Category: Regions

  • The Flaming Lips Battle The Pink Robots at Brooklyn Steel

    The Flaming Lips returned to Brooklyn last night for the first of two shows at Bushwick’s Brooklyn Steel. Only the second stop on a world tour, the band returns to the live stage following the pandemic with dates across the US, Canada and the UK into next summer. Special guest and Flaming Lips collaborator Particle Kid provided opening support, featuring a guest appearance by Sean Ono Lennon.

    the flaming lips at brooklyn steel
    The Flaming Lips at Brooklyn Steel, 11/8/21. Photo by Buscar Photo

    The tragedy of the Astroworld festival last week has not only shocked so many people, but has also changed the mindset of performers and venues alike. Flaming Lips frontman Wayne Coyne began the show with a long speech on the topic, urging fans to look out for everyone around them, promising that they would stop the show in the event someone needed help. He addressed the desire of so many to let their emotions run loose at shows, and he reminded us all that we can still “go crazy” in a good and positive way. This motif continued through the show, with breaks between songs and bright house lights to make sure everyone was safe.

    the flaming lips at brooklyn steel
    The Flaming Lips at Brooklyn Steel, 11/8/21. Photo by Buscar Photo

    The Flaming Lips released their debut record Here It Is in 1986, and have cultivated an extensive discography ever since. Back in 2020, the band released their sixteenth studio album, American Head via Warner Records. For Record Store Day 2021, the band released The Soft Bulletin Companion on vinyl for the first time ever. The rare recordings are B-sides and early mixes that accompany the band’s early breakthrough record The Soft Bulletin.

    the flaming lips at brooklyn steel
    The Flaming Lips at Brooklyn Steel, 11/8/21. Photo by Buscar Photo

    One surprise nugget for the evening was the live debut of deep cut “Assassination of the Sun” off the band’s 2003 EP Ego Tripping At The Gates Of Hell. Afterwards, Wayne addressed the crowd, telling them about his ecstasy seeing a room full of fans enjoy a song they’ve never heard played live. Other essential tracks played included the epic “Yoshimi Battles The Pink Robots, Pt. 1,” “Do You Realize??,” and “She Don’t Use Jelly.”

    the flaming lips at brooklyn steel
    The Flaming Lips at Brooklyn Steel, 11/8/21. Photo by Buscar Photo

    The tour continues with another show tonight at Brooklyn Steel, plus two more New York shows. They’ll be playing on November 12th in Syracuse at Crouse-Hinds Concert Theater, and then in Albany on November 13th at The Palace Theatre. Check out the full run of dates on Song Kick and see our Brooklyn Steel night 1 photo gallery below. Wayne Coyne also has his own cannabis brand, Love Yer Brain, available now.

  • 20 Years Later: Oysterhead Plays The Utica Memorial Auditorium

    Hey Uticats, Police, Primus, and Phish fans, do you remember when Oysterhead played the Utica Memorial Auditorium on November 9, 2001? It was Stewart Copeland and Les Claypool’s first time in Utica. Trey Anastasio’s first of four musical projects debuted in the Mohawk River city at the base of the Adirondacks.

    Oysterhead

    If you recorded the HBO show Reverb ,you’ll have a VHS tape of Oysterhead’s inaugural tour footage from Los Angeles’s Palladium to New York City’s Roseland Ballroom during its Fall 2001 episode. Their last television performance would be from NBC studios in NYC for on Late Night with Conan O’Brien.

    Ironic collaboration considering the trios background during the 1980’s. Stewart Copeland went from playing the Fire Barn Club across from Syracuse City Hall with his band “The Police” to selling out the Carrier Dome a year later at Syracuse University & various other arenas across the world during the decade.

    Oysterhead

    Les Claypool was in California during the 1980’s auditioning for Metallica’s vacant bassist slot at the time. He was also brainstorming with drummer Jay Lane and guitarist Larry LaLonde about a new project called Primus.

    In 1983, we know that Trey Anastasio just hooked up with Syracuse native drummer Jon Fishman at University of Vermont to form their new group appropriately named Phish.

    The only collision was during Fall Tour 1996 when Les Claypool and his band Primus sat in with Phish for “Wildwood Weed Harpua” in Las Vegas. Phish covered “So Lonely”by the Police in November 1998. That’s all we knew. These artists were certainly castaways at sea during the 1980’s while The Police’s “Roxanne” dominated the air waves.


    It all started in New Orleans by “Superfly” during Jazz Fest who curate random musicians to play the late night gig. Les was called on by Superfly with the intention “of musicians to get other interesting musicians to play a night club after Jazz Fest” Claypool called up Trey and Stewart from always wanting to work with them. It was that simple. Although Trey told HBO’s Reverb of the trios seed while the pearls were jamming

    I get these glimpses of potential and chemistry between the three of us. First time we got together we did a jam in my barn and I thought it was incredible. Then we did the Strand Theater show and I thought it kind of sucked. But then Stewart sent me the good moments of the show and those motivated me…We got to do another album, We got to tour Japan.

    Trey Anastasio

    Trey told The New Yorker in Fall of 2015 the hilarity of the trio snowshoeing through Vermont to the surprise of locals who recognized the formation. “Could you imagine walking through the snowy woods and seeing me Les and Stewart on the trail?” They didn’t make it to Japan but they made their way to Utica, New York’s Memorial Auditorium for their 14th show of a national 22 tour date support of their only album The Grand Pecking Order.

    Oysterhead

    The Oysterhead trio’s distinct backgrounds came to light in Utica when Les addressed a sign from the GA crowd in bold magic marker titled “Les is Evil.” Claypool told the New York audience during Rubberneck Lions:

    I’m looking directly at a bright red sign that says Les is Evil. I don’t know if that’s a fair thing to say. Are you saying in comparison to Mr. Happy Pants Trey Anipasta that I’m the evil one? Is what your saying? Because in the grand scheme of things compared to Marilyn Manson or GG Allin… I’m not very evil. In this situation if were looking at Trey Anastasio as the symbol of good than yes i am a symbol of evil. But not so much evil like ah Satan or Vlad the Impaler. More like Evil Kanevil… If there was a Harley Davidson sportster in this room and four trucks…I would jump those sons of bitches for you all

    Les Claypool

    Les Claypool & Trey Anastasio traded vocals all evening, with the 2001 anthem “Army’s on Ecstasy” resonating with the fall crowd. The Army’s on ecstasy so they say, I read all about it in USA Today. During “Shadow of Man,” Les appeared from the darkened hockey rink stage with a pair of extended eye balls attached to a LED space helmet portraying psychedelic illuminations toward the performance.

    Oysterhead

    Trey used Jimmy Page like theremin signals from his antler-adorned custom Languedoc guitar, flickering sounds from the edge of his palm to the Upstate crowd. His acoustic Martin was pulled out for the twangy tune “Birthday Boys,” a tun that Claypool referenced in Colorado in February 2020, that the song is about four things. “Vegas, a penis, some cocaine and pair of breasts.” Trey added “it’s also about Kid Rock who was there with Les and I… the birthday boys”

    Stewart Copeland emerged from behind his hanging percussion kit adjacent to the drum rig for all the bells and whistles of sound. He even got on vocals asking the clergy to “Wield the Spade.” After funking out on “Mr. Oysterhead” to close the night, the trio paid homage to the most Viking-like rock acts to grace the Americas, as Les Claypool took on Robert Plant’s howling for a cover of Led Zeppelin’s “Immigrant Song” for the encore.

    Oysterhead flew full circle to the Northeast this past July 4 at the Peach Music Festival on Montage Mountain. It marked the bands first headlining festival gig since the Bonnaroo Music & Arts Festival in Summer of 2006. They are set to headline the Sweet Water 420 fest in Georgia with Trey Anastasio Band in 2021.

    Les Claypool returned to Utica just once in 2019 to the Saranac Brewery as part of The Lennon Claypool Delirium show. Attendees in the Utica crowd that night were fellow bassist Krist Novoselic from Nirvana and Rochester harpist Mikaela Davis. In November 2005 Trey returned to the Aud with Tony Hall on bass as changing cast of the Trey Anastasio Band during the Phish hiatus. The 11/11 nights special guests included Jon Fishman and Mike Gordon with the exception of Page McConnell. On Phish Fall Tour 2010 the Vermont quartet culminated their concert film Guyutica on DVD upon return to the Utica Memorial Auditorium, There is something about those Upstate, NY hockey arena stages that just rock.

    God Damn, Playing in this Hockey Arena rink shit is fun

    Les Claypool, Utica

    Oysterhead, Friday 11/09/2001 Memorial Auditorium: Utica, NY

    Set: Oz is Ever Floating, Rubberneck Lions, Little Faces—>Hello Skinny—>Army’s on Ecstasy, Radon Balloon, Pseudo Suicide, Shadow of a Man, Wield the Spade, Birthday Boys*, Mr Oysterhead

    Encore: Immigrant Song**

    *acoustic
    **Led Zeppelin Cover

  • GEMS Announces Open Gates Project With Three Concerts Featuring Women of Color

    Gotham Early Music Scene also known as GEMS announced their Open Gates Project launching with three concerts featuring women of color. The concerts will take place November 12-14, 2021 across three boroughs of New York City. 

    Open Gates Project inaugural concert series is The Divine Feminine: Centering Women of Color in Early Music. This concert series is focusing on the 17th–century works celebrating the animating feminine spirit featuring an ensemble composed of women of color.

    The 17th–century female composers it will be focusing on are Chiara Margarita Cozzolani, Barbara Strozzi, and Francesca Caccini. The concerts will be performed by outstanding rising and established American and international artists, with careers encompassing early, chamber, and Classical music, opera, jazz, and musical theater. The program is bookended with works devoted to the Virgin Mary. It opens with Madre, de los primores by New World visionary Sor Juana Inés de la Cruz who is considered the first great Latin American poet and recognized for her influential perspectives on women and scholarship. Pergolesi’s glorious and sublime Stabat Mater closes the program.

    The Open Gates Project and GEMS as a bigger entity is committed to helping make significant efforts to make early music performance opportunities more equitable for artists of color and more accessible to historically excluded communities of color. Over the coming year, the Project will offer a rich variety of music performed by distinguished artists for diverse audiences throughout New York City.

    The three performances will take place starting on Friday, November 12, 2021 at 7 PM at the Holy Trinity Lutheran Church in Manhattan. Then on Saturday, November 13, 2021 at 7 PM at the Jamaica Performing Arts Center in Queens. And will wrap up on Sunday, November 14, 2021 at 4 PM at the Pregones Theater in the Bronx. All audience members must have proof of vaccination and wear a mask. Check the GEMS website closer to the opening dates for full COVID-19 protocols and any updates.

    The lineup includes Nicole Besa singing soprano, Aine Hakamatsuka singing soprano, Heather Hill singing soprano, Amaranta Viera singing soprano, Tanisha Anderson singing mezzo-soprano, Guadalupe Peraza singing mezzo-soprano, AnnMarie Sandy singing mezzo-soprano, Hai-Ting Chinn singing alto, Jessica Park on violin, Maria Romero Ramos on violin, Amelia Sie on violin, Patricia Ann Neely on viola da gamba, and Duangkamon “Wan” Wattanasak on harpsichord.

    The program includes performances of: Sor Juana Inés de la Cruz: Madre, de los primores, Chiara Margarita Cozzolani: O dulcis Jesu, Barbara Strozzi: I baci, Francesca Caccini: O vive rose, Alessandro Stradella: Sinfonia No. 22 in D minor, and Giovanni Battista Pergolesi: Stabat Mater.

    Tickets are available for $15–$30 ($5 for students, ID required at venue) are all General Admission seating and are available online by calling 212-866-0468, or at the door depending on availability.. 

    For more information on the GEMS Open Gates Project and its upcoming events visit their website

  • Greensky Bluegrass announce Winter Tour Dates with Infamous Stringdusters, New single “Grow Together”

    Greensky Bluegrass continues their rigorous touring schedule this November on the West Coast, and have their sights set on the East Coast in January – they’ll make their way to the Northeast with The Infamous Stringdusters in January.

    greensky bluegrass infamous stringdusters

    The Colorado group has just released their newest song, “Grow Together,” written by Paul Hoffman upon the arrival of his daughter.  “I wrote this with my 5-week-old daughter at my feet. She laid there and listened, so content. I hoped this was the first of many experiences like this for her and I,” Hoffman told The Boot. “I reflected on the amazing gift her mother had given me and ‘Grow Together’ just fell out of my heart,” Hoffman continues. “It’s a testament to a new chapter in my life and a love song for the woman who made me a father.” 

    Accompanying the song is a documentary-style music video that offers intimate and behind the scenes content.  A perfect visual companion for such a powerful song. 

    For the past century, bluegrass music has traditionally relayed real tales of American life, struggle, tragedy, and triumph. It gives a voice to the quiet, yet colorful stories woven into the fabric of the country itself. Greensky Bluegrass live these stories through their records and performances. 

    When touring ceased in 2020 in the face of the global pandemic, the band hunkered down and compiled demos individually at first, sharing emails and voice notes. In July 2020, they got together for the first time in four months, dedicating rehearsals to the development of the new material. Once circumstances safely permitted, they recorded what would become Stress Dreams during a session in Guilford, VT and two sessions in Asheville, NC with frequent collaborator “and old friend” Dominic John Davis as producer and “wizard engineer” Glenn Brown mixing. They preserved the hallmarks of their sound while widening its expanse.

    “Greensky is and always has been very unique in our world,” says Paul Hoffman. “We put our love, energy, and focus into what we appreciate about our music. We come together as a band in a way that’s organic. We take a lot of pride in how we grow and challenge each other too. We’re maturing together. I think we get more Greensky all of the time.”

    All up to date news tour info can be found at greenskybluegrass.com.

    Greensky Bluegrass Tour Dates

    Nov 11 @ The Observatory | San Diego, CA
    Nov 12 @ The Fonda | Los Angeles, CA
    Nov 13 @ The Fox | Oakland, CA
    Nov 14 @ Crystal Bay | Stateline, NV
    Nov 17 @ Midtown Ballroom | Bend, OR
    Nov 18 @ Crystal Ballroom | Portland, OR
    Nov 19-20 @ The Showbox | Seattle, WA
    Nov 26-27 @ Kalamazoo State Theatre
    Dec 9 – 13 @ Strings & Sol | Puerto Morelos, Mexico
    Dec 30-31 @ The Factor | St. Louis, MO
    Jan 7-8 @ The Mission Ballroom | Denver, CO

    Greensky Bluegrass featuring very Special Guests The Infamous Stringdusters

    Jan 20 @ The Palace Theatre | Albany, NY
    Jan 21 @ The Met Philadelphia | Philadelphia, PA
    Jan 22 @ The Capitol Theatre | Port Chester, NY
    Jan 26 @ Flynn Theatre | Burlington, VT
    Jan 27 @ The State Theatre | Portland, ME
    Jan 28-29 @ House of Blues | Boston, MA
    Feb 2 @ Stage AE | Pittsburgh, PA
    Feb 3 @ Agora Theatre & Ballroom | Cleveland, OH
    Feb 4-5 @ The Anthem | Washington, DC
    Feb 17 @ The Pavilion at Pan AM | Indianapolis, IN
    Feb 18 @ Fillmore Detroit | Detroit, MI
    Feb 19 @ Riverside Theatre | Milwaukee, WI
    Feb 20 @ The Palace | St. Paul, MN
    Feb 23 @ Old Forester’s Paristown Hall | Louisville, KY
    Feb 24 @ Iron City | Birmingham, AL
    Feb 25-26 @ The Tabernacle | Atlanta, GA

    Hot on the heels of the new record announcement (Toward the Fray releasing Feb. 18) made last month by Grammy and IBMA award-winners The Infamous Stringdusters, Infamous Stringdusters have announced a January through April tour of the same name. Truly coast to coast, the band will kick off on Jan. 20 in Albany, NY with good friends Greensky Bluegrass, touring through most of the east coast and into parts of the midwest and southeast.

    Dustbowl Revival will hop on towards the end of March to make several stops in California, wrapping the 4 month tour in Seattle, Washington on April 9th. Pre-sales are, as of today, on-sale for headlining dates. General on-sale starts Thursday, Nov. 4 at 10 am PT. Please visit thestringdusters.com/tour for more information and to purchase tickets. 

    greensky bluegrass infamous stringdusters

    Toward the Fray, the band’s first release of original music since 2019’s Rise Sun, will be released on February 18th, 2022 on Americana Vibes via Regime Music Group. Fans can now listen to the first single, “Toward The Fray” below.

  • Bard College Alumnus Chevy Chase Plots Christmas Vacation Screenings in Utica, Albany, Binghamton

    Bard College alumnus Chevy Chase will appear at a series of National Lampoon’s Christmas Vacation screenings in Utica, Albany and Binghamton in December. The events will include Chevy Chase performing live on stage plus an audience Q&A following the screenings.

    Chevy Chase is an original member of NBC’s Saturday Night Live and over the years became a household name for his blockbuster movies like National Lampoon’s Christmas Vacation, National Lampoon’s Vacation, Caddyshack, Fletch, Three Amigos, and many more. 

    The screenings are taking place in different cities across the United States with three stops in New York currently. More screenings in New York could be announced in time though. The tour announces dates as they go, being precautious of COVID-19 spikes across the country.

    The three stops in New York start in Utica on December 13, 2021 at the Stanley Performing Arts Center at 7:30PM. The second stop in New York will be on December 15, 2021 at the Palace Theatre in Albany at 7:30PM. And the last stop in New York currently will be on December 19, 2021 at the Visions Veterans Memorial Arena in Binghamton at 7:30PM. 

    Tickets to all three  Chevy Chase National Lampoon’s Christmas Vacation screenings in New York and to the other stops on the tour can be purchased here.

    For more information on Chevy Chase and his upcoming tour visit his website.

  • Radio Free Brooklyn Celebrates Changüí and Music of Cuba with free event on November 17

    Gianluca Tramontana, music journalist and host of the Radio Free Brooklyn show Sitting with Gianluca, spent 2017–2019 in the mountains around Guantánamo City, Cuba, immersed in—and recording— joyous, all-inclusive and mostly improvised, riff-based acoustic roots music of the island.  The music was born in the sugar and coffee plantations in the mountains around the city, less than thirty miles from Guantanamo Bay, and serves as the soundtrack for joyous three-day parties called Changuisis.

    radio free brooklyn

    This incredible collection of recordings, which includes over 50 brand new remote recordings and 100 intimate photographs of the culture and its people, was released this past July 30 by Petaluma Records as a three-disc deluxe box set with a hardbound full-color book and extensive liner notes titled Changüí – The Sound of Guantánamo. This release, the most extensive exploration of the Changüí style to date, has garnered four- and five-star reviews (MOJO, Songlines, No Depression, and Afropop) and been featured on NPR’s Weekend Edition, BBC6, PRI’S The World, and the CBC. 

    radio free brooklyn

    On November 17, Radio Free Brooklyn is partnering with the Pine Box Rock Shop for a free event that will be part belated record release party, part panel discussion and slideshow dedicated to this vibrant brand of Cuban music. Hosted by Tramontana, the event will include a conversation with four-time Grammy-winning producer Steve Rosenthal (co-producer) and Ned Sublette, Cuban music expert and author of the definitive tome Cuba and its Music.  This will also serve as a “better late than never” album release party where a copy of the box (and some other special gifts) will be raffled off to a lucky audience member.

    radio free brooklyn

    The Pine Box Rock Shop is located at 12 Grattan Street, Brooklyn. The 90-minute event kickoff at 8 pm. RSVP here.

    Radio Free Brooklyn is a non-commercial freeform Internet radio station, streaming original content by the artists and residents of Brooklyn 24 hours a day, 7 days a week. Listen live here.

  • Hudson Valley Songwriter Ryan Martin Recruits Mikaela Davis for “At Dusk”

    The latest single from Hudson Valley singer-songwriter Ryan Martin, “At Dusk”, features Rochester’s Mikaela Davis. Perhaps your breakup with your COVID-bae was hard or maybe you’re just not over your breakup from 3 years ago (who isn’t?). Ryan and Mikaela know how to pull at just the right heart strings bringing a signature kind of love song that is honest, emotional lyrics wrapped in gorgeous, bittersweet melodies and irresistible melodic hooks. 

    Ryan Martin

    Now, you might have heard this song before because it originally appeared on Wandercease, released in November 2020. However, in the height of COVID-19 havoc Martin’s exceptional songwriting was praised by the press for its vibrant, modern take on Americana and Martin’s exceptional songwriting, yet buried underneath reality’s chaos. The COVID pandemic taught us all a little something but Martin took it upon himself to re-asses his priorities.

    The songs on Wandercease are mini-epics of personal storytelling, and Mikaela Davis keeps returning with perfect harmony vocals and the thrilling sound of her harp

    Paste

    Back during lackluster live streams alone in his apartment for a virtual audience his struggle to sustain his sobriety became apparent. Putting music aside, he decided to enroll in school to pursue a career in substance-abuse counseling. A new perspective led him to truly process the reason for writing music: to identify the source of someone’s pain, conveniently also the goal as a substance-abuse counselor. He admits that he aims to connect with people around the struggles that bind them together.

    Perfection us damn near impossible to come by and it almost never happens, Yet somehow, someway, Ryan Martin hit that rare pocket in time and captured perfection

    American Songwriter

    With the help of veteran producer/engineer Paul Kolderie (Pixies, Radiohead) remixing the song, “At Dusk” now has new flavor to it with more highlights of the sublime harmonies between Martin and guest singer/harpist Mikaela Davis, with an additional rock and roll energy in the anthemic choruses. Martin recently showcased at the Mondo.NYC conference with a live performance filmed at Old Soul Studios in Catskill, NY featuring musicians Jared Samuel (Kevin Morby), Nick Kinsey (Waxahatchee), David Lizmi (Fun), and Connor Grant (Sean Lennon).

  • Ed Sheeran Bounces back from COVID, Performs on Saturday Night Live with host Kieran Culkin

    Ed Sheeran performed as musical guest and Succession’s Kieran Culkin returned to Saturday Night Live on Saturday, November 6. The hosting duties for Culkin occured almost 30 years to the day since his brother Macaulay hosted in November 1991.

    This past week, Kieran shared a memory on The Tonight Show with Jimmy Fallon from his time hanging around Studio 8H while his brother held hosting duties:


    I remember during rehearsal day, being on the stage and I was with my mom, and Kevin Nealon walks by, and she grabs him and she goes, ‘Oh hey, you’re great. By the way, you’re my son’s favorite.’ And he goes, ‘Oh, thank you very much, that’s nice to hear.’ And I went, ‘Mom’ — cuz I’m 9, kids don’t have a filter — ‘I told you, he’s my second favorite, Dana Carvey’s my favorite.’

    Kieran Culkin, November 1991

    Kieran appeared in three sketches that night – “Bill Swerski’s Super Fans,” “Medieval Scalders” and as Froggy, in a flashback during the “Richmeister” sketch, seen below.

    kieran culkin ed sheeran

    Sheeran made his first appearance of the night as a guest on the Dionne Warwick Talk Show, with the talented Ego Nwodim playing the legendary pop singer who recently discovered Twitter. As a surprise, the Warwick appeared, just as Nwodim’s Warwick suggested she interview a true icon. After sharing “I’m not perfect, I’m just very good,” the two sang a duet of Burt Bacharach’s “What the World Needs Now.”

    Sheeran was announced as musical guest for this episode back on October 23, and the next day shared a diagnosis of COVID-19 for he and his daughter, despite he being vaccinated. Sheeran was able to finish his isolation period and was cleared to perform, although he did not appear in the traditional SNL promos with Culkin.

    For the first song of the night, Sheeran played “Shivers,” the second single off his new album = (pronounced “equals”), which was released just last week. There were no signs he had just been under the weather, as Sheeran didn’t miss a beat on this dance pop number.

    https://www.youtube.com/watch?v=5ItgpYfAT14

    Sheeran returned later in the show to sing the folksy “Overpass Graffiti,” fist-bumping members of his band at the end.

    https://www.youtube.com/watch?v=EGiVv_iFaGI

    During the goodbyes, fulfilling his monologue wish, Culkin was hoisted by cast members Chris Redd and Keenan Thompson, flexing as he did nearly 30 years ago.


    Next week, Saturday Night Life welcomes host Jonathan Majors (Lovecraft Country, Loki) with musical guest Taylor Swift.

  • Rick Wakeman Brings Gifts of Keyboard Wizardry and Gab to Bearsville Theater

    Prog rockers are not a group known for their sense of humor. But there is one towering prog godhead who is top of the heap as an instrumental virtuoso and teller of ridiculously entertaining tales, ones featured in his surprisingly stupendous memoir, Grumpy Old Rock Star.  It’s Rick Wakeman, the keyboard wizard whose riffs can be heard on some of the most memorable works of Yes, The Strawbs, David Bowie, Cat Stevens, T. Rex, Al Stewart and a boatload of his symphonic solo albums.  

    Wakeman brought his massive chops and incredibly funny tales to Woodstock’s beautifully outfitted Bearsville Theater on November 1.  It was the last stop on the first swing of his “Even Grumpier Old Rock Star Tour.”  The evening was equal parts baroque instrumental brilliance and Borsch Belt humor.  And it was all the more enjoyable for it.

    rick wakeman

    Dressed in a knee-length black morning jacket, Wakeman manned a duo of Korg Nautilus synths and a Yamaha grand piano to take the audience on a 14-song retrospective of his career as session man, bandmate and solo artist.  There was a similar cache of stories, as well as a Q&A session, where the keyboardist reeled off hilarious anecdotes with punchlines as well-oiled as his arpeggios.

    After the gorgeous symphonic double synth-driven opener “Seahorses,” Wakeman moved over to the piano. Here he told the story of one of his most memorable dates as a session man on Cat Stevens’ classic “Morning Has Broken.” According to the piano man, it wasn’t really all that much of a song, just 40 seconds or so, when they first ran through it. Stevens’ producer Paul Samuel-Smith asked his to lengthen it with a piano intro, a gorgeous one that is as memorable as Matthew Fisher’s Bachesque organ on “Whiter Shade of Pale.”  The producer and Cat liked it so much that they asked him to return to it several times, in the middle of the tune and for a coda, to bring the tune to single length.  Wakeman also recalls Stevens sitting in a corner chain smoking, all to muster the proper grit to commit his vocal to tape. He also remembers not getting paid, until 37 years later, the 12 British Pound session fee (about $120 is today’s dollars)!

    Wakeman then set up a medley of two tunes from his classic The Six Wives of Henry the VIII album by observing that “the King’s life was prophetic of my own.”  Like Henry, Rick had multiple marriages, one reason being “that I really liked cake.” But where Henry “chopped off his wives’ heads,” Wakeman observes he “gave my wives houses.”  After the laughs died down, Wakeman gave sharp, articulated performances of “Catherine of Aragon” and “Catherine Howard.”

    rick wakeman
    Rick Wakeman – photo by Neil Segal

    Before heading into a medley of Yes, a mashup of “The Meeting,” “And You and I” and “Wonderous Stories,” Rick told an anecdote about a clever putdown he launched at a know-nothing TV interviewer in Los Angeles. When asked where his bandmate Trevor Rabin was when he wrote Yes’ biggest hit “Owner of A Lonely Heart,” Wakeman said he was “did it on the toilet.”  And that it “was the first time someone wrote a #1 while doing a #2!”  Naturally, the interview ended right there.

    In the Q&A that followed, Rick answered 25 fan queries. He shared a host of trivia about his career, his love for his fellow prog keyboard titan, the late Keith Emerson, and that, yes, his long blonde hair was all his.  He then returned to the synths for “The Dance of a Thousand Lights” from his 1999 disc, Return to the Centre of the Earth.

    The creative and emotional high point of the evening came with Wakeman’s memories and medley of David Bowie, a giant whose last residence was a stone’s throw from Bearsville.

    rick wakeman
    Rick Wakeman – photo by Neil Segal

    Rick was the pianist featured on two of Bowie’s greatest works, his career-making “Space Oddity” and “Life on Mars.” Before launching into the tunes, Rick recalled their days of neighbors in the U.K and various chance meetings while on tour. He also credited Bowie and his producer Tony Visconti as sources of knowledge in the area of record production that proved so vital in his career.

    Rick Wakeman then told another humorous tale about Emerson and Deep Purple’s Jon Lord, before dedicating the next medley to them, wildly original covers of The Beatles “Help!” and “Eleanor Rigby.” Repeating an exercise he learned during his days at the Royal College of Music, he covered these in the styles of classical composers. The standout was his reinvention of “Eleanor Rigby” in the hyper style of Sergei Prokofiev.  It was blur of rapid arpeggios and pianistic filagree which could’ve been complemented by a horde of dancing Cossacks… if Rick could still afford the overkill of his infamous stage productions of the 1970s.

    After a standing ovation and thunderous applause from the near sell-out crowd, Wakeman returned for a crowd-pleasing encore of story and sound.  First came another scatological tale about a “dodgy vindaloo” and being asked to autograph an album while on the toilet!   This was followed by yet another instrumental dazzler, the super syncopated “Merlin the Magician” from 1975 album, The Myths and Legends of King Arthur and the Knights of the Round Table.

    Wakeman’s concert is a model for what classic-era artists can bring to their audiences. It had musicianship that showed he hadn’t lost a step to time and his formerly wild rocker lifestyle. It also had all the tall tales and trivia that die-hard fans have an inexhaustible hunger for.

    Photos by Neil Segal

  • moe. Travels to Iceland in 2022 for “Midnight Sun” with Dopapod and Aqueous

    moe.’s Midnight Sun 2022 event will take place in Iceland. The event was announced across moe’s social media and  will take place August 5-7, 2022 in Reykjavik, Iceland supported by Dopapod and Aqueous.

    Moe Midnight Sun

    Midnight Sun will consist of moe. playing six sets over three nights at Reykjavik’s Eldborg Hall in the Harpa Center. Dopapod and Aqueous will be there as supporting acts. with additional late night performances set to take place at venues near Harpa, with more details and specifics will be announced in the near future. Part of the draw of Iceland for the moe.’s Midnight Sun festivities is the fact it will be taking place in summer which will provide daylight that stretches long into the evening.

    moe. recently celebrated 30 years together as a band, having formed in 1989 at University of Buffalo. A true New York band, guitarists Al Schnier and Chuck Garvey hail from Oneida County, while drummer Vinnie Amico calls Saratoga County home.

    Dopapod formed at Berklee College Of Music back in 2007, with Eli Winderman, Rob Compa, Chuck Jones, and Neal “Fro” Evans filling out the original and current lineups. Aqueous is an indie-jam rock group that formed in Buffalo back in 2007, composed of Mike Gantzer, David Loss and Evan McPhaden and Rob Houk.

    VIP tickets will go on sale on November 8, 2021 at 12 PM EST and the general on-sale goes on sale on November 11, 2021 at 10 AM EST. The VIP packages will include prime seating, access to an acoustic brunch set and more to be announced. Tickets can be purchased here once they are available.

    For more information on Moe’s Midnight Sun 2022 visit their website.