Category: Regions

  • Blue Star Radiation Play First Show in Syracuse at Westcott Theater

    The debut show of Blue Star Radiation on November 18th at the newly renovated Westcott Theater in Syracuse New York, followed by Putnam Place in Saratoga Springs, Nectar’s in Burlington and Oxbow Brewing and Bend in Portland, Maine. The four night tour before the holidays makes it a fantastic voyage through New England.

    blue sky radiation
    photo by Jim Houle

    Composition versus improvisation. moe., Kung Fu, The Breakfast, Lotus, Percy Hill, Ghosts of Jupiter, and Assembly of Dust all come from a heavy catalog of music that can be played differently any given night. Blue Star Radiation is a new band that glows off these concepts that includes Vinnie Amico on drums, Rob Derhak on bass, Tim Palmieri on guitar and Nate Wilson on B3 Hammond keys and flute.

    blue star radiation
    photo by Jim Houle

    It is appropriate that moe.’s ryhthm section of Rob and Vinnie started this mini run on a Thursday in Upstate, New York. After all, they have played in front a rowdier 220,000 down the thruway in Rome during Woodstock 99. There is a Danko/ Helm quality of the two when they are on a New York stage that radiates. The freshly renovated Westcott filled the old cinema to the back of the house with new premium seating alongside the left stage. moe.’s “The Pit” opened the inaugural performance and helped welcome everyone to a comfortable spot in the room to groove. Nate Wilson then plays his original “Eye of the Yellow Tiger.”

    The new four piece also filled the first set with some back in black covers. The Black Crowes‘ “Wiser Time” and Santana’s “Black Magic Woman” created a sandstorm of surprises. The band also claimed they were playing ‘Set List Yahtzee’ with a malleable list of songs to pull from. Again, it was a Thursday night for the first of four shows, why stick to the plan?

    The second set unfolded with some some chilling viking rock. Nate Wilson’s keys and vocals took Led Zeppelin’s “No Quarter” to warn the frosty November crowd that snow falls hard and don’t you know, the winds of Thor are blowing cold. (Led Zeppelin did play in Syracuse at the War Memorial in November of 1969.) What a song to cover ahead of the partial lunar eclipse that night for the blood moon that hasn’t been seen since the 1440’s. One of the first snows of the year did arrive just as the eclipse unfolded at 4 AM giving way to Thor.

    The band did give a lighter nod to the Syracuse, New York suburb of Liverpool by covering “She Came in Through the Bathroom Window” by the Beatles. Tim Palmieri took lead on this as he has on many Sunday Beatles acoustic sets he’s been known to do in New Haven, CT. The band encored with the moe. classic “Opium,” no quarter notes in these lyrics, It’s eight AM not a quarter past three, flowers and fog won’t you rescue me.

    blue star radiation
    poster by Matt Leunig

    Rob Derhark simply thanked the crowd for letting them do their thing and have a week of music to just simply cut loose to. Tim Palmieri helped raise a glass and get the Westcott crowd to cheers to moe. guitarist Chuck Garvey. The simplicity of appreciation to play music that is essentially improvisational and unplanned transcends after the show is over.

    Blue Star Radiation – The Westcott Theater, Syracuse, NY – November 18, 2021

    Set 1: The Pit, Eye of the Yellow Tiger, Wiser Time, Blue Jeans Pizza, Dance Hall Days, Black Magic Woman

    Set 2: Locomotive Breath, Mar De Ma, All in Stride, She Came in Through the Bathroom Window, Sign, No Quarter, Bloody Well Right

    Encore: Toast to Chuck, Opium

    photos by Jim Houle

  • Toubab Krewe Embarks on ‘What is Tour 2021’ – Perform at NuBlu on December 2

    Toubab Krewe, the genre-defying quintet that fuses west-African traditional music with elements of rock, jam, and Appalachian styles, will continue it’s ‘What is Tour 2021’ on December 1 with a show in Wayne, PA at 118 North. The group will then head to Nublu 151 in NYC on December 2.   

    toubab krewe what is tour

    Many of the dates are re-scheduled from a COVID postponed tour in April of 2020.  The band will film the PBS special ‘Echo Sessions’ in Asheville, NC in December, and then finish the year at the No Resolutions Festival in Branford, FL on December 30, headlined by Big Gigantic, Girl Talk, and others.

    Formed in 2005, Toubab Krewe has tenaciously honed their craft through relentless touring and a fierce dedication to carving out something they can truly call their own.  The fruits of this hard work can be heard on their latest release, STYLO, (March 2nd, 2018).  What Justin Perkins (Kora, Kamelngoni, guitar, percussion), Terrence Houston (drumset), Drew Heller (guitar, organ), Justin Kimmel (bass, keys), and Luke Quaranta (Djembe, Congas, Dundun, Sangban, Kinkini) have wrought on STYLO reflects the many miles and musical journeys that have transpired since their last studio album, TK2.

    toubab krew what is tour

    All shows will require a COVID vaccination or negative PCR test to enter.

    Toubab Krewe ‘What is Tour 2021’ Dates

    11.17 Buffalo NY • Buffalo Iron Works
    11.18 Ferndale MI • Otus Supply
    11.19 Columbus OH • Woodlands Tavern
    11.20 Chicago IL • Martyrs’ 
    11.21 Bloomington IL • Stable Music Hall 
    12.1 Wayne PA • 118 North
    12.2 New York, NY • Nublu 151
    12.3 Bridgeport CT • Park City Music Hall 
    12.4 Newmarket NH • Stone Church 
    12.5 Waterbury VT • Zen Barn
    12.16 Asheville NC • Echo Sessions 
    12.30 Branford FL • No Resolutions Festival 

  • Watch Saweetie ‘Tap In’ to SNL while Pete Davidson pays Tribute to Staten Island

    SNL returned last night with first-time host Simu Liu accompanied by musical guest Saweetie. The juggernaut rapper, fresh off her own McDonald’s Meal and a newly inked deal for a Netflix series, performed favorite hits and a brand new single for the crowd. 

    Saweetie Simu Liu SNL

    The episode opened with Cecily Strong parodying Judge Jeanine Pirro of Fox News discussing the Kyle Rittenhouse verdict. Chloe Fineman played a white female analyst discussing the shocking nature of the exoneration, while Chris Redd’s Howard University professor notes the American justice system has behaved this way before. When Fineman mourned “This is not who we are!” a sarcastic Redd responded, “I kind of feel like it is though…” James Austin Johnson returned with his pitch-perfect Trump impression. Above all, the sketch was a strong, hilarious opening.

    Simu Liu, star of Marvel’s Shang Chi And The Legend of the Ten Rings, brought energy and ease to his monologue. He joked at his status as the first “openly Chinese superhero,” and a strong later sketch between Liu and Bowen Yang expanded the joke. In his opener, he mainly skewered his Canadian heritage and the uniquely polite way he obtained his breakout role. Spoiler alert: he tagged them on Twitter, and got about ten likes. 

    Firstly, Saweetie hit the stage with a montage of “Tap In” and “Best Friend.” Dressed in old Hollywood glam and flanked by dancers in tutu’s, she introduce a jazzy rendition of “Tap In.” In a floor-length gown, she performed a gracefully choreographed routine. As the whistle-heavy beat faded in, her backup dancers removed the train on her dress.

    With her blood-red curls serving Jessica Rabbit, Saweetie cemented her status as a classic R&B girl with a diverse catalog. Dance, fashion, rapping, singing; all of it is in a day’s work for Saweetie. Above all, the montage was a celebration of Saweetie at her peak, highlighting her greatest hits.

    https://www.youtube.com/watch?v=iOItdP6ZjU8&list=PLS_gQd8UB-hJ_skvlwzfzWQSdOpi13UJM&index=5&ab_channel=SaturdayNightLive

    Throughout the night, standout skits included a “karaoke recap” from a dive bar, aptly parodying many types of karaoke singer. From “Guy Who Was Doing Great Until The High Notes Came In” to “Girl Who Claimed Her Friend Signed Her Up But We All Know The Truth,” each was spot on. Later on, Simu Liu perfectly embodied a crotchety professor in a skit of a 420-friendly Friendsgiving celebration. 

    https://www.youtube.com/watch?v=HyKnQPpLR2I&list=PLS_gQd8UB-hJ_skvlwzfzWQSdOpi13UJM&index=3&ab_channel=SaturdayNightLive

    Later, Saweetie returned to the stage to perform a brand new single, “Icy Chain.” On the track, she bodies an opportunity to flex her harder flows. She impressed with her breathless flows, never missing a beat even in the midst of a high kick or twerk. Clearly, Saweetie takes her craft seriously. However, the rapper wasn’t afraid to have fun during “Icy Chain,” laughing and smiling through the number. 

    https://www.youtube.com/watch?v=jx0Ag3fEeDE&list=PLS_gQd8UB-hJ_skvlwzfzWQSdOpi13UJM&index=10&ab_channel=SaturdayNightLive

    Pete Davidson recruited fellow Staten Islander Method Man and rapper Big Wet for “Walkin in Staten,” a parody of Marc Cohn’s “Walking in Memphis.” Cohn was at first reluctant to join the video, but then appeared with the trio, adding to the hilarious take on the outer borough. Davidson and company sang about the unique attractions found in Staten Island – pizza places on every corner, bagel shops, and pizza places within bagel shops, among others.

    https://www.youtube.com/watch?v=W62Vmju18Vw

    SNL will return on December 11th with Billie Eilish serving double duty as host and musical guest. Later next month, Charli XCX will perform alongside host Paul Rudd on December 18th.

  • Nick Vivid Reigns with Latest LP “No More Secrets”

    Nick Vivid is breaking down boundaries and officially making a name for himself.  His new release “I Wanna Reign Again,” brings all the potential to his upcoming LP No More Secrets. The single says it for itself “I Wanna Reign Again” speaks about the need to get out after strict Covid lockdowns, or to feel alive again as Nick puts it. The single is fluid in a hallucinogenic energy with heavy synths, with almost a thick cream texture to it. 

    The track is about the idea that he, like most people after all the Covid lockdowns and restrictions, just wants to “get back out there and live again. Back when Covid chaos was at its peak and our patience was wearing thin, just a walk in the park or a breath of fresh air was all we could salvage to keep sane.

    Nick speaks about how he tried to balance his life with faith. A notable line you might hear, ‘Help me get out of the way’, hones in on the majority of our mental states during crisis, Nick believed that with the mindset that everything will work out for the best eventually led him to stop trying so hard. 

    Nick Vivid

    Nick Vivid is a true testament to New York City’s culture, talent, and everchanging music.

    Earmilk

    Vivid explains how he came to write his tracks, finally reaching a point where he was 100% completely and utterly “in sync with things”. Pulling from his idols like Sly and the Family Stone, he was able to produce an eclectic sound still original in its own sound. Reaching this state of mind wasn’t easy, to let go meant pushing his brain to stop working overtime and to listen to his instincts. 

  • Dead and Friends Dazzle In Rochester: November 20, 1970

    The Grateful Dead’s first ever show in Rochester saw them bring a few friends along for the ride. Members of Jefferson Airplane joined them to cap off a mesmerizing night of music at The Palestra at University of Rochester. The late night gig allowed their fellow Californians, who played earlier that night at the War Memorial, a chance to get in on the fun. Jorma Kaukonen, and later Jack Casady, took full advantage, adding their unique styles to the psychedelic stew that serves as the second set. And the first one is essentially an entire Grateful Dead show crammed into a singular set, featuring more than 20 songs. All of this adds up to a simply unreachable bar for all future Dead shows in Rochester to reach.

    The show starts off innocently enough with a leisurely run through of “Cold Rain And Snow” whose ending is unfortunately cut off in the recording. “Me And My Uncle” then picks things up a bit, sung ably as always by guitarist Bob Weir. An attuned Pigpen even adds some inspired fills on the organ as the song progresses. This paves the way for him to take center stage and lead the band through a blues cover of “Next Time You See Me” that has the Palestra now fully engaged. Things then get decidedly more psychedelic, starting with a “China Cat Sunflower” that’s accentuated with an early, effortless guitar solo from Jerry Garcia that hits home. A rapid, near chaotic, jam then transpires before a silky smooth landing into “I Know You Rider” as the Dead show off one of their signature song pairings to the Rochester crowd’s delight.

    The Dead follow this up with a smoking take of “Sugar Magnolia,” a still relatively new song in their live repertoire at the time. Another furious Garcia solo and the drumming duo of Bill Kreutzmann and Mickey Hart fuel this one. The pace then slows back down again with the folksy pairing of “Friend Of The Devil” and “Mama Tried,” led by Garcia and Weir on vocals, respectively. An interesting little percussive jam then introduces “Good Lovin’” and the Dead are off and running again. Their cover of The Rascals’ hit song immediately goes deep, as the percussive vibe returns in a big way with a near immediate drum solo that doesn’t let up for several moments. It’s essentially the “Drums” portion of the show thrown right in the middle of “Good Lovin’.” Garcia eventually leads the rest of the band back into the fray and then he takes his turn exploring every aspect of the song in a jam that stretches out well past 20 minutes – a Type II “Good Lovin’” if there ever was one.

    The Palestra at University of Rochester

    A rowdy “Cumberland Blues” follows this, with the Palestra crowd clapping along joyously before an emotional and well harmonized “Candyman” that settles things back down once more. The first ever performance of “Truckin’” in Upstate New York comes next, as the Dead show off another new tune that will go on to become a classic. Although it doesn’t beget much of an extended jam, there’s some fun musical interplay between Garcia and Pigpen before another manic drum-heavy section that signals the beginning of “The Other One.” However, after an extended opening sequence, it’s a shortened “Other One” as the band quickly shifts gears and jumps into “Saint Stephen” after just one verse. Before “Stephen” is even finished, a noticeable “Not Fade Away”-like drum beat picks up, so it’s no surprise that they launch into that next. This kickstarts a truly vintage “Not Fade Away” > “Goin’ Down The Road Feeling Bad” > “Not Fade Away” sequence that has both the Dead and the Rochester crowd fully engaged.

    As if that weren’t enough already, the set goes on afterwards as a bluesy shuffle starts up, clearing the path for Pigpen, with harmonica in tow, to take center stage once more for “King Bee.” The marathon set then finally comes to a close with a rousing “Casey Jones.” The Dead are then able to get their comrades from Jefferson Airplane out for a second set that’s short on songs but long on blues-infused psychedelic improv. It begins with a cover of “All Over Now,” a song popularized by The Rolling Stones. Jorma Kaukonen, who plays the entire set, steps right up and delivers a jaw dropping guitar solo with what sounds like Garcia on the pedal steel guitar and Weir belting out the vocals. A fun, short little “tuning” jam takes place afterwards before they jump into another cover, this time a ripping take Chuck Berry’s “Around & Around.”

    Then the band just jams out for a while, with Koukanen and Garcia playfully trading guitar riffs back and forth. The rhythm section is locked in and it makes for one of the more enjoyable portions of this show as the West Coast-based musicians deliver their brand of psychedelic rock to an eager East Coast auditorium. It’s also probably one of the reasons that this sit-in has been dubbed one of the ten best ever with The Grateful Dead, per Rolling Stone.

    As the jam progresses, Jack Casady joins in on bass as the music begins to take some structure. The group then goes through two verses of “Darling Corey,” a traditional song that Pete Seeger, among others, have recorded. This is just quick thought though, as the structure quickly devolves and soon dies out completely. After some extended tuning, the ensemble launches into another extended jam, now with dueling basses to go along with three guitars. They bounce and move from one loose melody to another, never stopping for too long. At one point, a jam reminiscent of a souped up “Cumberland Blues” seems to take place. “Uncle John’s Band” then closes out a lengthy night of Grateful Dead in Rochester, highlighted by a monumental sit-in from members of Jefferson Airplane.

    View this and more Grateful Dead shows from across the years in New York State with our interactive map below!

    Grateful Dead The Palestra at University of Rochester – Rochester, NY 11/20/70

    Set 1: Cold Rain And Snow , Me And My Uncle, Next Time You See Me, China Cat Sunflower > I Know You Rider, Sugar Magnolia, Friend Of The Devil, Mama Tried, Good Lovin’ > Drums > Good Lovin’, Cumberland Blues, Candyman, Truckin’ > The Other One > Saint Stephen > Not Fade Away > Goin’ Down The Road Feeling Bad > Not Fade Away > I’m A King Bee, Casey Jones

    Set 2: It’s All Over Now, Instrumental > Spring Song Tuning > Around And Around, Jam > Darling Corey > Jam > Tuning > Space Jam, Uncle John’s Band

    Dead Rochester

  • Protomartyr Return To The Live Stage For Three New York Shows

    Detroit based post-punk vets Protomartyr are back; on tour for the first time post-COVID and giving their excellent 5th LP Ultimate Success Today the live treatment. The band made their way to Bushwick’s Elsewhere Hall this past Thursday, November 18 followed by two more sold out shows upstate at Tubby’s in Kingston.

    protomartyr at elsewhere
    Protomartyr at Elsewhere 11/18/21. Photo by Buscar Photo

    The night opened with a fiery punk rock set from the Philly based band TVO. After a short changeover, Poughkeepsie native and free jazz legend Joe McPhee took the stage for a deep and abstract saxophone performance. The crowd was quite taken back by the significant change of pace, but McPhee stepped up to the microphone and performed a 20 minute set consisting of three distinct movements. Bits of distinguishable jazz rhythms kept popping up, surrounded by layers of breathing and speaking (inaudibly) through the instrument as if an entire story was being narrated. You could hear a pin drop in the room while McPhee was performing, but he concluded with a thundering applause from an audience truly shocked and in awe of what we witnessed.

    protomartyr at elsewhere
    Joe McPhee at Elsewhere, 11/18/21. Photo by Buscar Photo

    Protomartyr have been a cult success for their first couple of albums and their stature has grown quite a bit with their more recent releases. LPs such as The Agent Intellect and Relatives in Descent solidified the band’s sound; a solid post punk backing fronted with deep vocal style reminiscent of Nick Cave. Ultimate Success Today, released in July of 2020, stayed true to that sound and provided another pillar to the band’s catalog. One of the singles from the album, “Processed By The Boys,” came along with a comical video featuring the band in 80s era TV game show form.

    The short tour started earlier in November and after the three New York shows, the band has one final stop in Pittsburgh to close out the run. Photos from the Elsewhere show are below and stay tuned for more updates from the band as the tour wraps up.

  • Get Into a Good Holiday Funk With Everett Bradley’s Holidelic

    Looking for unique music for the holidays? Everett Bradley, performer with E Street Band and Bon Jovi, is ready to give us some holiday cheer, or better, holiday funk. The Grammy nominated rock percussionist has announced the return of his beloved holiday funk revue, Holidelic.

    Holidelic

    A 12-show run will be held at The Lucille Lortel Theatre in NYC from December 9 though 31. This is part of the theater’s holiday performance series Tinsel: A Global Holiday Celebration, running from December 6-31 and featuring effervescent live music, performance, and dance with leading artists from around the globe.

    Bradley will strictly go by his name Papadelic, for the residency. The renamed Funk’s Father Christmas is a funk figure combining the personas of George Clinton and Santa Claus, with of course holiday-themed funk songs written by Bradley. 

    A flashy, bass heavy retro-futuristic take on the holidays

    The New Yorker

    Holidelic debuted in 2002 to bring some cheer after 9/11, something about his big furry white coat, sunglasses and 6-inch platform shoes has been selling out shows ever since. I mean maybe it’s from his stardom with Bon Jovi, Hall & Oats, Quincy Jones, and Snarky Puppy. Regardless this GRAMMY winner knows how to wow a crowd, exhibiting extraordinary talent, exuberance, and heart to every tour, session, Broadway show, or even TV show. The holidays wouldn’t be the same without him. 

  • Ruby Greenberg Pays Homage To Colorado With “Runaway”

    NYC singer-songwriter Ruby Greenberg has released her new single, “Run Away.” Simple yet charming, the soothing piano ballad is a love letter to her home state of Colorado.

    Ruby Greenberg

    Greenberg wrote “Run Away” during a bout of homesickness. While her time in New York began as an exciting barrage of new people and experiences, she would occasionally long for the familiar faces of the Rocky Mountains.

    I wrote “Run Away” when I was feeling particularly nostalgic. One day I was sitting in a tiny rehearsal room with only an old piano and a small window that faced another wall. I started playing a melody on the piano, thinking of home and the way that the mountains out west created my sense of direction.

    Ruby Greenberg

    “Run Away” never outright disses Greenberg’s new home in the city, but the first verse tackles how jarring its busy atmosphere could be for a new transplant: “Madness is what we live in this city of lies.” The lyrics also comment on the kindness (or lack thereof) of New Yorkers, who “don’t have the time to look each other in the eye.” Greenberg spends the remainder of the song retreating to Colorado in spirit, with a jazzy organ joining the proceedings. 

    The vocals, songwriting and piano are reminiscent of Sara Bareilles, along with Greenberg’s main influences, Joni Mitchell and Brandi Carlile. It sounds like a sweater-clad hike on a fall day, which isn’t an accident. Greenberg is a lover of the great outdoors, and passionate about wildlife conservation and environmentalism alike. She’s performed at a benefit concert for parkland preservation efforts at Ivywild School, a community center in Colorado Springs.

    Greenberg has plans to release more singles in the near future, dedicated to her loved ones. “Run Away” is now available on all streaming platforms.

  • “GET BACK NYC” Benefit for Teen Cancer America Comes to Cutting Room December 6

    Given the massive interest in The Beatles’ forthcoming Get Back film, an army of notable downtown artists are heading uptown to the Cutting Room for GET BACK NYC, a local remake/remodel of tunes from the Fab’s classic 1970 swan song Let It Be – all to benefit Teen Cancer America’s Play It Back Music Program, a charity founded by The Who’s Roger Daltrey and Pete Townsend.

    GET BACK NYC

    Produced and presented by David C. Gross and Tom Semioli, the hosts of the radio show/podcast NOTES FROM AN ARTIST, the reinventions are designed to showcase the many musical genres that New York City is renowned for – rock, jazz, experimental, funk, punk, folktronica and urban country.  In keeping with the format of Gross and Semioli’s show, the event will be a “PodFormance” – a hybrid of live concert and podcast (with interviews). The event will take place Monday, December 6 at 7 pm at the Cutting Room, at 44 East 32nd Street, New York City. 

    Artists confirmed for the event include Emily Duff, Joey Kelly Allstars, Arno Hecht (Uptown Horns, Rolling Stones, J. Geils Band), Chris Parker (Bob Dylan, Stuff, Miles Davis, Aretha Franklin, Jon Secada), Peter Baron, Spaghetti Eastern Music, Ben Neill, Lorraine Leckie, Anne Husick (Joey Ramone, Ronnie Spector), Puma Perl, Mark Bosch (Ian Hunter, Mott The Hoople ’74, Garland Jeffreys), Kathena Bryant, Chris Berardo and The DesBerados, along with bassists David C. Gross, Tom Semioli, and a few surprise guests.

    Publisher Nicholas Callaway will kick-off the evening of GET BACK NYC with a discussion of The Beatles: Get Back book (Callaway Arts & Entertainment).  This is the official account of the creation of their final album, Let It Be, told in The Beatles’ own words, illustrated with hundreds of previously unpublished images, including photos by Ethan A. Russell and Linda McCartney.

    Founded by Roger Daltrey and Pete Townshend, Teen Cancer America (TCA) partners with hospitals throughout the United States to develop specialized facilities and services for teens and young adults with cancer. TCA builds teen friendly environments, enhancing the hospital experience. TCA develops standards for age-targeted care, improve collaboration between pediatric and adult specialists and enable dedicated research to improve outcomes and survival for our young people. The Play It Back Music program gives adolescent and young adult cancer survivors the opportunity to express themselves and heal through the power of making music. Play It Back connects cancer survivors with industry professionals to create songs, meet artists, and explore music. 

    GET BACK NYC

    David C. Gross and Tom Semioli’s NOTES FROM AN ARTIST is an insightful, intriguing and informative talk/music program airing Monday evenings on www.CygnusRadio.com. It is a unique program that brings you behind the scenes with individuals whose artistry had resonated with generations. The program has presented some of the biggest names in music of many genres, including jazz bass legend Ron Carter, Michael League (Snarky Puppy), Richard Thompson, photographer The Cutting Room is located at 44 East 32nd Street, New York City.  Admission for GET BACK NYC is $20.00 with all proceeds going to TEEN CANCER AMERICA. For tickets and info contact The Cutting Room.

  • The Hollies Announce 60th anniversary US 2022 tour

    The Hollies, one of the most iconic bands in British music and Rock & Roll Hall of Fame inductees will celebrate their 60th anniversary with a return to the US in 2022.

    The dates mark the band’s first US tour in over two decades and take in New York, Los Angeles, Chicago, New Jersey, and Washington DC.

    Famed for their soaring, distinctive melodies and brilliantly crafted songs, the 60th-anniversary tour will see The Hollies performing their best-known hits including ‘He Ain’t Heavy, He’s My Brother’, ‘The Air That I Breathe’, ‘Long Cool Woman (In A Black Dress)’, ‘Bus Stop’, ‘Carrie-Anne’ and ‘Sorry Suzanne’.

    We felt like this is something no other band gets to do, celebrate six decades together, 60 years of this band and these songs means so much to us and so many others.

    Tony Hicks, guitarist

    The line-up includes powerhouse drummer Bobby Elliott, and singer, songwriter, and lead guitarist Tony Hicks, both of whom are original members of the band. They are joined by lead singer Peter Howarth, as well as bass player Ray Stiles, Keyboardist Ian Parker, and Steve Lauri on Rhythm Guitar.

    Celebrated as one of the most influential bands from the 1960s British Invasion era alongside the likes of the Beatles and the Rolling Stones, the Hollies have had over 20 worldwide hits, including number one singles in both the US and UK. They have spent an astonishing 263 weeks in the UK’s top 40 official singles chart, and have been performing continuously since their formation in 1962.

    We’re incredibly excited performing for everyone on what will be some of the most special shows in the history of The Hollies.

    Bobby Elliott, drummer

    Their cultivated musicianship, coupled with the Hollies’ extensive back catalog of memorable rock ‘n’ roll tunes, has ensured the longevity of one of the greatest groups to emerge from the early 1960’s British Rock Revolution.

    In 1995, they have bestowed the coveted Ivor Novello Award for Outstanding Contribution To British Music, and in 2010 were inducted into the American Rock ‘n’ Roll Hall of Fame for their ‘impact on the evolution, development, and perpetuation of Rock and Roll’.

    The Hollies 60th Anniversary Tour Dates

    April 2 – Mayo Performing Arts Center, Morristown, NJ
    April 4 – The Kennedy Center, Washington DC 
    April 5 – Town Hall, New York, NY
    April 7 – The Athenaeum, Chicago, IL
    April 9 – The Saban, Los Angeles, CA

    Tickets are on sale now here.