Category: Regions

Halsey Surprises SNL Audience With Lindsey Buckingham

Halsey performed two songs on last night’s episode of Saturday Night Live, with influencer and reality star Kim Kardashian West as host.

The episode’s cold open depicted the Facebook whistleblower hearing, with an appearance from Pete Davidson as Tom from Myspace. Last week, former Facebook employee Frances Haugen alleged that the company’s properties “harm children, stoke division and weaken our democracy.”

Kim Kardashian West’s opening monologue came next, and it exceeded everyone’s expectations. Fully conscious of the backlash to her hosting, she roasted her equally polarizing family to appeal to her critics. Between her sisters, Kanye West, and Kris and Caitlyn Jenner, no one was safe. Kardashian West appeared in many skits throughout the night, such as Princess Jasmine in a parody of Disney’s Aladdin, and a Freaky Friday-inspired sketch with Aidy Bryant.

Other celebrity guests included Chace Crawford, Tyler Cameron, Blake Griffin, SNL alum Chris Rock, Jesse Williams, John Cena and Amy Schumer, all as Kardashian’s potential suitors in a The-Bachelorette-meets-Squid-Game reality show sketch.

Around the episode’s halfway point, Halsey performed her first song. “I Am Not a Woman, I’m a God” is the lead single from her latest album, If I Can’t Have Love, I Want Power. While Halsey’s music has always had a dark bent, her latest effort is a major step up. It’s far more experimental and risky than her past work, with Trent Reznor and Atticus Ross on production duty. “I Am Not a Woman, I’m a God” in particular is a dead ringer for Nine Inch Nails’ “Closer.”

https://www.youtube.com/watch?v=bwiasA-IGCs

Weekend Update was less eventful than in last week’s premiere, but Michael Che managed to get in a good dig at the evening’s host.“This week Instagram was down for an entire day, forcing many Instagram addicts to fill their time with Twitter, TikTok or hosting SNL.”

Halsey concluded the episode with “Darling,” one of If I Can’t Have Love, I Want Power’s warmer and quieter moments. Accompanying her was surprise guest Lindsey Buckingham of Fleetwood Mac, and she deliberately styled herself to resemble Stevie Nicks. “Darling” is dedicated to Halsey’s first child, born last July.

https://www.youtube.com/watch?v=H099BjA6FKk

No Time To Die star Rami Malek is hosting next week, with rapper Young Thug joining him as the musical guest.

October 10, 2021
In Focus: Miles Francis at Baby’s All Right
Miles Francis captivated their late-night audience on Wednesday, October 6, at Baby’s All Right. Originally set to perform at 10 p.m., scheduling delays led to a slightly later start to the already late-night show. Despite the wait, the audience at Baby’s All Right was buzzing.

The New York City native lived up to their reputation as one of the best-kept secrets of the local music scene. The show began with Francis walking through the crowd and jumping on stage enveloped in a silver morph suit. An intrigued audience watched as Francis acted out hurriedly ending a phone call.
After quickly unzipping their morph suit, Francis and their supporting band jumped into an energetic opening number. Francis performed a carefully curated mix of their discography, making sure to perform their two latest releases, “Service” and “Popular.” With their effortless dancing and humorous stories rounding out the set, it’s clear that the stage is a second home for Francis.

Miles Francis is currently working on their debut album, set to release in late 2021. Listen to his latest single, “Popular” here.
October 9, 2021
Acid Dad Gives Psychedelic Performance New Meaning at Bug Jar in Rochester

Alternative-rock band Acid Dad made a stop in Rochester at Bug Jar on Tuesday, October 5, as part of their Fall 2021 tour. Many avid fans gathered in the well-renowned venue to see the group perform.

Photo Credit: Maddie McCafferty

The rock-n’-roll fanatics The Ginger Faye Bakers opened up the show with their head banging tunes. The trio paid homage to heavy metal in their set while incorporating a modern sound. Acid Dad later took over the stage by opening with the song “Drone.” The group consists of singer-guitarists, Vaughn Hunt and Sean Fahey, and drummer Trevor Mustoe. Zoltán Sindhu played alongside them as well. Immediately, the audience transcended into their psychedelic ambience. With the addition of their trippy visuals, they lived up to their enthralling band name.

Photo Credit: Maddie McCafferty

The Bushwick natives played several of their most popular hits off their latest album Take It From The Dead, some of which includes “BBQ,” “She Only Eats Organic,” and “Searchin.” The Bug Jar’s kaleidoscopic atmosphere meshed perfectly with Acid Dad’s set. The fresh sound from the group rippled through the underground setting giving fans a great fall show.

Photo Credit: Maddie McCafferty

A year ago, Acid Dad spent time independently producing all their own music and art. From building a new studio space to even building their own guitars, this band has continued to fiercely go after their desires. This tour is the start of a new era for Acid Dad.

Photo Credit: Maddie McCafferty

Make sure to check out upcoming shows at the Bug Jar. The Four Horsemen perform on October 14 and The Shivas do on October 15. Tickets are available here.

Photo Credit: Maddie McCafferty

Acid Dad – Bug Jar, Rochester – October 5, 2021

Setlist: Drone, Bada Bing, RC Driver, BBQ, Searchin’, Living With a Creature, She Only Eats Organic, Dissin’, Get Me, Don’t Get Taken, Die Hard, Mr. Major, Djembe

October 8, 2021
Tedeschi Trucks Band Welcomes Special Guests for Night 5 Of Tenth Beacon Run
The Tedeschi Trucks Band continued their fall residency tour at the Beacon Theater on Wednesday making it their 43rd Show at the historic venue. Special guests Jorma Kaukonen and Marcus King sat in with the full 12-piece band on their material and incredible covers by great blues artists.

TTB opened their set with a spectacular cover of The Lovin Spoonful’s “Darling Be Home Soon.” After that, they performed “Signs, High Times” off their most recent album with Mike Mattison and Susan trading lead vocals. Derek stepped in with an incredible guitar solo that left the crowd awestruck.

Another highlight of the night was a cover of The Allman Brothers Band “Don’t Keep Me Wonderin” with Gabe Dixon on lead vocals. Once again Derek’s guitar playing was masterful and left me with chills. For me it’s a bit nostalgic to see an Allman Brothers tune played at this historic venue where so many legendary ABB shows have taken place.

After the band performed “Hear Me” and “Do I Look Worried” they brought back Jorma to the stage for two more songs. The first was a Bob Dylan cover of “Don’t Think Twice, It’s Alright” with Derek trading guitar licks with Jorma who I’m sure is one of his heroes based on the expression he had on his face. The next song they performed was another cover, this time of Charles Segar’s “Key to the Highway.” Once again, Mike Mattison stepped up with extraordinary vocals while Jorma and Susan traded licks and Derek closed the tune with his renowned slide guitar. Jorma got a much deserved standing ovation as he left the stage.

Rising star Marcus King made a surprise appearance for a blues heavy performance of Sleepy John Estes’ “Leaving Trunk,” also featuring Mattison on vocals. King also stuck around to perform a cover of Rahsaan Roland Kirk’s “Volunteered Slavery,” a tune originally recorded in 1968. Marcus also received a huge ovation from the sold out crowd at the conclusion of the song.

To end this incredible evening, the band pulled out a cover of George Harrison’s “Isnt It a Pity” and a Derek Trucks Band Cover of “Get What You Deserve.” There are still two more Tedeschi Trucks Band Beacon shows left on this run, but TTB has shows scheduled through 2022. You can see the complete list of upcoming shows here.

Setlist: Darling Be Home Soon (The Lovin Spoonful), Signs, High Times, High and Mighty, It’s So Heavy, I Know (Derek Trucks Band), Right On Time, Don’t Keep Me Wondering (The Allman Brothers Band), Hear Me, Do I Look Worried, Don’t Think Twice, It’s Alright (Bob Dylan)(with Jorma), Key to the Highway (Charles Segar)(with Jorma), Midnight in Harlem, Leaving Trunk (Sleepy John Estes)(with Marcus King), Volunteered Slavery (Rahsaan Roland Kirk)(with Marcus King), Bound For Glory, Isn’t It a Pity (George Harrison), Get What You Deserve (Derek Trucks Band)
October 8, 2021
Trombone Shorty celebrates Long Weekend at new Brooklyn Made Venue

Trombone Shorty and Orleans Avenue put on two soul crushing shows at the brand new 500-person capacity Brooklyn Made stage to start this week. The club just opened on September 30 and this was the band’s third and most intimate New York show this year, having performed in Rochester at Manhattan Square Park in August and Brooklyn’s Prospect Park in September.

photo by Russell Mangicaro III

New Orleans legend Tony Hall told NYS Music in August about Troy Andrews. “We have known Shorty since he was young. Coming up he’s always been extremely bad ass. In the beginning he used to do some shows with us and then did his own shit. Then blew up. He’s the man and puts on a hell of a show. Phenomenal player on the trumpet and trombone. It’s like nobody can touch him. But he also plays everything else like drums, keyboards and sings.”

The Orleans Avenue Band – guitarists Pete Murano and Joshua Connelly, sax-men Dan Osteicher and BK Jackson, drummer Joey Peebles and bassist Mike Ballard, and vocalist Tracci Lee – all took center stage at Brooklyn Made on top of the speakers throughout the show. They made the new Bushwick club feel like the historic Tipitinas in New Orleans.

Shorty opened the show asking for assistance in getting his heart back on “Where it At?” “I tried to find you, baby, did my best, But love don’t come with any GPS.” They brought it from the East River to the Mississippi with a Meters cover of “It Ain’t No Use” and Allen Toussaint’s “On Your Way Down.” Trust me when I tell you their approach on these tunes was truly an explosive expression on funk classics. The Shorty original “The Craziest Thing” is another call out to the lovers in the crowd. “Ask me to bring you the moon, I’ll put the sky in your room, I’ll die trying.” The highlight of the night occurred during the Ernie K. Doe New Orleans classic “Here Come the Girls.”

photo by Russell Mangicaro III

Mid-groove on “Uncle Potato Chip,” sax player Dan O took the song to another galaxy and back on baritone before the closing verse. “Fire on the Bayou” helped keep the Cajun sounds sizzling.

Trombone Shorty first took the stage at four years old with Bo Diddley at the 1990 New Orleans Jazzfest. 31 years later he was bouncing his solos off all the other band members like a true front man. It also came as no surprise that sax player BK Jackson used to play with Prince. Joey Peebles took his only break of neo soul drum beats for the night, with Mike Ballard and Shorty sharing syncopated bass and trumpet solos on stage that took you back to Birdland.

Vocalist Tracci Lee’s backing soul helped bring every song full circle exchanging tambourines throughout. Guitarists Joshua Connelly and Pete Murano electricity was directly plugged into your head on the Brooklyn Made stage. Tuesday night’s show had a Red Hot Chili Peppers musical intro as a nod to his tour with the group in 2016 opening for them at Madison Square Garden and Buffalo’s KeyBank Center. He brought the crowd back to his first record Backatown with the track “Suburbia.”

Ray Charles’ classic “I Got A Woman” on Tuesday night was a standout as well. In true New Orleans fashion, they closed both nights with Shorty’s “Hurricane Season” mixed with “When the Saints Go Marching In” that sent the crowd strutting back into the Bushwick scene.

A Monday and Tuesday night with Trombone Shorty at Brooklyn Made like this really made his tune “Long Weekend” resonate – “Cause you never know what could happen on a long weekеnd…” Trombone Shorty and Orleans Avenue head back to New Orleans on Monday, October 11 for his first ever “Shorty Fest.”

Photos by Russell Mangicaro III

October 8, 2021
David Alan Miller Discusses his 30th Season with Albany Symphony, Returning October 9 at The Palace Theatre

Albany Symphony Music Director David Alan Miller will return to the Palace Theatre stage on Saturday, October 9 for the start of Miller’s 30th Anniversary Season. The program features Ludwig van Beethoven’s beloved Symphony No. 3, “Eroica,” as well as Jean Sibelius’ Lemminkäinen Suite, and Coincident Dances, by composer Jessie Montgomery.

Patrons are welcomed back to Albany Symphony performances for the first time since Spring 2020, with extra precautions in place for everyone’s health and safety, in response to the ongoing COVID-19 pandemic. The concert, along with all Albany Symphony subscription concerts this season, is also being streamed live online to increase access for patrons who cannot attend in person or live too far away to come to the concert hall. Tickets, including live stream access, start at $20 and are available at albanysymphony.com.

We are so thrilled to gather again, and to be able to make beautiful music with and for our patrons and friends here in the Capital Region and beyond .This season is a special one for us. The musicians and I can’t wait to share this program celebrating heroism, community, and the healing power of great music with you.
David Alan Miller

The opening night program will include Beethoven’s “Eroica,” a symphony that launched the “heroic” middle period of the composer’s career and pushed the boundaries of the symphony form. Sibelius’ “Lemminkäinen Suite” brings Finnish folktales of the eponymous hero from the Kalevala to life in vivid musical vignettes. “Coincident Dances” by Jessie Montgomery, who is a frequent Albany Symphony collaborator, and draws from her life experiences in thoughtful and captivating ways.

Coincident Dances is inspired by the sounds found in New York’s various cultures, capturing the frenetic energy and multicultural aural palette one hears even in a short walk through a New York City neighborhood. The work is a fusion of several different sound-worlds: English consort, samba, mbira dance music from Ghana, swing, and techno.
Jessie Montgomery

Ahead of the Albany Symphony’s return this week, Conductor and Music Director of the Albany Symphony Orchestra, David Alan Miller, spoke with NYS Music about the upcoming season, the story behind his musical selections, and what he loves about Upstate New York.

Pete Mason: You were music director for the New York Youth Symphony in the mid 1980s. How do you recall the transition from the LA Philharmonic to New York?

David Alan Miller: The transition to the Capital Region was easy; we’d always wanted to come “back east” after our 5 years in L.A. We felt a little trepidation because there were so many fabulous restaurants serving foods from around the world in L.A. But we discovered that there was at least one excellent restaurant serving each cuisine here, and that was all we needed.

PM: The program for the 30th season celebrates heroism, community and the healing power of music. Where did these themes arise from, and what music represents each of those themes?

DAM: We wanted to design a season to celebrate all the things live music can do, the things we’ve missed so much during the pandemic. So, we programmed lots of the most iconic works of the repertoire, from Beethoven’s “Eroica” on the first concert to Brahms, Tchaikovsky, Mozart, Gershwin, etc. on our subsequent concerts. In addition, we included works by our favorite living composers, and lots of passionate, brilliant solo artists. Everyone is hungering for comfort and spiritual uplift after the difficult 18 months we’ve experienced, and we hope our concerts can give that.

PM: In addition to conducting the ASO, you are also Artistic Advisor for the Little Orchestra Society in NYC, as well as Artistic Director for the world music festival “New Paths in Music” from 2006-2012. How did you first begin working with these groups?

DAM: I was asked to conduct some of the Little Orchestra Society’s concert about 6 years ago, and have been doing so ever since. L.O.S. is an amazing institution which normally runs 900 in-class workshops each year, teaching elementary students how to compose music, as well as presenting marvelous family concerts throughout the season.

PM: The American Music Festival celebrates up and coming conductors. How do these conductors arrive on your radar, and how do you go about curating this event each year?

DAM: Composers. I have a wide network of composer friends, professors, industry professionals, etc, who are always keeping me updated on the most interesting composers coming out of graduate programs and working around the country. Each festival is curated around a theme. This year it’s “Trailblaze,” a festival celebrating our new 750-mile-long Empire State Trail connecting communities across New York State. I’ve commissioned a whole bunch of composers to create new works inspired by aspects of the trail, our history, communities, the natural world. It’s going to be amazing!

PM: You’ve live in Slingerlands, and presumably have lived in Upstate NY for many years. What are some of your favorite non-music getaways within New York State?

DAM: I love all aspects of Upstate NY. I’m an avid amateur cyclist, so I’ve been riding the Empire State Trail recently, discovering areas I’d neve known existed, beautiful places like the trail connecting Troy through Kinderhook to Hudson. I’ve done a little riding down around New Paltz and Hopewell Junction, and am eager to explore that part of the Trail more fully. My ambition is eventually to ride virtually the whole Trail, from Buffalo to NYC at least.

PM: Do you have any favorite music venues, state-wide or world-wide, that you have enjoyed conducting or seeing performances at?

DAM: Well, I always get goosebumps when we play at the Troy Savings Bank Music Hall, which is defintiely one of the greatest acoustical spaces for live music in the world. I’m also partial to the Hollywood Bowl and Carnegie Hall, the two venues where I essentially “grew up” musically. I conducted three concerts annually at Carnegie when I led the New York Youth Symphony, and conducted many, many concerts at the Hollywood Bowl when I was the Associate Conductor there. I also love all our spaces here in the Capital Region: EMPAC, the Palace, and all the others. We are so lucky to have so many great venues for live music!

The Albany Symphony has adopted health and safety protocols for the wellbeing of all patrons, musicians, and staff in accordance with local guidelines and in coordination with partner venues. From now until the end of November 2021, patrons are required to present proof of full COVID-19 vaccination and matching ID upon arrival, or, alternatively, proof of a negative COVID-19 PCR test result taken within 48 hours of the event. Patrons are required to wear masks while indoors, regardless of vaccination status. These measures are implemented for the safety of patrons and may be extended or amended at any time if guidance or regulations change.

October 8, 2021
MVW and Lex Luger Deliver CLASSIC$

Opposites come together for a harmonious result on the first collab album between classical music composer, Michael Vincent Waller (MVW) and multi-platinum hip-hop producer, Lex Luger. Together, the duo combine to release a one-of-a-kind project. The 8-song LP sees them explore a sub-genre that has yet to be saturated and could possibly be the foundation for a brand-new wave of innovation.

The combination of course is the fusion between elements of classical and trap music where the former, which is considered formal, traditional and tedious, meets the laid-back, seemingly careless and braggadocious sub-genre of trap music.

I want to take the same attention to detail associated with classical and chamber music and apply it to one of the most viable, listenable, and casual genres, i.e. trap. It’s got freshness and energy, but there are a whole bunch of nuances and details you don’t typically hear in modern rap. I’m trying to take the best of both worlds.

MVW

Hailing from Staten Island, MVW has always been a hip-hop enthusiast and he developed a passion for classic hip-hop such as Wu Tang Clan, The Notorious B.I.G. and A Tribe Called Quest. As a classical composer, his music filled venues such as Carnegie Hall, ISSUE Project Room, Rouleee and Palais de Tokyo Museum. At the same time, he often listened to Biggie and Wu Tang for inspiration while composing.

When he began making his foray into the world of hip hop, he recruited Lex Luger to play his counterpart. Although the “Round Of Applause” producer is diversified in his own right, his production still contains trap elements (such as his distinctive snare drum and ihats) that make his presence on CLASSIC$ invaluable.

Working on this project was definitely a little challenging. Being in a comfortable zone is cool, but nothing ever grows there. That being said, working on this project helped me try new things and ultimately, I feel like it just made me a better producer.

Lex Lugor

The album is curated with artists that not only correspond with the suis generis blend of styles but thrive on it. Jamaican artist, Shanique Marie, brings much-needed energy. Southern Songstress, Jaydonclover — whom MVW discovered from a WIRE Magazine review — is featured on three of the tracks and since the classical instrumentation already perpetuates a solemn feel, her soulful croons become one with the music. Trap connoisseurs Duke Deuce and Lil Gotit also make appearances, while Good Music artist, Valee — who is featured throughout the album — is the missing link that connects everything, effortlessly riding each beat as he maintains the California cool of a long beach surfer with each luxurious idiom he drops.

I’ve been composing for 15 years, but I’ve been listening to hip-hop for 20 years. Somehow, they inform each other in my head. This project was a long-time brewing. I’m coming full circle

CLASSIC$ can be streamed here.

October 8, 2021
Red Hot Chili Peppers Announce 2022 World Tour

Red Hot Chili Peppers have announced their 2022 World Tour including a stop in East Rutherford, New Jersey on October 7, 2021. The tour will start in Seville, Spain on June 4, 2022 and will wrap up in September 18, in Arlington, Texas.

The tour will include singer Anthony Kiedis, bassist Flea and drummer Chad Smith and guitarist John Frusciante, who rejoined the band in 2019 after a 10-year absence. The band made the announcement via a spoof news video featuring Anthony Kiedis, Flea and Chad Smith interviewing Frusciante about the prospect of the tour as news anchors. The tour will include lots of supporting acts including big names like The Strokes, HAIM, A$AP Rocky, and St. Vincent.

Red Hot Chili Peppers have been teasing a new album in the works earlier this year with John Frusciante back on guitar. There hasn’t been any more news on this album but with a world tour announcement there is hope it will drop before the start of a tour.

The band will stop in East Rutherford at Metlife Stadium on August 17, 2021. The Strokes and Thundercat will be opening this stop of the tour.

Tickets will be going on sale at 10 AM on October 15, 2021 and can be purchased here. People with access to the presale after 10 AM will be able to purchase tickets on October 8. People can gain access to the presale by pre-ordering the band’s new album, set for release in 2022, here.

For more information on Red Hot Chili Peppers 2022 tour visit their website.

Red Hot Chili Peppers 2022 World Tour Dates

Europe

Sat Jun 04 – Seville, Spain – Estadio La Cartuja De Sevilla=

Tue Jun 07 – Barcelona, Spain – Estadi Olimpic=

Fri Jun 10 – Nijmegen, Netherlands – Goffertpark=

Wed Jun 15 – Budapest, Hungary – Puskas Stadium=

Sat Jun 18 – Firenze, Italy – Firenze Rocks (festival date)

Wed Jun 22 – Manchester, UK – Emirates Old Trafford=

Sat Jun 25 – London, UK – London Stadium~

Wed Jun 29 – Dublin, Ireland – Marlay Park~

Fri Jul 01 – Glasgow, UK – Bellahouston Park~

Sun Jul 03 – Leuven, Belgium – Rock Werchter (festival date)

Tue Jul 05 – Cologne, Germany – RheinEnergieStadium=

Fri Jul 08 – Paris, France – Stade de France~

Tue Jul 12 – Hamburg, Germany – Volksparkstadion=

North America

Sat Jul 23 – Denver, CO – Empower Field at Mile High*

Wed Jul 27 – San Diego, CA – Petco Park*

Fri Jul 29 – Santa Clara, CA – Levi’s Stadium+

Sun Jul 31 – Los Angeles, CA – SoFi Stadium+

Wed Aug 03 – Seattle, WA – T-Mobile Park^

Sat Aug 06 – Las Vegas, NV – Allegiant Stadium^^

Wed Aug 10 – Atlanta, GA – Truist Park^

Fri Aug 12 – Nashville, TN – Nissan Stadium^

Sun Aug 14 – Detroit, MI – Comerica Park^

Wed Aug 17 – E. Rutherford, NJ – Metlife Stadium^

Fri Aug 19 – Chicago, IL – Soldier Field^

Sun Aug 21 – Toronto, ON – Rogers Centre^

Tue Aug 30 – Miami, FL – Hard Rock Stadium^

Thu Sep 01 – Charlotte, NC – Bank of America Stadium^

Sat Sep 03 – Philadelphia, PA – Citizens Bank Park^

Thu Sep 08 – Washington, DC – Nationals Park^

Sat Sep 10 – Boston, MA – Fenway Park# (on sale date TBA)

Thu Sep 15 – Orlando, FL – Camping World Stadium^

Sun Sep 18 – Arlington, TX – Globe Life Field^

=with special guests A$AP Rocky and Thundercat

~with special guests Anderson .Paak & The Free Nationals and Thundercat

*with special guests HAIM and Thundercat

+with special guests Beck and Thundercat

^with special guests The Strokes and Thundercat

^^with special guests The Strokes and King Princess

#with special guests St. Vincent and Thundercat

October 8, 2021
Surfbort Out Release “FML” Music video Featuring Fred Armisen

Keep your calendars open for the new album from Brooklyn’s Surfbort, Keep On Truckin’, due out October 11. This release will be a little different from their others seeing as though now they have launched a partnership between legendary producer, composer and philanthropist, Linda Perry and SoundCloud/Repost. The band will be will be hosting a pre-save give away contest where three lucky fans who pre-save the album will be sent a care package.

If you have been following them, you’ll know that the band just released the music video for their latest single “FML” with someone you might know from Saturday Night Live. Aside form Fred Armisen’s glowing review he is also featured in their music video — just as how Fred Armisen in real life walks around doing good deeds, in the music video he then transforms into each member of the band, saving them from their extreme depression. Isn’t that what all comedians do?

Although Surfbort is a Brooklyn based punk band, their fan base rocks from coast to coast. Surfbort is accepting to all while radiating love and friendship. Their live concerts are incomparable, a punk environment with visceral guitar-shredding.

They are everything I want a band to be. I love their music, both on record and performed live. Just the right amount of chaos. And their sense of aesthetics is amazing to see. I am excited that they even exist. I love SURFBORT!

Fred Armisen

After speaking with lead singer Dani Miller, he comes to explain the “FML” single as an inside look on crippling depression. Suicide is one of the leading causes of death in this country and often goes unnoticed. That is, suicide ideation is extremely common, even amongst the band members of Surfbort. This pandemic has severed many’s mental health leaving people suffering and feeling alone. Miller encourages people to hold on and preaches the importance of reaching out to loved ones. He opened up on being an artist and drug addict/alcoholic while being bipolar, his past was filled with suicidal ideation. Even his aunt fell victim of suicide and not a day passes where he wishes that he could go back in time.

Fred Armisen poses as a hero in the music video, changing band mates perspective on life which he wishes Fred could be for his aunt. Fred radiates electric positive healing energy that he even missed a premier, rather transforming into each band member and even becoming Miller’s twin, complete with classic makeup while learning all the lyrics and instruments acting as an understudy. We all need a super hero or a strong support system to get us through tough times like these and countless other obstacles we may face and Surfbort only hopes that they can provide the support or encouragement to lean on our loved ones in our times of need.

Surfbort will be playing new music from their forthcoming album at the below upcoming tour dates, as the band tours across the US in Fall 2021.

Upcoming Tour Dates w/ Starcrawler
Oct 17th                                Eugene, OR                           Sessions Music Hall
Oct 19th                                Sacramento, CA                    Harlow’s
Oct 20th                               Berkeley, CA                          The UC Theatre
Oct 21st                               Los Angeles, CA                     The Regent Theater
Oct 22nd                              San Diego, CA                        Brick By Brick
Oct 23rd                               Tucson, AZ                            191 Toole
Oct 25th                               Dallas, TX                              Granada Theater

Special Events
Oct 27th San Diego, CA Casbah event for DC Shoes

Upcoming Tour Date w/ The Garden
Nov 4th Santa Ana, CA Observatory
Nov 5th San Luis Obispo, CA Fremont Theater
Nov 6th                   Felton, CA Felton Music Hall
Nov 7th San Francisco, CA Great American Music Hall
Nov 9th Portland, Oregon Hawthorne Theater
Nov 10th Seattle, WA The Crocodile
Nov 11th Boise, ID The Shredder
Nov 12th Salt Lake City, UT The Loading Dock
Nov 14th Denver, CO Marquis Theater

Upcoming Solo Shows
Nov 15th Fort Collins, CO The Coast

October 7, 2021
In Focus: Chris Stapleton “All American Road Show” at Bethel Woods

While I was driving up Route 17 to attend the Chris Stapleton “All American Road Show” at Bethel Woods, the rain was coming down like cats and dogs and squirrels and rabbits. With my windshield wipers on high, I started thinking of August 1969. Back then the heavens had opened up on a little music event at this same location. Maybe this was a good sign.

Chris Stapleton

The “Road Show “, which started in July, has been fluid with its opening acts. On this night Kendal Marvel, a gray bearded Honky Tonker, greeted the early attendees. He and his band delivered a short and driving set. “Low Down and Lonesome” had you moving your feet while “Gypsy Woman” took it down a notch reflecting on a transient love.

Kendal Marvel

Grammy nominated Margo Price followed. Price reached out to all in the house and took control of the stage. As she moved seamlessly between vocals, guitar, and percussion, Margo maneuvered from one end of the stage to the other in her knee-high black suede boots. Price’s set included “Tennessee Song” from Midwest Farmer’s Daughter and a cover of Leslie Gore’s “You Don’t Own Me.” Backed by a full band, including a three-guitar army and pedal steel, her execution was top notch reinforcing her well-deserved musical status.

Margo Price

Stepping out from the wings with a flashlight directing his path, Chris Stapleton centered himself on a dark stage. A man and his guitar. Then, a single spotlight illuminated him from behind setting the tone for his set. This was not about him, but about the music.

Stapleton opened with “Whiskey and You,” a raw look at the struggles of the heart. His full band then joined him on an elaborately constructed stage, which was not pretentious but built to enhance the journey. To his left and lending vocals, was Stapleton’s wife, Morgane. Randomly through the show, she would snuggle up close to Chris and caress the tall Kentuckian’s beard bringing about a joyful glow.

No BS. No fireworks. Just Chris Stapleton and his songs.

The two-hour set maneuvered through Stapleton’s catalog, and included songs from his 2020 Starting Over album.There was not a lot of banter from the singer songwriter enabling each song to resonate fully before the next began. Throughout the night a continuous flow of guitar changes and band configurations afforded each song the opportunity to shine brightly.

You could feel the depth of Chris’s deep, raspy timbre as he shared the challenges of the common man. With Stapleton’s encouragement, the house joined in on “Starting Over” giving this audience of sixteen thousand the opportunity to be one with the artist. At one point, Chris teased the crowd with a snippet of Skynyrd’s “Free Bird” before breaking into “The Devil Named Music.” Taking creative license with the iconic “Tennessee Whiskey”, Stapleton melodically introduced his band and brought the set to a close.

Chris Stapleton

The night concluded with a two-song encore. Beginning with the title cut from his debut album Traveler, citing “this was where it all began.” To close Stapleton chose “Outlaw State of Mind.” The song built up in intensity while performed. As it concluded, each musician with their instruments feeding back put them down on the stage floor and walked off. Sending the music into the ethos.

The deluge leading up to the show did not deter the sold-out audience. What they experienced was a well-constructed night of musical purpose. No BS. No fireworks. Just Chris Stapleton and his songs. Unadulterated for all to consume.

Kendal Marvel

Margo Price

Chris Stapleton

October 7, 2021