NYS Music 202​1

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  • Summer Camp Music Festival Reschedules to Late August

    Summer Camp Music Festival will plan to celebrate its 20 year anniversary this summer over August 20-22, and promoters are expecting it to be “truly special.”

    Summer Camp

    2020 was the first year in over 20 years that the festival has taken a long break from their patrons. Jay Goldberg Events & Entertainment created the festival back in 2000. Since their first year, the festival has always held its place at Three Sisters Park. COVID-19 protocols forced the festival to reschedule their original dates, which was Memorial Day weekend.

    We realize that Memorial Day Weekend isn’t going to be
    feasible, but we’re excited to look towards the future and gather once again in late August to celebrate life, love, and music. We are again happy to say that the vast majority of our lineup is able to join us in August for
    our 20th anniversary celebration.

    The festival’s lineup includes three days of moe. and three days of Umphrey’s McGee across various stages. The camp is known for its spacious fields for shows and late night events with eclectic artists and bands. In 2001, the festival was able to bring in around 1,000 fans. Now, they have thousands of attendees who enjoy the welcoming aspect of the camp grounds.

    Through the years, the festival has held performances from big names like The Flaming Lips, Primus, Umphrey’s McGee, Moe. and more. The festival’s website will announce more performing bands and artists over the next coming weeks. Any tickets bought for the previous date will roll over and additional information on new tickets and refunds will be announced soon.

    Moe. performing at Summer Camp Music Festival in 2018.

  • Kyle Tuttle Releases High-Energy Live EP ‘Kyle Tuttle Live in 2020’

    Today, Kyle Tuttle releases his live EP, Kyle Tuttle Live in 2020, almost a year to date when the album was recorded.

    The album features songs recorded live two different nights, at The Mill & Mine in Knoxville, TN on February 26, 2020 and The Hunt House in Atlanta, Georgia on February 28 2020, opening for Railroad Earth.

    At the time of recording, no one knew what the next year would bring. It was Kyle Tuttle Band’s (KTB) first tour of the year, and subsequently also the last before COVID-19 hit.

    kyle tuttle

    The live EP starts with “Mystery Train,” an exhilarating track that exemplifies Kyle Tuttle’s rock and bluegrass influences and first released as a single on February 12th. While a cover of a song originally by Junior Parker, Tuttle and his band make it their own. Tuttle on banjo and fiddler Julian Pinelli each take an incredible solo that flows great with the song and matches its energy.

    “Birdie Strut” is another great track and more laid back compared to the first song, but still grooves. The band is tight throughout the whole EP, but this track is a prime example of their togetherness and chemistry with one another. Julian Pinelli rips another awesome fiddle solo as well.

    Kyle Tuttle is a Berklee College of Music graduate who has toured across New York with a number of bands, including the late Jeff Austin. His band consists of James Kittleman on drums, Julian Pinelli on fiddle, and Ben DeBerry on bass.

    Now that this live EP is out, we can look forward to the days when Kyle Tuttle can get back out on stage and wow the crowds as he and his band did in these performances.

    Key tracks: Mystery Man, Birdie Strut

  • Watch Quiltro perform “Antilla” at Burlington’s Autochrome

    Burlington’s Quiltro has shared the new live video for “Antilla,” filmed at Autochrome, a community studio space in the south end of Burlington. The old industrial building is where some of the world’s first “autochrome” color photographs were produced in the early 1900s.

    The band recently released their debut album, an emotional journey that will set you at ease, wake you up, drive you into a groove and leave you looking to replay the debut immediately after. Peaks and valleys are found throughout the nine-track album, fitting perfectly into the ups and downs of the real world.

    quiltro antilla

    Quiltro brings together a range of sounds, influences, and emotions through band members Mark Taylor (guitar, keyboard), Mike McKinley (bass) and JD Hoffmann (drums), creating a psychedelic wall of sound that brings to mind Neal Casal’s Circles Around the Sun. Quiltro is quite simply excellent modern psych rock.

    While Autochrome was gobbled up by someone looking to lease the entire building, after many years of calling the space home, Quiltro got the boot over the summer. In normal times, they would have had a huge blowout and celebration — live music, collaborative art, and more, but due to COVID-19, they played with no audience and recorded the video.

    Eric Segalstad (Sabi Sound, who engineered and co-produced the album) did the recording, Tony Berry (Psychedelic Soup) did the liquid light show, and Matt Bushlow produced the video. Watch “Antilla” below and visit Quiltro on Bandcamp.

  • King Gizzard & the Lizard Wizard Take a Microtonal Dive on ‘LW’

    King Gizzard & the Lizard Wizard are back with another new album, LW. The band’s 17th studio album is the follow up to 2020’s KG and also the third installment in their series of microtonal explorations (which also includes 2017’s Flying Microtonal Banana). The record comes right on the heels of the recently released live-studio music video “Pleura,” directed by John Angus Stewart.

    King Gizzard LW

    King Gizzard intended LW to be a seamless continuation of 2020’s KG as all of the songs were recorded together with the same stylistic and experimental tendencies. The double album is bookended by separate but similarly titled tracks “KGLW.” The first, being the opening track on KG, is a one-and-a-half-minute melody reminiscent of medieval minstrel music while the second version of “KGLW,” the closing track on LW, is a slow burning thrash metal epic. Even the noisy outro of KG closing track “The Hungry Wolf of Fate” extends into the opening minute of LW opener “If Not Now, Then When?” before abruptly switching into a slinky funk jam.

    ‘

    On LW, King Gizzard continue their dive into “microtonal tunings,” a unique musical style that comes from using instrumentation designed to give distinct tones between those found on western, indexed instruments. Frontman Stu Mackenzie described the effort by saying “we wanted to make new music that was somehow more colorful this time around, and which maybe reflected the many new things that we have learned along the way.” The band relies heavily on the bağlama, a Turkish stringed instrument, to create layers of psychedelic and mystical microtonal passages that transports the listener right to the deserts of the Far East. Mixed with Stu’s unique metal-tinged vocals and garage rock guitar structure, the band delivers a truly innovative experience on LW.

    King Gizzard LW
    King Gizzard at Central Park Summerstage, 8/28/2019 – Photo by Buscar Photo

    However, King Gizzard do not just stick to one sound here. In fact, the band fine tune many of the different stylistic directions from their back catalog in the theme of Eastern microtonal tuning. On both KG and LW there are tracks with a disco/funk rhythm, heavy thrash metal tracks that could fit right on Infest the Rats’ Nest, and prog-folk odysseys. The Melbourne based band have dedicated entire albums to these influences over their career, but on KG and LW they all come together in a whole new way. The result is as if you threw 70s era prog and folk rock, Revolver era Beatles, and early Black Sabbath into the Gizzard song machine.

    King Gizzard LW
    King Gizzard at Central Park Summerstage, 8/28/2019 – Photo by Buscar Photo

    Standout tracks include the lead single “Pleura,” a driving garage rock song with a stringy folk passage in the back half, “Static Electricity” which features layers of swirling woodwinds and acoustic guitar arpeggios, and closing track “KGLW” which is a sprawling 8-minute thrash metal banger with a creepy “K-G-L-W” vocal mantra buried into the mix. You can find both albums to download right on King Gizzard’s own site (HERE) where $1 from every download of LW is being donated to Greenfleet, a charity aimed at replanting biodiverse forests in Australia and New Zealand.

    If one thing is certain, given the extra time from not being able to tour, this is only the beginning of another rabid burst of musical output from King Gizzard & the Lizard Wizard.

    Check out more photos from King Gizzard’s headline show at Central Park Summerstage back in August 2019 below.

    • King Gizzard LW
    • King Gizzard LW

  • Tedeschi Trucks Band Announce their Six Part Fireside Sessions

    Tedeschi Trucks Band announced their six part Fireside Sessions which was filmed at Derek Trucks and Susan Tedeschi’s home. The series will begin on February 18, 2021 and new episodes will air every Thursday at 8PM EST on nugs.net.

    The Tedeschi Trucks Band formed back in 2010 in Jacksonville, Florida. They are a blues rock group that is led by Susan Tedeschi and Derek Trucks. They won a Grammy Award for Best Blues Album back in 2012 for their debut album, Revelator. They have released four studio and two live albums over the years. Some of their most well known songs include “Midnight in Harlem,” “Bound Glory,” “Anyhow,” and “Learn How to Love.” 

    The Fireside Sessions will be the return to live performance for The Tedeschi Trucks Band after nearly a year without performing live. With COVID-19 still raging on and touring not being an option on the table they decided to these live sessions to showcase the talented musicians in a more intimate setting. Each episode features a different cast of band members. The combinations vary from Derek and Susan as a duo to four, six, and eight-member combinations which offer unique arrangements on their song catalog, including some deeper cuts not often performed live. They will also be performing several new songs they have been working on during their time off the road.

    Each episode of the series was captured in 4K detail by 7Cinematics, which is an award-winning crew of concert filmmakers, with audio recorded, mixed and mastered by TTB’s engineer Bobby Tis. Audio from each session will also be available in an mp3 bundle or separately for purchase in all additional formats. After the 8PM broadcast, episodes will be available for on-demand viewing for a 48-hour period.Single tickets are available for $17.99 and six show bundles are available for $89.99. For more information on tickets and bundles can be found here.

    For more information on the Tedeschi Trucks Band’s Fireside Sessions visit their website here.

  • Hearing Aide: Reliably Bad ‘Space Girl’

    Eight-piece funk-pop band Reliably Bad is set to release Space Girl, their first full length album, on February 26th.

    Based out of Greensboro, North Carolina, Reliably Bad’s sound draws influences from funk, soul, and R&B greats like Stevie Wonder, James Brown, Michael Jackson, and many others. While Reliably Bad pays tribute to these influences, they bring their own unique, modern sound as well.

    The album starts off with the title track, “Space Girl.” This first track channels that distinct 70’s funk sound that bands like CHIC made famous. A funky, wah-heavy guitar strumming propels Reliably Bad into the first energetic track of the album. Taking after the name of the track, the chorus exemplifies the spacey feel of the composition. But while it is spacey, the band is super tight rhythmically.

    “Phone” is another catchy song that tells a story of miscommunication between two lovers. While all of the songs on the album exemplify lead singer Jessica Schnieder’s vocal capabilities, “Phone” is one track where she really shines. Her smooth vocals carry the laid-back, jazzy vibe of the track.

    The album ends with “All The Time,” a track of epic proportions that features a host of additional musicians and is a perfect finale to the album. It is Stevie Wonder-esque, and culminates with a high-energy chorus that opens up, bringing in additional vocalists, horns, and strings.

    Space Girl features production and mixing from recent Grammy Nominee Gabe Fox-Peck (Young Bull and Harriet), and was partially mixed by Caleb Parker (Vulfpeck, Scary Pockets, and Pomplamoose).

    Key Tracks: Space Girl, Phone, All The Time

  • Emo-Rock Duo Losers Club from Rochester are Back with New Music

    Losers Club are making their label-debut on Substream Records with a new single called “Fux W/ Ur Head,” set for release on March 5th, 2021.

    The duet’s emo-rock sound is crafted by frontman Nate Blasdell, known for his role as lead guitar and background vocals in the melodic hardcore band I Set My Friends on Fire, and backed by Andy Champion on guitar. Losers Club’s sound is poppier than Blasdell’s previous work, akin to The All-American Rejects. Their music is anthemic and tightly packed with melody.

    On their instagram account, Losers Club recounted the past year, saying “This year was a rollercoaster to say the least. What started as four, turned to three, then three became two, and now here we are, stronger than ever with 2020 in the rearview and so much to look forward to in 2021. New sound. New look. New album. New era.”

    With their new sound and formation, Losers Club is ready to take on the music world with their label-debut single, Fux W/ Ur Head. You can pre-order it here.

    You can find them on Instagram and Facebook and the label’s website.

  • “It Runs in the Blood” Takes Indie Band Council From Farm Life to Stardom

    The indie band of brothers, Council, has announced their upcoming EP It Runs In The Blood. On May 28, their third EP of will be released on all platforms.

    It Runs in the Blood

    Council consists of three brothers: Pat, Doug, and Andy Reeves. As the trio grew up just outside Syracuse in Baldwinsville, NY, they’ve committed to trading a life of farming for their true passion; music. From working in the fields during the day to perfecting their craft in their family barn at night.

    The debut single off of the new EP, “Faded Purple White Trash Royal”, was recently released. The track is available on major platforms and provides listeners a sneak peek of the anthemic tone expected on It Runs In The Blood.

    Listen to Council’s Debut Single Here

    Council‘s new EP contains singles, “I See Sparks,” “Still We Rise,” “Faded Purple White Trash Royal,” and the title track, “It Runs In The Blood.” Apart from the title track, the entire EP was written and produced by Council. The track “It Runs In The Blood” was co-produced and co-written by Kevin Andreas. Andreas is known for engineering A$AP Rocky’s hit, “Peso.”

    It Runs in the Blood
    Cover Artwork for EP

    Council has begun to build a name for themselves. They have worked with countless household names and appeared on popular programs. The brothers’ band has played shows at mainstays in NYC. Also, they have opened for bands such as The Strumbellas, The All American Rejects, and The Kooks. The musicians have even had their music played throughout the 2018 Winter Olympics, FIFA World Cup, American Idol, So You Think You Can Dance, and the Premier League, to name a few.

    As this band has begun to establish themselves in the music scene with their unique sound, they are definitely a group to watch out for. It Runs In The Blood will undoubtedly only add to Council’s growing success. Although this EP’s release isn’t for a few months, make sure to check out the band’s previous EP, Haunts Me.

  • L’FREAQ Drops Dark Synth-Pop Single “Make Me Move”

    L’FREAQ has returned after a two-year absence to share her newest single, “Make Me Move.” Described as having a “sexy, neo-goth, synth pop sound,” the track features an intimate look into the hardships of a long distance relationship in the midst of quarantine. The artist sets aside vulnerability to express an experience that most, if not all of us, can relate to, after a year since the quarantine began.

    L'FREAQ
    Photo Credit: Kelly Cappelli

    More commonly known under the alias L’FREAQ, Brooklyn and LA-based singer/songwriter Lea Cappelli has caught the eye of many with her gothic and soulful presence, alongside an impressive vocal range and a talent for writing lyrics that strike a chord, attracting an inclusive and diverse audience.

    I wrote this song before quarantine about deep yearning for my long-distance partner. It was my challenge to strip everything away to primal instincts. When quarantine hit, it forbid us from seeing each other and the relationship ended, causing a spiral into craving and a deep dive into intimate voicemails that have been sampled on the song.

    L’FREAQ describing the single, “Make Me Move”
    L'FREAQ
    Photo Credit: Kelly Cappelli

    Some highlights of her career include a private performance for Muhammad Ali, sharing the stage with Jakob Dylan, and performing alongside Grammy-awarded artist India.Arie. Recently voted “NYC’s Favorite Emerging Artist” in a poll sponsored by The Deli Magazine, she pays homage to her Brooklyn roots. She cites her love of music as being nourished by her artistic mother from a young age, growing up in a music studio in the midst of the punk scene of NYC.

    You can find where to stream her newest single, “Make Me Move,” on various platforms here, and keep an eye out for any new quarantine-inspired releases on her website.

  • Capital One City Parks Foundation Announces Michael Mwenso Performance

    Capital One City Parks Foundation announces performance from Michael Mwenso as part of their SummerStage Anywhere series on February 25, 2021 at 7PM EST. The performance will be streamed virtually as part of a Black History Month celebration. 

    Michael Mwenso

    The performance is titled the Michael Mwenso: Hope, Resist & Heal, Performance and will also be hosting a conversation with Shannon Effinger. Michael Mwenso is not only a musician but an artist and social commentator. He will offer his unique and ancestral perspective on Black music and its power to heal. He is an African-born queer man who grew up in London and New York. The performance will consist of a  live studio recorded performance with his group, Mwenso and the Shakes, a multicultural New York jazz group. After the performance the conversation with arts journalist Shannon Effinger focusing on the continuum and power of Black roots music will take place. 

    Michael Mwenso was born in Freetown, Sierra Leone but spent his teenage years at the legendary jazz club Ronnie Scott’s in London where he was exposed to musicians like Benny Carter, Elvin Jones, Ray Brown and Billy Higgins. Mwenso is known for his work as a  trombonist, singer and performer playing in jump bands, reggae and Afrobeat horn sections and at hard-bop sessions.

    Mwenso has worked with big names like Cécile McLorin Salvant, Jon Batiste, Aaron Diehl, Sullivan Fortner and Jamison Ross.Mwenso began his collaboration of Juilliard trained musicians known as The Shakes which come from all over the world including Sierra Leone, South Africa, Madagascar, London, France, Jamaica and Hawaii. Between all of them they create a unique jazz and blues sound  through African and Afro-American music.

    The performance will take place on February 25, 2021 at 7PM EST. The performance will be streamed virtually on SummerStageAnywhere.org and across SummerStage social media outlets Instagram, YouTube, Facebook, and Twitch as part of a Black History Month celebration.  For more information on the performance visit Capital One City Parks Foundation’s website.