John Oates, one half of the iconic New York based duo Hall & Oates, has teamed up with viral sax player Saxsquatch to reimagine the chart-topping hit “Maneater” as an electro-jazz fusion.
The song was accompanied by a video released on Monstercat which see’s both artist revisit their hometowns of Nashville, Tennessee and deep with in a rainforest. The video then quickly pivots to an animated psychedelic experience, interlacing live action footage and animation throughout. “Maneater” was released in preparation for Oates Song Fest 7908, a charity livestream benefitting Feeding America hosted by John Oates and Saxsquatch.
I like music that gets people’s big feet tapping along. It’s been a tough year for everyone. We could all use music and stories that help us dance and feel less alone. I know a lot about feeling alone
Saxsquatch, Musican
John Oates is not only just a part of Hall & Oates, but a well accomplished artist on his own. He is a member of the Rock and Roll Hall of Fame, The American Songwriters Hall of Fame, recipient of the prestigious BMI Icon Award as well as numerous American Music, MTV awards, and multiple Grammy nominations. Since forming his legendary pop duo with Daryl Hall in the early 1970s, they have gone on to record 21 albums, which have sold over 80 million units, making them the most successful duo in rock history.
Saxsquatch is one of the biggest live streaming musicians in the US, with 300k weekly views, and Facebook’s #1 recurring music show, ‘Live From the Woods’. His usual blend of saxophone, electronic music, and Bigfoot folklore has catapulted him to viral fame, earning 1.5M followers and recognition from instrumentalists around the world.
Brooklyn based musician, Dräger, released his new single “Light Years” on March 11 and announced his debut album Goths à la Discothèque comes out May 7.
Dräger Credit: Andrew Segreti
Spencer Draeger founded Dräger as the essence of his modern dystopian era. “Light Years” is an upbeat song with a message about choosing the road less traveled and following the unknown. According to Under the Radar this is the perfect example of his “synthedelic pop” sound. Synthedelic pop is a mixture of modern pop, ‘80s new wave and the underground dance scene. The single explores the excitement of chasing thrills on the journey to the future.
Goths à la Discothèque delves into the many universal themes of modern times including technology, love and society, and makes it his own. His album was inspired by 2020 and the effect it had on the world as it switched to a digital reality and caused people to forge new ideas. He portrays the present-day issues and fuses it with a party sound.
The album consists of 11 songs which were all produced, written, recorded and mixed by Dräger in his home studio. “Light Years” is now available for streaming and the lyric video is on Youtube. The album Goths à la Discothèque drops in May under Trash Casual.
On April 11, Ryan Montbleau will team up with Inclusion Dining & Jams to provide a musical experience that acknowledges people of all abilities. Inclusion Dining provides a sensory-friendly restaurant experience intended to accommodate those with autism and other special needs. In addition to Montbleau’s performance, there will also be sensory-friendly music, yoga-inspired dance, collaborative art, sing-alongs, and much more.
Ryan Montbleau’s empowering messages within his music make him a positive outlet in this time of darkness. He has mastered a balance between rock and roll energy with folk introspection. Montbleau dedicates his work to providing hope for those going through hard times. The artist’s inspiring mantra has particularly helped individuals with disabilities feel included.
Presented by Accessible Festivals, this inclusive event at MusikFest Café has been designed for people of all disabilities. The dining experience includes menu items for special diets, modified picture menus, social stories to support ordering and waiting, table-top activities, and therapists on site. Also, Inclusion Dining & Jams will be following health and safety procedures due to COVID-19. These regulations consist of practicing social distancing, mask requirement, temperature check before entry, and enhanced cleaning procedures.
Tickets are now available for purchase here. For folks outside of Bethlehem, a donation-based livestream will be occurring to join in on the evening. The show and livestream will have accessibility features that include visual, auditory, cognitive, physical, and sensory. Live ASL interpreters, captions, and audio and image descriptions will be available as well.
Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from Fine Grain, Joe Mansmen and many more!
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
This week’s EQXposure starts with Cameron Clark’s “Martha and her Tin Soldier.” This incredible tune is full of clever twists and glitches. Super creative, it is as if St. Vincent went even deeper and stretched beyond the catchy ear worms to make some true art.
Fine Grain are gearing up for the release of their brand new full length LP, Missing Adult on Thursday, March 25th. Mixed and recorded in Brunswick, NY, Fine Grain’s post-punk brilliance runs deep with exceptional songwriting and performances of every member of the band. Some musicians are simply meant to play together and it’s only that specific combination that makes the sound so pure and authentically them. Fine Grain is that band. “Missing Adult” is as exciting as it is cool.
Joe Mansmen and the Midnight Revival have a new single “Renegade Love” that hits the airwaves one day before the release of their brand new LP Renegadez. Glam rock may have taken a nap, but Joe Mansmen and the Midnight Revival band has unleashed the beast that laid dormant in all the tight paints cut up t-shirts to revive a style that was everyone’s favorite even though the feared admitting the raw visceral attraction to the pleasing distorted guitars and massive beats.
With venues and small businesses facing financial strain due to the COVID-19 pandemic, innovative ideas have been keeping the lights. One such idea comes from lighting designer and electrician Chris Stowell, who has announced plans for an East Coast bike tour to help raise money for Stage Notes theatre company in Watertown, NY.
An original member of Stage Notes, Stowell’s appreciation for theatre turned into a profession. Founded in 2009 and a staple of Watertown, Stage Notes has produced fourteen musicals and donated $50,000 to local organizations. Knowing what they have done for the community, it was an easy decision for Stowell to do the tour down the East Coast to ensure that Stage Notes can continue to harbor young thespians.
The bike tour was something Stowell had always wanted to do but Stage Notes gave him a reason and a purpose to do it. With so many theatres losing money due to the pandemic, he realized this would be a perfect opportunity to raise money. The local theatre company provides an enriching, non-competitive environment in which students can further develop an appreciation for musical theatre.
The fundraiser bike tour will run for 3,000 miles and kicks off on April 1, 2021. Stowell will be taking donations for the theatre company and is happy to accept any amount. For every $1 donated Stowell will let the person give him a song recommendation for him to add to his playlist. He’ll be listening to this playlist throughout the tour. People who donate $5 can send him 6 songs.
Chris Stowell
People can follow Chris Stowell’s tour and donate here on his website or follow his other socials on Instagram and Twitter at chrisonbiketour. People can also make donations directly to Stage Notes on their website and get more information on their past performances.
Like many musicians, Jason Pariseau has been writing a lot of music over the past year. And as some artists discover, what they write may not fit with their current group and they branch out from there. For Pariseau, this meant that while some songs fit the mold for his group Periodic Table of Elephants (PToE), some had an alternative/indie rock sound. Thus, The Ribbon Project was born.
Pariseau wrote songs that were inspired by artists like The National, Bear’s Den, Novo Amor, and others, with “Medicine” the first of the new batch. Since the process to record these songs took a while due to the collaborative process, he decided to release these one-by-one, instead of waiting for an all at once EP release.
With a small pile of acoustic folk songs and a great deal of potential for them, Pariseau took the idea to Josh Pettinger at Wicked Squid Studios. They talked about the best way to approach the project, and instead of trying to synthesize everything in the studio, Pettinger encouraged him to lean on the local music scene in Rochester. When Pariseau started reaching out, the response was overwhelmingly positive.
As an indie-acoustic project featuring various musicians from the Rochester area, The Ribbon Project features PToE drummer Sean Scanlon on all tracks. For “Medicine,” Jason and Sean are joined by Joel Boyer (banjo), Arjun Baxter (upright bass), Ian Downey (cello), and Darren DeWispelaere (trumpet).
With the feedback received from the first song, Pariseau is looking to bring The Ribbon Project to a live audience sometime later this summer. Still, the group of musicians have not played together in person just yet.
The way the first song came together far exceeded my expectations. And, what has been an interesting approach is that at no time have all of these musicians been together to play the song. Everything was done digitally by sharing tracks and ideas, then having each person come into the studio one-by-one to record their parts. Once one person was done, I’d send the track to the next person, and they would add on their layers. Each person building on the previous person’s track. It’s been a fantastic project. The next song is about 50% done, and will include a different group of musicians.
While the next evolution of PToE will be a step back from 90s punk, and pay homage to other 90s bands like Hum, Failure and Our Lady Peace, The Ribbon Project will set forth on an indie route, adding to the rich music scene waiting to burst open once again in the Flower City.
Catch Pariseau perform virtually at “Homegrown Presents: Going Green Party” streamed from Lovin’ Cup in Rochester. The stream kicks off at 2pm on Saturday, March 20th.
48 years ago today, The Grateful Dead wrapped up their first ever run at Nassau Coliseum. The venerable Long Island venue was almost completely new at the time, having only opened in February of 1972. In fact, the Dead were only the second band to ever play a concert in the building, surpassed only by their brethren in Chicago the year before. Today would wrap up the final show of their first three-day run here, planting the seeds for another 39 Grateful Dead shows at Nassau for years to come. This introduction ends in remarkable fashion with a show that’s got a little bit of everything: a first set that simply overpowers the second, unique costume wear from the band, and a powerful goodbye to a dear friend.
This show was a double bill of sorts with the Dead’s old friends New Riders of the Purple Sage performing an opening set to get thing started. So the Long Island crowd had already been given a taste of some West Coast psychedelic country and rock styling. Now it was the Dead’s turn. After a quick intro from promoter extraordinaire Bill Graham, they’re off and running with a feverish cover of Chuck Berry’s “Promised Land.”
Things then slow down and take an immediate emotional left turn courtesy of the “He’s Gone” that follows. This would be the song’s first live performance since the passing of the legendary Pigpen, a founding member of the Grateful Dead, just eleven days earlier. Jerry Garcia’s usually delicate vocals here are surpassed only by a supremely poignant guitar solo that simply oozes emotion. The declaration of “nothing left to do but smile, smile, smile” seems to hit a little harder on this one. And Donna Jean and the crowd both lend some audible support as well in a stirring version that’s more than a fitting tribute to the late Pigpen.
Ron “Pigpen” McKernan Sept 8, 1945 – March 8 , 1973
With the musical eulogy out of the way, the rest of the first set proceeds in a more familiar fashion. Bob Weir leads a quick jaunt through “Mexicali Blues.” And Garcia follows in fine fashion in a flawless, uptempo “They Love Each Other.” But the band doesn’t seem ready to say goodbye quite yet. This time Weir takes the helm on vocals and delivers a beautiful and inspired “Looks Like Rain” that’s comes off as one more nod to the somber circumstances of a friend’s recent death.
Deadheads will get a kick out of the first set’s “Wave That Flag,” a precursor to “U.S. Blues” that was played only 14 times and features vastly different lyrics. There’s also a decent bust-out as well. For the first time in almost three years and more than 270 show, “The Race Is On” is dusted off by the Grateful Dead and presented to the Nassau crowd.
No one would complain if tonight’s opening stanza ended with the flawless “China Cat Sunflower” > “I Know You Rider” that later followed. But, no, this set goes to “11.” Perhaps fueled by some of the emotions from earlier, the band just keeps motoring on. One more Berry cover in “Around & Around” makes an appearance. And “Tennessee Jed” keeps the faithful in the new Long Island barn collectively swaying.
Until finally, the first set is capped in grandiose fashion with a mad dash of a “Playin’ In The Band.” All the energy and emotions from earlier seem to get collected here and let loose in a near 16-minute gem that serves as a fitting cap to an exhilarating first set that stretches out past an hour and 40 minutes. The footage of it that follows is reported to be some of the only video of live 1973 Grateful Dead music. Members of the band can be seen in their “Nudie Suits,” bedazzled and sequined suits that were worn a handful of times at shows in late ’72 and early ’73. This psychedelic Country-Western garb is named after the designer Nudie Cohn and were popularized by the Flying Burrito Brothers at the time. This is supposedly the last show at which they were ever worn.
A whirlwind opening set like that would be nearly impossible to top. The second set has nice intentions, but the opening stretch is played somewhat close to the belt. The relatively new-at-the-time “Loose Lucy” kicks things off, with a more pronounced Keith Godchaux on piano coming through in the mix. “Lucy” made its concert debut only earlier last month. Then there’s a a string of “first set”-sounding songs like “Me And My Uncle” and “Big River” that follow. Bill Kreutzmann’s work behind the drum kit really shines on the Johnny Cash cover. And “Mississippi Half-Step” continues this trend of well played live Dead staples that just lack some of the improvisation normally found at this part of the program.
“Jack Straw” picks up the energy considerably in the second set and seems to fuel the band towards the finish line. “Truckin’” follows, paying tribute to New York, a state that’s “got the ways and means.” This yields the first significant jam of the second set, a bluesy little excursion spearheaded by Garcia. It even includes a distinct “Nobody’s Fault But Mine” instrumental nod as the jam begins to progress.
Jerry and Bob in their Nudie Suits, February 1973
A short and sweet “Drums” section then transitions seamlessly into “The Other One,” with Phil Lesh’s thunderous bass notes triggering the opening sequence. Along with Garcia-supplied guitar licks, the two lead an impressively patient and vibrant musical introduction before the first words of the song are even sung.
This and the near 17-minute “Eyes Of The World” that follows really serve as the foundation for this second set. This version of “Eyes” is fairly incredible in that it’s another new-at-the-time, this being only the tenth one ever played. The Dead move effortlessly through the composed section, sounding like they’ve been playing this song for years, before settling into another patient and intricate exploratory jam.
The “Johnny B. Goode” set closer completes the Berry Trifecta for this evening before a “Casey Jones” encore sends the Nassau faithful merrily on their way. Afterwards, the train would be getting on the tracks on heading upstate for two shows at the Utica Memorial Auditorium. It’s a well played set that has a few standout moments but, overall, just doesn’t compare to the emotional powerhouse the opening stanza delivered.
Listen to this great show track by track below, or all at once here.
Grateful Dead – Nassau Veterans Memorial Coliseum Uniondale, NY 3/19/73
Set 1: Promised Land, He’s Gone, Mexicali Blues, They Love Each Other, Looks Like Rain, Wave That Flag, Box Of Rain, The Race is On, Row Jimmy, El Paso, China Cat Sunflower-> I Know You Rider, Around & Around, Tennessee Jed, Playin’ In The Band
Set 2: Loose Lucy, Me & My Uncle, Brown Eyed Women, Big River, Mississippi Half Step, Stella Blue, Jack Straw, Truckin’-> The Other One-> Eyes Of The World-> China Doll, Johnny B. Goode
Forward People. It can mean a direction, or it can describe a group of people. With room for interpretation built into the title, Trey Anastasio shared his latest pandemic production, “Forward People,” on March 18. The release coincides with his first pandemic release on March 18, 2020, “Lost in the Pack.”
With a full Ghosts of the Forest vibe, Anastasio utilizes the Rescue Squad Strings, as well as a horn section, creating a full sound that is reminiscent of GOTF’s “Drift While You’re Sleeping.” For more than 14 minutes, horns and strings accent Anastasio’s uplifting and emotional surprise release.
The opening lyrics to the ballad have a positive, uplifting vibe, something that has been Anastasio’s trademark in the past decade – “Light,” “More,” “Everything’s Right,” “The Greater Good,” “A Wave of Hope” – among others.
We are one, you are not alone, all things are connected, and we are reaping what we’ve sown. But even out there on your own, We cannot be divided, You are not alone, You’re never really alone.
“Forward People” lyrics – Trey Anastasio
The song continues to touch on themes of self-reliance, hope and perseverance, Anastasio sings “Sway in the light… an invisible hand is conducting the melody. We think that we are composing, but the music is pointing beyond me now,” a broader universal theme that has been seen in his pandemic recordings.
One of the most restless musicians during the pandemic, Anastasio had recently spoken with WCAX, hinting at Phish’s plans for this year, and if something was in the works. Trey slyly said “I’ve got a secret.” It’s safe to say Anastasio has more than one secret, with a composition like this up his sleeve and the potential for a return to the stage, with audiences, possible as soon as the fall.
In 1986 Dorf founded the Knitting Factory, a venue in New York City celebrating independent music. He managed to make the Knitting Factory an international success by expanding to Europe and Asia with tours, record deals and more. His relationships with Apple, Intel, MCI and Bell Atlantic made him a pioneer for producing music on the web.
Dorf left the Knitting Factory and worked on the Carnegie Hall concert fundraising series, founded a Hebrew School and ventured into winemaking. In 2008 combined his love for winemaking and music and founded City Winery. It became notorious as it is the city’s first winery, restaurant, music venue and space for private events. The company is now in six different states and Washington D.C.
Michael Dorf Presents’ began in 2004 and became an annual Carnegie Hall Tribute Series called Music of. The fundraising series honored many major legends throughout the years including Aretha Franklin, Prince, David Bowie and much more. Through these concerts, they raised over $1.5 million and donated to organizations dedicated to music education for children.
With COVID-19 precautions still in effect, Michael Dorf Presents’ “The Best of Music ‘The Music of’ 2004-2020” will be virtual this year. The show will be live streaming from Carnegie Hall with a lineup of 21 artists including Billy Gibbons from ZZ Top, Patti Smith, and Glen Hansard to name a few.
Tickets for the live stream are $25 and there are also some VIP packages available. Viewers can pay $50 for entry to the live stream and for a signed poster or $50 for entry and a chance to talk to Michael Dorf on zoom before the show. There is also the $1,500 Give more donation package which includes entry to 20 upcoming streams and 100 percent of the donation going towards the donors chosen music education program.
“The Best of Music ‘The Music of’ of 2004-2020” is presented by City Winery and is powered by concert streaming platform, Mandolin. It streams on April 15 and begins at 8 p.m. Tickets are available for purchase on the City Winery website.
Long Island guitar prodigy Brandon “Taz” Niederaurer will perform live to a limited audience with a live webcast at Levon Helm Studios in Woodstock.
Almost at the age of 18, Taz has already come a long way in his career and musical journey. At eight years old he felt connected playing guitar after watching School of Rock and hearing his father’s music collection. At 10 years old he made his television debut and appeared on the Ellen Show. Fatefully in 2015, he played the role of Zack Mooneyham in Anthony Lloyd Webber’s Broadway Production of School of Rock.
Taz has shared the stage with many notorious artists such as Lady Gaga, Slash, some members of the Allman Brothers Band,The String Cheese Incident and many more. He performed in two more productions by Webber in 2018 and had a role on the Netflix series for Spike Lee’s She’s Gotta Have It. Recently he performed a guitar solo of the national anthem for the AFC title game this year.
Taz performing the National Anthem at the AFC Champion Title Game
Taz has performed on many stages already and now he is heading to the Levon Helm Studios, also known as The Barn. The Barn was the home and recording studio for famous drummer Levon Helm best known for his work in The Band and his other band Midnight Ramble. Even though he passed in 2012, the legacy of his studio is ongoing.
Tickets for Taz’s performance are sold in pairs and every pair will be socially distanced. The cost for reserved seating stands at $60, standing room is $40 and for the webcast tickets are $15 but for VIP it costs $40. Tickets for the webcast are already on sale and the tickets for the public are on sale on March 19. The show is on April 2 and begins at 8 p.m.
