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  • Dark Star Orchestra Announce New Years Run

    Dark Star Orchestra will ring in the New Year in Albany. The Palace Theater announced today the band will play two shows, on December 31st and January 1st, at the venue. The band have a warm relationship with the Palace, previously celebrating their 20th anniversary there in 2017.

    Dark Star Orchestra have performed their rendition of the live Grateful Dead experience to rapt audiences for over 20 years. Basing their performances on the Dead’s lengthy and singular live catalog, DSO draws from historic set lists while offering their own interpretations. 

    “Even for Deadheads who say they’ve been to a hundred shows in the 90s, we offer something they never got to see live,” said keyboardist and vocalist Rob Barraco. 

    After over 3000 shows, DSO’s performances have expanded into their own universe. DSO host an annual music festival and gathering, “Dark Star Jubilee,” in Thornville, Ohio. DSO headlines all three nights of the Jubilee, joined by a variety of acts. The band has even brought their experience to Jamaica, hosting the “Jam in the Sand” event at an oceanside stage. Unfortunately, both events were canceled in 2021 due to COVID-19. But “Jam in the Sand” will return January 11-14, while the next “Dark Star Jubilee” is expected for summer 2022. 

    Six members of the original Dead have also made appearances at DSO shows. Phil Lesh, Bob Weir, Bill Kreutzmann, Donna Jean Godchaux-MacKay, Vince Welnick, and Tom Constanten have all shared the stage with them before. DSO also previously toured with the Dead’s longtime soundman, Dan Healy. 

    Before landing in Albany, DSO will make other stops around New York. DSO will spend two nights at the Capitol Theatre in Portchester on November 12th and 13th. After that, they’ll play two shows at the Paramount in Huntington on December 29th and 30th. 

    Tickets for both shows will go on sale Friday, October 29th at 10:00 A.M. Tickets are available for purchase via ticketmaster.com and the Palace Theater Box Office. 

    Alongside the New Year’s shows, the Palace Theater also announced upcoming performances from The Wood Brothers on January 28th and comedian Bert Kreischer on April 3rd. Tickets for these shows will also be available Friday at 10:00 A.M.

  • Dumpstaphunk Grooves Brooklyn Bowl ahead of Madison Square Garden Debut

    Dumpstaphunk last performed in the Empire State at the 2019 New York State Blues festival in downtown Syracuse. Later that evening, band members Tony Hall and Deven Trusclair kept the groove going at the Funk n Waffles club for a sit in on “Standing on Shaky Ground” by the Temptations that Funkadelic’s Eddie Hazel co wrote. A month later they opened for the Rolling Stones to 40,000 people in their hometown at the New Orleans Superdome.

    Dumpstaphunk

    Dumpstaphunk kicked off 2021 by releasing their first record in seven years, Where Do We Go From Here, which was just nominated in four Grammy categories. The band has been on the road promoting its sound this summer leading them up to a Labor Day Weekend of shows with Dave Matthews Band at Heavens Amphitheatre, The Gorge. All members of Dumpstaphunk sat in with DMB for Sly Stone’s “Thank You (Falletinme be mice elf again) and Peter Gabriel’s “Sledgehammer” to close the night.

    Tony Hall sat in with the DMB as part of an alternate format the entire weekend on bass and vocals as well. He was reunited with Dave Matthews and Tim Reynolds on stage for the first time since their infamous Some Devil Tour in 2003. Dumpstaphunk will also be joining Dave Matthews Band at the World’s Most Famous Arena, Madison Square Garden, on November 12 and 13.

    Dumpstaphunk
    Dumpstaphunk @ Brooklyn Bowl, Photo by Russell Mangicaro III

    All of this momentum could be felt on stage at Brooklyn Bowl on Saturday, October 23. Rotem Sivan Band opened the show as Dumpstaphunk hit the stage at 9:45 p.m., crushing their entire set for the Williamsburg crowd. Brooklyn Bowl founder, Peter Shapiro, appeared behind the curtain dressed as a pilot while the band took off on stage. Shapiro gave them a quick fist bump of delight after their tune “Itchy Boo.”

    Come on lets get at it Brooklyn! Get up, Get down, Keep it stepping, keep it moving. Every band member was fully engaged with the Brooklyn Bowl crowd the whole set. Tim Reynolds told

    You know those guys when your playing a gig, he’ll look right at you? That’s him. He’ s a bad ass.

    Dumpstaphunk
    Tony Hall, Photo by Russell Mangicaro III

    Everyone was dancing to the truth that this band lets out. Lucky nobody slipped onstage due to the greasy lane funk levels. Sly Stone’s words carry on through their take on his cut “In Time.” Well, well, there’s a feelin’, oh, so real in every human On time (About time) There’s a reelin’ when you don’t know what you’re doing, In time…

    If there was a clip that examples their on stave vigor, it would be from their performance of “Justice” (that features Trombone Shorty on the new album). Tony Hall took the electric guitar for a ride down the adjacent lanes to end the jam. New Orleans cats Ivan Neville, Ian Neville and Nick Daniels hit hard on Tower of Power’s “Soul Vaccination,” resonating with the New York crowd. I’m talking bout soul (soul vaccination) Everybody get in line (soul vaccination) Horns!

    During the final song horn players Alex Wasily and Ashlin Parker made their way through the Brooklyn Bowl crowd for “Street Parade” to close the set like the Saints go marching in.

    For the encore, the band paid tribute to legendary drummer and singer Buddy Miles. as his song “United Nation Stomp,” featuring Marcus King was nominated for a Grammy Award for best American roots performance.

    In recording a new album, Tony Hall shed some light with NYS Music about the group’s creative process.

    We recorded a bunch of these songs and didn’t finish them lyric-wise. Vocal-wise we can always change. It goes kind of like vice versa. We’re all a band that can sing and play too, ya know?

    Dumpstaphunk

    Photos by Russell Mangicaro III: Dumpstaphunk – Brooklyn Bowl – October 23, 2021

  • Hearing Aide: Get Spooky with Surfbort’s “Happy Happy Halloween”

    As Ghouls and Goblin Day (Halloween) approaches, Brooklyn punk outfit Surbort has shared a fittingly spooky new track aptly titled, “Happy Happy Halloween.” Released on October 21, the record is accompanied by a music video.

    Halloween is our favorite holiday and we celebrate it everyday so we wanted to make an extra spooky song to celebrate the ghouls and ghosts,

    front-woman Dani Miller said.

    The track, originally imagined as a cover, morphed into a wacky original at manager and album producer Linda Perry’s encouragement.

    Linda just started playing spooky Dracula noises on the keys and the rest is history,

    Miller said. 

    The song is also a homage to Surbort’s favorite parts of Halloween. Based around the sinister children’s rhyme from Nightmare on Elm Street, each verse sees Surfbort celebrate pigskins, pumpkins, ghosts, and even “dead Santa Clause.” However, Surfbort also honors the sinister acts that inspire them, name-dropping goth icons like Bauhaus, Siouxsie and the Banshees and Sisters of Mercy.

    Perry also directed the video for the track, featuring the band in outlandish, colorful Halloween costumes. With Miller morphing into a Harley-Quinn-meets-Joker character as the band-members appear in a rotation of costumes, with Bassist Nick Arnold as, Bob Ross, serving as a standout lookalike. The video employs every spooky trope in the book in a dramatic, tongue-in-cheek way, from grainy found-footage to severed limbs as drumsticks. Within all of the hooplah, what stands out is how much fun Surfbort is having. It’s not hard to believe Halloween is their favorite holiday.  

    “Happy Happy Halloween” is Surfbort’s first release since their latest album, Keep on Truckin, earlier this month. Guitarist Alex Kilgore described the album as encompassing

    12 songs for a new world, a call to arms to blast love: a panacea to the corporate hellscape we live in.

    Surfbort has two upcoming shows in the New York area, both in December. They will play TV Eye in Brooklyn on December 5th, followed by a show at The Mercury Lounge in NYC on December 6th. 

  • Princess Nokia Brings the Energy to Irving Plaza

    Harlem-based rapper Princess Nokia performed a vibrant set at Irving Plaza in New York City on October 24th for one of the last domestic stops on her tour. Known for her high-energy performances and colorful stage design, Princess Nokia lived up to her reputation by giving the crowd exactly that.

    Princess Nokia

    As one of the more prominent female rappers in today’s pop landscape, Princess Nokia had no shortage of hits to run through, from old favorites like “Tomboy” off the 2016 project 1992 Deluxe, to the extremely popular “I Like Him” off the 2020 project Everything Sucks. Backed up by some stage dancers, she exemplified why these songs have been popular for so long, moving the crowd to the rapid rhythm and maintaining a breakneck pace.

    Princess Nokia

    Princess Nokia oozed charisma and charm on the stage, always interacting with fans between songs and making jokes. Between the rapid-fire rapping, dancing, banter, and screaming crowd, this concert was an absolute spectacle. The spectators were one hundred percent into her the whole time and before the concert even started, she peaked her head out on the balcony and the crowd screamed with delight. There was no shortage of electricity the whole set.

    Princess Nokia

    Princess Nokia’s tour has one more stop in Boston at Paradise Rock Club on Wednesday, October 27 before hopping overseas to Europe. You can see the rest of the tour dates here. Be sure to check out the full photo gallery below!


  • The Wood Brothers Announce 2022 Tour Dates, Tour Begins at Kodak Center

    The Wood Brothers have announced their first shows in 2022. The Grammy Award-nominated, Nashville-based trio will head out on 19-date tour that begins January 25 at The Kodak Center in Rochester. They’ll also make stops in Albany, Plattsburgh and NYC before heading out west.

    wood brothers 2022
    ©Jay Blakesberg

    The first leg of dates—featuring support from singer/songwriter Steve Poltz—extends into February and stretches across the Northeast. Highlights include performances at 9:30 Club in Washington, DC, The Fillmore in Philadelphia, House of Blues in Boston and a return to Webster Hall in New York City to close out the run. After a brief pause, the second leg picks up on February 22 at The Rialto Theatre in Tucson and proceeds to blanket the Mountain states into March, including appearances at The Mission Ballroom in Denver, Center For The Arts in Jackson and Knitting Factory in Boise before concluding with two nights in Montana. Rounder Records’ recording artist Katie Pruitt performs an opening set each evening. 

    The Wood Brothers most recent album, Kingdom In My Mind, was released in January 2020. The pandemic forced the band to cut short touring plans in support of the collection thus many of the upcoming dates represent the first time fans will have an opportunity to witness the band performing material from the recording.While on hiatus in 2020, The Wood Brothers remained active, reissuing their landmark 2013 album The Muse on 2-LP vinyl and playing a series of livestreams. Additionally, Oliver Wood would record his first solo album, Always Smilin’. Released in May 2021 on The Wood Brothers’ imprint Honey Jar Records, the 12-track collection was warmly received by critics and fans alike.

    wood brothers 2022

    Tickets for the upcoming tour go on-sale on Friday, October 29 at 10am local. All shows will be available for purchase at thewoodbros.com

    The Wood Brothers Winter/Spring 2022 Tour

    1/25 – Rochester, NY – Kodak Center *
    1/26 – Washington, DC – 9:30 Club *
    1/28 – Albany, NY – Palace Theater *
    1/29 – Portland, ME – State Theatre *
    1/30 – Plattsburgh, NY – Strand Center for the Arts * 
    1/31 – Providence, RI – The Strand *
    2/2 – New Haven, CT – College Street Music Hall *
    2/3 – Philadelphia, PA – The Fillmore *
    2/4 – Boston, MA – House of Blues *
    2/5 – New York, NY – Webster Hall *
    2/22 – Tucson, AZ – Rialto Theatre **
    2/23 – Scottsdale, AZ – Virginia G. Piper Theater **
    2/25 – Denver, CO – Mission Ballroom **
    2/26 – Crested Butte, CO – Center for the Arts **
    2/28 – Jackson, WY – Center for the Arts **
    3/1 – Salt Lake City, UT – The Commonwealth Room **
    3/ 3 – Boise, ID – Knitting Factory **
    3/ 4 – Bozeman, MT – The ELM **
    3/ 5 – Missoula, MT – The Wilma **

    * w/ Steve Poltz
    ** w/ Katie Pruitt

  • Sean Rowe Looks Back on ‘The Darkness Dressed in Colored Lights’

    The latest release from Sean Rowe, The Darkness Dressed in Colored Lights, is not just a thrilling listen. From first glance, the project begins its journey with listeners through its arresting album cover. The thought-provoking artwork depicts a smokey, neon, opaque cloud appearing in a mountain crevasse above two travelers. The cloud feels an apt metaphor for the album; The Darkness Dressed in Colored Lights envelops you, taking you to places that are both painfully familiar and entirely enlightening. 

    Rowe recorded the album alongside producer, friend, and longtime collaborator, Troy Pohl. Working from Bon Iver engineer Brian Joseph’s studio in Eau Claire, Wisconsin, the pair aimed to tell Rowe’s stories. An “artist and nomad,” Rowe grew up in Troy, and first began playing locally in 2003. His long career has left him with a vast collection of tales from all corners of his heart. He shares them with heartbreaking clarity on Darkness. 

    Sean Rowe. Photo by Joe Navas

    Rowe’s deep and husky voice brings to mind the classics of country and Americana, while simultaneously evoking the vulnerable tenor of Matt Berninger, frontman of The National. His spare and purposeful instrumentals absolutely grip you, letting his singular voice stand out. On the opening track What Are We Now,” Rowe laments a disintegrating relationship. As the first song he recorded for the album, Rowe said he was dealing with a cold while in the studio for the track. He appreciated “ all the little imperfections. I knew my voice would never quite sound like that again…” 

    The track ends in a symphonic and strange collection of beeping noises and electric guitar whining. Over roughly 45 seconds, Rowe builds an ambient outro ending in a sound reminiscent of a Tibetan singing bowl, used for meditation. 

    His experimental use of ambient noises remains a theme throughout the album. But unlike some forays into ambient folk or electro-country, Rowe’s delicate production only amp up the emotional gut-punch of his songwriting. A dedicated naturalist and self-described forager, Rowe has often spoken of his deep connection to the forest and living close to the land. His dedication to the world around him is clear in the intuitive touches he adds to his music. Truly creating a world within a song, Rowe brings storytelling to a whole new level. 

    For its unique timbre, Rowe’s voice has incredible versatility. On “Gabriel,” where Jeremy Boetcher’s deep, reverberating upright bass makes the perfect partner, Rowe is an old-time blues poet. Meanwhile, “Little Death,” would easily get a summer Jones Beach crowd going, you can almost feel the ambient summer nights and the sloshing of Bud Light. Despite his versatility, Rowe seems most at home on his lowest notes, yet his higher ranges can be just as stunning. The mere cracks and vibrato in his voice singing “I know you feel me/When words don’t reveal me” on the outro record “Toast” is enough to bring tears to eyes. 

    The pattering beat of album centerpiece “Honey in the Morning” begs to be recounted around a campfire, hand-claps and all. Rowe said he was trying to capture something cinematic in the track, “a quality like a Kubrick or David Lynch film.” The ballad evokes the directors’ experimentation with the unknown perfectly. The chorus, “I know you’re a runner but I was hoping that I wasn’t right/ Honey in the morning turn to poison by tomorrow nightevokes a torrid love story while maintaining an air of mystery. The hypnotic instrumental, anchored by drummer Shane Leonard’s impossibly machine-like drumming, only adds to the uncanny quality. Eventually, an instrumental breakdown so good it’s not fair to spoil is the cherry on top. 

    Photo by Joe Navas

    For its complex atmospheres and shifting genres, at the heart of Rowe’s beautiful album is emotionally raw songwriting. His words feel deeply relatable and completely personal. In “What Are We Now,” he sings of a lover that just won’t let him go. 

    When the apple of your eye/ is an oxidizing core/ You’ll be sighing at the moon/ While you’re pumping in the gas/ And you’re hoping that tomorrow’s gonna save your tired ass. 

    The scene, so familiar yet specific, is paired perfectly with the pained understanding that you love something that may be harming you. Rowe said a recurring theme in his songwriting is “the duality that I feel is in all of us. All the hidden parts, and all the guts that spill out when we’re faced with tragedy, adversity, or a broken heart.”

    Darkness captures this duality with stunning clarity, vulnerability, and catharsis. Rowe’s lived-in stories speak of wreckage, recovery, and redemption. Elevated by the skilled instrumental and production work of friends and admired collaborators, each one is truly a gift. 

    Key Tracks: What Are We Now, Honey In The Morning, Toast 

  • The Waterhole Announces Annual Halloween Bash Featuring The Outcrops and Organ Fairchild

    Waterhole announced their annual Halloween Bash featuring performers The Outcrops and Organ FairChild. The Halloween bash will take place on October 31, 2021 at 7:30 PM in Saranac Lake, NY.

    The Waterhole is an upstairs venue located in Saranac Lake in New York. The venue is a 21+ establishment with a full bar and is open 7 days a week. The Waterhole Halloween Bash and costume party is an annual affair and has become a Halloween night staple. 

    The Outcrops is the headlining band and they are from Northern New Jersey. They are a blues-infused rock n’ roll & soul style. The band is fronted by Cassidy Rain’s, Bryan Schroeder is the guitarist, Jason Casanovas is on bass, Dave Moore is on drums. 

    Special guests to the bash is Organ FairChild who are from Buffalo, NY . They will be acting as the openers. The band is made up of a trio of friends who have been playing music together since the early 1980’s. They took their stab at writing original music together a few short years ago. They are an old-school organ trio, with dance-heavy grooves. 

    Tickets for the show can be purchased online here or at the door for $10. Doors open at 7:30PM, music starts at 8:30PM. As always, all Waterhole events are for those 21+ as well. 

    For more information on the Waterhole Halloween Bash visit the Waterhole’s website.

  • The Disco Biscuits to Stream 3-Night Halloween Run on CouchTour.TV

    Couchtour.TV will livestream The Disco Biscuits’ upcoming 3-night run at the iconic Brooklyn Bowl Las Vegas, starting Thursday, October 28 through Saturday, October 30 – the final show ending early in the morning on Halloween.

    The first show will technically begin Friday morning, at 3am ET, or Midnight PT. Each show will be on-demand following the live broadcast, perfect for early risers on the East Coast. Weekend passes and single day tickets can be purchased through Couchtour.TV

    disco biscuits halloween

    Couchtour.TV will also be offering a free rebroadcast of The Disco Biscuits’ 2021 performance from Brooklyn Comes Alive next Wednesday, November 3 at 8:00pm ET/ 5:00pm PT. This broadcast concludes a series from Brooklyn Comes Alive filmed September 26 at the Brooklyn Mirage that also includes The Motet and Break Science Live Band. 

    Couchtour.TV continues to be home to the highest quality livestreams available – PPV, free and on-demand. More information on available streams, upcoming events and account registration can be found on the couchtour.TV website.

    Watch The Disco Biscuits from November 2, 2018 at Brooklyn Bowl Las Vegas

    Set 1: 1999 > Astronaut, Jigsaw Earth > Triumph > Jigsaw Earth
    Set 2: Safety Dance > Little Betty Boop 1 > Spraypaint
    Encore: Floes*
    *middle section only

    disco biscuits Halloween

  • Swedish House Mafia will stop at MetLife Stadium in August, First Tour In 10 Years

    Swedish House Mafia have announced an international tour for 2022, their first in 10 years, making a stop in East Rutherford, NJ on Wednesday, August 3, 2022. Long revered by fans for their bombastic live performances, the band’s previous outing, “One Last Tour,” sold over 1 million tickets. The 2022 jaunt will follow the trio’s just announced performance at Coachella 2022 and includes arenas across the United States and Europe.

    swedish house mafia

    Swedish House Mafia have also teamed with The Weeknd for a new single and video, “Moth to a Flame.” The new song was initially teased during the trio’s landmark performance at the MTV VMAs pre-show this summer, and marks the band’s first new music since announcing their reunion this past July with a pair of new singles “It Gets Better” and “Lifetime (feat. Ty Dolla $ign & 070 Shake)” that arrived alongside a cover story for Billboard Magazine and a special performance of both songs on The Tonight Show With Jimmy Fallon.

    The trio of songs continue to build anticipation toward the band’s forthcoming full length Paradise Again, slated for release early next year with a Special Tour Edition CD pre-order available now that unlocks exclusive pre-sale tour tickets. 

    Tickets go on sale to the general public Friday, October 29th at swedishhousemafia.com, with the Special Tour Edition CD pre-order pre-sale beginning on Wednesday, October 27.

    The band have also just been nominated for awards in both the Best Electronic and Best Nordic Act categories for this year’s MTV EMAs, being held in Budapest on Sunday, November 14th.

    Swedish House Mafia 2022 Tour Dates

    Fri Jul 29 – Miami, FL – FTX Arena

    Sun Jul 31 – Orlando, FL – Amway Center

    Wed Aug 3 – East Rutherford, NJ – MetLife Stadium

    Fri Aug 5 – Toronto, ON – Scotiabank Arena

    Sun Aug 7 – Montreal, QC – îleSoniq Festival

    Tue Aug 9 – Boston, MA – TD Garden

    Wed Aug 10 – Philadelphia, PA – Wells Fargo Center

    Thu Aug 11 – Washington, DC – Capital One Arena

    Sat Aug 13 – Chicago, IL – United Center

    Wed Aug 17 – Detroit, MI – Little Caesars Arena

    Fri Aug 19 – St. Paul, MN – Xcel Energy Center

    Sun Aug 21 – Denver, CO – Ball Arena

    Thu Aug 25 – Austin, TX – Moody Center

    Fri Aug 26 – Dallas, TX – American Airlines Center

    Sat Aug 27 – Houston, TX – Toyota Center

    Tue Aug 30 – Phoenix, AZ – Footprint Center

    Fri Sep 2 – Las Vegas, NV – T-Mobile Arena

    Sun Sep 4 – San Diego, CA – Pechanga Arena

    Tue Sep 13 – Vancouver, BC – Rogers Arena

    Wed Sep 14 – Seattle, WA – Climate Pledge Arena

    Fri Sep 16 – San Francisco, CA – Chase Center

    Thu Sep 29 – Manchester, UK – AO Arena

    Fri Sep 30 – Glasgow, UK – OVO Hydro Arena

    Sun Oct 2 – London, UK – The O2

    Thu Oct 6 – Dublin, Ireland – 3Arena

    Sat Oct 8 – Birmingham, UK – Utilita Arena Birmingham

    Mon Oct 10 – Paris, FR – Accor Arena

    Fri Oct 14 – Madrid, Spain – IFEMA Madrid Live

    Sat Oct 15 – Lisbon, Portugal – Altice Arena

    Tue Oct 18 – Milan, Italy – Mediolanum Forum

    Wed Oct 19 – Zurich, Switzerland – Hallenstadion

    Fri Oct 21 – Krakow, Poland – Tauron Arena

    Sat Oct 22 – Prague, Czech Republic – O2 Arena

    Tue Oct 25 – Cologne, Germany – Lanxess Arena

    Thu Oct 27 – Munich, Germany – Olympiahalle

    Sat Oct 29 – Antwerp, Belgium – Sportpaleis

    Mon Oct 31 – Amsterdam, Netherlands – Ziggo Dome

    Thu Nov 3 – Vienna, Austria – Stadthalle

    Sat Nov 5 – Frankfurt, Germany – Festhalle

    Sun Nov 6 – Berlin, Germany – Mercedes-Benz Arena

    Tue Nov 8 – Hamburg, Germany – Barclaycard Arena

    Wed Nov 9 – Copenhagen, Denmark – Royal Arena

    Fri Nov 11 – Oslo, Norway – Telenor Arena

    Sun Nov 13 – Tampere, Finland – Uros Arena

  • Davy Knowles Serves Up Stand-Out Performance to Sit-down Crowd in Pawling, NY

    On the eve of his latest studio release “What Happens Next,” Davy Knowles served up a special sneak preview of the album to ‘hungry’ music fans in Pawling, NY on Thursday, October 21stDaryl’s House, the nostalgic “dinner and a show” type venue, owned by Daryl Hall (of Hall & Oates fame), played host to the event. 

    Part cabin-in-the-woods, part rock history wax museum, part steakhouse, Daryl’s House is anything but a typical concert venue.  Then again, Davy Knowles, the Isle of Man-born guitarist/singer/songwriter isn’t your typical musician.  First making waves with his band ‘Back Door Slam’ in 2007, then releasing two subsequent solo albums, 2014’s ‘The Outsider’ and 2016’s ‘Three Miles From Avalon,’ Knowles made history by becoming the first musician to play live in space, beaming directly from Mission Control in Houston to the International Space Station.  

    Davy Knowles

    Back on Earth, Davy has earned a reputation in recent years as one of the top blues guitar players to keep an eye on; honing his craft while on the road with music titans like of Jeff Beck, The Who, Buddy Guy, Warren Haynes and The Rhythm Devils to name just a few.

    Taking the stage at Daryl’s House around 8pm with the smell of pork ribs, sauerkraut and calamari still permeating the air, most of the audience was still finishing their dinners when Davy Knowles gave them something to really sink their teeth into.  Opening the show with the punchy rock riff of “Solid Ground”  followed up by “Heavy On My Mind,” it was as if the mostly mature, well behaved crowd didn’t know what hit them. Nevertheless, Knowles, bass player Tod Bowers and drummer Jeremy Cunningham continued on with another new track, “One & the Same” before Davy uncorked his biggest guitar solo of the night thus far on the anthemic “Stand Your Ground.”

    I’m so tired of pretending, second guessing myself. All this time I’ve been spending, pleasing somebody else.

    Knowles then candidly addressed the room, saying how nice it’s been to play music to a live audience again, yet also nerve-wracking trying to remember how to play some of the older material.  He then asked if everyone could say “hello” in unison to his family at home watching via Facebook live. 

    From there, the trio brought the energy level down to a true blues vibe with ones of the stand out tracks off the latest Knowles album, “Devil and the Deep Blue Sea” before ratcheting it back up with the title track off 2015’s The Outsider.   

    Standing in the shadow of a massive Jimi Hendrix print on the wall, you couldn’t help but draw the obvious comparisons between the two.  Sure, there’s only one Jimi, but make no mistake about it: Davy Knowles is one hell of a talented guitar player.  With tone for days and an effortless ability to work his fingers around the frets with blistering speed and confidence, bringing each solo to a jaw-dropping climax before returning to more familiar structure, never were his chops more on display than on the tune “Every Man For Himself.”  

    The well-balanced flow of the set all but dictated it was time for another blues number, and “Roll Me” hit the sweet spot just right. We then got the evenings only song off 2016’s Three Miles From Avalon, the foot stomping, hand clapping sing along “Oxford, MS,” which finally had the audience fully engaged in something other than finishing their food.

    Now eating out of the palm of his hand, Knowles would then cook up something extra saucy with the riff-centric rocker, “Outside Woman Blues” before segueing nicely into the motivational “Work a Little Harder.”  Finally, Davy would bring the entrée portion of the set to a close with a new song written during the height of the pandemic, “Wake Me Up When The Nightmare’s Over. ”

    After walking off stage for a brief moment, Knowles returned to with only an acoustic guitar in hand.   With that, he began sharing some personal reflections about what the last two years have been like for him.   From getting married, to losing his beloved father, to the birth of his first child and wishing his dad was there to see it,  there was a lot of real-life heaviness in a relatively short period of time for Knowles.  The big reprieve for him, he says, was getting to spend so much quality time with his family and learning how to be a dad. 

    Davy Knowles

    It was during that time he wrote the encore song “If I ever Meet My Maker,” the closing track of his latest album and easily the most introspective and emotional song of the evening.  Never one to send the audience home on a downer, both Tod Bowers and drummer Jeremy Cunningham rejoined Knowles for one last song.  Paying homage to one of his personal guitar heroes, Knowles closed the show with a cover of the Rory Gallagher classic “Take What I Want,” bringing the powerhouse performance to an end and for the first time all night, the seated audience to their feet in a standing ovation.

    Afterwards, the hard-working and approachable Knowles and his bandmates could be seen talking with fans and posing for selfies with them before packing it up and getting on to the next town.     After a brief run the mid-west, east coast fans will get several more chances to catch Davy Knowles before the end of the year, including November dates in Buffalo, Lima and New York City.

    Davy Knowles – Daryl’s House – Pawling, NY – 10/21/2021

    Setlist: Solid Ground, Heavy on My Mind, One & The Same, Stand Your Ground, Devil and the Deep Blue Sea, The Outsider, Light of the Moon, Every Man, Roll Me, Oxford MS, Outside Woman Blues, Work a Little Harder, Wake Me Up, When the Nightmare’s Over, If I Ever Meet My Maker, Take What I Want (Rory Gallagher cover)