Category: Regions

  • Rita Ryan of WVKR Marks 300th Episode of LocalMotion

    Ever since übermanager Albert Grossman and his top client Bob Dylan moved up to Woodstock in the Sixties, the Hudson Valley has been a hot bed of popular music-making. It’s been the longtime residence of many of the best-known names in rock, folk and jazz and the site of a multitude of legendary recording studios where they waxed their classic albums. It’s also been home to an ever-changing array of clubs and tiny bars where the stars who call the area home can be found sharing their world class talent with intimate audiences.

    Since 2015, Rita Ryan has been passionately profiling this ever-evolving scene on LocalMotion, a weekly two-hour, free-form broadcast on Vassar’s non-commercial radio station, WVKR, 91.3 FM. 

    WVKR Rita Ryan

    Unlike some area shows that claim to be dedicated to “homegrown” talent (but are too often peppered with musicians from Austin, Nashville, Brooklyn and more in my listening!), Rita has kept her focus 100% local.

    The second hour of her weekly Wednesday broadcast traditionally features interviews with many of extraordinary music-makers who call the Hudson Valley their home.  Her guests have included Lovin’ Spoonful songsmith John Sebastian, jazz great Jack DeJohnette, dobro master Cindy Cashdollar, roots music maven Amy Helm, bass masters Tony Levin (King Crimson, Peter Gabriel) and Gail Ann Dorsey (David Bowie) and Stevie Wonder producer/electronic music pioneer the late Malcolm Cecil, to name just a few.  Rita also interviews stars who swing through so frequently for performances that they seem like locals, like the six-time interviewed Jefferson Airplane/Hot Tuna guitarist Jorma Kaukonen. 

    Ryan has also explored the local scene in interviews with club owners like Neil Howard of Colony Woodstock, Lizzie Vann of The Bearsville Theater and the late Tony Falco of Live at the Falcon.  She’s also talked with music producers/recording engineers like Jerry Marotta of Dreamland Studios, David Baron (The Lumineers, Lenny Kravitz) and Scott Petito (The Band, The Fugs, Mercury Rev).  And every week, she clues her audience in on the best live music coming to area venues, shows that she will often be frequenting herself.

    The first hour of LocalMotion is dedicated to spinning a truly diverse selection of new sounds from local musicians.  Her playlist spans rock, blues, folk, Americana, rockabilly, jazz and even the occasional electronic and experimental offering.

    Earlier this month, Rita celebrated her 300th episode with a return interview with her first guests, Larry Campbell and his partner Teresa Williams.   Here is a look at the past and what’s ahead for Rita and LocalMotion.  

    WVKR Rita Ryan

    Sal Cataldi: To begin, what is your connection to the Hudson Valley?

    Rita Ryan:  I consider myself a native to the area. I moved to Tivoli in Dutchess County in 1972 while in elementary school. I was born in Long Island and then my family moved to Germany, where I went to school through 2nd grade. My mom was from Germany as are most of my entire family, and for the exception of one cousin, they all still live there.

    My interest in music started with my mother. There was always music on in the house. She listened to classical and German music and I remember Engelbert Humperdinck, Frank Sinatra, Glen Campbell and others being played on either albums or cassettes.  As a young teenager, I would spend my weekly allowance by going to Caldor in Kingston on a Friday night to buy vinyl or a book.  The first album I bought was Tapestry by Carole King.

    SC:  How did you connect with WVKR?

    RR:  I began working at a commercial radio station in 2010 doing advertising sales.  I had no intention or ever thought of being on air.  At one point, the station where I was working was holding a contest.  We planned on doing a one-hour live broadcast at a remote store location to announce the winner.  No DJ was available to go do the broadcast, so the owner of the station suggested I go do this live remote!  I laughed at him saying, other than voicing commercials, I have never been on air!  He told me to go try it anyway,  So I did. My client, the store where the live broadcast was to be at, also encouraged me.  So, there I was (laughs). My first broadcast was a live one, for one hour.  I immediately felt very comfortable being on air.  It just felt natural.  Of course, I was nervous at first, but not for more than a few minutes. It really was easy and fun!

    Not long after, the station where I was working offered me a show, while I also held down my sales job. I took them up on the offer and was able to pre-record my shows.  For a while, I was the weeknight evening show host. Soon, that became too much for me with my regular job so I hosted a show on Saturday afternoons. I did this for several years before I left that job.

    When I left, I knew I was going to miss hosting a radio show.  A few months into a new job, an acquaintance called me and said he missed hearing me on air.  He asked if I ever heard of WVKR and that I should try contacting them.  I thought about it for a few days and decided to make the call – I mean I had nothing to lose, right?  I called WVKR in June 2015 and the General Manager called me back immediately. I had given him my background and my idea of starting a show focused on music in the area, the local scene. I wanted to start hosting interviews with musicians that live here and those coming to the area to perform in our venues.   They said they were actually looking for someone to host such as show, so the rest is history (laughs).

    SC: What is the format of LocalMotion and how has it changed over the years?

    RR:  The greatest aspect of WVKR is that it’s a college radio station, at Vassar College, so it’s completely free-form, like in the good old days.  It’s run by a Student Executive Board that has help from Vassar’s staff.  It’s a non-commercial station. No advertising. So, all DJ’s format their own shows to their liking.

    At first, in 2015, it began as a one-hour show. It pretty quickly moved into a weekly two-hour block, Wednesdays, from 4 – 6 pm. The format really hasn’t changed since the show began.

    I always spend one of the hours hosting an interview and the second hour promoting musicians who will be playing in the area and new releases from local musicians. I also host a segment called “Musical Happenings” where I give info from venues as to who will be playing there. I’m a huge supporter of the local live music scene. I typically go out at least once per week to enjoy live music, if not more.  

    SC: Unlike some radio shows in the Hudson Valley that claim to be local, yours truly is, 100% in my opinion.  It seems to be all about musicians who live in their area or the big names who pass through regularly, like Jorma Kaukonen, who almost seem like locals.  Is it a hard to promise to always deliver a full slate of local music?

    RR:  It’s not hard at all to keep my show truly local because we have such an incredible and diverse scene of music in the area.  There’s always someone coming to perform at an area venue to interview and many of those live right in the area. I do interview national and internationally renowned musicians but only because/when they perform in our area.  There’s never a shortage. I typically book my guests 6 to 8 weeks in advance!

    SC:  So, what are some of your favorite venues in the area, old and new?

    RR:  I don’t think it would be fair of me to say what my favorite area venues are as there are so many! I say to people, go support music at all local venues and see which you like best and keep going to support the music!

    SC: How has the Hudson Valley music scene evolved over the years and where is it headed?

    RR: Well, it’s definitely evolved over the decades and, I believe, we’re in a time now when it is truly exploding in the area.  For example, look at Woodstock. The newly renovated and restored Bearsville Theatre is back in full swing, Levon Helm Studios (home of the legendary Midnight Ramble shows), The Colony (also renovated and restored), Station Bar, Pearl Moon and the Woodstock Playhouse are all top-notch live music spots.  We’re also in an area where there are world class recording studios which brings many musicians here from all around the globe.

    I believe the music and arts scene will continue to grow in this area. We are incredibly lucky to live not just in a visually beautiful area, but also an area filled with culture of every stripe.

    SC: Now that you’ve celebrated your 300th show, can you let us know who some of your favorite guests has been?

    RR:  This is another question that’s difficult to answer about favorite guests because there are really too many to say. I typically respond to that question by saying it’s the last guest I had on the show (laughs)!

    Since 2015, I’ve hosted over 290 interviews as most every episode has a guest.  I was most nervous for my first ever interview. I remember it like it was yesterday. I began the show in July 2015. I remember when I first conceptualized the show and sharing my idea with Larry Campbell at shows when I’d see him perform. He would say to me: “Rita, when you get that show, let me know. I’ll be happy to be your first guest.” Well, I got the show and Larry held true to his word. My first guests on LocalMotion on 91.3 WVKR were Larry Campbell and Teresa Williams.  I prepared for over 5 hours for my first interview. I was so nervous but it went so well. 

    Since LocalMotion airs live, so I don’t have the luxury of edits. The next time I saw Larry in person after our interview, he told me it was one of the best radio interviews he’s ever done in his career.  That to me was the highest honor I could be given.  

    I haven’t been too nervous interviewing since my first show.  I get excited with anticipation for each and every guest. I do lots of “homework” to prepare for my interviews and I absolutely have the time of my life doing them.

    SC:  As a listener, I know you give every genre of music a spin, from folk and Americana through to jazz and experimental.  So, do you have any personal favorites on the new local talent front?

    RR: I dislike giving out my favorites, just like I don’t do a “Top 10” end of year album release list any longer. I mean, after all, who am I to say! My favorites are just that, my favorites. Doesn’t mean anyone else would agree. I do play music I’m not particularly fond of, that isn’t really to my taste sometimes, because I only think it’s fair to promote all worthy musicians in the area.  

    SC:  Anyone who follows you on social media knows, your daughter is quite a serious musician. Tell us a little about her?

    RR:  Well, here I could go on and on! My daughter Caroline recently turned 21. I began introducing her to the arts when she was maybe 4 years old. Her first live theatre event was The Nutcracker at Bardavon Theatre in Poughkeepsie. We would go annually while she was young.  Shortly thereafter, I took her to NYC and we began seeing Broadway shows.  

    She began playing violin in 4th grade.  We rented her a violin because we weren’t sure how long she’d stick with the instrument. She stayed with it for one year then began playing cello. But she didn’t like playing the cello as much as the violin, so she went back to her violin.  We gave her private lessons immediately and she just loved her teacher. We also learned of an organization in Dutchess County called “Stringendo.” It was an orchestra school for students from 1st through 12th grade that met each Saturday during the school year. You had to audition to get in. There were numerous levels in the school and Caroline began in “Prelude.” She stayed in that school for 8 years throughout high school.  This school was invaluable to her. She would not be the musician she is today without having those years in that school. Also, her private lesson violin teacher, Kate Rymph, who taught her first lesson until she graduated high school was instrumental in transforming Caroline into the musician she is today.

    She will be graduating Ithaca College in December 2022 with a degree in Music Performance, a degree in Economics and a minor in Art History.  She recently performed her Senior Recital and it was inspiring to see how far she’s come as a violinist.  I could not possibly be prouder of my daughter. Not because of her talent as a musician, but because of the woman she’s become. I’m an incredibly lucky woman to be her mom. It’s the honor of my lifetime.

    SC: Any local musicians you still want to interview but haven’t?

    RR:  Funny you should ask that!  It just recently happened that I did interview two musicians who I’ve been wanting to interview the past 6 years! I had the great honor of interviewing John Sebastian and Jack DeJohnette. They had both been on my list and what an honor for me to have had the opportunity to talk with both of them. Both American icons.

    I’m looking forward to continuing LocalMotion. It’s a lot of work but when you’re passionate about something it’s worth it.  It’s a true honor to be hosting this weekly show.  I look forward to seeing the show grow further and keeping up with all the incredible new music that’s coming out. Please support live music – especially local live music!

    SC:  How can people listen to LocalMotion?

    RR:  Several ways! The old-fashioned way if you’re in the area on the radio dial at 91.3 FM, also online at wvkr.org or on the app TuneInRadio under WVKR. I also record and upload each interview on my YouTube channel. Please consider subscribing to the channel at “LocalMotion on 91.3 WVKR hosted by Rita Ryan.” All interviews are also uploaded as a podcast which you can listen to on several streaming platforms such as Spotify, Apple Music, etc.  You can even keep track on my Facebook page which features links to interviews, videos I shoot at local concerts and more. 

  • The Wooks are “Flyin’ High” and Coming to Syracuse and Brooklyn in April

    Award-winning bluegrass band The Wooks embark on a tour in Spring 2022, bringing their traditional and unconventional form of bluegrass with them to New York. They’ll make stops at Funk n Waffles in downtown Syracuse, and the Jalopy Theater in Brooklyn this coming April.

    The Wooks have established a distinctive sound through original songwriting, exceptional musicianship, and outside influences ranging from jam bands to Southern rock. Their third album, Flyin’ High, due out in February 2022, offers a refreshed lineup of the group, even though its members have been crossing paths with each other at music festivals for years.

    the wooks

    Band member CJ Cain (guitar, vocals) started the duo in 2014 in Kentucky, with a lineup that now includes Harry Clark (mandolin, vocals), George Guthrie (banjo, vocals) and Allen Cooke (dobro), with the latter three musicians based in Nashville. Various bass players stay in rotation on the road, filling out the ensemble’s driving sound.

    Love songs that stand-the-test-of-time tend to come from unlikely origin stories, and until The Wooks’ founder CJ Cain wrote the song “Flyin’ High,” not one of them has been inspired by the crash landing of a buddy’s World War I bi-plane. The resulting tune is a story of two different couples, real folks from the small town of West Liberty, Kentucky, where Cain’s father grew up, that falls somewhere perfectly between the sound of The Band, Van Morrison, and The Wooks’ ever-evolving signature style.

    He had bought this plane at a good price and would soon find out why. He lost oil pressure and had to take her down in front of his family who had gathered in the yard to watch him buzz the farm. Luckily he made it out.

    CJ Cain

    Rather than repeating the formal studio experiences for past albums, The Wook recorded Flyin’ High over two sessions in Nashville in the home studio of bluegrass guitarist Jake Stargel. As a producer, he brought an easygoing vibe as well as acoustic expertise to the project, which is the band’s first full-length album since the fall of 2018. After Tony Rice’s death in December 2020, Cain wanted to honor his legacy in some way, so he cold-called Bill Wolf to see if he would master the album. Wolf wrote back, asking to hear it – and then elevated Flyin’ High to the next level.

    While their origin stories are diverse, all four members of The Wooks have forged a common bond that honors individuality and innovation. But with minimal shows to road-test the material on Flyin’ High, Cooke speaks for the band when he says he’s eager for fans to discover these new songs—on the album as well as the stage. “This band is definitely not a band that is set on keeping things to the way they sounded on the record,” he says. “We’re all about keeping these songs fresh and new-sounding as shows go on.

    The Wooks are ambassadors for Can’d Aid, a nationally recognized nonprofit that rallies volunteers from all walks of life to build thriving communities; through their work with Can’d Aid, they’ve performed and donated instruments to schools and underserved youth.

    The Wooks 2022 Tour Dates

    2/24 – Louisville, KY – Zanzabar
    2/25 – Huntington, WV – The Loud
    2/26 – Lexington, KY – The Burl
    3/1 – Atlanta, GA – Eddie’s Attic
    3/2 – Birmingham, AL – The Nick
    3/4 – Asheville, NC – Isis Music Hall
    3/5 – Nashville, TN – Station Inn
    3/9 – Awendaw, SC – Awendaw Green
    3/10 – Raleigh, NC – Pour House
    3/12 – Roanoke, VA – Martin’s St Patty’s Street Fair
    3/13 – Richmond, VA – The Camel
    3/16 – Charlottesville, VA – The Southern
    3/17 – Washington DC – Pearl Street Warehouse
    3/18 – Farmville, VA – North Street Press Club
    3/19 – Round Hill, VA – B Chord Brewing
    3/30 – Ferndale, MI – Otus Supply
    4/1 – Newport, KY – Southgate Revival House
    4/2 – Morgantown, WV – 123 Pleasant
    4/5 – Syracuse, NY – Funk n Waffles
    4/7 – New Haven, CT – Cafe Nine
    4/8 – Boston, MA – The Burren
    4/9 – New York, NY – Jalopy Theater
    4/10 – Asbury Park, NJ – The Saint
    4/13 – Philadelphia, PA – City Winery
    4/14 – Lancaster, PA – Zoetropolis
    4/15 – Grove City, PA – Big Rail Brewing
    4/16 – Thomas, WV – The Purple Fiddle

  • Karina Rykman To Play Brooklyn Bowl: Excitement Stirs

    Karina Rykman has announced with great excitement that her band will be headlining Brooklyn Bowl on February 24, 2022. Part of a greater movement with other of powerhouse women in live music not only making their presence known, but respected. This New York City-based artist bends the genres and feeds the soul. Karina called this “a proper hometown show” which could be interpreted as her way of saying “not to be missed.”

    karina rykman brooklyn bowl

    Who Is Karina?

    Karina Rykman has been the powerhouse thread weaving its way through seemingly opposing forms of musical expression. Chatter of Karina’s name, talent and on stage acrobatic feats of stunt work have been the topic of conversation at festivals, pre-show hangs, after parties and set breaks. Some know Karina as Marco Benevento’s bass player but her solo project has made itself known as a force to be reckoned with. Sparkly boots, deep grooves and occasional stunts make for an entrancing experience with no choice but to allocate all attention in the moment.

    karina rykman brooklyn bowl
    Photo: Em Walis

    But What Kind of Music Is This?

    The funkier side of jam with a heavy lead bass of songs like “Dirty South” blend smoothly into a lo-fi ambient moods with songs like “Plants” and “Arbitrary”. “Elevator” and “City Kids” live within a pleat synching indie with the grit only a New York City Riot Grrrl could harness. All of the masterful genre stitching and blending encompass the beauty in what music is becoming.

    karina rykman brooklyn bowl
    Magic camptured at Catskill Mountain Jubilee by Em Walis

    Evidence Points To Magic

    Where might have Karina gained her momentum and defined her style? Perhaps all the time society was forced to look at the same four walls heightened other sense and stronger recognitions for new and exciting sound profiles. Maybe Karina experienced some form training similar to Uma T’s Black Mamba character in the Kill Bill films. In this case it would have been bass, not katana. The training with Marco Benevento likely involved many more smiles, a few less stairs and absolutely a large collection of cheap keyboards. Crystal masters claim that when the “greatest sound guy of all time” is at the helm and the sunlight hits Karina’s bass at just the right angle, the golden light that exists in this musicians soul becomes visible for only a moment.

    Stocks

    Day or night, it would be in one’s best interest to see Karina now and catch glimpses of the golden light now, because it will be a lot more difficult as her career continues to grow. Karina’s shows are fun. Banter could include existential questions followed by a quick video game cheat code. Encouragement to bandmates might involve empowering words like “slay” and “queen” which are unfortunately not in the usual vocabulary of “dude bands at dude shows”. Karina’s shows are known to feel uplifting, creatively complimentary and spirit lifting.

    karina rykman brooklyn bowl
    Women supporting women in music by Em Walis

    Slay Queen

    Women like Karina, friends Marlo and Veronica from Melt, Kanika Moore of Doom Flamingo, Laura Lee of Krunghabin and fellow New Yorker Alexis Krauss of Sleigh Bells are all making waves on tour and helping to create a safer space for future generations of women that are interested in music. These women convey a message that grant permission for women to present authentically, dress in what feels the best and behave in a way that stands by ethical codes unapologetically. The future looks bright thanks to Karina and the other magical warriors queens out there slaying.

    For more on Rykman, check out our folktale style review from Catskill Mountain Jubilee and our recent review of Marco Benevento’s latest show at the Brooklyn Bowl. Tickets for Karina Rykman at Brooklyn Bowl are on sale here.

  • Make Music Winter Will be Back on December 21 Throughout New York City

    Make Music Winter is back this holiday season, showcasing free music parades across NYC. The celebration will take place on December 21, 2021 starting at 9AM and running through 8PM. 

    Make Music Winter 2021

    This free, annual, outdoor music-making celebration Make Music Winter features participatory parades representing a variety of cultures and genres. These mobile outdoor events are both joyous and safe, a testament to the vitality and resolve of NYC’s music makers.

    All the parades celebrating throughout the day will be also celebrating the winter solstice and longest night of the year, December 21st. The parades will showcase professionals, amateurs, and the curious and all are welcomed and encouraged to share their love of music and transform the cityscape by joining one or more of the programs listed below. The parades will feature an array of folk, world music, and pop gatherings, classical/new music events.The performances will include  Bach to Beatles: Winter Solstice Waltz, Standing Still/Tilted Axes, Mutant Toy Parade, Bell by Bell, Pilgrimage, and The Mobile Hallelujah. 

    Here for your reference are some of this season’s highlights in chronological order bellow: 

    9 – 11 am – “Bach to Beatles: Winter Solstice Waltz” at The Oculus in the Financial District.  

    10:45 am – 11:15 am – “Standing Still” presented by Tilted Axes: Music for Mobile Electric Guitars at Herald Square and the surrounding neighborhood. As the sun “stands still” above at precisely 10:59am EST, the music parade will mark the occasion by the ringing of a bell and a special performative minute to the surprise of all onlookers. Interested participants are requested to send an email to tiltedaxes@peppergreenmedia.com by December 15th to receive further information on how to register; you must register ahead of time to perform with this program.

    4 – 7:30 pm – “Flatfoot Flatbush” along North Flatbush Avenue between Park Place and Dean Street in Prospect Heights, Brooklyn. 

    5 – 6 pm – “Bronx Samba” at Bronx Stadium Gardens, E 161 St. between Gerard & Walton in Concourse, Bronx. Presented with the 161st Street Business Improvement District.

    5:15 – 5:45 pm – “Mutant Toy Parade” at Uptown Grand Central in East Harlem.

    5:30 – 7:30 pm – “Harlem Solstice Jam” at Uptown Grand Central and all along E 125 Street shopfronts in East Harlem.

    5:30 – 7:30 pm – HONK NYC’s fourth annual Winter Solstice procession is a collective release through music and dance after two years of COVID-19. 

    6 – 7 pm – “Bell by Bell” at Elizabeth Street Garden at Elizabeth St. between Prince St. & Spring St. in Soho.

    6 – 7 pm – “Melrose Parranda” starting at the Bronx Music Hall, 428 E 163rd Street at the corner of Washington Avenue in Melrose, the Bronx. 

    6 – 8 pm – “The Mobile Hallelujah” at seven outdoor midtown Manhattan locations including the main branch of the New York Public Library, One Vanderbilt, Rockefeller Plaza, Times Square, Carnegie Hall, Columbus Circle and Lincoln Center.

    6:30 – 8 pm – “Queens Solstice Soiree” at Travers Park in Jackson Heights, Queens. Presented in partnership with Queensboro Dance Festival.

    6:30 – 7:30 pm – “Tambor Tuesday Street Jam” from Astor Place Plaza to club Drom in the East Village. Presented in partnership with the Afro Latin Jazz Alliance.

    For more information on Make Music Winter 2021 visit their website.

  • In Focus: State Champs Headline Frozen Fest 2021 at Empire Live

    Saturday, December 18, was the return of Frozen Fest in Albany, New York, at Empire Live. The show was headlined by Albany’s own State Champs, with Origami Angel, Young Culture, and Pollyanna. Pollyanna, and Albany-based Young Culture opened up Frozen Fest 2021 and primed the crowd for Origami Angel. The Washington D.C. duo took the stage and rocked harder than any duo should be able to. By the end of their set, the Frozen Fest audience was feeling loose and ready to party with State Champs.

    state champs
    State Champs

    State Champs walked on stage before a rowdy crowd that had no idea there was a 24-song set in store for them. The long setlist bounced around State Champs’ discography and the audience loved every minute of it. The hometown band opened with ‘Criminal’ and crowd surfers immediately began pouring over the guardrail. The show’s energy slowly increased over the course of the next hour, until fans received good news.

    state champs
    Origami Angel

    After what felt like an entire show, Derek announced to the crowd that their set was only halfway over. A few hundred sweaty and out-of-breath fans gained a second wind and the night’s energy continued on its upward trajectory. Not too long after this midpoint though, the show hit a tipping point. Fans who were too scared to crowd surf earlier had gained the confidence to try, and one person after another began giving the “up” signal to the nearest strongman they could find.

    Eventually though, the good times would have to end. As State Champs played their final songs, the party in the crowd continued with pushing and shoving blurring with hugging and singing. The only thing that could take the night higher was a 5-minute break before a three song encore. State Champs’ set peaked during this encore as the Albany fans sent up as many crowd surfers as was physically possible. Frozen Fest 2021 would go on to end in a shower of hundreds of balloons as the crowd sang along with their hometown band.

    state champs

    State Champs are heading to Europe next, but you can keep track of future dates on their website.

    Setlist: Criminal, Mine Is Gold, Outta My Head, Shape Up, Frozen, Xmas, Tonsil Hockey (Intro), Critical, Something About You, Shades Of Gray, Hurry Up and Wait, Our Time to Go, Breaking Ground, Hard to Please, Just Sound, Simple Existence, Slow Burn, Losing Myself, All You Are is History, Dead and Gone
    Encore: Time Machine, Elevated, Secrets

  • Dark Star Orchestra to Perform at The Stanley in Utica on St Patrick’s Day

    Legendary Grateful Dead tribute act Dark Star Orchestra will play in Utica at The Stanley Theatre on March 17, 2022. This follows the group’s pair of shows to ring in 2022 at The Palace Theatre in Albany on December 31, 2021 and January 1, 2021.

    dark star orchestra utica

    Performing to critical acclaim for over 20 years and over 3,000 shows, Dark Star Orchestra continues the Grateful Dead live concert experience. Their shows are built off the Dead’s extensive catalog and the talent of these seven fine musicians. On any given night, the band will perform a show based on a set list from the Grateful Dead’s 30 years of extensive touring or use their catalog to program a unique set list for the show. This allows fans both young and old to share in the experience.

    View this show and more Grateful Dead shows from across the years in New York State with our interactive map below!

    By recreating set lists from the past and developing their own sets of Dead songs, Dark Star Orchestra offers a continually evolving artistic outlet within this musical canon. Honoring both the band and the fans, Dark Star Orchestra’s members seek out the unique style and sound of each era while simultaneously offering their own informed improvisations.

    dark star orchestra utica

    In addition to appearing at some of the nation’s top festivals, Dark Star Orchestra hosts its own annual music festival and campaign gathering, titled the “Dark Star Jubilee,” currently in its eighth year where they headline all three nights and are joined by a mix of established and up and coming national touring acts. Beyond the shores of the United States, the band has taken its internationally-acclaimed Grateful Dead tribute to the beaches of Jamaica in the dead of winter for the past six years, with their event appropriately titled ‘Jam in the Sand.’ Featuring an ocean-side stage, Dark Star Orchestra sets up camp to perform shows for four nights along the tropical sands of an all-inclusive resort, selling out the event each year for hundreds of lucky attendees.

    For us it’s a chance to recreate some of the magic that was created for us over the years. We offer a sort of a historical perspective at what it might have been like to go to a show in 1985, 1978 or whenever. Even for Deadheads who can say they’ve been to a hundred shows in the 90s, we offer something they never got to see live.

    keyboardist and vocalist Rob Barraco

    Fans and critics haven’t been the only people caught up in the spirit of a Dark Star show. The band has featured guest performances from six original Grateful Dead members: Phil Lesh, Bob Weir, Bill Kreutzmann, Donna Jean Godchaux-MacKay, Vince Welnick, Tom Constanten and even toured with longtime Dead soundman, Dan Healy.

    dark star orchestra utica

    The Stanley Theatre has always adhered to all recommendations and guidelines from Oneida County in regards to COVID-19. With this said, the theatre will require any applicable mandates at the time of the performance.

    Tickets for Dark Star Orchestra in Utica will go on sale on Monday, December 20 at 10:00 a.m. and can be purchased through Ticketmaster, or by calling The Stanley Theatre Box Office at 315-724-4000.

  • Phish, Rockettes, LCD Soundsystem and more cancel performances due to Omicron Variant Outbreaks

    The Rockettes have cancelled the rest of their 2021 performances due to COVID-19 outbreaks across NYC and within the Rockettes team themselves. The announcement was made on December 17, 2021 with COVID cases stemming from the omicron variant reaching daily highs continuing on didn’t seem like the most responsible decision to the Rockettes team.

    NIN Radio City Music Hall

    The “Christmas Spectacular” stars the well known Radio City Rockettes who are an American precision dance company. The show takes place at Radio City Music Hall in New York City which is owned by MSG Entertainment. Last year the show was cancelled in its entirety due to the uncertainty of the COVID-19 pandemic raging throughout the world and the United States. Unfortunately it seems that COVID-19 is raising it’s head again and forcing the “Christmas Spectacular” show to shut down early. The Radio City staple says they just can’t continue their Christmas Spectacular due to “increasing challenges from the pandemic.” Those challenges include a COVID outbreak among the production team, plus musicians in the orchestra. Breakthrough cases are piling up in the Rockettes team.

    With the omicron variant, which is more contagious and spreads faster than previous variants, becomes more widespread it seems the entertainment industry could start shutting down again. Things were seeming to be getting back to normal in the entertainment industry with events, games, and tours coming back across the globe but now events are getting scrapped left and right.

    The Rockettes say refunds will be issued to anyone who bought tickets to their canceled 2021 shows. They are looking forward to hopefully hosting performances again in 2022. For more information visit their website.

    The outbreak comes as a string of Broadway shows, among them CompanyMoulin Rouge! The Musical, Hamilton, Harry Potter and the Cursed Child, Ain’t Too Proud, Mrs. Doubtfire, Tina – The Tina Turner Musical and Freestyle Love Supreme, each of which have temporarily shut down this past week due to COVID concerns.

    omicron

    The electronic rock band LCD Soundsystem, on the tail end of a 20-gig residency at Brooklyn Steel, have now also cancelled the remaining three shows due to the recent omicron outbreak. This decision came after the band initially left it up to potential attendees as to whether they wanted to attend or request refunds, even going so far as to advise, “Us playing the shows is in no way an indicator that it’s safe to attend.” But due to the fan response and the aforementioned circumstances, the remainder of the residency is now cancelled.

    The band released an official announcement on their Instagram page earlier today:

    You all have spoken. The last three shows are cancelled. You good people who want to return your tickets and try again another time have spoken, but so has the new info, the hospital capacity, and those of us in the band, crew, and venue...We tried. We really did. We were heartened to see so many more masks at the last show. We were incredibly thankful for everyone who wanted to make it work. But it will have to wait, again, until we find out what this new wave means to us all. Thank you for again listening, trying, etc. Please be safe.

    LCD Soundsytem

    The shows were scheduled to take place on December 19, 20 and 21. All tickets purchased via AXS will be automatically refunded – there is no action required if tickets were purchased via AXS online or by phone. The band also recently announced an upcoming holiday special which will air on December 22 at 9 PM Eastern via Amazon Music, Prime Video and Amazon’s Twitch Channel.

    Updated on December 21, 2021: “Jagged Little Pill’ joins the many performances closing down on Broadway due to the omicron variant.  The rock musical announced this on December 21, 2021. The musical was fueled by Alanis Morissette and focused a with a variety of topics including contemporary social issues. It has become the first big Broadway show to fall by the resurgent coronavirus pandemic.

    City Winery also announced on December 19, 2021 that people attending shows at the venue will be required to have both proof of full vaccination as well as a negative Covid-19 test due to the surge of Covid-19 due to the omicron variant. They are one of the first venues to require both measures, due to fast transmission of the Omicron variant which has made it so that full vaccination isn’t enough of a defense against the highly contagious strain.

    Flushing Town Fall jumped on the bandwagon for it’s Mini-Global Mashups announcing postponing them until a later date due to a recent surge in COVID-19 cases in New York City. It made this announcement on December 21, 2021 and will offer anyone who purchased tickets to these event a full refund or exchange. The first Mini-Global Mashups was suppose to take place on January 9, 2022.

    Updated on December 23, 2021: More bands jump ship on live shows due to the omicron variant. On December 23, 2021 Phish announced postponing their MSG shows until April due to COVID-19 sweeping through NYC. Phish will honor all tickets for the December 29-January 1 shows at MSG on the rescheduled dates of April 20-23, marking the first time Phish has played New York City in April since 1994 at the Beacon Theatre.

    On December 23, 2021 Pink Talking Phish announced postponing their New Years Eve show at Gramercy show to an undetermined date via their facebook page due to COVID-19 sweeping through NYC putting the health of their fans, friends, and family first.

    pink talking phish postponement

    Updated on December 26, 2021: Warren Haynes announced on December 24 that due to the omicron variant he will be postponing his new years run. For the health and safety of their fans, crew and all involved in making these shows happen is always their top priority. The following dates have been rescheduled: April 8 Beacon Theatre New York, NY (12/30/2021 Tickets Honored), April 9 Beacon Theatre New York, NY (12/31/2021 Tickets Honored), April 14 The Met Philadelphia, PA(12/29/2021 Tickets Honored).

    Updated on December 28, 2021: On December 27, 2021 SoulShine: An Allman Brothers Experience announced that it will perform at Garcia’s at The Capitol Theatre on Dec. 31 in celebration of New Year’s Eve but only a with 50 percent capacity due to the COVID-19 cases soaring.

    Soulive announced on December 27, 2021 they have rescheduled their run of shows set for New Year’s at the Brooklyn Bowl in Brooklyn to July 7, 8 and 9 of 2022 and will celebrate Brooklyn Bowl’s thirteenth anniversary. All tickets for the New Year’s shows will be honored at the July dates.

    Dark Star Orchestra announced on December 27, 2021 the postponement of their upcoming New Year’s Eve run of concerts in New York scheduled for The Paramount in Huntington on December 29 and 30 and the Palace Theatre in Albany on December 31 (New Year’s Eve) and January 1 (New Year’s Day). The decision comes after members of DSO’s touring party tested positive for COVID-19 and in the wake of rising COVID cases due to the omicron variant.

    Transmission New Year’s Eve Dance Party also announced on December 27, 2021 they were cancelling due to the current surge in COVID-19 cases.

  • On this day in 2002, Phish Perform “All of These Dreams” on the Late Show with David Letterman

    The Ed Sullivan Theater played host to Phish on this day in 2002. The Vermont group performed “All Of These Dreams,” the ninth track on Round Room, on the Late Show with David Letterman.

    all of these dreams

    The appearance on Letterman was the band’s sixth overall, starting in on December 30, 1994 with “Chalkdust Torture,” “Julius” on July 13, 1995, “Character Zero” on March 5, 1997, “Birds of a Feather” on October 27, 1998, “Heavy Things” on May 15, 2000, a multi-song performance on the Ed Sullivan Theater marquee on June 21, 2004, and “The Line” on June 25, 2014.

    “All of These Dreams” has only been played 13 times total, not including this initial performance at the Ed Sullivan Theater, according to Phish.net. The song, written by Trey Anastasio, Tom Marshall and Scott Herman officially debuted in concert on January 3, 2003 in Hampton, VA. A rarity, the song has not been played live since October 26, 2020 in Manchester, NH.

    The Phish.net song history reveals that “All of These Dreams,” as well as another Round Room track, “Anything But Me” emerged from the wake of a screaming fight between Trey and Tom during a songwriting session in a Philadelphia hotel room. According to Trey, the two tunes “express something that I usually am a little too shy to express,” though precisely what that is he leaves unsaid.

    There is a place on the mountain nearby
    Deep in a cave but it’s up rather high
    There in the darkness are safely concealed
    All of the dreams that you never revealed
    And if you go there, and after you do
    All of these dreams would be yours to pursue
    The rest of your lifetime devoid of a care
    If you keep your eyes open you may find yourself there

    Such is the promise, such is the curse
    You could just live your life better or worse
    Knowing the cache of dreams up on that hill
    Beckons and sways but won’t bend to your will
    You might find a river under a mountain
    That feeds a remote subterranean fountain
    Drink from this, taste just a hint of a dream
    That somehow leaked into the underground stream

    “All of These Dreams” lyrics
  • In Focus: The Front Bottoms at Empire Live

    Albany’s Empire Live was sold out on Friday, December 17 for The Front Bottoms, Opening act Sydney Sprague was accompanied by her Jazzmaster, and started the show with a solo set that highlighted her singer/songwriter style. Sprague sang a few songs from her new album maybe i will see you at the end of the world, including ‘object permanence,’ ‘quitter,’ and ‘steve.’ Check out Sydney’s site for her future tour dates.

    front bottoms

    The Front Bottoms came out to a crowd ready to sing the words to every song of the set. Their set featured a range of songs across their discography, and had fans, both new and old, shouting at the tops of their lungs. The Front Bottoms started their set with tracks off of their newest album, ‘In Sickness & In Flames’ and their EP ‘Rose’ before playing through their debut self-titled album in its entirety. The crowd’s energy continued to build throughout the night, and only accelerated as the end approached.

    front bottoms

    The Front Bottoms left the stage and the crowd began cheering for an encore just a second later. The band got back on stage a minute later to find a crowd that had been pent up a minute too long, and the show erupted to the tune of Tie Dye Dragon and Twin Size Mattress. A wave of energy left the stage and everyone from the guardrail to the bar was moving, shouting, and contributing to the chaos. Fan after fan took their turns crowd surfing as the final minutes of set stretched out and The Front Bottoms played themselves out.

    front bottoms

    The Front Bottoms are finishing the last leg of their tour, but you can keep up to date with any future show on their site, and can hear their music on YouTube.

    front bottoms

    Setlist: Leaf Pile, Vacation Town, West Virginia, Montgomery Forever, Love at First Sight, Awkward Conversations, Jim Bogart, Peach, Cough it Out, Flashlight, Maps, Looking Like You Just Woke Up, Mountain, Rhode Island, The Beers, Father, Swimming Pool, The Boredom Is The Reason I Started Swimming. It’s Also The Reason I Started Sinking, Bathtub, Legit Tattoo Gun, Hooped Earrings
    Encore: Tie Dye Dragon, Twin Size Mattress

  • Saturday Night Live Presses on with Paul Rudd, Limited Cast and No Musical Guest

    Saturday Night Live was back this week with host Paul Rudd for the NBC staple’s Christmas episode, but with a scaled back cast and crew, no musical guest and no studio audience, due to concerns over the Omicron variant of COVID-19.

    paul rudd

    Recorded earlier in the evening, a departure from the typical live taping, SNL adjusted and made the most of the situation, with a blend of fresh and classic holiday sketches. The cast was limited to Kenan Thompson and Michael Che, and only two members of the Saturday Night Live Band on hand – Lenny Pickett (sax) and Tuffus Zimbabwe (piano).

    The show began with an atypical intro, Tom Hanks walking out to introduce host Paul Rudd, and no cast montage to begin the episode. Rudd kept things light and soldiered on in his fifth appearance as a host, joining the Five Timers Club in the process, thanks to special guests and fellow club members Hanks and Fey.

    Earlier Saturday afternoon, Saturday Night Live announced the changes for this week’s episode, which included Fey filling in for Colin Jost on Weekend Update. This brought Fey back to the Update desk, despite there being no actual desk due to a limited crew for this episode’s taping. Jost, along with Aristotle Athari, and Sarah Sherman had reportedly tested positive for COVID-19.

    The musical guest for the evening was slated to be Charli XCX, but shortly after the official word from SNL, Charli tweeted “Due to the limited crew at tonight’s taping of SNL my musical performance will no longer be able to go ahead. I am devastated and heartbroken. I am currently safe and healthy but of course very sad. Please look after yourselves out there,” along with a follow up clearing any confusion that she did not cancel or pull out of the show. Although Charli did not perform, she did take part in the digital short “Christmas Socks,” a take on “The Christmas Shoes,” as a bird named TJ Rocks.

    Classic holiday sketches like “Dick in a Box” and “Christmastime for the Jews” (sung by the great Darlene Love) filled in where new material would normally be found. The brilliant “An Evening with Pete” looked at the career of Pete Davidson in the year 2054, a take on Raging Bull and Christmas movies of the past.

    The fully decorated set found the five actors – Che, Fey, Hanks, Rudd and Thompson – on stage at the end of the episode for goodbyes, as well as socially distant hugging. Only Pickett and Zimbabwe stood on the stage playing the outro music as the credits rolled.

    Tonight’s show marked the first time since October 11, 1986, when Sigourney Weaver hosted, without a musical guest in the show’s history. Madonna did appear that night to read a statement apologizing for the previous season, noting it was only a dream, ala Season 9 of Dallas. While not the musical guest, Buster Poindexter performed “Oh Me, Oh My,” “Baby, It’s Cold Outside” (a duet with Weaver), and “Smack Dab in the Middle.”

    Saturday Night Live will return in 2022.