Josh Lumsden has released a new music video, “Love Me Back,” on Friday, October 1. The eccentric, vibrant, and sci-fi inspired video could only be filmed in the New York City. Lumsden continues to work on new music with more visual media to be later released in the new year.
Josh Lumsden is a self made musician born & raised in Austin, Texas, now based in New York City and “Love Me Back” is his newest futuristic single. Lumsden’s new music video features his charming and intriguing persona complimented with a pop-beat heavy chorus that will get your feet moving. It doesn’t take long for Lumsden smooth vocals to become stuck in your head all day long.
Complete with four uniquely varying looks in the video directed by Mikey Harmon, we can learn a few fashion tips from the mesmerizing Josh Lumsden. Inclusive with a team underneath the entirety of LGBTQIA umbrella, Josh gives queers an opportunity to be in the forefront of the music industry once again.
The highly anticipated video is finally released where Josh Lumsden and Mikey Harmon had planned to collaborate for many months unfortunately delayed due to the pandemic. Harmon was sure to showcase Lumsden futuristic and sci-fi performance stylistically driving the down to earth narrative of lust and love embedded into the song’s lyrics.
Béla Fleck has announced the My Bluegrass Heart album celebration show at Carnegie Hall in NYC. The show will take place on January 9, 2022 and will feature big names in Chris Thile and Billy Strings, Jerry Douglas, and many more.
My Bluegrass Heart is the third album in Béla Fleck’s trilogy that began with 1988’s Drive and continued in 1999 with The Bluegrass Sessions. Produced and written by Fleck, My Bluegrass Heart continues the tradition of sharing music between generations. The album debuted at number one on the Bluegrass Album Chart and number three on the American / Folk Album Chart.
Béla Fleck who was born and raised in New York City spoke on the upcoming concert saying, “Calling something the ‘concert of a lifetime’ sure sounds like hype, and in many cases it would be. But not this time! At least for my world and my music, this is an unprecedented opportunity to bring some of the brightest instrumental lights in bluegrass—or any other music for that matter—to the incredible Carnegie Hall stage.”
The show will feature artists like Chris Thile and Billy Strings, the legendary Jerry Douglas, Sam Bush, Edgar Meyer and Stuart Duncan, as well as members of the next wave of virtuoso players, Sierra Hull, Molly Tuttle and Michael Cleveland.
The show is part of the Béla Fleck: My Bluegrass Heart Tour. Tickets are on sale now for the show and can be purchased here.
For more information on Béla Fleck and his new album My Bluegrass Heart celebration show at Carnegie Hall, visit his website.
Full Béla Fleck: My Bluegrass Heart Tour Lineup bellow:
11.27 Grand Rapids, MI // DeVos Performance Hall
11.28 Fort Wayne, IN // Clyde Theatre
11.29 Milwaukee, WI // Riverside Theater
12.01 St. Louis, MO // The Sheldon Concert Hall
12.02 Des Moines, IA // Hoyt Sherman Place
12.03 Salina, KS // The Stiefel Theatre
12.04 Denver, CO // Paramount Theatre*
12.05 Jackson, WY // Center For The Arts
12.07 Portland, OR // Arlene Schnitzer Concert Hall
12.08 Seattle, WA // Paramount Theatre*
12.09 Eugene, OR // Jaqua Concert Hall – 2 shows!
12.10 Redding, CA // The Cascade Theatre*
12.11 Reno, NV // Silver Legacy Resort Casino
12.12 Berkeley, CA // The UC Theatre
12.13 Carmel, CA // Sunset Cultural Center
12.14 Costa Mesa, CA // Segerstrom Center for the Arts
12.16 San Diego, CA // Balboa Theatre
12.17 Los Angeles, CA // Theater at the ACE Hotel
12.18 Tempe, AZ // Tempe Center for the Arts
12.19 Tucson, AZ // Fox Tucson Theatre
1.7.22 Ryman Auditorium // Nashville, TN – SOLD OUT
1.9.22 Carnegie Hall, NYC
Featuring Sam Bush, Jerry Douglas, Stuart Duncan, Edgar Meyer, & Bryan Sutton
* = Béla Fleck, Sam Bush, Stuart Duncan, Edgar Meyer, Bryan Sutton
Grateful Dead bassist Phil Lesh is making up for lost time from last year with an essential October residency at the legendary Capitol Theatre in Port Chester, NY. Three different Phil & Friends lineups will perform over three different three-day spans throughout the month, with the nine-night run coming to a close on Halloween. Each lineup brings a little something different to the table, with friends both old and new joining the fray.
The first three-night run is slated for October 11-13 and is set to play host to The Phil Lesh Quintet, aka The Q, the longest running version of Phil & Friends to date. It features longtime friends John Molo on drums and Rob Barraco on keys as well as the guitar stylings of Warren Haynes and Jimmy Herring.
The second run is scheduled for the following week, October 18 – 20. This one will see Stuart Bogie and Amy Helm join Phil on the first and last night of the run, with Eric D. Johnson, Josh Kaufman, Elliot Peck and Phil’s son Grahame set to play on the 19th. This run will also feature Joe Russo on drums and Benmont Tench on keys.
Lastly, a three-night run leading up to Halloween is set to play host to a plethora of musical stars. This includes Nicki Bluhm, Larry Campbell, Grahame Lesh, M.C. Taylor of Hiss Messenger Service, Teresa Williams and various members of Dawes.
Start making those October plans now. Tickets can be purchased here. All patrons 12 and over must show proof of either full vaccination or a negative COVID-19 test taken within 48 hours of entry.
Check out all setlists from the run so far below.
Friday, October 11
Set 1: Mason’s Children, Doin’ That Rag, The Low Spark of High Heeled Boys > So What > The Low Spark of High Heeled Boys, She Said She Said, Night of 1000 Stars
Set 2: Shakedown Street, Viola Lee Blues, New Speedway Boogie, Broken Arrow, Cryptical Envelopment > Wharf Rat > The Other One, I Know You Rider
Encore: The Real Thing
Saturday, October 12
Set 1: St. Stephen > The Eleven > Eyes of the World > Mountains of the Moon, Acadian Driftwood, The Wayfaring Stranger > Angel Band
Set 2: Uncle John’s Band > No More Do I, Bird Song, The Wheel > Terrapin Station > Morning Dew, Donor Rap
Encore: Sunshine of Your Love
Sunday, October 13
Set 1: Celebration, Not Fade Away, China Cat Sunflower, New Potato Caboose, Help on the Way > Slipknot! > Lucy in the Sky With Diamonds
Set 2: Scarlet Begonias > Fire on the Mountain > Scarlet Begonias, Unbroken Chain, Dark Star > So What, The Low Spark of High Heeled Boys, Dark Star > I Am the Walrus > Dark Star, Wharf Rat, Stella Blue > Franklin’s Tower, Donor Rap
On Sunday, October 10th, HR (who is best known as the frontman for the iconic punk band Bad Brains) performed at The Kingsland in Brooklyn. Opening acts included local punk bands Aliens and Public Nature.
Bad Brains formed in Washington D.C. in 1977. They are regarded as the pioneers of harcore punk although the bands members have objected to the term to describe their music. They also feature elements of other genres of music like reggae, funk, heavy metal, hip hop and soul. The band has had several members over the years, but the classic line up includes singer HR, guitarist Dr Know, bassist Darryl Jenifer and drummer Earl Hudson.
In more recent years, HR’s performances have become more mellow focusing on primarily reggae and rasta. His current backing band includes guitarist Ezekiel Zagar, bassist jfreshi and drummer Adam Williams. HR’s distinct voice still sounded the same as he performed songs from his solo career as well as some new ones that will be featured on his new album coming soon.
Public Nature opened the show on Sunday night. The band consists of lead singer/guitarist and founder Oscar Canas, bass player Robbie Harrison and drummer Scott Lehman. They sounded terrific as they ripped through songs from their catalogue such as “Old Bus”, “My Friend”, “Find My Baby” and “Summer Rain.” The band has a very Nirvana esque sound with heavy rips and melodic melodies. Oscar came to New York via MedellÃn, Colombia in 2014 with songs he had written over the years and released his first single under the band name Tender Beats. You can check out more of his music here.
Next was New York hardcore punk band Aliens. The band consists of frontman Blake Sandberg on guitar/vocals, Kevin Jones on bass and Miguel Vela on drums. They also put on a tremendous performance with songs from their inventory such as “Committed to Wind”, “Neversleep”, “Reflex Motor” and “The In Side. This band has played historic NYC venues such as CBGB, The Knitting Factory, Bowery Electric and has toured the US. Blake has also recorded with Hunt Sales (Iggy Pop/David Bowie) and The Rammellzee. You can find Alien’s music here.
Setlists:
Public Nature: Old Bus, My Friend, Play Love, Elephant Man, Find My Baby, Every Day Saturday, Summer Rain, Sentimental, Boo, She Said, Hey You
Aliens: Committed to Wind, Moving Parts, Neversleep, Shape Shifter, Guinea Pig, Enjoy Killing Time, Stow Away, Reflex Motor, Leave Luck To Heaven, Storage Space, Watch and Learn, The In Side
HR: Psalm 100, Easy, Attitude, Everything You Do, Peace and Love II, Let Luv Lead the Way, Married Again, Mighty Comforter, Sovereignty Prayer, I And I Survive, I Luv I Jah, Shame In Dem Game, Rasta
The Struts played Irving Plaza on Friday, October 8, part of a huge U.S. tour that started in August and takes them across the U.S. until mid-November. They were as tight as you’d expect from a band that’s been on tour for months, rocking thru a long set that included many new songs from their last record, Strange Days. It was written and recorded during the pandemic lockdown, and the title song’s chorus is an apt description of that time…
Oh these are strange days, In many strange ways, Science fiction I believe, Has become reality, Oh these are strange times, Lost in our minds, We don’t know, it’s unclear, Where we’ll be this time next year
the Struts
Thankfully the next year finds them onstage, where they belong. Their recorded music is made for packed shows with the crowd singing along, and Friday night was exactly that. From the second singer Luke Spiller swaggered onstage, the audience was singing and cheering at his command. Spiller is a natural performer, constantly moving and thriving on the audience’s feedback, never letting their set’s energy decrease.
the Struts
From the opening notes of “Primadonna Like Me” he controlled the entire show, engaging the crowd between every song by demanding more applause or encouraging them to do complicated sing alongs, reminiscent of Rob Halford of Judas Priest. He introduced every track with a description like ‘the next song is about my favorite thing’ before “Dirty Sexy Money” or ‘the last song was the foreplay and now we’re gonna turn down the lights, so get out your phones’ before the venue went dark and they played “Mary Go Round” by the light of the crowd’s phones.
the Struts
“Body Talks,” “One Night Only” and “Kiss This” are hit songs so it’s expected people joined in, but it was impressive how well the audience knew all the words to their new songs, including “I Hate How Much I Want You,” where they took over the part of the backing vocals sung on the album by Def Leppard’s Joe Elliott and Phil Collen. Other new songs played were “Wild Child,” (written with Tom Morello) that started with guitar player Adam Slack alone onstage in a spotlight for an extended introductory solo, and the sultry “Am I talking to the Champagne” that had Spiller singing at the piano.
the Struts
The last song was a long version of “I Do It So Well,” and Spiller introduced Slack, bass player Jed Elliott and drummer Gethin Davies, and then split the audience down the middle into Slack and Elliott’s sides, and pitted them against each other in a spirited cheering contest. After going back and forth for awhile Spiller said ‘fucking hell New York that was all right’ and then kept the song going, directing everyone to crouch down as they decreased the tempo and volume, and the place got hushed until Spiller told everyone to leap up and scream as loud as they could and the place went crazy. The song volumed soared and the crowd jumped up and down in unison, shaking the whole place. At the end they walked offstage leaving the audience chanting ‘one more song’ at the end of the set (which was selling the encore short because there were two songs left on the setlist.)
the Struts
Spiller came out alone and began “Strange Days” at the piano and the place went silent, appreciating his playing and impressive vocal range. They ended their show, unsurprisingly, with their smash hit “Could Have Been Me,” leading the crowd in one last sing along before taking a sweaty bow. It’s pretty common to find the Struts opening for the world’s biggest rock acts or playing festivals, so it was special to see them in a smaller venue like Irving Plaza.
the Struts
The Starbenders, from Atlanta, were the opening band. The crowd was mostly full and enjoyed their set, their moody stage lighting and sound were reminiscent of My Bloody Valentine or The Jesus and Mary Chain. They are playing several other dates on this Struts tour.
The Struts – Irving Plaza – October 8, 2021
Setlist: Primadonna Like Me, Body Talks, Kiss This, Hate How Much I Want You, Fire, One Night Only, Dirty Sexy Money, Low Key in Love, Mary Go Round (acoustic), Put Your Money on Me, Medley, Champagne, Wild Child, I Did it so Well Encore: Strange Days, Could Have Been Me
Coldplay and Amazon Music have teamed up for the ultimate debut two-day event in the heart of New York City. The audience will hear Music of the Spheres in a whole new light inside “The Atmospheres” – an intergalactic audio-visual experience at Vanderbilt Hall in Grand Central Terminal.
The audience will be inside the custom-built installation perfect for Coldplay’s new album, Music of the Spheres, that will be officially released October 15th which features The Spheres, the distant solar system that where each of the twelve tracks is twinned with a different planet.
“The Atmospheres” will find a worldwide audience, coming to New York as well as London, Tokyo, and Berlin. These big cities will bring you to redesigned exhibits of the alien worlds Coldplay has created.
“The Atmospheres” has also created interactive features for their fans where they can create their own alien language messages and snap selfies in an augmented reality photobooth. The jaw dropping environment will be soundtracked with the highlight album People of the Pride, mixed in Dolby Atmos to better exhibit the exclusive 360 visuals.
Coldplay fans will not be able to resist this two-day pop-up event, running from Friday, 15 October through Saturday, 16 October in London, New York, Tokyo, and Berlin. Dolby Atmos “The Atmospheres” will have their viewers perplexed and by exhibiting a new way of experiencing music in the most immersive way possible. Register for tickets here.
Orebolo, an acoustic trio featuring Goose members Rich Mitarotonda (vocals, guitar) Peter Anspach (vocals, guitar), Jeff Arevalo (upright bass) have announced a series of six winter tour dates.
In December, the trio will make stops in Upstate New York at Tarrytown Music Hall, and Homer Center for the Arts, as well as Spruce Peak Performing Arts in Stowe, followed by a three shows in Colorado in late January.
The group has built a faithful following nationwide, following a series of virtual festival appearances in 2020, and an acclaimed performance at Lockn’ Presents FRED The Festival in August 2021. Formed during the height of the initial COVID-19 surge, the members of Orebolo shared a home and found comfort in learning new covers and creatively exploring Goose’s deep catalog acoustically.
Starting this project was a source of relief for all of us, especially during such a crazy time. Our initial practice and recording space was inside our solarium – the vibe was really tranquil, and we wanted our listeners to share in that feeling. I’m stoked we have the opportunity to take this out on the road and perform in some incredible rooms.
Peter Anspach
Pre-sale tickets will be available Wednesday, October 13 at 10AM venue local time using the code ‘OREBOLO’. The general on-sale will follow on Friday, October 15 at 10AM venue local time. For more information, and to purchase tickets, visit orebolo.com.
Goose made it look almost all too easy to sell out their second night of Terminal 5 on October 9, 2021. The Connecticut-based quartet undeniably took the audience on a full fledged journey that encompassed the multitude of genres that have influenced the band, thus far. Lucky New Yorkers had a chance to experience the powerhouse that transported us somewhere outside New York City this weekend.
Stage lights dim welcoming Rick, Peter, Trevor, Ben, and Jeff on stage, accompanied with a roar from fans begging “GOOSE”, echoing from all three stories inside the terminal. “Tumble” opened the show where Ben Atkind (drums) did us the favor of pulling us into the groovy funk dictating the addictive dancey beat that defines Goose. Rick Mitarotonda (guitar, vocals) spoke indefinitely through the gorgeous Paul Reed Smith Hollowbody II, putting the audience in a trance with his guitar shredding improv through Bob Don.
Peter Anspach makes his first lead vocal debut of the night with a new song from the band, Life On the Shelf. Clearly an unreleased hit, without knowing any words fans were hooked on the chorus, dancing and swaying to the sincere folk tune, highlighted by Rick and Peter’s buttery harmonies. Followed with “Jive Lee” and “Jive II,” Peter’s funky solos and Trevor Weekz thick bass lines brought the crowd furiously jumping and screaming once again. Without any hesitation the audience was pulled into a surprise cover of “Rock the Casbah” from the Clash shaking the floor until the end of set I.
“Wysteria Lane” kicked off the second set with a smile and Peter’s earnest vocals, with some help from the Luigi plush on one of his three dazzling double casio keyboards. Unbelievable Goosian-shredding kept the crowd mesmerized cheering with each cadence as both Rick and Peter swiftly moved up and up the neck leaving the audience asking if they came to a hard rock concert. Rick guided us through Seekers on the Ride I and II with ease reminding fans of their versatility as artists. The loudest cheers of the night broke when Rick’s eccentric solos pushed to the well known hard twangy intro of “Hot Tea.” Ending with “Dragon Fly I & II,” Rick eased our anxieties with a smile “Don’t worry we have one more set.”
“Get The Funk Out of My Face” was not the only cover of set III, but Goose’s folk rock cover of Foster the People’s “Pumped Up Kicks” made it sound like Goose could’ve written the song. Just when we thought Trevor Weekz might just be too cool for us, being the backbone of Goose with his 5-string bass and sunglasses, the spotlight shined on him as he read a “Acquainted with the Night” by Robert Frost backed by Ben Atkind (drums) and Rick filling some eerie melodies. The band endurance was unrequited through three full set of nonstop music eventually wrapping with an Encore of “Hot Tea.”
Goose – Terminal 5 – Friday, October 8, 2021
Set 1: So Ready, Look Out Cleveland, Honeybee, Indian River, The Whales, All I Need
Set 2: 2021> Old Man’s Boat >2021, Rosewood Heart > Into the Myst, Echo of a Rose > 2021
Encore: Flodown
Goose – Terminal 5 – Saturday, October 9, 2021
Set 1: Tumble, Bob Don, Life on a Shelf*, White Lights > Jive 1 > Jive Lee > Rock the Casbah
Set 2: Wysteria Lane > It Burns Within, Seekers on the Ridge [Part I & II], Hot Tea > Dragonfly [I&II]
Set 3: Get The Funk Out Ma Face, Creatures > Pumped Up Kicks, Madhuvan** > Turn on Your Love Light > Madhuvan
A new archival release from the estate of Jerry Garcia highlights a series of Fall 1989 shows taking place in Hartford, CT and Uniondale, NY. Dubbed “The Long Island Sound,” the two shows recorded by John Cutler feature one set each night from Bob Weir and Rob Wasserman, along with two-set performances each night from Jerry Garcia Band.
cover art by Stanley Mouse
Released on Round Records, Fall 1989: The Long Island Sound features two complete performances with over five and a half hours of previously unreleased music from September 5th, 1989 at the Hartford Civic Center in Hartford, CT and September 6th, 1989 at Nassau Coliseum in Uniondale, NY.
Fall 1989: The Long Island Sound celebrates the storied East Coast 1989 run which featured acoustic duo Bob Weir and Rob Wasserman setting the stage for two nightly sets from the Jerry Garcia Band.
Recorded on a 2-track DAT and mastered by Joe Gastwirt, this collection contains audio with apparent, irremediable sonic imperfections (most notably the distortion on Jerry’s vocal during “Cats Under The Stars”) heard by all who experienced these performances in person or on tape. Despite the limitations in fidelity, the performances presented showcase timeless, transcendent and often blistering moments of pure magic.
The release features an album package including a liner note essay by Blair Jackson and archival memorabilia from the collection of Steve Parish. Pre-order the box set here.
September 5th, 1989 – Hartford Civic Center – Hartford, CT
Bob Weir & Rob Wasserman: Festival, Fever, K.C. Moan, Desolation Row, Looks Like Rain, The Winners, Victim or the Crime -> Wasserman Bass Improvisation no. 1 -> Throwing Stones
Jerry Garcia Band Set 1: Cats Under the Stars, They Love Each Other, Waiting for a Miracle, Run for the Roses, Like a Road, My Sisters and Brothers, Deal
Set 2: The Harder They Come, Mission in the Rain, Forever Young, Evangeline, Gomorrah, Don’t Let Go -> Lonesome and a Long Way From Home
September 6th, 1989 – Nassau Coliseum – Uniondale, NY
Bob Weir & Rob Wasserman: Walking Blues, City Girls -> Fever, Blackbird -> When I Paint My Masterpiece, Shade of Grey -> The Winners -> Easy to Slip -> Wasserman Bass Improvisation no. 2, Heaven Help The Fool
Jerry Garcia Band Set 1: How Sweet It Is (To Be Loved By You), Stop That Train, That’s What Love Will Make You Do, Mississippi Moon, I Second That Emotion, And It Stoned Me, Deal
Set 2: The Harder They Come, Dear Prudence, I Shall Be Released, Let It Rock, Evangeline, That Lucky Old Sun, Tangled Up in Blue
The Bushwick Film Festival (BFF) makes its return to Brooklyn at the end of October, holding virtual screenings and in-person events from October 20-24. The 14th annual festival will be kicking off with an opening night reception at lounge/ restaurant, Lot 45.
The indie film series will also feature a combination of virtual streaming events, live screenings, Q&A panels and hands-on workshops. The festival attracts over 3500 attendees annually, and more than 1500 film submissions from around the world. This year, BFF made changes to their standard submission guidelines by accepting both screenplays and Non-Fungible Token (NFT) videos.
Every year our program is dynamic, but what makes this year so special is the renewed enthusiasm and appreciation for personal interactions,
BFF founder and CEO Kweighbaye Kotee said in a press release.
Our hybrid model still has limitations, but gives us hope for the future. The stories we share always offer us the ability to see ourselves in ways we hadn’t imagined before, and we look forward to the incredible lineup this year.
That lineup consists of over 135 films from 27 different countries. Though all films will be available online, BFF partnered with Brooklyn’s Regal Cinemas for a full-day, in-person screening on October 23. The festival is dedicated to highlighting diverse stories and underrepresented storytellers, reflecting Brookyn’s cultural diversity and artistic vibrance.
The Films
Many films on this year’s schedule grapple with navigating poverty, oppression and identity. BFF will show the acclaimed Women is Losers, directed by Lissette Feliciano andstarring Lorenza Izzo and the breakout star of Marvel’s Shang-Chi and the Legend of the Ten Rings, Simu Liu. The film follows Izzo as a Catholic schoolgirl fighting poverty and working to build an unprecedented future for herself in 1960’s San-Francisco. Americanized, directed by Erica Eng,follows high school student Eng who, growing up immersed in Oakland’s hip-hop culture, struggles to understand her Chinese-American identity and “tries to find a sense of belonging within two worlds that don’t accept her.” And in Finesse, directed by Vincent Martell, three Chicago roommates “struggle to survive capitalism and find intimacy,” eventually questioning their relationships after a psychedelic experience.
The Documentaries
In addition to original screenplays, the festival will feature a selection of documentaries as well. Contributions include Bangla Surf Girls, a documentary directed by Elizabeth D. Costa following three Bangledashi girls as they join a surf club, navigate family pressure and ultimately come of age. The Last Out, directed by Michael Gassert and Sami Khan, tells a parallel story of seeking more from life. The film follows three Cuban baseball players risking everything to train for their Major League dreams. Released in 2020, the film won Gassert and Khan multiple awards and nominations. The LastOut also received a nomination for Best Documentary Feature at the 2020 Tribeca Film Festival.
The Events
Though the official schedule has not been announced, BFF will host filmmaker Q&A’s every night at 7pm, beginning October 20. Festival attendees will also have opportunities to network with industry professionals at an event at Circa Brewing Co. on October 24. For those participating in the festival online, special events are still accessible. A Movie Industry Conference will be held virtually on October 24th,. Panelists include Emmy-nominated producer Mynette Louie and the editor of HBO’s Scenes from a Marriage, Yael Hersonski, among others..
To cap off the week of festivities, BFF will send approximately ten featured films home with awards. Categories include Best Feature (Narrative and Documentary), Best Series, and Best Short (Narrative or Documentary.)
Tickets to the Bushwick Film Festival, and a full list of films, are available here.
