, 2017, to apply. Venues must be committed to live music as their primary activity to be eligible. Grant applications will be accepted from September 28 – October 20, 2021 via the organization’s website.

    Prior grantees include:

    Ivy Room (Albany, CA)

    Ashkenaz Music & Dance Community Center (Berkeley, CA)

    The Hotel Cafe (Los Angeles, CA)

    The Mint (Los Angeles, CA)

    The Casbah (San Diego, CA)

    Kuumbwa Jazz (Santa Cruz, CA)

    Dazzle (Denver, CO)

    Hi-Dive (Denver, CO)

    Cafe Nine (New Haven, CT)

    The Hideout (Chicago, IL)

    Subterranean (Chicago, IL)

    The Jazz Showcase (Chicago, IL)

    SPACE (Evanston, IL)

    Maple Leaf Bar (New Orleans, LA)

    Club Passim (Cambridge, MA)

    The Parlor Room (Northampton, MA)

    Jonathan’s Ogunquit (Ogunquit, ME)

    Seven Steps Up (Spring Lake, MI)

    Jazz St. Louis (St. Louis, MO)

    The Word Barn (Exeter, NH)

    The Bowery Electric (New York, NY)

    Caffé Lena (Saratoga Springs, NY)

    Levon Helm Studios (Woodstock, NY)

    BOP STOP @ The Music Settlement (Cleveland, OH)

    Mercury Lounge (Tulsa, OK)

    The Kennett Flash (Kennett Square, PA)

    Club Café (Pittsburgh, PA)

    McGonigel’s Mucky Duck (Houston, TX)

    Old Quarter Acoustic Cafe (Galveston, TX)

    Jammin’ Java (Vienna, VA)

    Zenbarn (Waterbury Center, VT)

    Barboza (Seattle, WA)

    Fremont Abbey Arts Center (Seattle, WA)

    The Royal Room (Seattle, WA)

    The Sunset Tavern (Seattle, WA)

    Cactus Club (Milwaukee, WI)

  • Trailer for new Velvet Underground Documentary Arrives

    As late September and the New York Film Festival nears, the trailer for the upcoming Velvet Underground documentary that is set to premiere has arrived. It is directed by Directed by Todd Haynes (Superstar: The Karen Carpenter Story, I’m Not There) it traces the roots and formation of a band synonymous with New York City, whose legacy only seems to grow over time.

    Velvet Underground documentary

    Through archival footage and contemporary interviews, the film charts the intersection of the Andy Warhol Factory scene with the formation of the group, and explores how the band became a cultural touchstone “representing a range of contradictions: the band is both of their time, yet timeless; literary yet realistic; rooted in high art and street culture.”

    The documentary is clearly full of video and music from the band’s formative years and includes interviews with founding members Maureen Tucker and John Cale. The New York Film Festival is set to run September 24 through October 10 with this Velvet Underground documentary and other features to be screened.

  • Caffe Lena School of Music to offer New Classes for Kids starting in September

    After a year of online music teaching, Caffe Lena is bringing youngsters into its historic performance space for an after-school program that mixes music education along with socialization.

    Caffe Lena School Of Music

    “Music is a gift best shared with friends,” says guitar and ukulele instructor James Gascoyne. Fall classes are set to Begin this September with in-person and virtual options.

    Caffe Lena School of Music group lessons show off authentic folk teaching methods. “No sheet music. No big stars. We gather in a circle and learn to sound good by watching and listening carefully,” says program coordinator Vivian Nesbitt. Students who spent the year being taught on Zoom came to the venue over the summer and experienced the change and enjoyment of face to face music.

    Caffe Lena School Of Music

    Proctor’s Collaborative and Troy Savings Bank Music Hall have well-established theater and music training programs with generous scholarship opportunities. Caffe Lena’s Matt McCabe Scholarship provides tuition assistance and loaner instruments for families in need.

    Nesbitt goes on to say, “While we are hopeful about meeting in person this fall, the safety of the students, their families and our staff comes first. Anyone in the teaching space must be masked. In the event that the classes need to move back online, Zoom will be ready to continue the program.”

    Caffe Lena’s online lesson program will continue into the fall with a slate of new classes for more advanced players just announced. Lena Jonsson, an Award-winning Swedish fiddler will be joining the roster along with singer-songwriter Cosy Sheridan. Sheridan, a Caffe Lena performer, will be teaching a four-week songwriting class. These classes, geared toward adults, have attracted students from all over the US and Canada as well as Spain, the UK and Australia.

    Founded in 1960, Caffè Lena is a premiere concert venue located in Saratoga Springs. Known around the world for fostering the preservation and growth of independent music rooted in tradition. In person or virtually, Caffe Lena provides an unparalleled listening experience for renowned artists and breakout bands nearly every night of the week. for more info about their schedule, please visit www.caffelena.org

  • Angélique Kidjo To Perform ‘Mother Nature: Songs for New York and the World Beyond” At Carnegie Hall

    Angélique Kidjo will return to Carnegie Hall on November 5, headlining the Stern Auditorium/Perelman Stage. This special one-night-only presentation is entitled Mother Nature: Songs For New York and the World Beyond. With a setlist focused on Kidjo’s just-released and trenchant new album, Mother Nature, and special guests, the performance will pay timely tribute to resilient New Yorkers and also serve as a rallying cry for the planet.

    The Carnegie Hall performance will be the first full New York City performance for Angélique Kidjo in nearly two years. In March of 2020 she was slated to perform at Carnegie Hall as part of her four-concert Perspectives Series at the legendary venue, but just a day before she was set to take the stage, it was cancelled as the city went into lockdown due to the pandemic.

    Angélique Kidjo Carnegie Hall

    Kidjo has had an impressive summer, releasing Mother Nature, her first album of original music in seven years to widespread international praise. The album represents the remarkable influence that Kidjo has had on younger generations of musicians, and features collaborations with a host of budding stars including Burna Boy, Sampa The Great, Yemi Alade, Shungudzo, Ghetto Boy, Earthgang and others. Together they address a host of complex issues, from political upheaval to the destruction of the environment, that in Kidjo’s hands transform into music that is radiantly joyful.  

    This one-of-a kind performance of Mother Nature: Songs For New York and the World Beyond, will feature world renowned artists including Josh Groban, Andra Day, Cyndi Lauper, Philip Glass, EARTHGANG, and Ibrahim Maalouf. The program is a musical rallying cry for our planet, exploring the great importance of human beings to each other and to the natural world.

    Kidjo also represented the continent of Africa during the Tokyo 2020 Olympics Opening Ceremony, singing “Imagine” alongside John Legend, Alejandro Sanz and Keith Urban. She will also perform from Paris as part of the 24-hour Global Citizen Festival broadcast event on September 25.

    Tickets are on sale here for Angélique’s show at Carnegie Hall on November 5.

    Angélique Kidjo International Tour Dates 2021-22

    Friday September 10, 2021: Parc Des Expositions L’ile Aumone in Mantes-la-jolie, France
    Friday September 11, 2021: Parvis des Chais Magelis in Angoulême, France
    Thursday September 23, 2021: Théâtre de Cornouaille in Quimper, France
    Sunday September 26, 2021: Palace of Arts and Congress in Vannes, France
    Saturday October 23, 2021: Flynn Center For The Performing Arts in Burlington, VT
    Friday October 29, 2021: Remain in Light in Berkeley, CA
    Friday November 5, 2021: Stern Auditorium / Perelman Stage at Carnegie Hall in New York, NY
    Wednesday November 17, 2021: Rosey Concert Hall in Rolle, Switzerland
    Friday November 19, 2021: Kilden Performing Arts Centre in Kristiansand, Norway
    Saturday November 20, 2021: Bærum Kulturhus in Sandvika, Norway
    Thursday November 25, 2021: Hall Vigean in Eysines, France
    Saturday November 27, 2021: Festival un Weekend Avec Elles 2021 in Le Garric, France
    Tuesday November 30, 2021: The Concertgebouw in Amsterdam, Netherlands
    Monday December 6, 2021: Wiener Konzerthaus in Bezirk-landstrasse, Austria
    Saturday December 18, 2021: Théâtre du Jura in Delémont, Switzerland
    Tuesday January 11, 2022: Chateau Rouge in Annemasse, France
    Friday January 14, 2022: Espace Malraux in Joué-lès-tours, France
    Tuesday March 8, 2022: L’Ancienne Belgique in Toulouse, France
    Friday March 11, 2022: La Faïencerie in Creil, France
    Wednesday March 16, 2022: Musikverein in Wien Austria
    Thursday March 17, 2022: Festspielhaus St. Pölten in St. Pölten, Austria
    Saturday March 19, 2022: Theater of Chelles in Chelles France
    Thursday March 24, 2022: Theatre of the Vesinet in Le Vésinet, France
    Friday March 25, 2022: Arsenal in Metz, France
    Sunday April 3, 2022: Scottsdale Center for the Performing Arts in Scottsdale, Arizona
    Saturday April 23, 2022: Yemandja in Berkeley, CA
    Saturday April 30, 2022: Music Hall in Portsmouth, NH
    Thursday May 12, 2022: Bass Concert Hall in Austin, TX
    Thursday May 26, 2022: Africa Festival in Würzburg, Germany
    Saturday June 11, 2022: Théâtre du Châtelet in Paris France

  • Inaugural LonCon Music Festival Captures Lightning in a Bottle

    The inaugural LonCon Music Festival took place over August 27-29, 2021 at the legendary Arrowhead Ranch and Retreat in Parksville, NY. Organized by Long Island up-and-comers Baked Shrimp, the two day event served as a tribute to the late Lon Gellman, a well-known and beloved supporter of live music. 

    loncon music festival

    Fans attending LonCon 2021 saw performances by Twiddle frontman Mihali, Dogs in a Pile, RCA, Creamery Station, and artist-at-large, Hayley Jane. Unfortunately just two acts into day one, torrential rains and an intense lighting storm forced all music to be suspended due to safety concerns.  Originally scheduled headliners Aqueous were unable to play their set. While gloomy and on the cusp of rain throughout all of Saturday, LonCon managed to rock on without a hitch. 

    loncon music festival

    RCA, comprised of Dopapod’s Rob Compa and Kung Fu members Chris DeAngelis and Adrian Tramontano, played mostly songs off Compa’s 2019 debut solo album, Same Damn Thing. In a set filled with more teases than you could count, including moe.’s “Rebubula” and the Beatles’ “Norwegian Wood,” the undisputed highlight came when artist at large Hayley Jane sat in for a ferocious take on Alanis Morissette’s ‘You Oughta Know.”

    Due to their opening day set being cut short by lightning, event organizers Baked Shrimp played an extra long mid-day set to make up for lost time.  Picking up right where they left off by completing a “Rosa” jam, the ambitious young band also debuted “Hurricane Jane,” which saw both Hayley Jane and Rob Compa sit in. 

    loncon music festival

    Jersey Shore jam band Dogs In A Pile immediately raised the energy on the farm to a whole new level.  Distinguished by their colorful outfits, two guitar-attack and otherworldly sounds courtesy of multi-instrumentalist Jeremy Kaplan, the band managed to turn the soggy farmland into a veritable dance floor.  Making her third appearance of the afternoon, Hayley Jane returned to the stage once again, this time with a washboard draped around her neck, joining Dogs in a Pile on a rollicking version of the beloved The Band classic “Ophelia.” Not done with sit in’s just yet,  Rob Compa would later join the band for an extra funky rendition of ‘Boogie on Reggae Woman.”

    loncon music festival

    With nightfall now upon LonCon 2021, Day 2 headliner Mihali Savoulidis took the stage shortly after 8pm.  Before starting his set, Mihali spoke candidly about his special connection to the late Lon Gellman and explained just how much of an honor it was for him to be there at this inaugural event.  He would go on to play a sentimental set, highlighted by Twiddle staples “Apples,” “Mamunes the Faun,””Every Soul,”and “Hattie’s Jam” > “When It Rains It Pours,” and “River Drift.” Other highlights included an impressive mashup medley of “Glycerine” > “No Woman No Cry” > “Farmhouse” > “Wagon Wheel” and Hayley Jane joining on a cover of No Doubt’s “Don’t Speak.” The set also featured sit-in’s from Kung Fu/RCA drummer Adrian Tramontano and Baked Shrimp members Jared Cowen and Jager Soss.

    loncon music festival

    Mihali Setlist: Be There (1), Collective pulse (1), Glycerine -> No Woman No Cry ->Wagon Wheel -> Farmhouse-> One Day, Ballad of the Broken (2), Living is the Lesson, Don’t Speak (3), Cali Roads (3), Open House (4), Heart Song, Apples, River Drift, Empty Overflow, Mamunes the Faun (5), Every Soul (6)
    Encore: Hatties Jam (1) -> When it Rains it Pours

    (1) Dedicated to Lon Conscious
    (2) Formally known as CaliRado
    (3) W/ Hayley Jane
    (4) Formally known as Castle in the Sky
    (5) w/ Jager Soss (Drums; Baked Shrimp) Jared Cowen (Guitar; Baked Shrimp)
    (6) w/ Adrian Tramontano (Drums; RCA / Kung Fu)

    Baked Shrimp Setlists

    Friday, August 27
    Setlist: NO2-4U, Molly Ann, Tulu, Melting Over Nothing, Pork Etiquette, Rosa (1)
    (1) Cut short due to lightning storm.

    Saturday, August 28
    Setlist: One Set: Rosa (1), Weird Times, Who are You and What am I?, Ollie Blu, Hurricane Jane (2), Stomatopoda, Level of Gold, Pig Hearts and Mechanical Parts, Super Human Mutant, Benny, Down the Drain -> Equinox
    (1) Ending jam only; completes 8/27/21 version

  • Halsey Drops Powerful New Album ‘If I Can’t Have Love, I Want Power’ Produced by Trent Reznor

    Halsey dropped her powerful new album If I Can’t Have Love, I Want Power which was produced by Nine Inch Nails member Trent Reznor on August 27, 2021. With Reznor and Atticus Ross producing the album it transcends through multiple genres bringing industrial, rock, grunge, and pop all together and takes risks all along the way. The album’s release coincides with an hour-long IMAX film under the same name that features Halsey in the lead role and features music from the album.

    Halsey trent reznor
    If I Can’t Have Love, I Want Power album cover.

    Ashley Nicolette Frangipane, or more commonly known for their stage name Halsey, was born and raised in Edison, New Jersey. They spent much of their young adulthood visiting NYC and ended up living in Manhattan briefly before getting their big break with their song “Ghost” which was released on her soundcloud and ended up gaining lots of popularity. They ended up signing with Astralwerks because of their offer of retaining creative control. She debuted her first EP titled Room 93 on October 28, 2014. Since then they have released four albums titled Badlands on August 28, 2014, Hopeless Fountain in Kingdom on June 2, 2017, Manic on January 17, 2020 and finally her newest album If I Can’t Have Love, I Want Power on August 27, 2021.

    Halsey’s original album, Badlands, fell into the indie-pop realms but her next two albums seemed to be more or less strictly pop. Halsey has never been one to cater to the audience and refuses to be anything but themselves. This album though takes more risks than the previous albums both is subject matter and musically. If I Can’t Have Love, I Want Power steps away from the pop sound Halsey has become known for to make way for something different and I would argue better. The album is stronger and has more depth to it than her previous albums and really feels like Halsey has come into their true sound. 

    Although the album as a whole was very good there were a couple songs that stole the show and were definitely the stars of the album. “Easier than Lying” was one of those songs that really pushed the album to being a bop. You can definitely hear the influence of Reznor in this song. It is probably the hardest song Halsey has released. The continuous leading drum line combined with the distorted heavy bass line in combination with Halsey’s harder and grungier voice is a new sound for the artist and it suits them perfectly. Listening to it you never would have thought this was a new sound for them if you didn’t already know this was a step away from their pervious sound. It feels natural and like the sound she was meant to make.

    Another song that really made the album was “Girl is a Gun.” It uses a continuous leading drum line and a bouncy bass line combined with synth to make a song where, without even trying to, the listener finds them self bobbing along to it. It has a 90s drum and bass feel that’s addicting. It’s not as hard as “Easier than Lying” but definitely pushes Halsey out of the strictly dickly pop realms they have been more known for before this album. It’s catchy chorus and driving beat make it the kind of song where if it came up on your recommended playlist you would be checking to see who it was by and saving the song before it’s even over. 

    The last song that has to be mentioned is “Darling.” This song isn’t like any other on the album. It features a simple fingerpicking guitar and Halsey doing harmonies with it for the majority of the song. It’s not hard but it’s a risk. It’s not flashy but it’s honest. It makes you feel the bittersweetness of life and the hope and love for new life. The song is definitely a nod to Halsey’s child who was born shortly before the album’s release and to which they were pregnant with during the making of the album. The simplicity of it musically gives the chance for the lyrics to really be the star of the song and make the listener really focus on what Halsey is feeling.

    Although you should really listen to the entire album in order, if you are looking to checkout a song or two to see if it’s your cup of tea, any of these would be a great place to start. Anytime an artist changes up their sound it is a risk for them especially when they are moving away from a classically popular sound to something else. Not every attempt is successful. Halsey has taken this leap of faith and has landed with flying colors. 

    The full album is available on all streaming platforms. The accompanying film is available via Global IMAX. Showings, available dates, and locations can be found here.

  • The First Annual BriteVibes Festival Kicks off in Cooperstown over Labor Day Weekend

    This Labor Day Weekend, the first annual BriteVibes Festival will take place on Saturday at Brewery Ommegang in Cooperstown. This unique event celebrates NY craft beer, “Gastrow” of NY food trucks, musicians playing all day, artisan vendors, experiential exhibits, and more.

    britevibes

    In addition to 30+ breweries representing every corner of NYS (the majority of which are award winners from the NYS Craft Beer Competition), there will be live performances from local musicians taking place throughout the day. Like craft beer, music brings people together. Daytime shows include performances by Dirty Blanket, The Old Main, Los Blancos and Big Time Kitty.

    The evening concert for BriteVibes, included in general admission or available as a separate concert-only ticket, opens with Oxymorons, followed by Delta Spirit, an indie rock band from California playing other major festivals throughout the U.S., in their first east coast show of the year. More information about the lineup is available here.

    britevibes

    Tickets for Britevibes Festival helps to support the 400+ craft breweries across New York State. Attendees can purchase a General Admission ticket for access to the beer sampling and all-day concerts, VIP ticket which includes access to a VIP pavilion with private bar, access to private bathrooms and access to a private food truck, or the evening-only concert ticket. Attendees can also purchase an on-site camping reservation on the festival grounds, a former hop farm, which includes yoga on the green the following morning. Get your ticket while you still can, and enjoy a wonderful day filled with beer and music!

  • PearlPalooza Returns To Downtown Albany On September 18

    This year’s PearlPalooza is in person once again. Presented by SEFCU, the downtown Albany festival will enjoy its 12th year on Saturday, September 18. The all-star lineup includes Slothrust, Jocelyn & Chris, Glass Pony and Timbre Coup, with a streetwide mass yoga event presented by MVP Health Care. Like its virtual rendition last year, PearlPalooza is free to attend.

    PearlPalooza kicks off with MVP Health Care’s YogaPalooza event at 12:00 PM, which requires pre-registration on the Hot Yoga Spot’s website. Be sure to bring a mat, water and mask. After that, Timbre Coupe takes the stage at 1:00 PM, with Glass Pony at 2:15 PM and Jocelyn & Chris at 3:30 PM. Headliner Slothrust closes out the festival from 4:45 to 6:00 PM.

    Three of the lineup’s four bands have Albany ties: Jocelyn & Chris, Glass Pony and Timbre Coupe. Jocelyn & Chris are a blues-rock sibling duo who have made their long-awaited return to touring after taking 2020 off for obvious reasons. They’ve already played in 16 states, and have performed with Foreigner and Grand Funk Railroad.

    Pearlpalooza is going to be amazing this year. We’re so honored to be on the bill! It’s our first hometown show since the summer of 2019, and we can’t wait for it. We’ve been playing all over the country this summer, but there’s nothing like a homecoming!

    Jocelyn & Chris

    All performances will be on the Remarkable Liquids Stage at North Pearl Street and Sheridan Avenue, with $5 event parking available at ParkAlbany’s Riverfront Garage and Quackenbush Garage. One of the event’s sponsors, WEQX, will spin music between each set. Other sponsors include the Downtown Albany Business Improvement District, Sugar Productions and The Hollow Bar + Kitchen.

    We are super grateful to be able to work with such amazing partners at The Downtown Albany BID and the area businesses who put a lot of thought and effort into this year’s event. We cannot thank the sponsors enough for making PearlPalooza possible. The one-stage approach will allow for more space not only for attendees but also for vendors who have really taken a hit over the past year-plus. We are thrilled to be able to spotlight three incredible Capital Region-based bands who also took a hit in an already difficult world to live…the world of being a band. Slothrust as headliner is a dream come true for the entire staff here at EQX and we hope it is for you too!

    Program Director Jeff Morad

    For more information on PearlPalooza 2021, visit the Downtown Albany website.

  • Dead and Company wrap up New York State run in Saratoga

    For their fourth and final show in the Empire State, Dead and Company made their annual stop at Saratoga Performing Arts Center, hallowed ground for seeing the Grateful Dead in the 1980s. And much like the Dead shows at SPAC in the 80s, the venue was as packed as ever, hosting a sold out crowd of 25,103 – a few short of the record set by the Dead in 1985.

    On Friday, August 27, Deadheads of all ages – grandparents bringing their grandkids, parents going with friends, college kids meeting up with uncles and aunts, or just locals looking for a night of classic American music – filled in every corner of SPAC, and in this era of social distancing, the crowd at times felt like there were more than 25 thousand in attendance. Early entry was a smart move this night, as COVID-19 vaccine checks as well as ticket/security checks slowed entry down for many. If you’re attending a sold out show at SPAC this summer, the best move you can make is go in early and avoid the rush.

    photo by Conor McMahon

    Once inside, the Saratoga Springs crowd was as boisterous and congenial as you’d expect at a Dead and Company show, let alone a Phil and Friends, Ratdog, Billy and the Kids, Joe Russo’s Almost Dead, Dark Star Orchestra, or any other Grateful Dead side-project/tribute band. That’s what makes these shows so appealing to so many – you get that same wonderful vibe from those around you, all of whom are there for the music and allow themselves respite from the daily grind.

    Visit NYS Music’s interactive Grateful Dead in New York series, So MaNY Roads

    That collective release was felt when Dead and Company dropped into “Shakedown Street” to open a show, a resounding statement that tonight was going to be a barnburner. With Bob Weir wearing ‘Bobby Shorts,’ and Oteil Burbridge donning Section 119 shorts, even the band knew it would be a hot one. The “Bertha” that followed maintained the momentum out of “Shakedown,” which wound down so Weir could play a couple of acoustic numbers, the beautiful “Peggy-O” and “Me and My Uncle,” both of which were tour debuts.

    photo by Conor McMahon, Oteil’s shorts by Section 119

    Would be captain John Mayer took over vocals for “They Love Each Other,” and on “West L.A. Fadeaway” successfully pushed for a second jam with the help of Jeff Chimenti on keys. The set closing “Bird Song” was played at such a slow tempo it took Weir six minutes to get to the lyrics, while he and Mayer struggled for direction throughout the rest, clocking in at 22 minutes for the longest song of the night.

    Set 2 opened up with “Let the Good Times Roll,” evoking memories of the show opener on “Downhill From Here,” and driving the bus towards “Scarlet Begonias,” which was paced at times as it meandered over 13-minutes. Surprisingly, “Help on the Way” arrived when “Fire on the Mountain” was expected, cranking up the energy once again, and diving into a “Slipknot” that was exploratory courtesy of John and Oteil, and is well worth a listen below. When “Fire” finally arrived, it lit the crowd up in a haze for 10 minutes, before an exodus of fans made their move towards the back of the lawn or parking lots with the onset of “Drums.” Oteil joined Rhythm Devils Bill and Mickey for the a tribal interlude, followed by Mickey getting to work on The Beam for “Space.”

    Upon the band’s full return to the stage, “Cumberland Blues” brought the crowd back to their feet, then giving them a chance to rest during “Days Between,” the final tour debut of the night. “Not Fade Away” would close the set, bringing Buddy Holly’s lyrics to echo across SPA State Park and beyond. To balance out “NFA,” an encore of “Black Muddy River,” while soulful, zapped the energy that had been flowing all night.

    While an up and down show tempo-wise, Dead and Company were energetic and polished throughout. It would be difficult to find a fan of the Grateful Dead who didn’t enjoy this performance at SPAC, or elsewhere on this tour, one that comes at a needed time for the fans after many months without live music.

    Dead and Company – Saratoga Performing Arts Center, Saratoga Springs, NY – August 27, 2021

    Set 1: Shakedown Street > Bertha, Peggy-O, Me and My Uncle, They Love Each Other > West L.A. Fadeaway, Bird Song

    Set 2: Let the Good Times Roll, Scarlet Begonias > Help on the Way > Slipknot! > Fire on the Mountain > Drums/Space > Cumberland Blues > Days Between > Not Fade Away

    Encore: Black Muddy River

    photos by Conor McMahon