There’s a certain feel of adrenaline, intensity and excitement before a big bout. Surely the fighters experience their own range of emotions before they enter the squared circle, but for us fans who are counted on to set the tone within the arena, our passion helps create the “big fight” atmosphere that makes an encounter between two great fighters truly special. As the hours and minutes wane before four-time world champion Evander Holyfield takes on former multi-class UFC champion Vitor Belfort, the level of vigor and forecasting might make us feel as though we’re the ones putting the gloves on.
Here lies the beauty of music, for every emotion, there is an adequate melody, lyric, or song to match. With “Fearless,” Queens emcee Irv Da God, Onyx’s Sticky Fingaz and Grammy-nominated producer Bizkit manage to capture the feeling of “the moment we’ve all been waiting for.”
The record and music video is boxing/fighting themed, beginning with an introductory ring announcer — portrayed by Bizkit’s production partner, Butta — Fitting, as rap has always been described as a “contact sport,” for the competitiveness of the artform as well as the violence it is capable of inducing. Irv Da God’s round consist of a fluid and technical style of rapping, resembling that of a pacier, quicker fighter relying on his skill and brains rather than brute force. Beginning with successive boxing idioms and finishing each bar with clever world play.
Rain on ‘em like April and give them Mayweather.
Give me a headcount, get down for the 10-count. Whoever counted me out can get knocked out.
In between each round, Bizkit serves as a pseudo corner man delivering an inspirational and anthemic hook, before Sticky Fingaz takes the proverbial ring for his own. The “Get It Up” emcee’s entire aura is based on the aggression that his raspy voice and boundless energy provides. And if Irv Da God’s verse was that of a technically proficient fighter, Sticky Fingaz represents the overwhelming knockout artist, as he delivers aggressive verbal attacks.
Representing Vitor Belford, Sticky goes on offense with his raw and vivid lyrics, while shouting out the former UFC heavyweight champion:
You Punch like a soccer mom. I swear to God I’ll break your legs and drag you into the Octagon, when you boxing with The Phenom.
It just wouldn’t be a Sticky Fingaz record if he didn’t deliver any eyebrow raisers.
It’s 9/11 the arena is ours and he goin’ down just like those towers.
Combined the trio put on a show, previewing the highly anticipated bout between Holyfield and Belfort.
A New York Welcome at Citi Field – Review/Photos by Steve Malinski
It was otherwise just a typically warm summer NYC evening to usher in this past Friday night when Dead and Company took the stage at Citi Field. After some strange times in the two-year gap since their last stop in NYC (and some Covid-19 checks before entering), however, the music restored a sense of normalcy and familiarity with experiencing a large-scale concert.
Just as if Dead & Co. hadn’t skipped a beat since their 2019 tour, they took the stage without an ounce of rust from their pandemic downtime. As they shuffled into the first set with “Good Times,” John Mayer commanded the mic, signaling the core role he has developed in this iteration of the Grateful Dead family. Bob Weir stepped up to the plate sharing the lead with Mayer on vocals throughout the night, rallying the Queens crowd for the New York City line in “Ramble on Rose.” The youngest surviving member of the original Grateful Dead lineup, Weir was nimble on his feet as he enjoyed crafting the rhythms just as much as the crowd relished the sound.
Set two took a trip to the late 1970s-era Dead setlists, featuring the classic pairing of “China Cat Sunflower/I Know You Rider” and fluidity from the start to finish of the set. The night was capped off on a high note with an energetic “U.S. Blues” and an encore covering The Band’s “The Weight,” featuring a trade of choruses between Jeff Chimenti, Mayer, Weir, and Oteil Burbridge.
Dead and Company Citi Field – Flushing, NY 8/20/21
Set 1: Let the Good Times Roll, Bertha, Good Lovin’ -> Big Railroad Blues, Ramble On Rose, They Love Each Other, Cassidy -> Casey Jones
Set 2: Eyes of the World -> Uncle John’s Band -> China Doll -> China Cat Sunflower -> I Know You Rider -> Drums/Space -> Spanish Jam -> Althea, Stella Blue, U.S. Blues
Dead and Company Recreate 1969’s Woodstock Performance at Bethel Woods – Review by Matt Romano, Photos by Steve Malinski
It’s true, The music never stopped for the Grateful Dead. It’s newest reincarnation as Dead and Company continued its trip through the Empire State at Bethel Woods Performing Arts Center on Monday, August 23. The band played on a stage set among the rolling hills of the original 1969 Woodstock festival. A sense of delight was in the air for all those on the adjacent path of the site towards the stage for this year’s festivities.
They opened with “Hell in a Bucket,” this time enjoying the ride. Jeff Chimenti immediately stepped out as he would the whole night on the keyboards. The band really seems to play off Jeff and the musical ideas he passes onstage. John Mayer especially picks up on the mixolydian blues concept Pigpen started in the ‘60s by taking lead on “Easy Wind.” This track is ideal for Mayer’s blues background and the words, “Easy wind going ‘cross the Bayou today. There’s a whole lotta women. Out on the streets in a red today.”
Mayer also stepped out in front for “Brown Eyed Women,” singing as humbly as Jerry sang about Delilah Jones. The band then drifted off into the seas to end the first set. A “Row Jimmy” out in the mist led to a “Lost Sailor,” and they came back to shore with a “Saint Of Circumstance.”
Tigers in trance deserve a second chance. That’s what the band was able to get on the other side of the hill from their Woodstock ‘69 performance. The Grateful Dead may have been one of the more famous performers at Woodstock, but their set didn’t exactly knock it out of the park. They played from 10:30 pm to midnight on the second day, but their entire performance was filled with technical difficulties. The band was even subject to electric shock on stage although that truly could have been them representing their infamous logo.
But on this night on the other side of the hill, Bob Weir said at the start of the second set, “Now 50-some years ago right here, we tried this next little sequence and it didn’t go so well. It didn’t work so we’re gonna try it again.” With that, Dead and Company, in all their glory, recreated the five song setlist from the 1969 festival that includes covers by Merle Haggard and Bobby Blue Bland: “St Stephen,” “Mama Tried,” “Dark Star,” “High Time,” “Turn on your Lovelight.”
Weir, who was 22 during the original Woodstock, sang Merle’s “Mama Tried” with the same howl in 2021 that he had in 1969. “I turn 21 in prison doing life without parole. No one could steer me right but Mama tried.” Bobby Bland’s “Lovelight” percolated throughout the set with John Mayer, who is no gravity stranger, wanting to be where the light is. The old memory set faded into a “Drums/Space” jam that featured a new “bass” segment from Oteil Burbridge – who has joined the Rhythm Devils on Halloween at Madison Square Garden – took his own featured piece. He was left on stage solo with only pure bass notes to the crowd’s ears. The band joined Oteil on his sky journey for “Space” While up there, they decide to return to the Garcia classic “Standing on the Moon,” to remind of summer tours past. Bob Weir and John Mayer then brought out the acoustics to send everyone back on the tree lined paths with “Ripple.”
You certainly could feel Jerry’s spirit in the same rolling Catskill hills that his music happily haunts. His music helped Dead and Company continue to set the bar high for likely their only recreation of this old performance. “It’s not enough to be the best at what you do. You must be perceived as the ONLY one who does what you do”
Dead and Company hit Darien lake Wednesday night, then head to Saratoga Springs on Friday.
On your way to SPAC, don’t forget that Stewart’s Shops is your ice cream shop! With over 345 shops in 31 counties across New York and southern Vermont, the convenience store chain is known for their fresh & local dairy products. With dozens of choices at the cone counter, you’re bound to find something you love! Try a shake, sundae, or cone today, What’s Your Flavor?
Dead and Company Bethel Woods Performing Arts Center – Bethel, NY 8/23/21
Set 1: Hell in a Bucket, Easy Wind, Loser, Brown-Eyed Women, Throwing Stones, Row Jimmy, Lost Sailor -> Saint of Circumstance
Set 2: St. Stephen -> Mama Tried -> Dark Star -> High Time -> Turn On Your Love Light, Drums/Space/Oteil Bass Solo -> Deal -> Standing on the Moon -> Turn On Your Love Light
There was a time in history where hip hop gave insight into the issues facing the Black race. But as the infantile genre continued its ascendency into the mainstream during the mid-to-late 1990’s, popular acts and record labels began shifting away from the raw, gutter and street sound of rap. Rather than focus on tales of the inner-city, lyrics began to reflect a more glamorous lifestyle, that was backed by a wardrobe to match.
Onyx never suffered from that conundrum. The Southside, Jamaica outfit always seemed to know where their niche lied. They excelled in their raw, energetic, raucous, and lyrically inclined style of rap. Coming off a platinum-selling album and high-charting single, it would’ve been easy for them to continuously chase commercial success. Rather, the “Slam” emcees stuck with what originally garnered them critical acclaim.
Their sophomore effort, All We Got Iz Us, has been certified gold with over half-a-million sales yet, never reached the success of its predecessor. Nonetheless, the Jam Master Jay signees delivered several more classic hip hop records. The singles, “Live Niguz” and “Last Dayz,” have gotten their just due, but the anthemic “Walk in New York” best resonates with the parts of New York City many can’t fathom.
According to New York City’s crime database, in 1993 (the year Onyx’s debut album dropped) the city faced nearly 2000 murders, and over 85 thousand robberies. For better context, New York City is estimated to face only 468 murders in 2021, a substantial difference. In light, it is easy to see why Onyx’s style, sound and lyrics reflected such lawlessness and aggression, those were the times!
Their description of their hometown is more resemblant of a violence laden wasteland where ruthless aggression rules above all. Yet it’s clear as day the pride each emcee exudes when characterizing their beloved New York City, for better or worse.
The title “Walk in New York” refers to the strut and swagger one from New York maintains as they walk, particularly when part of a larger ensemble. And as the proprietors of hip hop, New Yorkers held a certain panache when it came to the culture, taking pride in setting all the latest trends.
Fredro Starr begins the record, emphasizing that New York was not a part of the gang culture that had become so prominent in hip hop as a result of the West Coast influence (possibly a jab, as this was during the height of the east coast-west coast hip hop beef), before reminding listeners of the intense animosity between NYPD and young minorities.
We don’t throw gang signs in New York We just be on some shit in New York New York City, shiftee low down gritty You punk niggas yell pity and smell shitty NYPD can suck my dick
One of Hip Hop’s greatest attributes is that it allowed inhabitants of inner cities to express their first-hand experiences. Unpolished thoughts that are not ready-made for the mainstream were encouraged during the 1990’s. On the song’s second verse, Sonsee furthers fortifies the real New York experience.
Them damn streets are eager to claim all lives But fuck it, it’s my home hate it or appreciate it It’s the torrid 8 million story orientated Designated and made for the real renegades So I never been afraid to stomp, comp, then get paid
As the song continues, Sonsee’s temperament changes, he goes from accepting the cards he was dealt, to taking pride in the lawless nature in which many from the inner-city were conducting themselves. Which I maintain should go in the case study for nature vs nurture.
New York hold shit down on keep locked we rock all night And if Zoo York niggas wasn’t part of your shit, your shit wasn’t right We known to start shit up from trends, to riots, to fracas And big enough to fuck up anybody that wanna attack us And that’s cause the five boroughs are deep Most of us are peeps, true Zoo York niggas we play for keep
The unmistakable Sticky Fingaz concludes the record with a fitting encapsulation of mid-1990’s New York City. From the violence, the distinctive swagger that New Yorkers carry themselves with, the “by any means” mentality of its hustlers, and the tourists who visit the outskirts and the city’s landmarks, but would never step foot in the jungle.
Representin’ New York City and for what it’s worth Yo we the triflest mother fuckers on the face of this Earth So if you don’t like your life fuck with a nigga from New York The instincts we got is to shoot first then talk But what seems to always gives us away is our “niggery” walk And I speak from experience, so pleader take heed to advice We sellin guns and drugs and sex or anything for the right price The crime rate’s so goddamn high, we had to name the shit twice Cause tourists be scared to death to visit the criminal’s paradise Home of bloodshed and tears and for souvenirs there’s fears It appears nobody cares so say your prayers
While not a major hit record, the song resonates mainly with New Yorkers, specifically those who lived through those dangerous times as well as those who feel Onyx represent the values hip hop were founded on. Real street tales from people who actually experienced them.
So fuck the mayor, fuck Rudy, Ray, and the governor Ya’ll niggas couldn’t walk my walk, my talk’s ruggeder
On Tuesday, August 10, NYC based band We Are Scientists were scheduled to play a one-off warm up show at Brooklyn’sElsewhere Rooftop. Right as doors were set to open, severe thunderstorms rolled in and forced the band to postpone the show (now scheduled for September 20th at the Rooftop). The crowd waiting in the loft was told that We Are Scientists would come out and perform an impromptu acoustic set in the empty Hall downstairs. Not quite knowing what to expect, fans filed down the stairs and into the main venue at Elsewhere.
We Are Scientists, Elsewhere 8/10/21. Photo by Buscar Photo
At about 9:15pm the band came out on the empty stage armed with an acoustic guitar, a snare drum, and three voices. Keith and Chris engaged in some comedic back and forth with the crowd, joked about the lack of amplification and the barrier still in place in front of the stage, then treated the fans to a 20 minute acoustic performance (plus one air-bass solo) of old and new songs. Any disappointment over the postponed show quickly evaporated as the crowd engaged in an enthusiastic sing along. In spite of the circumstances, the guys were able to give their fans a special treat that will surely be cherished by those who stuck out the rain.
Keith Murray of We Are Scientists – Photo by Buscar Photo
The postponed warm-up show will be made up at Elsewhere on September 20th with a full European tour kicking off on November 24th in the UK. In between, the band’s new record, Huffy, will be released on October 8th on 100% records. Full tour dates can be found HERE – check back in September for a review of the show and the new record. You can watch the music video for latest single “Contact High” below.
King’s Disease II, the sequel to Nas’ Grammy-winning King’s Disease has officially been released through Mass Appeal Records. The predecessor – produced exclusively by renowned producer, Hit-Boy — obtained Nas the only Grammy award of his illustrious career. As such, the sequel has garnered a fair share of hype, especially after Nas revealed the track list through his official Instagram page.
The project has a varying guest-list, fluctuating between contemporary acts and established legends. The earliest contributions come from Eminem and East Coast hip hop legends, EPMD, consisting of Erick Sermon and Parrish Smith. As fans anticipate how the contrasting lyrical abilities of Eminem and Nas will co-exist on a record, an appearance from EPMD is sure to be Nostalgic and be reminiscent of a classic hip hop posse cut.
King’s Disease II will also see the reappearance of Ms. Lauryn Hill to the mainstream hip-hop scene. While she still tours and drops the occasional record, an album cut of this magnitude has eluded, the Grammy-winning rapper/singer for quite some time. In turn, her presence on the album has raised hopes that the duo can create more magic together.
Apart from old collaborators, the Queensbridge native has also enlisted the likes of A Boogie Wit Da Hoodie, YG, Los Angeles rapper Blxst and Charlie Wilson (who also featured on King’s Disease).
Unlike the prequel, is seems as though the production will vary on King’s Disease II, with only one record featuring Hit-Boy. The Grammy-winning producer will still earn executive producer credits, along with Nas.
Accompanying the album will also be the official music video for “Rare.” King’s Disease II is Nas’ 14th studio album.
Concerts have been announced in all five boroughs of New York City taking place August 14-22, 2021. The stacked lineups will help create New York City’s “Homecoming Week” to celebrate the return of NYC over one year into the ongoing COVID-19 pandemic.
Mayor Bill de Blasio announced the lines earlier this week including the mega show being held on Central Park’s Great Lawn which is the centerpiece of the celebration. Outside of the centerpiece event, the theme for the shows will be “It’s Time for Hip Hop in NYC,” with hip-hop, Latin freestyle, dance, freestyle, techno, and funk artists dominating the lineups.
The concerts will take place at Orchard Beach in The Bronx on, August 16 from 3 to 9:30 PM, Midland Beach on Staten Island on August 17 from 4 to 9:30 PM , Brooklyn Army Terminal in Brooklyn August 19 from 4 to 9:30 PM, Forest Hills Stadium in Queens on 20 from 4 to 9:30 PM, and wrapping up at the Central Park’s Great Lawn in Manhattan on August 21, 5 PM.
For more information on New York City’s “Homecoming Week” visit their website and check out the full lineup below:
Orchard Beach in The Bronx – Monday, August 16th from 3 to 9:30 p.m.
KRS One (Headliner)
Slick Rick (Headliner)
Remy Ma (Headliner)
Busy Bee
CL Smooth
DJ Hollywood
DJ Jazzy Joyce
DJ Kevie Kev
Fantastic Five
Furious 5 featuring Grandmaster Melle Mel and Scorpio
Grand Wizard Theodore
Joeski Love
Kid Capri
Nice & Smooth
PopMaster Fabel
Soul Sonic Force
T La Rock
Ultra Magnetic MC’s
Midland Beach on Staten Island – Tuesday, August 17th from 4 to 9:30 p.m.
Raekwon (Headliner)
Ghostface Killah (Headliner)
Crystal Waters
DJ Chuck Chillout
EMPD
Force MDs
Hakim Green
HeeSun Lee
Kool Keith
Lizzy Ashliegh
Pharoahe Monch
Rikki
Rob Base
Brooklyn Army Terminal in Brooklyn – Thursday, August 19th from 4 to 9:30 p.m.
Big Daddy Kane (Headliner)
Desiigner (Headliner)
C&C Music Factory
DJ Mr. Cee
Elle Varner
Judy Torres
Lizzy Ashliegh
Maino
Obasi Jackson
Papoose
PopMaster Fabel
Special Ed
Stetsasonic
Sweet Sensation
Young Devyn
Forest Hills Stadium in Queens – Friday, August 20th from 4 to 9:30 p.m.
George Clinton + The P-Funk All Stars with Special Guests (Headliner)
Too $hort (Headliner)
DJ Hurricane
DJ Wiz
EPMD
Mobb Deep
Yo-Yo
HOW TO GET IN: All attendees must present proof of COVID-19 vaccination to enter the “It’s Time for Hip Hop in NYC” concerts. Reasonable accommodation will be provided for persons unable to get vaccinated because of a disability. Free tickets for all four concerts will be released to the public in batches at nyc.gov/HomecomingWeek starting on Monday, August 2 at 10 a.m. EDT. Additional free ticket release dates and times are as follows:
Tuesday, August 3 at 7 a.m. EDT
Wednesday, August 4 at 9 p.m. EDT
Thursday, August 5 at 7 a.m. EDT
Friday, August 6 at 10 a.m. EDT
Saturday, August 7 at 9 p.m. EDT
And once again, here’s the lineup so far for the Homecoming Concert in Central Park, produced in part by Clive Davis and will air on CNN. You can get more details on this show here.
Central Park’s Great Lawn in Manhattan – Saturday, August 21st, 5 p.m.
Jon Batiste
Andrea Bocelli
Kane Brown
LL COOL J
Elvis Costello
Lucky Daye
Earth, Wind & Fire
Kenny “Babyface” Edmonds
Cynthia Erivo
Jimmy Fallon
Jennifer Hudson
Wyclef Jean
Journey
The Killers
Gayle King
Don Lemon
Barry Manilow
The New York Philharmonic
Polo G
Carlos Santana
Paul Simon
Patti Smith
Bruce Springsteen
Rob Thomas
HOW TO GET IN: Citi cardmembers will have access to purchase presale VIP tickets beginning Thursday, July 29th at 10 a.m. EDT until Sunday, August 1st at 10 p.m. EDT. For all presale details, visit citientertainment.com. Additionally, Citi will be giving away 1,000 general admission tickets to Citi cardmembers on a first-come, first-served basis beginning on Monday, August 2nd at 10 a.m. EDT. Free tickets, as well as VIP tickets for purchase, will be released to the public in batches at nyc.gov/HomecomingWeek starting on Monday, August 2nd at 10 a.m. EDT. Additional free and VIP ticket release dates and times are as follows:
This is the third article in the series “Made in New York,” a historical examination of the music history of each of New York’s 62 counties, this time looking at Queens County.
New York City has a fascinating history and an immense amount of diversity within its borders, but there’s a reason why Queens is called “The World’s Borough.” That’s because its residents hail from over 120 countries and speak more than 135 different languages. As impressive as that is, the borough is also the largest of the five by area and also has the second-largest population of any county within New York State.
One of the most-asked questions about this county is: “Which particular Queen is this area named after?” While the specific member of royalty that the area was named after has been disputed for generations as no official declaration was ever made, most assume the “Queen” in question was Catherine of Braganza, who was Queen of England in 1683 when Queens County was first established.
Queens County has had the eyes of the world on it many times, especially since it had the honor of hosting not one, but two World’s Fairs in the last century. The 1939 and 1964 World’s Fair were each held at Flushing Meadows-Corona Park in Queens and over 95 million people visited the two fairs. The first of these two events focused on “The World of Tomorrow” while the second’s theme was “Peace Through Understanding.” One of the most recognizable pieces from these Fairs is the Unisphere that was constructed for the second of these events. At 120 feet in diameter, it is the largest globe in the world. The other remaining recognizable structure from these Fairs is the New York State Pavilion, which many will remember from the movie Men in Black.
Next to the site of the Unisphere sits the USTA Billie Jean King National Tennis Center. Since 1978, it’s been the home of the US Open Grand Slam tennis tournament and boasts one of the largest tennis stadiums in the world. With a capacity of 23,771, Arthur Ashe Stadium opened in 1997 and is the main stadium for the US Open tournament.
Across the street from the tennis complex is Citi Field and the former site of the famous Shea Stadium, which opened in 1964. While most notably the home of the New York Mets and the former home of the New York Jets, it was also the site of one of the most famous concerts ever performed. When the Beatles performed at Shea Stadium on August 15, 1965, it was the largest crowd the band had played to at that time. Over 55,000 fans packed themselves into the stadium and the ensuing crowd noise famously resulted in the band not being able to hear much of anything they were playing.
Four years later, Shea Stadium would have the world’s eyes on it once again as the New York Mets would defeat the Baltimore Orioles in the 1969 World Series. The team would win one more World Series in 1986 when they defeated the Boston Red Sox in seven games. Shea was demolished in 2009 and is now the site of additional parking for the Mets current home, Citi Field. You can still find the locations of the former plates and pitchers mound memorialized in Parking Lot D of Citi Field.
Another world-famous music venue in Queens is the Forest Hills Stadium, which is located inside the West Side Tennis Club. The stadium started hosting concerts in the 1960s and boasts a capacity of over 13,000. Over the years, the venue has hosted bands such as The Beatles, The Who, Jimi Hendrix and Frank Sinatra. A decade ago, the venue had fallen into disrepair and thankfully avoided being razed to build housing. Since it re-opened in 2013, it has hosted annual concerts each summer from bands such as Mumford and Sons, My Morning Jacket, Jamiroquai and Dolly Parton.
Queens is also the home to New York City’s two main airports, LaGuardia and JFK International. LGA opened in 1939 and is the twentieth busiest airport in the US. JFK opened in 1948 and was originally named New York International Airport. Renamed in 1963 after the assassination of John F. Kennedy, it is now the sixth busiest airport in the US.
This county has a tremendous amount of history over its 338 years of growth and expansion, but more impressive is the sheer number of musicians and musical genres that have been born within its borders. Likewise, tons of small businesses have started throughout the borough, one of them being SingleCut Beersmiths in Astoria.
SingleCut Beersmiths was founded by Queens-born, music-obsessed, brewer Rich Buceta, whose life-long passions led to a place where hops and vinyl could shine side by side. After years of homebrewing and professional stints around NYC, Rich was true to his dream, diving headfirst into the brewing world. “My obsession is creating original hop-driven beer, distinguished by a firm respect and admiration for West Coast pioneers, and bending that to our East Coast / NYC interpretation.”
Since opening in 2012, and with the help of an equally talented and devoted team, SingleCut has gained a loyal following throughout the East-Coast’s most respected markets. With his steadfast determination for the perfect pint, Rich penned “Mastery Knows No Shortcut” as the SingleCut mission statement. “It boils down to always demanding greatness, never compromising, and always play it at maximum volume.” Visit the Astoria location of SingleCut at 19-33 37th Street or schedule in house pick up or delivery, as well as apparal and mail order throughout New York. Visit them on Facebook and Instagram.
And now, a look at the greatest musicians to rise from Queens County.
A TRIBE CALLED QUEST
Queens is in the house, represent represent. A Tribe Called Quest represent represent
Hailing from the St. Albans neighborhood in Queens, A Tribe Called Quest found its roots within Kamaal Fareed and Malik Taylor, childhood friends who went by the names ‘Q-Tip’ and ‘Phife Dawg’. It was through Q-Tip’s days as a battle rapper in high school that he would team up with his friend Ali Shaheed Muhammad as his DJ. Once they later added their neighborhood friend Jarobi White to the mix, the foursome started calling themselves “Crush Connection” before landing on the name “Quest”. The group’s current name came to be thanks to another hip hop trio from their high school named Jungle Brothers.
Tribe’s debut album, People’s Instinctive Travels and the Paths of Rhythm, was released in 1990 and was met with immediate acclaim. The Source gave the release it’s first ever “5-mic’s” rating and the album went Gold in 1996. This record was followed by 1991’s Low End Theory which went Platinum five years later. In 1993, the group released Midnight Marauders, one of their most popular albums which contained their highest charting single, “Award Tour.”
These three albums would solidify Tribe’s status as hip hop greats and they would continue their classic jazz-hip hop fusion sound with their fourth release. Beats, Rhymes and Life would debut at #1 on the Billboard 200 and less than a year later, the group would contribute a track to the the soundtrack to Men In Black. Leading up to the release of their fifth album, A Tribe Called Quest announced that The Love Movement would be their final record.
Over the next seven years, the members of Tribe would each work on solo projects until the group reunited in 2006 to help Phife pay for his increasing medical bills. In 2015, after performing on The Tonight Show with Jimmy Fallon, the group decided to start recording a new album in secret. Phife Dawg sadly passed away on March 22, 2016 as a result of complications with his diabetes. Their latest album hadn’t been completed when he passed away, so the remaining members continued work on it until it was released on November 11, 2016. Tribe appeared on SNL the day after it was released and performed tracks from We Got It From Here… Thank You 4 Your Service in front of a mural of Phife Dawg. The album went gold within a year of its release.
THE RAMONES
The Ramones all originate from Forest Hills and kids who grew up there either became musicians, degenerates or dentists. The Ramones are a little of each.
Tommy Ramone
1-2-3-4! There is no band that represents Queens more than The Ramones. Known throughout the world as the first true punk rock band, The Ramones pummeled the music industry with their pseudonyms, short songs and thousands of concerts over their 22 year career.
All of the original members met in the Forest Hills neighborhood of Queens and while it took a bit for the roles to be properly assigned, it was Douglas Colvin who first adopted the “Ramones” name when he began to call himself Dee Dee Ramone. Jeffrey Hyman became Joey Ramone and John Cummings became Johnny Ramone. Johnny’s former bandmate Thomas Erdelyi was planning to become the Ramones manager but soon took on the role of the band’s drummer, taking on the name Tommy Ramone.
Their first gig occurred at Performance Studios in March of 1974 and more famously, the band made their debut at the fabled CBGB in August of the same year, playing 74 times at CBGB before the end of the year. Ramones, their debut album, was released in February 1976 and was met with glowing reviews despite not being a commercial success. The Ramones went on to release six albums in the next half-decade and 14 albums throughout their career.
Throughout their tenure, the band had a number of different drummers, with each adding a member to the Ramones family. Marky, Richie and Elvis Ramone each had a place in the history of Ramones drummers and throughout the 90s, Dee Dee was replaced with C. J. Ramone on bass. In 1996, following their appearance in the sixth Lollapalooza festival. The Ramones played their final show at The Palace in Hollywood. The last time all four original members would be seen together was an autograph signing in New York City on July 20,1999.
The legacy of The Ramones can be seen in their many accolades, recognizable songs and influence on countless bands over the last few decades. They were inducted into the Rock & Roll Hall of Fame in their first eligible year in 2002 and in 2016, the intersection in front of Forest Hills High School was officially named The Ramones Way. To this day, when hits like “Blitzkrieg Bop,” “I Wanna Be Sedated,” “Rock ’n’ Roll High School” or “Rockaway Beach” come on, you will no doubt see folks banging their head and stomping their feet to the frenetic and iconic beat that The Ramones made their own.
PAUL SIMON
No artist has embodied the diversity of Queens quite like Paul Simon has. He was born in Newark, New Jersey in 1941 but his family moved to Flushing, Queens when he was four years old. His musical career would begin at age 11 when he met a student named Art Garfunkel during a production of Alice in Wonderland. At the age of 16, their song “Hey, Schoolgirl” reached number 49 on the pop charts under the name ‘Tom & Jerry.’
After finishing college and recording songs under a number of pseudonyms, Paul reunited with Art and they were signed by Columbia Records, who changed the duo’s name to Simon and Garfunkel. Their debut album, Wednesday Morning, 3AM, was initially unsuccessful and it wasn’t until radio stations in the US started receiving request for ‘The Sound of Silence’ that it began to garner attention. That track eventually went on to become a number-1 hit on the charts and allowed the duo to record four more albums together. Sounds of Silence, Parsley, Sage, Rosemary and Thyme, Bookends and Bridge Over Troubled Water were all successful and the band also contributed to the soundtrack to the 1967 film The Graduate.
Despite the commercial success of Bridge Over Troubled Water, the duo broke up in 1970 and Paul released his self-titled solo album in 1972, receiving acclaim and generating two popular singles: “Mother and Child Reunion” and “Me and Julio Down by the Schoolyard”. This album was followed by the pop-folk release of There Goes Rhymin’ Simon which features “Kodachrome” and “Loves Me Like A Rock.”
Three years later, Simon would be awarded two Grammy awards for his release of Still Crazy After All These Year, which gave us the hit “50 Ways to Leave Your Lover.” In the first half of the 1980s, he released One-Trick Pony and Hearts and Bones, which did not receive as much acclaim as his previous solo releases, and made me him feel like he had lost his inspiration as an artist. While driving his car in 1984, he threw on the cassette tape of Gumboots: Accordion Jive Volume IIand the unusual sound interested him in a way he hadn’t felt before. He traveled to South Africa to record the album that would become his most popular and most successful solo album, Graceland.
Graceland propelled Simon back into the spotlight and he received Grammy awards for Album of the Year and Record of the Year for his work. The album also contained numerous hits, including “You Can Call Me Al,” “Diamonds on the Soles of Her Shoes” and “The Boy in the Bubble.” After the success of this release, he followed it up with 1990’s The Rhythm of the Saints and, as a result of these two records, he was primed to play again to another crowd in Central Park. On August 15, 1991, a reported 750,000 people gathered to witness his solo performance in front of one of the largest concert audiences of all time.
Paul Simon has embarked on a number of notable tours since then, playing with Bob Dylan in 1999 and Sting in 2014. In 2018, Simon announced he’d be retiring from touring and appropriately capped off his final tour with a concert in Flushing Meadows’ Corona Park. Simon has received a total of 12 Grammy awards throughout his career, but more famously he has appeared on Saturday Night Live as a either a guest or host 14 times. Most recently, he performed on the show in 2018 on his 77th birthday.
TONY BENNETT
Anthony Dominick Benedetto was born in Long Island City, Queens in 1926 and began performing after the Great Depression ended at age 13 as a singing waiter throughout Queens. He attended the New York School of Industrial Art to study music and painting, but dropped out to support his family and then was drafted into the Army at 18 towards the end of World War II. After fighting on the front lines in Germany and France, he was discharged from the Army and returned back to the States in 1946 where he studied at the American Theater Wing and learned the bel canto singing style.
In 1949, Bob Hope took Anthony on the road with him and simplified his name to Tony Bennett. Tony was signed by Columbia Records and his first hit, “Because of You,” sold over a million copies and before long he was playing seven shows a day at the Paramount Theater in New York. He released his first album, Cloud 7, in 1955 and built up his nightclub act over the next many years. In 1962, he performed a heavily-promoted concert at Carnegie Hall and also sang on the initial broadcast of The Tonight Show with Johnny Carson.
That same year, Bennett would release his most popular track to this day, “I Left My Heart in San Francisco,” which earned him two Grammy awards and would become his signature song. Over the next two decades, Tony would see less success with his new record company and his lackluster releases, and it would take a near-fatal overdose and the help of his sons to get him back on track and shake his “Vegas image.”
Throughout the 90s, he introduced a new generation to his original style, appearance and song catalog and was regularly booked on Late Night with David Letterman, Late Night with Conan O’Brien and other popular shows. In 1994, he appeared on MTV Unplugged and the resulting album from this performance went Platinum and gained two additional Grammy awards for Bennett.
In 2006, Tony’s highest charting album, Duets: An American Classic was released. The album featured duets with Stevie Wonder, Paul McCartney, Billy Joel and more and gained him another two Grammy awards. This was followed up by the 2011 release of Duets II which featured one of the last recording of Amy Winehouse before her untimely death. With this release, Tony became the oldest artist to have an album debut at number one on the Billboard 200 chart when it was released.
Tony also has the honor of having two World Records according to Guinness. The first was in 2014 for the album Cheek to Cheek which he recorded with Lady Gaga, for which he was awarded the record for “oldest person to reach No.1 on the US Album Chart with a newly recorded album.” In 2018, Tony re-recorded the song “Fascinating Rhythm” which he first sang in 1949. According to the Guinness Book of World Records, this became the “longest time between the release of an original recording and a re-recording of the same single by the same artist”
MOBB DEEP
East Coast hip hop had its renaissance in the 1990s and one of the duos that helped establish its historical dominance was Mobb Deep. This duo formed when Kejuan Muchita and Albert Johnson met at the High School of Art and Design in Manhattan. Each hailing from neighborhoods in Queens, Kejuan adopted the name Havoc and Albert took Prodigy and the two originally made a demo tape under the name “Poetical Prophets.” Their tactic was to bring a cassette player to the address of record labels they’d find and play their tape to any artists passing by.
Famously, the only artist who stopped to listen to their music was Q-Tip from A Tribe Called Quest, who introduced the duo to people in the Def Jam office. Prodigy got a solo deal and had an uncredited appearance on the Boyz n the Hood soundtrack, but when The Source wrote a feature about their demo tape, the two changed their name to Mobb Deep and got signed by 4th & B’way Records. Their debut, Juvenile Hell, was released in 1993 and due to its failure to achieve success, they were dropped by the label.
That same summer, Loud Records was looking for another hip-hop group to sign after their success from releasing Wu-Tang’s “Protect Ya Neck.” They signed Mobb Deep who worked on developing a new sound over the next two years as they worked on their second album, The Infamous. This album peaked at number 15 on the Billboard 200 and was certified Gold two months after its release.
In the eighteen months between album releases, the East Coast vs West Coast hip hop feud was at its height and a number of tracks on their next release, Hell on Earth, were seen as dis tracks towards 2Pac and others. Despite the rivalry, Havoc publicly said that he was “happy… they were saying our names.” Their three releases over the next nine years did not find as much success as their previous albums and the group briefly signed with G-Unit Records. During these G-Unit years, Mobb Deep became the first American hip hop duo to perform in India.
The 2010’s would see the duo break-up due to a falling out on Twitter, but they would reunite the following year. In 2014, the group would release The Infamous Mobb Deep, containing new music and unreleased tracks from The Infamous sessions. This would sadly be the final album they would release together as Prodigy passed away on June 20, 2017. The band’s legacy lives in through the countless acts these two inspired with their novel sampling, hardcore delivery and production style which summarized their lives in Queens.
ACTION BRONSON
Action Bronson is known for the two loves in his life, music and food. Born Ariyan Arslani in Flushing, Queens, Bronson first was a gourmet chef in New York City and had an online cooking show titled Action in the Kitchen. At the time, rapping was just a hobby of his, but he began to fully concentrate on his music career after breaking his leg while working.
Action’s debut album, Dr. Lecter, was released in 2011 only on his website and he released a number of mixtapes over the next few years while collaborating with countless other artists. His big break came in 2014 when he released his second album and starred in his own monthly web series. The album, Mr. Wonderful, and the show, Fuck… That’s Delicious garnered him popularity around the world.
Bronson has released two additional albums since then and has starred in The Irishman and The King of Staten Island. His show has since left the Vice network and gone independent and Action now focuses the episodes on his fitness lifestyle and cooking at home, rather than exploring restaurants around the world.
NIKKI MINAJ
This borough is famously named after royalty so it’s only appropriate that it’s the home of Nikki Minaj. Known the world over as the Queen of Hip Hop, she has sold over 137 million records and has had over 100 entries on the Hot 100 Chart.
Onika Tanya Maraj-Perry was born in Trinidad and Tobago in 1982 but moved to South Jamaica, Queens when she was five years old. In 2004, she recorded music with the Brooklyn group Full Force and began to upload songs to her MySpace profile after leaving the group. She released three mixtapes between 2007 and 2009 before being discovered by Lil Wayne, who signed her to Young Money Entertainment. Her debut album, Pink Friday, was released in 2010, has since gone triple-platinum and featured the hit-song “Super Bass.”
Over the next few years, Nikki would continue to release music and appear in other media as well. She voiced a character in 2012’s Ice Age: Continental Drift and also released her second album as well. Pink Friday: Roman Reloaded was comprised half of hip hop tracks and half of dance-pop tracks. For her third album, Minaj wanted to take things back to her hip hop roots and released The Pinkprint in 2013. It’s hit track, “Anaconda” became the first music video for a female rap song to hit 1 billion views.
The second half of the decade had Minaj continuing her success. She was featured in the third Barbershop movie, Barbershop: The Next Cut, and released her fourth album, Queen, in 2018. She performed the lead single “Chun-Li” on Saturday Night Live and also started her own Beats 1 radio show. Since this 2018 release, she has performed on countless other projects including BTS, Karol G and Doja Cat.
Well my name is DMC, the all time great I bust the most rhymes in New York State
Few groups in history can claim to have influenced more than an entire generation of musicians. Run DMC did all that and had a slew of firsts throughout their career. They were the first hip hop ground to achieve a Gold record, achieve a Platinum record and have an album go multi-platinum. They also were the first hip hop group to appear on MTV or American Bandstand, perform at Live Aid, be on the cover of Rolling Stone magazine or be nominated for a Grammy. Simply put, this was always Run’s House.
Joseph Simmons and Darryl McDaniels each grew up in Hollis, Queens and had dipped their toes into the burgeoning hip hop scene in NY by the time they were teenagers. Simmons older brother Russell had managed Kurtis Blow and was finally convinced to let them record as a duo. They brought their friend Jason Mizell, who went by the name Jam Master Jay, on as their DJ and the trio was born. Simmons was already rapping under the name DJ Run, but his brother made Darryl change his name to DMC, after his favorite car company. And with this, Run DMC was born.
The group’s debut album, Run-DMC, was released to the world in 1984 and the hit track, “Rock Box,” was the first video of its genre to appear on MTV. The video showed the group wearing black Kangol hats, black jeans and t-shirts, gold chains and Adidas sneakers. This look would define the band and influence fashion within the music industry for decades. Their following album, King of Rock, was released the following year.
In 1986, the trio teamed up with producer Rick Rubin to produce their third album, Raising Hell, which would go on to become one of the top-selling hip hop albums of all time. Just before the completion of the record, Rubin suggested that a rock cover would appeal to another audience. This led to the infamous cover of “Walk This Way” which featured both Steven Tyler and Joe Perry from Aerosmith on the track and would become one of the most famous songs from the 80s. This same album featured the hit track “My Adidas” which led to a monumental endorsement deal with the brand.
The 1988 release of Tougher Than Leather introduced the world to “Run’s House.” This was followed up over the next few years with Back From Hell and Down with the King. In 2002, they released their last album before the untimely passing of Jam Master Jay. The group was inducted into the Rock and Roll Hall of Fame in 2009.
KOOL G RAP
When hip hop was on its initial rise, it had its share of artists whose legacy and fame would last to this day. Notorious BIG, Jay-Z, Eminem and more still cite Kool G Rap as one of their biggest influences and his skills as an MC stands the test of time. He was one of the first rappers to incorporate mob content into his lyrics and his storytelling rivals that of Slick Rick.
Born in 1968 in Corona, Queens, Nathaniel Thomas Wilson grew up with legendary DJ Erik B who introduced him to DJ Polo. They got the opportunity record their first demo “It’s a Demo” thanks to Queen’s DJ Marley Marl who immediately added the two as Juice Crew members after the recording. Kool G Rap appeared on Juice Crew’s “The Symphony” in 1988 before releasing he and DJ Polo’s debut album in 1989. Road to the Riches is on The Source’s ‘100 Best Rap Albums’ list and the song “Men At Work” is the song that initially brought the member of The Roots together.
1990 and 1992 saw the release of both Wanted: Dead or Alive and Live and Let Die, which are each considered classic hip hop albums. In 1993, Kool G Rap chose a solo career and released his first solo album, 4,5,6 in 1995. Over the next two decades, Kool G Rap would release five additional solo albums and three other collaboration albums. He may be considered one of the most influential rappers from hip hop’s Golden Age, but he certainly never overstayed his welcome.
ERIK B
Eric Barrier is one of half of the hip hop duo Erik B & Rakim, one of the greatest DJ/MC combos in history. The beats and samples that he used during his mixing resulted in Paid in Full still being recognized as one of the greatest hip hop albums of all time.
Eric was born in East Elhurst, Queens in 1963 and he started DJ’ing with his brother and friends at a local roller rink. He originally was paving the way for a basketball career until he decided that music was going to be the priority in his life. While DJ’ing for a local radio station, a promoter in Queens introduced him to a rapper that would shape the course of his life forever, William Griffin, who went by the moniker Rakim.
The two’s first release was the 1986 single “Eric B is President,” which would catch the ear of Def Jam’s Russel Simmons. Simmons would sign the two to Island Records and in 1987, they would start work on their debut album, Paid in Full. The record was completed in one week and was certified Platinum eight years after its release. Two of the singles, “Paid in Full” and “I Ain’t No Joke,” became instant classics within the genre. On two separate occasions, Rolling Stone magazine has named the album number 51 on the list of the 500 Greatest Albums of All Time.
One year later, the two released their follow-up record, Follow The Leader. This album went Gold as did their 1990 release of Let the Rhythm Hit ‘Em. As the 90s began, they had a track on the soundtrack for House Party 2 and they also wrote the theme for the 1992 film, Juice. Both of these tracks were featured on the groups final album, Don’t Sweat The Technique. After this final release, the duo split-up due to contract-related disputes. However, in 2017, Erik B & Rakim reunited at the Apollo Theater in NYC before going on an American tour the following year.
CYNDI LAUPER
Although she was born in Brooklyn, Cyndi Lauper’s time in Ozone Park, Queens from age 4 to 17 made her who she is today. When she graduated from sixth grade, she was given her older sister’s acoustic guitar, which kicked off her love of music. It was also around this time that she started wearing colorful hair and clothing, which would become her image for the following decades.
Throughout the 1970s, Cyndi would begin her musical career as a singer in a number of cover bands. She found that she loved singing on stage, but was becoming increasingly unhappy singing only cover songs. She met a saxophone player named John Turi and in 1978, the two of them formed a band named Blue Angel. The manager for The Allman Brothers Band heard their demo and bought out their contract, all because he loved Lauper’s voice.
Blue Angel only had one release but it was unfortunately not well received. The band broke up after this and Lauper started waitressing and singing in small clubs around New York. She met David Wolff at one of these club performances and in 1981, he took over as her manager. Before long, she had recorded her first album as a solo artist and in 1983, her debut record was released to the world. She’s So Unusual had a total of six singles off of it, with “Girls Just Want to Have Fun” and “Time After Time” becoming instant classics. She received the award for Best New Artist at the 1985 Grammy Awards and she also won the first ever Best Female Video award at the 1984 MTV Video Music Awards.
1985 was just as busy for Lauper as she was part of the USA for Africa song “We Are the World” and was also featured on the soundtrack for The Goonies. The following year she appeared on the Billy Joel album The Bridge and also sang the theme song for the Pee-Wee’s Playhouse tv show. Her second album, True Colors, came out the same year and was followed up in 1989 by A Night to Remember.
Over the next 23 years, Cyndi would release eight additional albums and appear on dozens of television shows. She won an Emmy for her appearance on Mad About You and won both a Grammy and a Tony Award for her work on the hit musical Kinky Boots.
LL COOL J
I represent Queens, she was raised out of Brooklyn
Would James Todd Smith be as popular as he is if he went with his original pick for a name? J-Ski rolls off the tongue, but James wanted to avoid a name that could be associated with the rampant cocaine epidemic spreading across the country. For that reason, we all know that everyone may like Cool James, but the Ladies Love Cool James.
Smith grew up in Queens and his love for the group The Treacherous Three got him to start rapping at the age of 10. At the age of 16, his family saw his love for music and bought him the equipment he needed to further his passion. With turntables, a mixer, drum machine and amplifier in hand, he was recording demo tapes in his grandparents basement and sending them to record companies around NYC.
One of these record companies was Def Jam, who signed LL Cool J in 1984. That same year, he released the single “I Need A Beat” and sold over 100,000 copies of the 12-inch record. The following year, Def Jam released his debut full-length album and Radio sold a half million copies in its first five months. He would open for Run-DMC and the Beastie Boys on their Raising Hell tour and would go on to be the first hip hop artist to perform on American Bandstand.
One of LL Cool J’s most popular albums would follow in 1987 when Bigger and Deffer was released. This success led to 1989’s Walking with a Panther, which sold well but was criticized for straying from his original sound. Fans would only have wait another year for LL’s fifth album to return to its roots. Mama Said Knock You Out earned him a Grammy for the title track and would go on to become the best selling album of his career.
The beginning of the ’90s would allow LL to star in big screen roles and saw the release of 14 Shots to the Dome in 1993 and Mr. Smith in 1995. The latter featured “Doin It” and “Hey Lover” as singles and are still two of his more popular tracks to this day. Over the next 26 years, LL would go on to release seven more albums, star in many movies as well as the hit show NCIS: Los Angeles and would host the show Lip Sync Battle. This year, LL Cool J will be inducted into the Rock and Roll Hall of Fame for the Musical Excellence Award.
Louis Armstrong
If anybody was a master, it was Louis Armstrong. He was and will continue to be the embodiment of jazz.
Duke Ellington, 1971
With his gravelly voice and impressive trumpeting, Louis Armstrong is still considered to be one of the greatest jazz musicians of all time. Born in New Orleans in 1901, Louis was surrounded by the early sounds of jazz throughout his childhood. He was taught how to play the cornet at the age of 11 by Peter Davis who later chose the 13 year old Louis as his bandleader. He learned to sight read while playing on riverboats in the area until 1922 when he moved to Chicago to play in King Oliver’s Creole Jazz Band.
Flushing Town Hall Announces a virtual tribute to the American Melting Pot on Wednesday, July 14, 2021 at 7PM EST. The event will be focusing on and celebrating diverse music and musicians in celebration of the national holiday.
Flushing Town Hall is known as being a Smithsonian affiliate and presents multi-disciplinary global arts that engage and educate the global communities of Queens and New York City in general. The venue has been around since 1979 and is known for supporting local, immigrant, national, and international artists. Flushing Town Hall aims to serve and represent diverse communities in the world and strive to uphold the legacy of inclusiveness that has defined our community since the Flushing Remonstrance of 1657.
This Flushing Town Hall celebration of the American Melting Pot is being supported by the Louis Armstrong Educational Foundation, the monthly Jazz Jams have been led since 2016 by Astoria resident Carol Sudhalter. House band members include illustrious musicians Joe Vincent Tranchina, Scott Neumann, and Eric Lemon.
Carol Sudhalter, Flushing Town Hall’s Jazz Band leader spoke on this upcoming celebration saying, “From Latin Jazz to Miles Davis’ Sketches of Spain, music from practically every culture eventually finds its way into the jazz idiom, enriching its array of colors and sounds. In July we look forward to seeing how each participant contributes their own creative corner of the picture!”
In the past 15 months, streams by Flushing Town Hall have hosted over 200 musicians. The upcoming American Melting Pot celebration will host even more musicians adding to the numbers. Musicians who performed in 2020 are now welcome to return to perform in the upcoming performance. Each month, up to five returning musicians and up to 15 new musicians can participate. Selection is on a first-come, first-served basis.
Musicians interested in participating on July 14 should email education@flushingtownhall.org with the suggested three- to four-minute tune they intend to play in line with this month’s theme. The performance can be live or a pre-recorded audio or video (but not a professional, edited recording such as a CD or YouTube video).
Viewers can tune in to Flushing Town Hall’s Facebook page or Zoom on Wednesday, July 14 at 7:00 PM (EST) to join the live event for free, without registration.
For more information on the Flushing Town Hall’s tribute the American Melting Pot visit their website here.
Queens-based band The Forms released their first new new song “Southern Ocean” on June 21. This single marks The Forms’ return to music after a ten year hiatus.
The New York duo, made up of musicians Alex Tween and Matt Walsh, have two full-length albums to date, debuting Icarusin 2003 and critically acclaimed, self-titled, The Formsin 2007.
The last taste of new music from the group prior to ‘Southern Ocean’ was 2011 EP Derealization, that featured The National’s Matt Berninger and Shudder To Think’s Craig Wedren. Over the course of these releases, The Forms were invited to share the stage with a large collection of artists including St. Vincent, Nick Cave, The National, Dizzee Rascal, The Hold Steady, Kurt Vile, Jose Gonzales, Deerhunter and Bat For Lashes.
It might have taken a decade for The Forms, but “Southern Ocean” is worth the wait. The song provides a first hint of what is to come from The Forms’ upcoming third album.
The Forms’ style is a great representation of early 2000’s alternative, reminiscent of bands like Modest Mouse and Arcade Fire. This idea is most prevalent in their cover of Billy Joel‘s “We Didn’t Start The Fire.” The grungy electronic pop is iconic for the decade, and their current sound seems to be a more “grown up” version of the same intensity.
“Southern Ocean” is super upbeat and beachy, a similar vibe that electronic duo The Chainsmokers have. Fun-loving, yet reflective with lyrics like “Just another phase I’m in – Just another road I’m on – Doesn’t make a difference what I do.” This single definitely has potential to be on a pop-radio summer playlist.
The single arrives with a visualizer made up of a series of stunning shots of the Southern Ocean, the waters that inspired the name of the new track. Previously considered a part of the Pacific Ocean, the swift current off the coast of Antarctica is now being considered “too distinct” by National Geographic cartographers and is worthy of its own name.
The Long Island Music Hall of Fame has announced the awarding of its 2021 student scholarships. This year LIMHOF acknowledged four students with the $500 Distinction in Music award for their accomplishments.
This year’s winners are Elias Giuliano of Northport; Emily Howell of Plainview; Lauren Enos of Riverhead; and Anthony Barone of Mastic.
“The Long Island Music Hall of Fame is honored to have the opportunity to support and acknowledge accomplished high school seniors who are pursuing a future in music… The talent that exists on Long Island is something we at LIMHoF want to celebrate. In addition to following their own dreams, we believe these students will encourage and inspire others.”
LIMHoF Education Chairman Tom Needham
Left to right, top to bottom: Elias Giuliano of Northport; Emily Howell of Plainview; Lauren Enos of Riverhead; and Anthony Barone of Mastic, were the recipients of the 2021 Long Island Music Hall of Fame Distinction in Music Award.
Here are the for LIMHoF award winners:
Elias Giuliano, who attends Northport High School, plays viola in the symphony orchestra and piano in the jazz ensemble. He received accolades for his original compositions of piano music. “Elias possesses the versatility of a first-rate composer, performer, and mentor to so many students. He is an outstanding musician and person,” said Dr. Frank Doyle — who was awarded by LIMHoF as Music Educator of Note in 2016.
“I am honored and thrilled to be a LIMHoF scholarship recipient,” Giuliano said. “As an aspiring music teacher who wants to make music a lasting part of my life — and hopefully the lives of many others — I am humbled to be recognized by some of Long Island’s most amazing talent.”
Giuliano plans to attend SUNY Fredonia this fall and major in Music Education.
Emily Howell, who attends Plainview Old Bethpage High School, plays the French horn. In addition to recognition as a member of the National Association for Music Education (NAfME) All-Eastern Symphony Orchestra, she was also a member of the 2019 All-State Wind Ensemble and 2020 All-State Symphony Orchestra as a principal horn.
“Music provides a mode of expression and gives hope in a way that nothing else can; it truly enriches my life,” Howell said. “Music provides comfort and solace at all times — and especially in today’s unsettled times. Whether it might be at a funeral (where music truly heals), or a wedding (where music commemorates and celebrates), or simply in my living room or kitchen (where some type of live or recorded music is always going), music has an emotional role and influential presence. It is a vehicle for communication, an art of sound that expresses emotions, thoughts, and ideas through harmonies, rhythms and melody: The ultimate universal language that speaks to everyone.”
Howell plans to attend Julliard School of Music and major in performance on French horn.
Lauren Enos, who attends Riverhead High School, has been playing music since the third grade. She currently plays bass clarinet, and she participated in the All-State 2020 Wind Ensemble and was principal clarinet in the New York State School Music Association (NYSSMA) All-State 2019 Symphony Orchestra.
“It is a great honor to receive an award from the Long Island Music Hall of Fame and to be among some of the most distinguished musicians on Long Island,” Enos said. “I appreciate the generosity of this organization in their efforts to help musicians like me further their musical endeavors.”
Enos plans to attend Eastman School of Music in Rochester.
Anthony Barone, who attends William Floyd High School, plays double bass in the William Floyd High School Symphonic Orchestra and Chamber Orchestra. He also participated in the All-State 2019 and 2020 Symphony Orchestra and the New York Youth Symphony. “Anthony is the real deal,” said William Floyd Symphonic Orchestra Director Christopher Shaughnessy about Barone, “…One of the hardest working students I have ever met.”
“Music has made me what I am now, and in my heart of hearts, music is who I am,” said Barone. “I will become a teacher to not only spread my appreciation of music, but to also help those, like me, through music.”
Barone plans to attend Ithaca College this fall and major in Bass Performance.
Students in Brooklyn, Nassau, Queens, and Suffolk counties are eligible to apply for the scholarships. This program is in addition to other education acknowledgments that the Long Island Music Hall of Fame sponsors, including the Music Educator of Note and the High School Recognition Awards. Learn more about LIMHoF’s scholarship program HERE.
