Hip hop legend DMX’s long battle with addiction took a turn for the worse when it was reported that the “How’s It Goin’ Down” rapper had overdosed and was in a vegetative state, with TMZ reporting that the prognosis was not good. It was also revealed by Murray Richman, a lawyer who has represented the rapper-actor for 25 years, that DMX (born Earl Simmons) was hospitalized after he had a heart attack at his home in White Plains, N.Y., on Friday, April 2, according to the New York Times.
The Grammy-nominated rapper has been deemed in critical condition, with the general public worried that this might be another tragic and premature death to a beloved entertainer.
Although an icon in the hip hop realm and beyond, DMX has a long and well-documented history of substance abuse and addiction, something that has been a common theme in his music throughout the years. In a November 2020 episode of Talib Kweli’s People’s Party podcast, DMX went in-depth, explaining that he was tricked into smoking crack, when a regular smoking encounter with his rap mentor, Ready Ron, took a turn for the worse when his blunt was laced with the addictive substance. In an emotional moment where ‘X struggled for words, he admits that’s when “the monster was born.”
The solemn news was met with an outpouring of support for DMX, with fans and peers of the rapper taking to social media to show their support. After his condition was made public, members of the Ruff Ryders Sports Bike Organization gathered outside of the White Plains hospital that is currently treating the embattled star. As documented by FOX5, the motorcycle crew rolled in, playing DMX’s music in an act of tribute.
As fans await updates on the beloved emcee, a prayer vigil was held outside of the same White Plains hospital. Hosted by ‘X’s family, the streets were filled as speakers played DMX’s voice mid-prayer.
Fans of DMX are currently holding a prayer vigil outside White Plains Hospital, where the rapper remains on life support pic.twitter.com/6F2WbIgNki
It is reported that he is scheduled to undergo critical brain function tests that will determine the rapper’s prognosis, according to his manager, Steve Rifkind.
“DMX is currently on life support and in a coma. There are multiple people with inaccurate information about his well-being and it is not helpful and productive,” Rifkind told NBC News Tuesday night. “Tomorrow he will undergo further tests on his brain function and his family will determine what’s best from there.”
Langston Hughes, full name James Mercer Langston Hughes, was born around February 1st, 1902 in Joplin, Missouri. He was raised by his mother and grandmother, and grew up in a series of towns across the United States midwest, showing a proficiency in writing from a young age.
His tumultuous childhood may have given him the experiences that made him such a profound writer down the line. By the age of 12, Hughes had already lived in 6 different American cities.
Furthermore, by the time he released his first book, Hughes had already been to Mexico, West Africa, the Azores, the Canary Islands, Holland, and worked as a doorman at a nightclub in Paris.
By the time of his high school graduation, Hughes had already written his first acclaimed poem, “The Negro Speaks of Rivers.”
This poem would be published in The Crisis, the official magazine of the NAACP and the world’s oldest black publication.
After graduating, Hughes moved to New York City and attended Columbia University for one year before dropping out. During his time in the city, he explored Harlem and found the place where he’d establish his career.
It would be in this neighborhood that Hughes would play a central role in one of the most important cultural events of the 20th century. This event, the Harlem Renaissance, would be the flowering of African-American culture in the United States.
During this time, black artists, writers, and intellectuals would reconceptualize the African-American image separate from the stereotypes that they had been defined through by white society for centuries.
We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased we are glad. If they are not, it doesn’t matter. We know we are beautiful. And ugly too.
Hughes writing, and many of his contemporaries writing, focused on the “low-life,” that is, the real lives of African-American’s who found themselves in the lower part of the social-economic system.
He was the first African-American man to make a living off of his writing and giving public lectures, and by doing proved wrong many white Americans who disregarded blacks simply because of their race. For one of the first times, whites considered a black writer to be on par with white contemporaries.
Hughes was also a pioneer of jazz-poetry, a form of literary art that is characterized by jazz-like rhythm and the feel of improvisation. The development and growth in popularity of jazz music was one of the ways the arts, specifically art created by African-American’s, flourished during the renaissance.
One of Hughes acclaimed poetry books, The Weary Blues, is a prime example of his unique style of phrasing that is influenced by jazz music. Here is a short excerpt from the book that exemplifies this style of poetry:
To the tune o’ those Weary Blues. With his ebony hands on each ivory key He made that poor piano moan with melody. O Blues!
The Weary Blues, a poetry book released by Hughes in 1926.
An Incredible Legacy
Langston Hughes had an everlasting impact on writing, as well as future generations of African-American artists. His approach to the portrayal of African-American life in writing at the time was new to many, and proved to be revolutionary.
His career was also unique and second to none. It took him all across the globe, and allowed him to develop into the visionary writer he came to be.
Besides being regarded for his poetry, Hughes also wrote plays, essays, short stories, and novels. He would also frequently travel across the United States, and to the Soviet Union, Japan, and Haiti to give lectures. He even served as a war correspondent for American newspapers during the Spanish Civil War.
As the years passed, new generations of African-American intellectuals and activists began to take issue with some of his viewpoints, perturbed by the fact that Hughes never really identified himself politically.
Although his popularity wavered at points throughout the years for these reasons, especially in the exceedingly racially turbulent second half of the 20th century, Hughes reputation as a trailblazer for the freedom of African-American art and culture is everlasting.
Langston Hughes died of complications of prostate cancer on May 22, 1967, but his legacy and profound impact on African-American culture and the world of literature lives on.
His home in Harlem, on East 127th street, received landmark status in the city of New York and was added to the National Register of Places in 1982.
Langston Hughes home in Harlem.
In most of his work, Hughes continued to discuss important issues regarding African-American’s in American society, and their experience in the face of centuries of discrimination and prosecution.
His work exemplified the attitude of the Harlem Renaissance, and he is remembered as a central figure of the era in which African-American culture blossomed and defied the prejudiced and discriminatory attitude that was cast upon it by American society.
The State Theatre of Ithaca has announced they are repairing 293 of their 1,600 seats in poor condition this Spring.
Photo from State Theatre of Ithaca Website
The State Theatre of Ithaca officially opened in 1928 and became a staple in the community as an entertainment venue. The theatre evolved with each era, in the 30s it was more of a cinema house and a second screen was installed in 1976. In the 90s, the balcony was removed and theatrical programs made a return by the Ithaca Performing Arts Center. In 1998, Historic Ithaca took over the building and came with a new roof and updates in lighting and electrical systems along with expertise in running a theatre. The current owners, a non-for-profit organization named The State Theatre of Ithaca Inc. purchased the building in 2009 and has invested over $1 million in improving the theatre over time. Restroom renovations made in 2015 allowed the building’s capacity to increase.
The theatre’s mission is to enhance Ithaca’s cultural life by preserving, operating and promoting the State Theatre as an active venue locally, nationally and internationally. Over 85 shows happen each year and community support allows it to take place. Past events have included performances from Rock and Roll Hall of Famers, classical composers, comedians, local performers and films.
COVID-19 has impacted many venues, and The State Theatre of Ithaca is one of them. In March 2020 the theatre was forced to close its doors which resulted in revenue loss from cancellations and rescheduling. In efforts to keep the theatre going through these times, the Save Your Seat campaign was announced in November 2020. The campaign allowed people to pay $100 per seat in total and it didn’t stop until every seat was saved. In less than eight weeks, the theatre reached their goal and raised $160,000.
While they were in the process of the campaign they realized that about 20 percent of their seats needed improvement. There were seats with tears and holes or there were some that were held together by duct tape. The donations are going to repair and reupholster the seats. Along with the repairs there are two new plaques that will be attached to the seats. The first plaque includes personal messages submitted by Save Your Seat supporters and the second plaque includes the official seat designation. The State Theatre of Ithaca plans to reinstall the repaired seats in May and to reopen with these new seats.
Phish keyboardist Page McConnell today announced the release of his new solo album, Maybe We’re the Visitors, arriving Friday, April 9 via Keyed Records. Written and recorded in Reykjavik, Iceland and Burlington, VT, the album’s first song “Radio Silence,” was released today with a visualizer. Rolling Stone writer David Fricke called in his album notes “an overture of slowly dawning arpeggios that dot the void like hopeful transmissions.”
David Fricke’s liner notes include the following details on the album:
In January 2020, shortly before the coronavirus shut down modern life, including travel, McConnell took a road trip that had nothing to do with his normal touring itinerary as the keyboard player in Phish: a holiday in Iceland. Inevitably, music got made there. But it was unlike anything McConnell had recorded before as a solo artist, for side projects or within the collaborative energies of Phish: fully electronic pieces created on location, in response to the epic landscapes, dramatic weather, and geologic fury that he experienced in Iceland. He also came back energized and determined to keep going amid, indeed despite, lockdown.MAYBE WE’RE THE VISITORS is the result: an imaginary voyage charged with eyewitness awe and intense, solitary reflection; expressed without lyrics, vocals or any sign of piano, organ or clavinet, McConnell’s signature armory with Phish.
The album is his third solo outing – following 2007’s song-based Page McConnell and a 2013 instrumental release, Unsung Cities and Movies Never Made – and a genuine breakthrough: the first McConnell has conceived and performed entirely with synthesizers. Maybe We’re the Visitors is also the most personal record he has ever made because it is an album that has been on his mind for a long time.
The narrative flow of MAYBE WE’RE THE VISITORS – exploration, colony and, finally warning; that, as Icelanders already know, we are only stewards here and nature always has the last word – did not present itself “until I was close to the end,” McConnell confesses. “But I always knew there was something alien about these pieces…”
McConnell’s side-project Vida Blue released Analog Delay in late 2019. Read an interview with McConnell with Relix.
On April 1, Rochester native, drummer and producer Dr. Steve Gadd released Steve Gadd Band at Blue Note Tokyo, from a tour of Japan in December 2019. That same year The Steve Gadd Band’s self-titled album won a GRAMMY for Best Contemporary Instrumental Album. The group also played the Rochester International Jazz Festival that summer, leading up to this year end performance in Japan.
The line up features former Beatles collaborator David Spinozza on guitar in lieu of Micheal Landau, Jimmy Johnson on bass, Kevin Hays on keyboards, Walt Fowler on trumpet and Dr. Gadd on drums.
Blue Note Tokyo is a jazz venue in the Aoyama district of Tokyo, Japan that seats about 300 people and makes for an intimate performance. The band played to the disciplined fervor the crowd has for live music. Frank Zappa alumni Walt Fowler helped write the musical intro to the show, an arrangement from the film Cape Fear. The same theme is also found in the new series Ratched, which serves as a prequel to One Flew Over the Cuckoos Nest. The whole band feeds the chilling composition, segueing to an iconic Gadd pocket groove for the tune “Where’s Earth?” World-renowned musicians like this might need some help finding it when their sounds stretch outside of our planet.
Gadd switches to a Latin beat on the drums securing his role as the consummate chameleon man of different musical genres for “Timpanogos.” Fowler and Spinozza then spread out nicely intertwining spicy solos before Hays helps cool things down with his Fender Rhodes. For those looking for a signature Gadd drum solo during the performance, there is only one to remind you why the man behind the kit is headlining the venue. “One Point Five” trails off Jimmy Johnson on bass to a full drum crescendo to end the song.
When asked about the tune “Way Back Home,” and if it has any significance to the comfortable corridor of his Upstate New York roots, Gadd said,
I like the song, I’ve played it with a lot of different bands, I did a live album in Rochester and titled it after that. I like the groove we get on it no matter how we do it, we get a good feel, it grooves, that one for me it keeps building, it gets pretty intense at the end and it takes a while to get there but it feels great the whole way to me, I love that track.
Steve Gadd
Only two tracks have vocals on the ten song performance. During a take on Bob Dylan’s “Watching the River Flow,” Hays channels appropriate lyrics for today: “That this ol’ world, will keep rolling on you know, so I’m gonna sit right on this bank of sand and watch the river flow.”
The bonus track on the Blue Note Tokyo album “Foameopathy” is one of five tracks (including “One Point Five”) played live from the GRAMMY Award winning album that year.
We worked hard mixing it too, my son Giancarlo and I, and then Rich Breen mastered it and sprinkled some magic over the whole thing and I like the way it sounds.
Steve Gadd
Keep an eye out for a full interview with Dr. Steve Gadd about his musical origins in Monroe County to his performances around the world. Download the album here.
Key Tracks: Wheres Earth?, Timpanogos, Way Back Home
Imagine the antics of a punk rock basement show mixed with jangle-pop sensibilities, and you have Burlington, Vermont’s Boys Cruise, a self-proclaimed boy band who are set on raising hell in the music scene. Known for their memorably chaotic stage performances, Boys Cruise is gearing up to deliver their self-titled sophomore LP.
Boys Cruise is a return to the band’s experimental roots; screeching lead guitar lines, soaring singalong harmonies, and gritty guitar textures are some of the aesthetics you can expect while playing through this record.
Boys Cruise is a follow-up to 2018s Girl Cruise EP which set the band up for the potential to fame after touring much of the northeast DIY circuit and leaving behind a path of destruction leading up to their nearly sold-out circus theme show at Higher Ground in Burlington. However, 2021 sees the boy band returning to their punk roots, embracing harsh guitar tones, heavy production, and instantly catchy hooks, reminiscent of early 2000 Garage Punk acts such as the White Stripes. The album was recorded over the span of one week at Burlington’s 37ft Productions with the help of Bloomstien.
As far as the album’s track listing goes, it makes for an enjoyable experience, starting off with the instantly catchy and infectious “ Charolastra” which kicks the album off with a witty sample introducing “the illustrious Boys Cruise.” Track one is a banger, setting the attitude for what’s to follow, a fun punk record you can put on and dance around your room to.
“Flying Colors,” a jangle-pop anthem, you can get a good sense of the group’s party antics from this track, it plays along like the soundtrack to a cold night out bar hopping in Burlington. The song ends with a most worthy, swung, outro sure to get fans excited to hear this jammer live.
Boys Cruise proves that with this release fans have something to get excited about with the anticipated return of live music. Celebrate Boys Cruise and the release of their sophomore album by streaming Boys Cruise on Spotify, keep up with the band by following their Instagram and their Linktree.
Key Tracks: Flying Colors, The Owls, and Eyes Without a Face
The eventful festival dedicated to Bluegrass music, DelFest, has announced the lineup for their 14th annual festival taking place later on this year.
DelFest usually takes place over Memorial Day weekend but this year it takes place from September 23-26 to ensure safety from COVID-19. While the dates have changed, the location remains the same in the city of Cumberland, Maryland along the Potomac River. The venue is at the Allegany County Fairgrounds, personally chosen by Del McCoury, leader of the Del McCoury band and legendary bluegrass musician.
DelFest organizers are working with both local and state health officials to adhere to safety mandates for attendees, staff and musicians. COVID-19 protocols will be made known closer to the festival. More information about DelFest can be found on the website.
Episode 115 of Rochester Groovecast features a live stream performance with Stereo Nest brainchild, Collin Jones. Stereo Nest is cerebral dance music featuring Live Electronic Loops and in this episode, we listen to a full live stream set!
Timestamp:
00:31: Conversation with Collin and Ben
11:45: Livestream Performance by Stereo Nest
01:01:15: Conversation Concluded
01:11:13: Behind The Scenes
At Rochester Groovecast, the mantra “We’re Fans First!” harnesses the belief that the best businesses are built by fans. The podcast is deeply dedicated to playing an active role in the culture of its local scene.
The brainchild of Rochester native, Ben Albert, was created in 2016 to serve as a portfolio of the city, and nowadays, the entire region.
The podcast believes in the artistic brilliance abundant in Rochester, NY, and the surrounding regions. Ben seeks to play a pivotal role in our community by helping give Rochester a well-earned voice. He has seen first hand the abundance of talent, character, creativity, innovation, and beauty the Flower City has continuously offered.
This is the first article in the series “Made in New York,” a historical examination of the music history of each of New York’s 62 counties. First up – Orange County.
Welcome to Orange County, New York! This stretch of land is the first county in the United States to be named Orange and it shares this name with seven others throughout the country. Located between the Hudson and Delaware Rivers, this area which was first named in 1683 is full of natural and historical wonders.
The county’s highest elevation is located at Schunemunk Mountain and its lowest point is at the mighty Hudson River. The Wallkill River National Refuge is home to the smallest turtle in New York and this is just up the road from the Black Dirt Region in Southern Orange County, which accounts for half of the onions grown in New York State. Additionally, the black dirt here has an uncanny ability to preserve the past and more mastodon bones have been uncovered in this area than anywhere else on Earth.
Some of the history in this area is well-known by all, but this county has a surprising amount of it, some of which many people may not be aware. West Point Military Academy, which opened in 1802, is the oldest such school in the U.S. and the first section of the Appalachian Trail was created at Bear Mountain and opened in 1923. But interestingly, Orange County is home to the oldest tree and the oldest carbon-dated human settlement in America.
Orange County has its share of “firsts” as well. It has been home to the first cattle ranch and the first butter factory in America and also the world’s first homeopathic mental hospital. And who can forget America’s first liquid propelled airmail rocket flight which occurred at Greenwood Lake in 1936.
This county has a few more facts that just need to be shared. Stewart International Airport has a runway long enough to designate it as an emergency landing site for the now-defunct space shuttle. Brotherhood Winery is the oldest continuously operating winery in the country and Storm King Art Center is the largest sculpture park in the country. And finally, cream cheese was first mass-produced in Chester, NY and despite being made in New York, they named their product ‘Philadelphia Cream Cheese’ and through clever marketing, got its name because the Pennsylvania city was known for quality dairy farming.
But you didn’t come to NYS Music to learn about cheese and turtles; you’re here to learn about what Orange County has to offer to the music community.
The Ritz Theater in Newburgh is one of the most famous musical venues in the county and has been graced by performances from Ella Fitzgerald, Louis Prima and a then unknown singer named Frank Sinatra. It also, famously, is the venue where Lucille Ball made her on-stage debut and it was also the first time she performed with Desi Arnaz. On the other side of the county, Port Jarvis used to be the home of the State Theater. In its last year of operation, the venue featured both Anthrax and Metallica.
SONY DSC
In between these two cities, Middletown is home to the Paramount Theater which was added to the State & National Register of Historic Places in 2002. This venue has seen Johnny Cash, Joan Jett, Jefferson Starship and Blue Oyster Cult play for sold out audiences. And while we can’t touch on every venue in the county, one final notable haunt is the BSP Lounge in Kingston. This place was a featured location during King Gizzard and the Lizard Wizard’s second U.S. Tour in 2014.
There are plenty of musicians who have called Orange County their home. Let’s take a look at the many bands and artists from the area.
Willie “The Lion” Smith
17th February 1939: American jazz musician Willie ‘The Lion’ Smith playing the piano and singing at a ‘Friday Club’ jam session, organized by Eddie Condon and ad-men P. Smith and E. Anderson, at the Park Lane Hotel, New York City. (Photo by Charles Peterson/Hulton Archive/Getty Images)
Jazz music wouldn’t be the same if it weren’t for one particular resident of Orange County. Willie “The Lion” Smith was born in Goshen, NY in 1893. In his younger years, he discovered his mothers broken down organ in the basement and she taught him all of the melodies she knew, despite the instrument missing most of its keys. He started playing music at local clubs as he got older and one day he discovered a newspaper advertisement for Marshall & Wendell’s piano store in Albany with a contest to guess how many dots were printed in their ad. After winning the contest, an upright piano was delivered to his house and he continued to play various rags that he learned in those clubs.
In his late teens, he was finally playing in NYC and Atlantic City before serving in World War 1 where his reported bravery as a gunner earned him the nickname “The Lion.” He was back playing clubs in NYC by 1919 and not only made his first record a year later but helped develop a new piano style that is now known as “stride.” That record in 1920, called Crazy Blues, recorded with a singer named Mamie Smith, is generally regarded as the first recording of the blues.
During this time, Smith became a mentor for many up-and-coming musicians, most notably Duke Ellington. Duke was once quoted saying, “Willie The Lion was the greatest influence of all the great jazz piano players who have come along. He has a beat that stays in the mind.”
Orange County celebrates Willie “The Lion” Smith Day on September 18.
The Kalin Twins
Hal and Herbie Kalin were born in Port Jervis on February 16, 1934. Although they wouldn’t become stars until their late 20’s, their first “performance” together was at the town’s Christmas party when they were both five years old. At the age of 18, Hal was drafted into the U.S. Army and he and his brother kept in contact during his service, sharing songs they had written and writing about future plans to make it big in the music industry.
The twins were signed to the Decca Records label after Hal’s return and although their first songs failed to chart, they did appear on the Milt Grant Show and performed live. It wasn’t until searching through a bunch of demo tapes from writers that they discovered the song “When,” which they thought would be a hit. Released as a B-side on their single “Three O’Clock Thrill,” “When” eventually peaked at #5 on the Hot 100 charts and made it to #1 on the UK Singles chart and also #1 on the US R&B chart. They weren’t one-hit-wonders though as they had a number of other charting tracks including “Forget Me Not,” which reached #12 on the Hot 100.
Pardison Fontaine
Jorden Thorpe, better known as Pardison Fontaine, was born in Newburgh, NY in 1989. At an early age, he started rapping on his Talkboy and decided during his college years to drop out and commit fully to his hip-hop aspirations. He first gained acclaim with his 2013 song, “Oyyy” from his debut mixtape titled ‘Not Supposed to Be Here’ and filmed the music video for the track in his hometown. This song caught the attention of Cardi B and Pardison has since contributed as a songwriter to her for numerous songs, most famously her single “Bodak Yellow.”
Cardi was also featured on Pardison’s breakout hit “Backin It Up,” which hit #40 on the Billboard Hot 100 chart and has garnered over 166 million views on YouTube. Pardi has co-wrote with Kanye West on more than half of the songs on Kanye’s 2018 album, Ye, including “Violent Crimes” and “Ghost Town.” In addition to these, Pardison co-wrote the track “South of the Border” on Ed Sheeran’s No.6 Collaborations Project.
Pardison still represents his roots in Newburgh and loves giving back to the community. He has donated jerseys to the local Newburgh Steelers football team, participated in a turkey drive and also a bookbag giveaway to help local school children. His new album, Under8ed, was released in November of 2019 which he has described as “the story of my city.”
pErFect ThYroID
Throughout the 90s, one band in particular made waves throughout the Hudson Valley with its new brand of musical fusion, fun live shows and of course, it’s infamous Skunk logo. Hailing from Orange and Ulster County, Perfect Thyroid was formed in 1991 and while its lineup changed throughout the years, the band originally consisted of brothers Chris and Bill Hanson, Chris Snykus, Jaf Farkas, Shawn Rice and Jen Polcari. Combining the ska, funk and punk, reggae and jazz genres into their musical stylings, Thyroid became well known for calling this new sound “Skunk”.
PT toured full-time for over 20 years and put out 5 albums during that time, including “Musical Barnacles,” which Alternative Press selected as a “Ska-Punk Essential Album.” They were also featured on the soundtrack for the 1998 Disney movie, Meet The Deedles. Throughout the tenure over the last 2 decades, they’ve had a plethora of incredible musicians join them in studio and on stage, including Dean Jones, Joe Cuchelo, Jason Foster, Mike Bove, Jon Stern, Sam Lapidus, Sean McLaughlin, Ben Acrish and Goshen’s own Shane Kirsch.
While the band has still played occasional shows throughout the last decade, most of the current lineup can also been seen in another area band called The Big Shoe. The members of Perfect Thyroid continue to call the Hudson Valley their home and will always be a shining example of what bands from New York State bring to live music scene.
William Fullerton Jr
William was born in Newburgh in 1854 and was the only son of William Fullerton, a famous New York lawyer. At age 17, he published‘Silver Strains’ which is now located in the Library of Congress. He left for Europe to study music in Germany and ended up living in London where he published a number of popular compositions that were dedicated to members of the Royal family. During his time in London, he lived with a famous painter and stage designer named Percy Anderson and these two would go on to have success with the opera named ‘Lady of the Locket.’ Following this, he set to work with Anderson on another light opera titled ‘Waldemar: Robber of the Rhine’ before succumbing to tuberculosis in 1888. While many of his works have been lost to history, ‘Spanish Serenade’ still exists online and can be heard below.
Dubois Alsdorf
Newburgh has a rich history of music and dance over the last century and a half, and that is thanks to the Alsdorf Dance Academy. Dubois Alsdorf was born in Wallkill, NY in 1827 to parents George and Catherine. At an early age, he showed a talent for music which he received from his father George and his parents sent him to New York City to begin an apprenticeship. Studying under famed orchestra leader and composer William Alpo, Dubois learned from Alpo’s musical experiences playing with Francis Johnson. Johnson was the first American musician to tour Europe and introduced the U.S. to the idea of open-air concerts, which had a lasting impression on Dubois. After his apprenticeship, Dubois formed one of the first regional brass bands, the Alsdorf Band, which according to the Historical Society of Newburgh Bay and the Highlands, made their debut on the Courthouse steps of Newburgh in 1849.
Alsdorf also began his own orchestra which played in prominent vacation spots like Lake George and Saratoga Springs and locally for dance classes, which gave him the opportunity to learn dance instruction. This set the stage for him to open the Alsdorf Dance Academy, whose first location was in Newburgh’s own United States Hotel. The school was soon teaching dance to the people of Newburgh and Orange County alike and this history of dance education continued as his three sons followed in his footsteps. Charles, Simon and Ulysses Alsdorf taught at the Dance Academy at 93 Liberty Street in Newburgh, which featured a grand ballroom and rooftop garden for public performances. The first soiree at the Alsdorf Academy took place in 1849, but the Dubois family continued this tradition for nearly a century, teaching Newburghers dance and music for generations.
The Heavy Pets
The Heavy Pets are considered a Florida-based band through and through, but their roots run deep in Orange County. Guitarists Jeff Lloyd and Mike Garulli as well as Bassist Joe Dupell became friends while going to high school in Goshen, NY and formed a band named Anthem before starting the first iteration of The Heavy Pets. College sadly got in the way of music, but once that was done, Dupell invited Lloyd down to visit him in Florida. Shortly after his arrival, Garulli came down as well, setting the stage for The Heavy Pets to reform.
Their first show in South Florida occurred in 2005 and the next few years were nothing short of exceptional for the band. In a 2006 contest to select a local band to play the Langerado Music Festival in Florida, The Heavy Pets beat out 350 other bands and were on the same lineup as The Flaming Lips, The Disco Biscuits and Robert Randolph. Two months later they were selected as the “Unsigned Band of the Week” by High Times Magazine. The following year, they put out their first album, Whale, and have released seven additional albums since then.
While the band’s lineup has changed slightly over the years, their love for playing live shows and especially music festivals has not. The Heavy Pets have played more than a dozen different festivals and over 1,000 live shows since 2005 and have even held their own fest, Pet Zoo, three times in Pennsylvania and New Jersey.
Corey Glover
Corey Glover, best known for his work with Living Colour and also for touring with Galactic wasn’t born in Orange County, but he re-located there in the last decade. While you may recognize his face from the movie Platoon, Glover’s voice is known the world over from Living Colour’s hit 1988 song “Cult of Personality.” Glover has also been in such bands as SKAndalous All-Stars and Vice and has even toured as a vocalist with the “A Bowie Celebration” Alumni Tour.
During the beginning of the last decade, Glover started playing with a number of jam bands. He sang with Robert Randolph as well as Soulive for a number of shows and also toured as a vocalist with Galactic from 2011-2014 after seeing them at Irving Plaza in NYC and joining them on stage at that show. He is still touring with Living Colour and most recently started two new bands. He started Ultraphonix with Dokken guitarist George Lynch and a metal project called Disciples of Verity with former members from Negative Sky and God Forbid.
So there you have it. Orange County has, without a doubt, a rich heritage of musicians and venues and an impressive amount of history surrounding it. From rock to hip-hop, the Hudson River to the Delaware River and the Philadelphia Cream Cheese company to the country’s first rocket-propelled airmail test. The contributions from the residents in this county can’t be glossed over and it’ll be a standard that you’ll find throughout our series on the Counties within New York State. Next up, CortlandCounty!
Gayle’s Broadway Rose is known for their singing Broadway servers and their extravagant milkshakes. On June 19, the restaurant is having a grand reopening featuring Broadway stars Kimberly Marable and Haley Swindal. The two will perform alongside the Singing Servers.
Kimberly Marable currently stars in the Broadway production Hadestown. Additionally, she has been in productions of The Lion King and Sister Act. Haley Swindal is presently in the Broadway production of Chicago and has also previously starred in Jekyll & Hyde.
Gayle’s Broadway Rose partnered with the Broadway and West End Community in order to keep the Broadway spirit alive with theaters closed. The talented Singing Servers and Broadway and West End show cast members have teamed up to produce a Virtual Celebrity Duet Video Series.
Come on out to Times Square on June 19 to help support the Arts and Broadway’s Theater District. All tickets for the grand reopening are available by advance purchase only here. Check out the Gayle’s website for additional information.
Gayle’s shares: Our video below featuring Broadway Celebrity performer Laurel Harris accompanied by Marc Christopher from Gayle’s Broadway Rose… the song is Beauty and the Beast from Beauty and the Beast! Laurel Harris currently stars in the Broadway production of Jagged Little Pill, and has played the roles of Jill and Mary Jane Healy! Laurel also starred as Elphaba in the Broadway production of Wicked! Previous Broadway credits include Beautiful: The Carole King Musical, In Transit, and Evita! Viewers can make a donation to a special charity that Laurel has chosen: stopaapihate. Thanks to Michael Aaronfor his fabulous audio/video production services!
