SunSquabi and Too Many Zooz will team up for a pair of shows as they head across the Empire State, stopping in Buffalo and Bouckville, NY.
The high energy groups will be performing at the Buffalo Outer Harbor Drive-In on June 11, with special guests Witty Tarbox making an appearance across the scenic backdrop of Lake Erie. The pair will also be performing in Bouckville, NY, at The Yard Amphitheatre on June 12.
SunSquabi has gained national attention with their mixing of various genres in addition to their unique production style. The three-piece group provides an electronic funk experience. The band is composed of Kevin Donohue, Josh Fairman, and Chris Anderson. Their rhythm-driven sound is what keeps fans drawn alongside their latest album, Instinct.
SunSquabi
Playing beside SunSquabi is NYC’s phenomenon Too Many Zooz. This unique trio blends jazz, Afro-Cuban rhythms, funk, EDM structures, and house music. Their historic performances on Beyoncé’s Lemonade and alongside The Dixie Chicks have made this group well established in the industry.
Too Many Zooz
To add to this already dynamic lineup, Buffalo’s very own Witty Tarbox will be joining on the 11th. This upcoming surf-rock band has already made their mark in WNY and plan to continue to do so while they open for other iconic musicians.
The Drive-In event charges per car with up to 5 persons per vehicle. This Buffalo Outer Harbor show is open to all ages and begins at 7 p.m. Tickets are now available here. Tickets to the Bouckville show can be found here
Buffalo based four-piece rock group, Grosh, is locked and loaded for their release of Not Down for Long. The group, consisting of Grace Lougen (guitar), Josh English (drums), Megan Brown (vocals), and Dylan Hund (bass) are some of the area’s most talented musicians.
Grosh is a high energy rock band that regularly sells out shows in Buffalo, showcasing their heavy-hitting style of hard rock. Recorded and mastered at GCR studio in Buffalo, Not Down for Long is Grosh’s second full-length album. The album offers tunes reminiscent of bands like Led Zeppelin and Pearl Jam. But overall, it has a clear Grosh stamp on it.
The band never abandons their fast-paced energy throughout the album, with hard hitters like “The Fight” offering a great idea of what Grosh brings to the table. The band isn’t afraid to break out of the hard rock element, and sprinkle in some dirty funk in the second track, “Not Down for Long”. Lougen’s guitar riffage is absolutely spot on, chugging the song along and breaking into face-melting solos that soar over Hund’s thick bass line and the ever-climaxing drum beat.
Relentless, this album grabs the listener and holds them throughout the long jams, and even pop melodies in songs like “Mr. Rogers.” Brown’s vocals hold their place among a luscious instrumentation, with the lyrics featuring a trade-off between her vocals and male vocals. The conversation-like feeling of the song yields a nice story as well. The horn section shows an alternate side of the band’s heavier sound earlier in the album.
The band has a soft side too, as they show their ability to create a beautiful dynamic arc in “Don’t Forget Me.” The acoustic track feels like a musical number, with yearning vocals and a wonderful transition to the final song, “Tread the Wave.” Here, the band rounds out the release by offering another harder song with some prog-rock influence. English’s work on the hi-hat is stuff of gold, and a master-class in how drums, when played this well, can give a song rhythmic layering.
Lucky for listeners and supporters, Not Down for Long is set to be released on May 1. You can find the album streaming on Spotify and Apple Music. You can keep up with the band on Facebook, Twitter, and Instagram. The group also has a YouTube page with official videos and quarantine recordings. Keep a look out for the group to be playing live as things continue to clear up and venues open at some capacity.
Key Tracks: Mr. Rogers, The Fight, Don’t Forget Me
Borderland Music Festival is excited to announce their 2021 return to Knox Farm State Park on September 18th and 19th.
The two-day cultural festival takes place at the historical Knox Farm State Park in Erie County, New York. While the festival lineup has not been announced as of yet, past lineups have included a mix of country and bluegrass bands ranging from worldwide fame to local acclaim. Art, food and beer are also a focus of the festival, offering local varieties of each for people to partake in and enjoy.
In the wake of the coronavirus pandemic, the 2020 Borderland Festival was cancelled. The music industry as a whole has been dramatically impacted this last year, however, Borderland continued to work hard to survive. They created a handful of music and farm-to-table experiences while feeding the local economy and supporting local musicians. The Borderland Broadcast acted as a stand-in for the usual festival, streaming audio from former festival performances over the two days when the festival would have happened. Borderland is looking forward to returning this fall with their annual festival, just on a smaller scale, at Knox Park.
Like many others, we were hit hard this past year and really miss that connection of community. I feel like we all could use this breath of fresh air. The power of music is so healing and we want to be able to bring that on whatever level we can.
Jennifer Brazil, Event Organizer
The festival is working closely with the State of New York and Erie County and will continue to operate under all social distancing and COVID guidelines. There will be an initial, limited amount of tickets for sale with hopes that things will continue to progress throughout the summer. Blind Faith Tickets are on sale now and Borderland will announce more information in the coming weeks. Tickets are available for purchase here.
Buffalo’s Organ Fairchild is NYS Music’s March Madness 2021 Winner – a musical party that won’t quit. Take your old-school organ trio (organ, guitar and drums), add dance-heavy grooves and adventurous jamming, and shake vigorously. Enjoy all night long as this well-crafted jam-band cocktail has perked our musical taste buds.
When they spoke on their new single “Seepin,” the band said It’s been a LONG time coming… way back in January, having no idea it would lead to a March Madness crown.
We truly enjoyed being part of this series and are grateful to NYS Music for reaching out to us about it. We’re now hip to a whole bunch of new-to-us bands from around the state, which is kind of the whole point. As for being in the finals against Baked Shrimp, they had a whole lot of support and we definitely got a chance to check out their music, too. In fact, the two bands are now talking about collaborating on a few concert dates this summer/fall!
So kudos to NYS Music for all the good things you do to support the region’s musicians. You guys are true advocates for the music scene and we appreciate you.
Dave Ruch – Guitar
Congratulations Organ Fairchild – NYS’ March Madness Winner
Since 2015, New York State Music has crafted a March Madness bracket delving into the musical harbors of our great state. As fans and musicians ourselves, we spotlight the great talent across New York in friendly competition and discovery. Its fury never loses sight of the underdog, a headliner’s humble beginnings, new musical discovery and rolling with the punches in our ever-changing industry.
March Madness 2021 Lark Hall Region: Albany’s mid-size music venue.
Organ Fairchild – Buffalo, New York.
Organ Fairchild – NYS Music’s March Madness Winner is:
Joe Bellanti – organ, keys – Corey Kertzie – drums – Dave Ruch – guitar
“Jan. 2021 marks the release of single, “Seepin’,” from long-time Buffalo jam band veterans Organ Fairchild. Members have a history on the jam scene dating back 40 years.”
LISTEN to Organ Fairchild’s debut single below, from the forthcoming May 2021 album release! Mastered by Alan Evans of Soulive.
Chuck DeFilippo: How did Organ Fairchild come to be? What is the name origin?
Joe Bellanti: Dave called me and pitched the idea of an organ trio – I thought it was dumb – which – since we have known each other for so long – means it was a really good idea since I am always wrong about that stuff and Dave has a really good sense for projects that will work. It would be hard to characterize the amount of fun we have been having – just fantastic to be a part of this
Dave Ruch: I really wanted to name the band Organ Freeman (after Morgan Freeman), but it turns out that name was already taken! So Organ Fairchild was the next best choice….I think many of us had let’s say an affinity for Morgan F when we were young.
JamCast is a streaming platform that provides a unique experience using live, pre-recorded, archived audio & video performances, podcasting, vlogs, blogs, and more. JamCast has been centered around creating a digital network for musicians, promoters, and venues. It was designed to serve as a resource for all facets of the music industry. By offering weekly series, digital events, festivals, podcasts, archives, and more. An online resource and database for all music industry professionals.
CD: What was your first crossroads with music; how did it seep into your life?
JB: My dad was really into music and there were always records and cassettes playing. I was told I would start taking piano lessons when I was 8 – loved it for the first month until I figured out how hard it was going to be and promptly lost interest – until I was 13 – My mom would not let me quit and my 8th grade music teacher found out I could play the piano and made me play in front of the class – I was not happy about it – but – when I stopped, everyone started clapping and cheering – and here I am in the NYS finals. Thanks mom!
DR: I guess my first crossroads was the trombone in 4th grade – I was too little to carry it home from school so that didn’t last long. Second crossroads was guitar at age 12 – I was learning the wrong music and it didn’t stick. Luckily I tried it again at age 15 and I haven’t put it down since! At age 27, I quit my white collar job and made music my full-time living, so definitely a happy ending!
Central New York promotersCreative Concerts bring fans together in the final four
CD: What does New York State Music mean to you? (Not our site, but rather the music community in the state or your specific regions )
JB: NYS Music – the Buffalo scene in particular – means the world to me – some of my greatest moments have come from being a part of it – certainly my very best friends. Too many incredible moments to even try to pick out one or 2 of the best.
DR: Interesting question, as one of the other “hats” I wear as a full-time musician and performer is researching and performing old 19th-century traditional music from New York State! So NYS Music means a lot of different things to me, but in terms of the current music community, we are very fortunate here in Buffalo to have a rabid fan base of live music lovers who always come out to support our shows. The level of musicianship here if off the charts as well, and pretty much everyone involved in the local music scene is really supportive of each other. It’s a great place to be.
CD: What are the short and long term goals for the band?
JB: Short term – finish out first CD and get back to playing live shows as soon as we can. Long term – see if we can make it work long term – there is nothing I would rather do than play our own music with Corey and Dave.
CD: Any bands or new listening discovered from NYS Music’s March Madness series?
JB: Absolutely – bands and artists I never would have been exposed to without the competition – Girl Blue in particular – I listened to a bunch of her recordings during our first round match up and really thought we had no chance – really original songs and arrangements and a great voice
DR: I really enjoyed watching a bunch of these bands’ videos on the NYS Music website.
CD: Do you have a favorite COVID activity, since you have all this free time not gigging?
JB: I have practiced more in the last year than ever and started teaching online via zoom and also building a teaching web site. Also we have been writing new material, rehearsing when practical and recording our first CD
DR: Yes, practicing a lot, writing tunes, cooking, and recording.
CD: Anything in the works for the band?
JB: Two CDs in 2021 and hopefully a summer and fall of outdoor shows. Also – we will probably hit Denny’s at some point – I’m pretty sure we are the only band in the competition where all the members would qualify for the senior discount
March Madness would not be possible without our sponsors:
Central New York promoters Creative Concertsbring together fans at venues, stretching from Albany to Rochester and Syracuse to Utica. Lark Hall is the soon to open mid-sized venue in Albany that will host bands of all sizes, events and more. If you need to market your show, event, band or brand, Rochester’s Balbert Marketing has you covered. Need merchandise?
Homegrown Eastern New York’s 518 Prints makes quality goods for local, regional and national bands or tours. High Peaks Event Production is a team with years of experience, aiding in all your stage, lighting and sound demands.JamCast proves high quality streams for bands, podcasts and much more. Between these companies, bands will find a great deal of what they need, and support businesses from across New York and the Northeast.
The pandemic has caused an immense amount of hardships that swept over the world. Both individual livelihood and business establishments alike have had to deal with these dilemmas. The Terrace at Delaware Park has had to delve into its own resourcefulness to ride out this past year.
The Terrace at Delaware Park
Located at the historic Marcy Casino building at Delaware Park and Hoyt Lake, The Terrace has experienced various closings and reopening since March 2020. The establishment in Buffalo has altered seating arrangements and event rooms in order to meet COVID-19 regulations.
This March, JazzBuffalo is partnering with The Terrace again to help out during this tough time. Jazz events are set to accompany dinner and brunch. Last week Saranaide and Banjo Juice Trio performed outstandingly at The Terrace. Two more performances are set to take place from Mary Ramsey and Inga Yanoski and Carina & The Six String Preacher.
Sunday, March 21 @ 11:30 am – 3:00 pm at The Terrace at Delaware Park
Come to the Pan-Am Room for a St. Patty’s Day Brunch! JazzBuffalo is partnering with The Terrace to bring “A Celtic Brunch.” This event will feature Mary Ramsey, a lead singer, and violist for the 10,000 Maniacs, as well as violinist Inga Yanoski. Inga has toured with 10,000 Maniacs, is a member of the band The Bards, and performs with the BPO. Music performances will be held from 12 p.m. to 2:45 p.m. The cost is $10 per person plus food and beverage purchase.
Friday, March 26 @ 6:30 pm – 10:00 pm at The Terrace at Delaware Park
On this date, The Terrace is conducting dinner jazz at this scenic location. Look to reserve a table for dinner overlooking Hoyt Lake and Delaware Park. Carina & The Six String Preacher blend jazz, Latin, and pop to create their signature sound. The cost is $10 per person plus a dinner bill with a $25 minimum.
Call The Terrace at 716-886-0089 or visit them online to make reservations.
When you think of great funk soul bands that have come out of Buffalo, New York only two names come to mind, Rick James and Soulive. Alan Evans, drummer and founding member of Soulive took time to talk about his musical journey that started in Western New York to around the world with the best.
Buffalo, NY native Alan Evans at “Bowlive”
“It just kind of happened, To be honest I’m surprised I’m actually doing this, some people can point to… “ Oh I saw this, I heard this” Then all of a sudden I wanted to play music , but man music for me is like breathing, like literally ya know?, “ Its always been ingrained”
He has been playing gigs in Buffalo since he was eleven years old.” “For Neal and I it started like one day we were playing music, the next day basketball, then football, maybe skateboarding, then some times all that in the same day” Alan first started out with a band called The Groove and then Moonboot Lover that prompted him to touchdown outside Buffalo in Brooklyn’s pre-developed 1992 Park Slope. “At 7th between 8th and Prospect right at the park “ “Park Slope was a completely different world then ”.
He went on to form Soulive with his brother Neal Evans and Eric Krasno in 1999 that has gone through the past two decades culminating in their own Seven time residency at the historic Brooklyn Bowl in Williamsburg. Dubbed as “Bowlive”, it brings all of the best musicians on the scene today to collaborate with Alan and his Buddy Miles like vocals and drumming on “Them Changes” for each one over the years.
NYS Music had some time to talk with Alan Evans about his musical experiences over the career, Here is the Conversation:
Matthew Romano: Where was your first collaboration with Sam Kininger who became an instrumental part of Soulive?
Alan Evans: So… Soulive started in 1999 and Sam came and was part of the Lettuce crew at Berklee at the time, So literally all of our early gigs were with Sam, I remember the first time we played with Sam was at House of Blues in Cambridge, Mass in 99’ and Kraz was like “Oh my boy Sam is gonna come through and play” “and we were like all right cool whatever” Then we recorded on from there with two great records in Woodstock with him
Alan Evans, Sam Kininger
MR: Jumping from House of Blues on the East Coast with Sam K to the House of Blues in Los Angeles on the West Coast in 2005 where Stevie Wonder was in the crowd for your set and then joined for the encore on “Jesus Children of America” Did you know he was in attendance and was gonna close the show out with you?
AE: We had no idea he was there that night, we finished our last song and left the stage he was there and wanted to sit in with us, so um when we went to play as usual, the funny thing is at that point and time we played Jesus Children a lot. Especially for an encore ,we played it to get into a groove in the set list on tour so we were probably gonna do that any way. They said his driver had to get his harmonica out of the car, so basically we went on and were just stalling and started playing and I look over and saw him on the side stage and the people gave me the thumbs up and I introduced him, and he came out so yea it was pretty wild.
The funny thing it was the first time I ever saw Stevie Wonder live and they set him up right next to me. I thought he was gonna come on and play harmonica and leave , he’s not gonna sing and split, he comes out and the first thing he does is start to blow the harp, ok just as expected and then we got in to it and were grooving pretty hard, his solo came to and end and then started singing!
MR: In 1972 Stevie Wonder opened for the Rolling Stones, Soulive opened for the Stones on a couple different occasions, In Philadelphia you did for an intimate Tower Theater performance at a three thousand capacity venue . Any cool takeaways from that infamous backstage scene with them?
AE: A lot of funny stuff happened with the Philly show, like some Planes, Trains and Automobiles kind of stuff, So this is pre uber days and we landed at the airport and were cutting it close for soundcheck, a car pulls up that can finally brings us but we had gear and needed a van but couldn’t get one…the catch is that he has like a bag of trash that he ended up strapping to to the hood so we can all fit in and brings us to the venue where we tried to keep a low profile to get dropped off away from the Stones tailgate around the corner
So we got inside and did a soundcheck and hung out downstairs and was used to the typical go back to the hotel to chill before playing, that wasn’t the case the with Stones since it was such a mob scene they couldn’t leave either so we were all just hanging out
Backstage: Soulive and The Rolling Stones
We couldn’t leave, we were just there hanging out in our green room which had catering and a cavernous hallway leading to it. I remember Kraz and I were sitting by the door and ah Neal and I were on the couch too. But anyway Kraz is in this other chair by the door , all of a sudden someone kicks in the door , and the it flies open and BAM! I mean it was loud as hell , I mean what the fuck is going on? And in comes Keith Richards who just kicks the door down and walks in and goes I heard one of you is from Connecticut ?! So Kraz was from CT and Keith lives in Connecticut and they talked for a while and then Keith just splits
So we opened and were just up there doing our thing , some people in the crowd were checking it out, the other were just rolling their eyes and the thing is I looked to my right and all of them were hanging out like listening. All the Stones were posted up the whole set, they were digging the shit out of it, so um that was fine, we came off on time and they were like just like damn we got to work tonight, and i’m like OK cool
MR: After seven Brooklyn Bowl Residencies, is it even possible to pick a stand out moment with all those collaborations with every great artist over the years ?
Bowlive Poster & Setlist
AE: Man that’s a really good question, so much of it is , it seems like every year there is a moment like wow I can’t believe this is happening
I remember the set with Bernie Worrell and we did a like whole P Funk thing, I wasn’t even playing drums on that, it was me Kraz and Shmeeans playing guitar, I remember soundcheck and were running through the tunes with him, and were like damn this is Bernie, and we knew him for years but this is the first time we’ve played him, but it the was also the ideal time to realize this dude is a living legend, that was one experience I remember being insane
I grew up listening to P Funk, our older brother was way in to to them , hes 65, so he literally experienced them in 1977 when they were touring and saw them live landing the Mother Ship
MR: I’ve seen you play at Madison Square Garden, that being every artist’s dream venue in the State to play, are there any other venues in New York you have fond memories of?
AE: Its tough to beat the Garden, but ya know SPAC right? Yea man i have a sweet spot in my heart for that place man, Peter Prince my band mate in Moon Boot Lover back in the day is from from Saratoga Springs, His father is a really great artist, so for Jazz Fest we’d always get his dad’s vendors pass there. I saw some great shows and actually Soulive got to play there one year for the festival. There’s definitely something special about that place and I’d love to perform there again actually
MR: It was last Valentines Day at the Tralf in Buffalo seeing you perform with Soulive, it’s been almost a year since you were able to play live in front of sold out crowds pre pandemic, what is the expectation on live music for yourself in 2021 during these new times?
AE: That was my last run. We did the The Tralf, Pittsburgh ,The Capitol Theater and Boston. We had the most Soulive shows lined up till August for the first time in years. People have hit me up since, but I’m in no rush. I have been doing a lot of recording at my studio in the meantime. But I reflected in the beginning of the pandemic while my wife and I were out for a walk. I thought this would be a thing possibly for a while. I remember saying I don’t know how long this would last but at the end of it when things open back up that I didn’t want to not do anything or wish I did more. During this time I’ve looked at my life if I never would do a live show again. I’m not gonna sit around and be bummed out’ about it
MR: My final question to Alan was drummer to drummer, relating to the same concept , that there is a silver lining to be had during these times, for me I was able to collaborate with musicians that would normally be on the road or with other projects who are now available to jam and Alan’s reply was much obliged.
AE: Exactly man, yea for me you’re so right, it’s just how you look at it. My Father said it the best, its simple there’s two ways to looking at things, you can be positive or be negative, and so of course we all know the negative of the pandemic so we don’t have to talk about it, but its like with in that though I think good. I’ve been really positive. I’ve been making music and can spend time with my family. For me its like a cleanse, to really look at my life, I can’t just do any old gig , I just take everything away and have time to step back and feel what’s really important. What do i want my life to be about? Thats what been a positive for me and I hope it’s like that for a lot of people.
MR: I just scooped Rick James and Stone City Band “Bustin out of L Seven” on Vinyl, are there any recordings from your fellow Buffalo native that stick out?
AE: Man…that’s a really tough one. I mean this really does, you kinda cant go wrong. That’s a dope record
Check Out Soulive’s last home show on Valentines Day in Buffalo, New York on February 14, 2020.
Upstate New York join forces in the latest single by burgeoning rapper, Baddnews. The Syracuse native has recruited Griselda and Buffalo’s own, Benny The Butcher for this catchy, up-tempo record about pushing through the treacheries of the street life, in pursuit of more prosperous times.
After all, adversity is nothing new to the rising rap star, after facing a barrage of drug trafficking charges, the former Rhythm + Flow contestant has made a triumphant return to music with this latest release. His recruit? One of the faces of the Upstate New York rap scene responsible for bringing the city of Buffalo to prominence, along with his fellow Griselda cohorts.
The duo shares similar backgrounds, growing up in rough, urban neighborhoods, mired in violence and drug use. Their attempts at financial prosperity landed them in trouble with the law, before deciding to hone their craft and use that as their golden ticket out. With Baddnews gaining traction as an artist, he can always look to his counterpart and know that there is a future beyond the streets.
Our visions weren’t equally aligned, to chase my dreams I had to leave the streets behind.
Baddnews
Baddnews
Known for his detailed recounts of his time in the streets, Benny The Butcher is the perfect opposite to Baddnews on this record. While the song sees the latter look towards a more promising future, the former spends his verse poignantly recounting the roads traveled that made him a successful rapper.
Drop elbows like Randy Savage to count up Andrew Jackson’s.
Benny The Butcher
Benny the Butcher
“This record with Benny holds a different level of importance, because not only is he one of the hardest lyricists in the game right now, but he’s also from upstate NY just like me” Baddnews commented. “This is just the beginning and I can’t wait to show the world what else I have in store this year.”
On Friday, March 12, Madison VanDenburg will kick off NYS Music in Motion Season 2, when she sits down with our host, rocker Frank Palangi.
Sponsored by Helping Friendly Salve, the series brings together seasoned musicians who hail from the Empire State or have made New York their home, alongside Palangi, a Warren County native.
Tune in starting on Friday, March 12 and every other Friday for each installment of Music in Motion on the NYS Music YouTube, IGTV and Facebook page. New for Season 2, you can catch all episodes on the JamCast Network.
Palangi will have a sit down conversation with each artist, with a first season lineup that includes the following musicians from across New York. A homegrown indie rock recording artist, singer, songwriter, and guitarist, Palangi fuels his positive ambition naturally by serving up a feeding frenzy of edge heavy guitars, with a side of deep, gritty vocals. With a no-quit mentality, Palangi draws on influences from 80s & 90s rock, including post-grunge and heavy metal.
NYS Music in Motion Season 2 Schedule
March 12 – Madison VanDenburg March 26 – Scott Hannay April 9 – Moriah Formica April 23 – Donny Frauenhofer May 7 – Sirsy May 21 – Lowell Wurster
Evan McPhaden, bassist of Aqueous, spent 2020 staying productive amid limited live performances. He started early out in quarantine working on a solo side-project, Fluffy Fingers, and it’s one of the best albums you’ll hear in this nascent 2021.
If you’re looking for an album of soothing tracks that fit neatly into a Lo-fi beats playlist, Fluffy Fingers is for you. Six tracks of instrumental goodness are found in the vein of Poolside and a consistent groove that does not slack on any given track.
Compared to energetic Aqueous performances, McPhaden contrasts his typical comfort zone, bringing mellow yet engaging sounds to the listen for just under a half-hour. Evan invited fellow Aqueous bandmate Mike Gantzer to play on “Summer Pool 104” as well as Turkuaz‘ Craig Brodhead to join in on “Chai,” making this collaborative effort even deeper despite the distance between them.
McPhaden spoke to NYS Music about the album and revealed The Office connection to the project name.
Pete Mason: When did you start on the EP? Was this a project in works prior to pandemic or something that generated from the shutdown?
Evan McPhaden: I started working on this project about a month or two into the shutdown. I’ve always wanted to release my own personal music and it felt like it was a “now or never” moment. There’re so many memes about working on an EP and never putting it out, I had to do it. The shutdown was a unique time for everyone so it was nice to fill that time making music.
PM: What artists influence the style found on the album? I hear some Poolhouse and Tycho influence.
EM: That’s funny you mention Poolside because that was definitely an early influence on this project. The first song I wrote for this EP (coincidentally the first on the EP as well), which features Mike, totally has a Poolside influence. I also love Bonobo and was thinking of his vibe through this. Over the pandemic, I binged on instrumentals as well. I can put on the “lo-fi beats” or “jazz vibes” playlists on Spotify and listen to those for hours. So a lot of this EP has that vibe of influence over it.
PM: Where did the name Fluffy Fingers come from?
EM: Originally, I was thinking I would use something from Buffalo. I had the name “hoyt” because I live right next to Hoyt Lake. But it wasn’t sticking and I began to think about other things I love. I’m a huge fan of “The Office” and watch it way too much. I thought if I could find something from the show I’d love that. Micheal Scott goes to Darryl for some advice for what to do if someone disses you. Darryl uses the term fluffy fingers which he says “That’s when someone really gets in your face, you know you just, start ticklin’ ’em.” Part of putting out this music and creating it was to have fun with it, not over think it and just enjoy creating it. I thought the name and reference just reflected that and it felt right.
January 15, 2021 marks the release of the single, “Seepin’,” from long-time Buffalo jam band veterans Organ Fairchild. While the members of the band have a history on the jam scene dating back 40 years, this is the first original music from the trio.
Organ Fairchild formed last winter and their debut performance came just before COVID-19 hit the world. Undeterred, the band performed outdoor shows, creating a buzz in Buffalo that was palpable. I caught wind of the band from Buffalo-area friends that saw them perform from a house while fans sat across the road in a socially distanced way. Whatever it takes to get the music out there.
Cited by The Buffalo News as “an incredibly hot new Buffalo band,” Organ Fairchild’s “Seepin’” precedes a full-length album tentatively scheduled for release in May of 2021. The single was mixed by Corey Kertzie (drums and percussion) and Dave Ruch (guitar) and mastered by Alan Evans of Soulive.
“Seepin’” features a groovy, funky feel that is right at home in the jam music genre. Joe Bellanti’s soaring organs and keyboard work are transportive. All three members of Organ Fairchild have such a great feel for each other, indicative of their many years experience that most new groups rarely find right away.
As the music industry recovers from the setbacks from Covid, keep your eyes out for Organ Fairchild. They’ll be jamming and you’ll be dancing and smiling.
